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<book id="2786094">
  <title><![CDATA[The Rest Is Noise]]></title>
  <isbn><![CDATA[0312427719]]></isbn>
  <isbn13><![CDATA[9780312427719]]></isbn13>
    <image_url>http://photo.goodreads.com/books/1255584185m/2786094.jpg</image_url>
    <work>
  <best_book_id type="integer">392563</best_book_id>
  <books_count type="integer">15</books_count>
  <default_description>The scandal over modern music has not died down. While paintings by Pablo Picasso and Jackson Pollock sell for a hundred million dollars or more, shocking musical works from Stravinsky&amp;#8217;s &lt;i&gt;Rite of Spring &lt;/i&gt;onward still send ripples of unease through audiences. At the same time, the influence of modern music can be felt everywhere. Avant-garde sounds populate the soundtracks of Hollywood thrillers. Minimalist music has had a huge effect on rock, pop, and dance music from the Velvet Underground onward. Alex Ross, the brilliant music critic for &lt;i&gt;The New Yorker&lt;/i&gt;, shines a bright light on this secret world, and shows how it has pervaded every corner of twentieth century life.

&lt;i&gt;The Rest Is Noise &lt;/i&gt;takes the reader inside the labyrinth of modern sound. It tells of maverick personalities who have resisted the cult of the classical past, struggled against the indifference of a wide public, and defied the will of dictators. Whether they have charmed audiences with the purest beauty or battered them with the purest noise, composers have always been exuberantly of the present, defying the stereotype of classical music as a dying art.

Ross, in this sweeping and dramatic narrative, takes us from Vienna before the First World War to Paris in the twenties, from Hitler&amp;#8217;s Germany and Stalin&amp;#8217;s Russia to downtown New York in the sixties and seventies. We follow the rise of mass culture and mass politics, of dramatic new technologies, of hot and cold wars, of experiments, revolutions, riots, and friendships forged and broken. In the tradition of Simon Schama&amp;#8217;s &lt;i&gt;The Embarrassment of Riches &lt;/i&gt;and Louis Menand&amp;#8217;s &lt;i&gt;The Metaphysical Club&lt;/i&gt;, the end result is not so much a history of twentieth-century music as a history of the twentieth century through its music.</default_description>
  <id type="integer">2373496</id>
  <media_type>book</media_type>
  <original_language_id type="integer" nil="true"></original_language_id>
  <original_publication_day type="integer">16</original_publication_day>
  <original_publication_month type="integer">10</original_publication_month>
  <original_publication_year type="integer">2007</original_publication_year>
  <original_title>The Rest Is Noise: Listening to the Twentieth Century</original_title>
  <rating_dist>total:728|5:308|4:316|3:83|2:14|1:8|</rating_dist>
  <ratings_count type="integer">728</ratings_count>
  <ratings_sum type="integer">3084</ratings_sum>
  <reviews_count type="integer">2113</reviews_count>
  <text_reviews_count type="integer">206</text_reviews_count>
</work>

  <average_rating><![CDATA[4.24]]></average_rating>
  <ratings_count><![CDATA[16]]></ratings_count>
  <text_reviews_count><![CDATA[6]]></text_reviews_count>
  <url><![CDATA[http://www.goodreads.com/book/show/2786094.The_Rest_Is_Noise]]></url>
  <authors>
        <author id="2870641">
      <name><![CDATA[Alex  Ross]]></name>
      <role><![CDATA[]]></role>
      <url><![CDATA[http://www.goodreads.com/author/show/2870641.Alex_Ross]]></url>
      <average_rating><![CDATA[4.24]]></average_rating>
      <ratings_count><![CDATA[728]]></ratings_count>
      <text_reviews_count><![CDATA[206]]></text_reviews_count>
    </author>
      </authors>
    <reviews start="1" end="20" total="2112">
    <review id="11417702">
    <user id="42508">
    <name><![CDATA[Greg]]></name>
    <location><![CDATA[Woodside, NY]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/42508-greg?utm_medium=api]]></url>
  </user>
      <rating>4</rating>
  <votes>5</votes>
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  <spoiler_flag>false</spoiler_flag>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Tue Jan 01 00:00:00 -0800 2008</read_at>
  <date_added>Tue Jan 01 19:47:32 -0800 2008</date_added>
  <date_updated>Fri Jan 18 06:18:29 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[This book took me way too long to read, which is a little strange because I found it very interesting and quite inspiring.  I'm tempted to give it five stars, but I'm too much of a dilettante when it comes to cough, <em>serious</em> music to  not necessarily take everything that the author is saying at face ...<a href="http://www.goodreads.com/review/show/11417702">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/11417702?utm_medium=api]]></url>
</review>
    <review id="11211519">
    <user id="343537">
    <name><![CDATA[Gary]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/343537-gary?utm_medium=api]]></url>
  </user>
      <rating>5</rating>
  <votes>4</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[cultural creatives, anyone interested in 20th century music / art]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon Jan 01 00:00:00 -0800 2007</read_at>
  <date_added>Sat Dec 29 07:43:03 -0800 2007</date_added>
  <date_updated>Sat Dec 29 07:52:02 -0800 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[alex ross is one of the few remaining music critics for a major american periodical (there used to be many more, but it's a dwindling profession/art), in his case, <em>the new yorker</em>.  he attends a concert more than once if possible, with the score and without, in order to both understand the music <em>and</em> ...<a href="http://www.goodreads.com/review/show/11211519">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/11211519?utm_medium=api]]></url>
</review>
    <review id="9264688">
    <user id="133661">
    <name><![CDATA[Tosh]]></name>
    <location><![CDATA[Los Angeles, CA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/133661-tosh?utm_medium=api]]></url>
  </user>
      <rating>4</rating>
  <votes>4</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
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      </shelves>
  <recommended_for><![CDATA[the music adventurer and who credit at Amoeba Music]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon Jan 28 00:00:00 -0800 2008</read_at>
  <date_added>Sun Nov 18 06:35:03 -0800 2007</date_added>
  <date_updated>Mon Jan 28 20:56:23 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Alex Ross' wonderful trip to the 20th Century via the world of classical music and it's composers.  As I mentioned I had very little knowledge of classical music  - especially modern.  I knew Glass, Reich, Satie, but overall this is pretty much a new world music wise.<br/><br/>Saying that this is ...<a href="http://www.goodreads.com/review/show/9264688">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/9264688?utm_medium=api]]></url>
</review>
    <review id="39271220">
    <user id="192027">
    <name><![CDATA[Bob]]></name>
    <location><![CDATA[Duluth, MN]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/192027-bob-king?utm_medium=api]]></url>
  </user>
      <rating>4</rating>
  <votes>2</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
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      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Thu Dec 04 05:28:21 -0800 2008</date_added>
  <date_updated>Fri Dec 05 09:32:10 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I heard many positive comments on this book, and being a lover of contemporary classical music, finally picked up a used copy. What's unique about the writing is that Ross mixes in just the right amount of historical context to the lively music scene of the past hundred years. You get into the heads...<a href="http://www.goodreads.com/review/show/39271220">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/39271220?utm_medium=api]]></url>
</review>
    <review id="11737936">
    <user id="746684">
    <name><![CDATA[Joe]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/746684-joe?utm_medium=api]]></url>
  </user>
      <rating>4</rating>
  <votes>2</votes>
  <sell_flag>false</sell_flag>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Nov 01 00:00:00 -0700 2007</read_at>
  <date_added>Sat Jan 05 16:31:41 -0800 2008</date_added>
  <date_updated>Sat Jan 05 16:46:01 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I began this book almost wholly ignorant of most of its central figures.  I knew that &quot;twelve-tone music&quot; was something controversial and supposedly inaccessible, but I didn't know what it was or if I'd ever heard any.  So there may be major composers skipped, controversies skirted, opinio...<a href="http://www.goodreads.com/review/show/11737936">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/11737936?utm_medium=api]]></url>
</review>
    <review id="10747312">
    <user id="291009">
    <name><![CDATA[Alex]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/291009-alex?utm_medium=api]]></url>
  </user>
      <rating>4</rating>
  <votes>2</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Nov 01 00:00:00 -0700 2007</read_at>
  <date_added>Thu Dec 20 07:57:12 -0800 2007</date_added>
  <date_updated>Thu Jan 17 07:13:06 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Ross, whose articles in the New Yorker I have followed religiously for years, and continue to anticipate with a zeal otherwise reserved for The Wire, delivers a multi-layered and exhaustively researched portrait of a century's music and its reception.  His account includes not only a collection of n...<a href="http://www.goodreads.com/review/show/10747312">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/10747312?utm_medium=api]]></url>
</review>
    <review id="51033512">
    <user id="1944947">
    <name><![CDATA[Barnaby]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1944947-barnaby-thieme?utm_medium=api]]></url>
  </user>
      <rating>5</rating>
  <votes>1</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="music" />
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Fri May 01 00:00:00 -0700 2009</read_at>
  <date_added>Tue Mar 31 10:08:52 -0700 2009</date_added>
  <date_updated>Fri May 22 11:47:38 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This ambitious, thrilling guide to notational music in the twentieth century admirably succeeds in its many goals. Alex Ross, recent recipient of a MacArthur &quot;Genius&quot; Grant, is an accomplished music critic of the New Yorker. He maintains one of the most readable blogs on the internet: <a rel="nofollow" target="_blank" href="http://www.therestisniose.com.">http://www.therestisniose.com.</a>...<a href="http://www.goodreads.com/review/show/51033512">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/51033512?utm_medium=api]]></url>
</review>
    <review id="32764979">
    <user id="580941">
    <name><![CDATA[Jason]]></name>
    <location><![CDATA[Brighton, MA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/580941-jason?utm_medium=api]]></url>
  </user>
      <rating>4</rating>
  <votes>1</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="history" />
        <shelf name="music" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Nov 06 00:00:00 -0800 2008</read_at>
  <date_added>Sat Sep 13 07:39:38 -0700 2008</date_added>
  <date_updated>Thu Nov 06 15:55:31 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[This is a fantastic book for the most part.  <br/><br/>Beginning with Mahler and Richard Strauss, Ross brings the century's greatest composers and their works to life.  The book is part musical criticism, part history, telling the major events of the Twentieth Century through the accompanying soun...<a href="http://www.goodreads.com/review/show/32764979">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/32764979?utm_medium=api]]></url>
</review>
    <review id="21042756">
    <user id="905998">
    <name><![CDATA[Brooke]]></name>
    <location><![CDATA[Salt Lake City, UT]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/905998-brooke?utm_medium=api]]></url>
  </user>
      <rating>5</rating>
  <votes>1</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Apr 19 16:02:51 -0700 2009</read_at>
  <date_added>Sat Apr 26 12:30:12 -0700 2008</date_added>
  <date_updated>Sun Apr 19 16:02:51 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Alex Ross is, in my opinion, one of the better writers for <em>The New Yorker</em>.  This history of 20th-century art music is quite a feat: how to make some of the world's most difficult music accessible and understandable to the average music fan?  <br/><br/>Really, even though Ross' ability to describe ...<a href="http://www.goodreads.com/review/show/21042756">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/21042756?utm_medium=api]]></url>
</review>
    <review id="18394744">
    <user id="386842">
    <name><![CDATA[Jesse]]></name>
    <location><![CDATA[Brooklyn, NY]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/386842-jesse?utm_medium=api]]></url>
  </user>
      <rating>4</rating>
  <votes>1</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Tue Mar 18 00:00:00 -0700 2008</read_at>
  <date_added>Sat Mar 22 14:17:48 -0700 2008</date_added>
  <date_updated>Wed Mar 26 18:52:46 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[As a music major, I studied 20th century classical music.  However, it seemed to be placed at the end of the music history courses as kind of a novelty.  The dark plots of the 20th century operas were marveled at.  We thought that Harry Partch's 43 note scale was interesting, but never really consid...<a href="http://www.goodreads.com/review/show/18394744">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/18394744?utm_medium=api]]></url>
</review>
    <review id="8439541">
    <user id="334877">
    <name><![CDATA[Lawrence A]]></name>
    <location><![CDATA[New York, NY]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/334877-lawrence-a?utm_medium=api]]></url>
  </user>
      <rating>5</rating>
  <votes>1</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="newyorkhistory" />
        <shelf name="non-fiction" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu May 08 00:00:00 -0700 2008</read_at>
  <date_added>Tue Oct 30 10:45:15 -0700 2007</date_added>
  <date_updated>Thu May 08 08:23:19 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[This is a truly amazing critical and historical survey of &quot;classical&quot; or &quot;composed&quot; music in the 20th century by an author conversant in both the &quot;high art&quot; of the European composers and their progeny, and the ragtime, jazz, folk, rock, and hip-hop music that informed a...<a href="http://www.goodreads.com/review/show/8439541">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/8439541?utm_medium=api]]></url>
</review>
    <review id="10489146">
    <user id="149340">
    <name><![CDATA[Andy]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/149340-andy?utm_medium=api]]></url>
  </user>
      <rating>4</rating>
  <votes>1</votes>
  <sell_flag>false</sell_flag>
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  <shelves>
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sat Dec 01 00:00:00 -0800 2007</read_at>
  <date_added>Sat Dec 15 21:48:56 -0800 2007</date_added>
  <date_updated>Sat Dec 15 21:49:00 -0800 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[Not sure what this book ultimately is - it's neither truly educational nor openly personal in approach. It's somewhere loose and in-between - like a series of magazine articles that each aims simply to be interesting more than anything else, often via flourishes that don't necessarily add up to anyt...<a href="http://www.goodreads.com/review/show/10489146">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/10489146?utm_medium=api]]></url>
</review>
    <review id="17240077">
    <user id="333692">
    <name><![CDATA[pianogal]]></name>
    <location><![CDATA[Nashville, TN]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/333692-pianogal?utm_medium=api]]></url>
  </user>
      <rating>4</rating>
  <votes>1</votes>
  <sell_flag>false</sell_flag>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sat Mar 01 00:00:00 -0800 2008</read_at>
  <date_added>Fri Mar 07 10:16:10 -0800 2008</date_added>
  <date_updated>Thu Mar 13 17:23:05 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[This one vacillates between a 3 and a 4.  When Ross talks about listening to the 20th century - he mean the WHOLE thing.  Everything from Strauss to the Velvet Underground.  He also includes quite a bit of theory behind the myriad of pieces he mentions.  I thought it was fine - if a bit overexplanat...<a href="http://www.goodreads.com/review/show/17240077">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/17240077?utm_medium=api]]></url>
</review>
    <review id="14611991">
    <user id="39914">
    <name><![CDATA[Vicki]]></name>
    <location><![CDATA[New York, NY]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/39914-vicki?utm_medium=api]]></url>
  </user>
      <rating>5</rating>
  <votes>1</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Wed Feb 13 00:00:00 -0800 2008</read_at>
  <date_added>Tue Feb 05 07:16:49 -0800 2008</date_added>
  <date_updated>Wed Feb 13 07:54:09 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[A captivating history on 20th Century classical music. It is sure to provoke a certain nostalgia for your favorite classical pieces. Holst is but a line mention but I immediately put in &quot;Jupiter.&quot; By and large this book will greatly flesh out what knowledge you already of have of 20th Cent...<a href="http://www.goodreads.com/review/show/14611991">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/14611991?utm_medium=api]]></url>
</review>
    <review id="39115820">
    <user id="551473">
    <name><![CDATA[Ben]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/551473-ben?utm_medium=api]]></url>
  </user>
      <rating>5</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
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      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Tue Dec 02 10:21:00 -0800 2008</date_added>
  <date_updated>Tue Dec 02 10:21:19 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[This ranks with some of the best non-fiction for laymen out there (much of which is written by John McPhee.)<br/><br/>A glut of information, generously larded through with singular anecdotes and quotes, surrounded by the obvious and intense love for the subject felt by Alex Ross.<br/><br/>In som...<a href="http://www.goodreads.com/review/show/39115820">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/39115820?utm_medium=api]]></url>
</review>
    <review id="70796679">
    <user id="897874">
    <name><![CDATA[Bruce]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/897874-bruce?utm_medium=api]]></url>
  </user>
      <rating>2</rating>
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  <read_at>Sat May 30 00:00:00 -0700 2009</read_at>
  <date_added>Thu Sep 10 20:01:31 -0700 2009</date_added>
  <date_updated>Thu Sep 10 20:04:12 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Alex Ross’ <u>The Rest is Noise</u> is a more or less chronological narrative of 20th century classical music, beginning with Richard Strauss and more or less ending with John Adams.  Initially culled from Ross’ various <em>New Yorker</em> essays, concert reviews, and liner notes, Ross has done a nice job of se...<a href="http://www.goodreads.com/review/show/70796679">more...</a>]]></body>
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    <review id="62865974">
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    <name><![CDATA[M]]></name>
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      <rating>4</rating>
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  <read_at>Thu Jul 09 00:00:00 -0700 2009</read_at>
  <date_added>Thu Jul 09 21:08:07 -0700 2009</date_added>
  <date_updated>Thu Jul 09 21:19:03 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[	One’s ignorance -- one being the hodge-podge listener of all musics obviously known and rarely rare -- that ignorance smacks right up against this book, which blends interesting tidbits of ‘great man’ biography and historical watersheds with the motivations mysterious and crass whereby putati...<a href="http://www.goodreads.com/review/show/62865974">more...</a>]]></body>
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    <review id="54397403">
    <user id="2270044">
    <name><![CDATA[Patrick]]></name>
    <location><![CDATA[Chicago, IL]]></location>        
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      <rating>5</rating>
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  <read_at>Thu Jan 01 00:00:00 -0800 2009</read_at>
  <date_added>Wed Apr 29 14:18:19 -0700 2009</date_added>
  <date_updated>Wed Apr 29 14:31:05 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I was at odds when I started reading this book.  I felt that when I was in college attempting to become a musician, my interest in 20th century music was minimal. (note: NOT minimalist!)  Over the past few years however, my thoughts and ideas on music and shifted more toward the artists represented ...<a href="http://www.goodreads.com/review/show/54397403">more...</a>]]></body>
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</review>
    <review id="53319749">
    <user id="868037">
    <name><![CDATA[Josh]]></name>
    <location><![CDATA[Portland, ME]]></location>        
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      <rating>4</rating>
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  <date_added>Mon Apr 20 05:13:55 -0700 2009</date_added>
  <date_updated>Mon Apr 20 05:21:31 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[A gigantic survey, with all the weaknesses of surveys: speed, superficiality, and the eventual creation of a vague hum in my head, as if I'd been listening to, rather than just reading about, all these works over the last two weeks, at high volume and through very large headphones. That having been ...<a href="http://www.goodreads.com/review/show/53319749">more...</a>]]></body>
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    <review id="52761817">
    <user id="344915">
    <name><![CDATA[Jim]]></name>
    <location><![CDATA[Portland, OR]]></location>        
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      <rating>4</rating>
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  <read_at>Wed Apr 15 00:00:00 -0700 2009</read_at>
  <date_added>Wed Apr 15 07:14:30 -0700 2009</date_added>
  <date_updated>Wed Apr 15 07:17:04 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[The great charm of this book comes from the way Ross ties together the work, the lives of the composers, and the general trends in history  much in the way Kenneth Clark did in <strong>Civilisation</strong>, the great art history book (and TV series) of my youth.<br/><br/>The sections on music under Stalin and Hit...<a href="http://www.goodreads.com/review/show/52761817">more...</a>]]></body>
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