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<book id="2784">
  <title><![CDATA[Ways of Seeing]]></title>
  <isbn><![CDATA[0140135154]]></isbn>
  <isbn13><![CDATA[9780140135152]]></isbn13>
  <work>
  <best-book-id type="integer">2784</best-book-id>
  <books-count type="integer">7</books-count>
  <default-description> 
&quot;Seeing comes before words. The child looks and recognizes before it can speak. &quot;But there is also another sense in which seeing comes before words. It is seeing which establishes our place in the surrounding world; we explain that world with words, but word can never undo the fact that we are surrounded by it. The relation between what we see and what we know is never settled.&quot; John Berger's Ways of Seeing is one of the most stimulating and the most influential books on art in any language. First published in 1972, it was based on the BBC television series about which the (London) Sunday Times critic commented: &quot;This is an eye-opener in more ways than one: by concentrating on how we look at paintings . . . he will almost certainly change the way you look at pictures.&quot; By now he has. &quot;Berger has the ability to cut right through the mystification of the professional art critics . . . He is a liberator of images: and once we have allowed the paintings to work on us directly, we are in a much better position to make a meaningful evaluation&quot; -Peter Fuller, Arts Review &quot;The influence of the series and the book . . . was enormous . . . It opened up for general attention to areas of cultural study that are now commonplace&quot; -Geoff Dyer in Ways of Telling</default-description>
  <id type="integer">2507145</id>
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  <original-publication-day type="integer" nil="true"></original-publication-day>
  <original-publication-month type="integer" nil="true"></original-publication-month>
  <original-publication-year type="integer">1972</original-publication-year>
  <original-title>Ways of Seeing</original-title>
  <rating-dist>total:1365|5:483|4:517|3:291|2:55|1:19|</rating-dist>
  <ratings-count type="integer">1365</ratings-count>
  <ratings-sum type="integer">5485</ratings-sum>
  <reviews-count type="integer">1886</reviews-count>
  <text-reviews-count type="integer">138</text-reviews-count>
</work>

  <average_rating><![CDATA[4.02]]></average_rating>
  <ratings_count><![CDATA[1342]]></ratings_count>
  <text_reviews_count><![CDATA[136]]></text_reviews_count>
  <url><![CDATA[http://www.goodreads.com/book/show/2784.Ways_of_Seeing]]></url>
  <authors>
        <author id="29919">
      <name><![CDATA[John Berger]]></name>
      <role><![CDATA[]]></role>
      <url><![CDATA[http://www.goodreads.com/author/show/29919.John_Berger]]></url>
      <average_rating><![CDATA[4.01]]></average_rating>
      <ratings_count><![CDATA[3022]]></ratings_count>
      <text_reviews_count><![CDATA[370]]></text_reviews_count>
    </author>
      </authors>
  <reviews start="1" end="20" total="1886">
    <review id="22924584">
  <user id="239699">
    <name><![CDATA[Pierce]]></name>
    <location><![CDATA[Dublin, Ireland]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/239699-pierce?utm_medium=api]]></url>
  </user>
    <rating>4</rating>
  <votes>1</votes>
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  <read_at></read_at>
  <date_added>Sun May 25 11:11:51 -0700 2008</date_added>
  <date_updated>Sun May 25 12:55:03 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[First of all, this entire book is set in bold. I don't know what crazy crazyman let that through the gate at Penguin but I just felt I had to point it out right away. It's still worth reading.<br/><br/>4 essays and 3 pictorial essays. Really interesting stuff cutting away some of the bullshit asso...<a href="http://www.goodreads.com/review/show/22924584">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/22924584?utm_medium=api]]></url>
</review>
    <review id="62495904">
  <user id="2119968">
    <name><![CDATA[Deborah]]></name>
    <location><![CDATA[Jamaica, NY]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/2119968-deborah-palmer?utm_medium=api]]></url>
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    <rating>5</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at>Fri Feb 27 00:00:00 -0800 1998</read_at>
  <date_added>Tue Jul 07 11:41:59 -0700 2009</date_added>
  <date_updated>Tue Jul 07 12:00:17 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This book though initially written in 1972 is still relevant to the reader today especially the essays dealing with the way women are seen in society. It is composed of seven essys, four use words and images, three only images. It discusses how women are view in society with an emphasis and concentr...<a href="http://www.goodreads.com/review/show/62495904">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/62495904?utm_medium=api]]></url>
</review>
    <review id="48394975">
  <user id="1525909">
    <name><![CDATA[Jule]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1525909-jule?utm_medium=api]]></url>
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    <rating>3</rating>
  <votes>0</votes>
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  <read_at>Mon Oct 06 00:00:00 -0700 2008</read_at>
  <date_added>Thu Mar 05 23:25:37 -0800 2009</date_added>
  <date_updated>Thu Mar 05 23:44:48 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I read this book in an AMTRAK train from the Bay Area to Portland. It was eye-opening :). Some of the essays are pictures only, pictures of paintings. The book is a little older, to me it portrays the spirit of its time, I enjoyed quite a few surprising moments. It definitely brightened my train rid...<a href="http://www.goodreads.com/review/show/48394975">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/48394975?utm_medium=api]]></url>
</review>
    <review id="47665024">
  <user id="218180">
    <name><![CDATA[Kelly]]></name>
    <location><![CDATA[Columbus, OH]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/218180-kelly?utm_medium=api]]></url>
  </user>
    <rating>5</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Wed Mar 01 00:00:00 -0800 2000</read_at>
  <date_added>Thu Feb 26 22:13:42 -0800 2009</date_added>
  <date_updated>Thu Feb 26 22:22:36 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[&quot;. . . [M:]en act, and women appear. Men look at women. Women watch themselves being looked at. This determines not only most relations between men and women but also the relation of women to themselves.&quot; Berger's hypothesis in this essay is supported by his deconstruction of women taken a...<a href="http://www.goodreads.com/review/show/47665024">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/47665024?utm_medium=api]]></url>
</review>
    <review id="74468232">
  <user id="2336597">
    <name><![CDATA[Tyler]]></name>
    <location><![CDATA[Payson, AZ]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/2336597-tyler?utm_medium=api]]></url>
  </user>
    <rating>4</rating>
  <votes>0</votes>
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  <read_at>Tue Oct 13 00:00:00 -0700 2009</read_at>
  <date_added>Tue Oct 13 21:36:48 -0700 2009</date_added>
  <date_updated>Tue Oct 13 21:51:52 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[John Berger brings up historical thought that shows the reader that when you think you actually know different view points from history, he proves you ignorant. It's a very enjoyable book for anyone that wants to look into different ways of percieving atitudes. Art really shows the strands of though...<a href="http://www.goodreads.com/review/show/74468232">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/74468232?utm_medium=api]]></url>
</review>
    <review id="9780111">
  <user id="173169">
    <name><![CDATA[Marla]]></name>
    <location><![CDATA[Olympia, WA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/173169-marla?utm_medium=api]]></url>
  </user>
    <rating>5</rating>
  <votes>1</votes>
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  <recommended_for><![CDATA[People who are dissatisfied with art ]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Fri Nov 30 15:52:42 -0800 2007</date_added>
  <date_updated>Fri Nov 30 15:54:54 -0800 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[This book is one of the most important things that has ever happened to me.]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/9780111?utm_medium=api]]></url>
</review>
    <review id="77160297">
  <user id="85761">
    <name><![CDATA[Mike]]></name>
    <location><![CDATA[Arlington, VA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/85761-mike?utm_medium=api]]></url>
  </user>
    <rating>4</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at>Tue Nov 10 00:00:00 -0800 2009</read_at>
  <date_added>Sun Nov 08 19:27:08 -0800 2009</date_added>
  <date_updated>Tue Nov 10 19:08:55 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Well worth reading. I will be armed with a new visual lexicon the next time I visit the West Wing of the National Gallery of Art. This book also made me feel like a complete sop for the visual capitalist culture and its offspring that surround me, making me feel impotent and ineffectual, but also eq...<a href="http://www.goodreads.com/review/show/77160297">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/77160297?utm_medium=api]]></url>
</review>
    <review id="38819249">
  <user id="1757121">
    <name><![CDATA[Sharon]]></name>
    <location><![CDATA[San Jose, CA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1757121-sharon?utm_medium=api]]></url>
  </user>
    <rating>5</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
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  <read_at></read_at>
  <date_added>Fri Nov 28 13:30:47 -0800 2008</date_added>
  <date_updated>Fri Nov 28 13:31:01 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I read this book for a college course and made the mistake of giving the slender volume to a friend whom I thought woudl enjoy it.  I really  need to acquire another one!  Berger writes eloquently about the relationship between art and the presumed observer/audience.  This book gave me the tools to ...<a href="http://www.goodreads.com/review/show/38819249">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/38819249?utm_medium=api]]></url>
</review>
    <review id="46935469">
  <user id="745423">
    <name><![CDATA[Simon]]></name>
    <location><![CDATA[Brussels, Belgium]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/745423-simon?utm_medium=api]]></url>
  </user>
    <rating>4</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at>Sun Feb 01 00:00:00 -0800 2009</read_at>
  <date_added>Fri Feb 20 00:08:14 -0800 2009</date_added>
  <date_updated>Fri Feb 20 00:11:20 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I can't remember where or why I picked this one up, as I don't usually go in for Marxist art history books, but this one has plenty of interesting things to say about pictures and how we look at them (why are female nudes always looking out at the viewer? why do models in advertisements often look s...<a href="http://www.goodreads.com/review/show/46935469">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/46935469?utm_medium=api]]></url>
</review>
    <review id="35727989">
  <user id="1525867">
    <name><![CDATA[Adam]]></name>
    <location><![CDATA[Chicago, IL]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1525867-adam?utm_medium=api]]></url>
  </user>
    <rating>5</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="art-music-culture" />
      </shelves>
  <recommended_for><![CDATA[art jerks]]></recommended_for>
  <recommended_by><![CDATA[Sam]]></recommended_by>
  <read_at>Sat Nov 01 00:00:00 -0700 2008</read_at>
  <date_added>Sun Oct 19 19:22:41 -0700 2008</date_added>
  <date_updated>Wed Nov 05 22:34:32 -0800 2008</date_updated>
  <read_count>2</read_count>
    <body><![CDATA[This is an extraordinarily persuasive set of 7 essays, 3 of which are pictorial; the remaining 4 a combination of text and images.  I was amazed at how easily the authors convinced me of their arguments regarding art history, artistic value, and the most dominant image in modern society; the adverti...<a href="http://www.goodreads.com/review/show/35727989">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/35727989?utm_medium=api]]></url>
</review>
    <review id="24564270">
  <user id="1172783">
    <name><![CDATA[Robert]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1172783-robert?utm_medium=api]]></url>
  </user>
    <rating>3</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Sun Jun 15 15:36:21 -0700 2008</date_added>
  <date_updated>Sun Jun 15 15:36:25 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[An interesting yet somewhat necessarily dated (1972) approach to art's issues and perceptions among artists and audiences.<br/><br/>Most statements and questions Berger raises seem to retain their validity and relevance in the face of contemporary art.<br/><br/>As a multimedia artist who has lon...<a href="http://www.goodreads.com/review/show/24564270">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/24564270?utm_medium=api]]></url>
</review>
    <review id="21612720">
  <user id="396899">
    <name><![CDATA[Sarah]]></name>
    <location><![CDATA[Carrollton, TX]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/396899-sarah-canavan?utm_medium=api]]></url>
  </user>
    <rating>5</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at></read_at>
  <date_added>Sun May 04 22:17:11 -0700 2008</date_added>
  <date_updated>Sun May 18 10:00:30 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[really good so far.  you always here the naked woman in art defended by calling it a study of human form, or as something being worshiped or an ideal of perfection or whatever, any of these do one thing and thats objectify the form of a woman. the woman is presenting herself to the artist, then to t...<a href="http://www.goodreads.com/review/show/21612720">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/21612720?utm_medium=api]]></url>
</review>
    <review id="19281143">
  <user id="468995">
    <name><![CDATA[Tina]]></name>
    <location><![CDATA[Seattle, WA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/468995-tina?utm_medium=api]]></url>
  </user>
    <rating>3</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
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      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Apr 20 00:00:00 -0700 2008</read_at>
  <date_added>Wed Apr 02 07:07:49 -0700 2008</date_added>
  <date_updated>Sun Apr 20 09:11:05 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[This book includes 7 different essays, four of which have words.  I prefer the essays with words--perhaps I'm not art-savvy enough to understand what the entirely pictorial essays are saying.  Berger says in a note to the reader that the &quot;purely pictorial essays...are intended to raise as many ...<a href="http://www.goodreads.com/review/show/19281143">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/19281143?utm_medium=api]]></url>
</review>
    <review id="6228490">
  <user id="380164">
    <name><![CDATA[Antonius]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/380164-antonius-block?utm_medium=api]]></url>
  </user>
    <rating>0</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
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      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Tue May 01 00:00:00 -0700 2007</read_at>
  <date_added>Fri Sep 14 23:17:21 -0700 2007</date_added>
  <date_updated>Fri Sep 14 23:17:21 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[This is a collection of short essays on how technological advances in painting and photography – and the sheer proliferation of images – have shaped western cultural norms. For me, the most interesting essay was on the history of oil paintings. Berger suggests that oil paintings allowed the eye ...<a href="http://www.goodreads.com/review/show/6228490">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/6228490?utm_medium=api]]></url>
</review>
    <review id="1503494">
  <user id="83729">
    <name><![CDATA[Dan]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/83729-dan-rivas?utm_medium=api]]></url>
  </user>
    <rating>0</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[consumers, libertarians, art historians]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Mon May 28 19:36:13 -0700 2007</date_added>
  <date_updated>Tue Jun 05 13:51:00 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[What I learned: the difference between nude and naked.<br/><br/>Berger, through simple prose and piercing insight, makes a strong case for a continuity between popular images and images we call art, the nexus of which is power and the maintenance of power.<br/><br/>A lot of loaded words (some wo...<a href="http://www.goodreads.com/review/show/1503494">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/1503494?utm_medium=api]]></url>
</review>
    <review id="62133558">
  <user id="2483427">
    <name><![CDATA[Lesley]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/2483427-lesley?utm_medium=api]]></url>
  </user>
    <rating>5</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
        <shelf name="art" />
      </shelves>
  <recommended_for><![CDATA[women, art students, film students]]></recommended_for>
  <recommended_by><![CDATA[college professor]]></recommended_by>
  <read_at>Mon Jan 01 00:00:00 -0800 2001</read_at>
  <date_added>Sat Jul 04 12:15:52 -0700 2009</date_added>
  <date_updated>Sat Jul 04 12:26:28 -0700 2009</date_updated>
  <read_count>3</read_count>
    <body><![CDATA[When I was 20 years old, and an undergraduate student at The University of Iowa, I had a professor who made us read this book and told us, &quot;This book changed my life.&quot;  I can't say that this book necessarily changed my life, but it most definitely cahnged the way in which I view the the wo...<a href="http://www.goodreads.com/review/show/62133558">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/62133558?utm_medium=api]]></url>
</review>
    <review id="40163963">
  <user id="1709974">
    <name><![CDATA[Lee Hunter]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1709974-lee-hunter?utm_medium=api]]></url>
  </user>
    <rating>3</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
  <shelves>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at>Sun Dec 14 00:00:00 -0800 2008</read_at>
  <date_added>Mon Dec 15 13:08:32 -0800 2008</date_added>
  <date_updated>Mon Dec 15 13:10:47 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[this book is supposed to be a must read for people that work with photograpy, i thought it was kind of tired and out-dated. the situationists have better ideas than a lot of berger's thoughts on images. his analysis of women as the object was solid, but again dated. i am not sure that this book is h...<a href="http://www.goodreads.com/review/show/40163963">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/40163963?utm_medium=api]]></url>
</review>
    <review id="38355893">
  <user id="1709593">
    <name><![CDATA[Ida]]></name>
    <location><![CDATA[Portland, OR]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1709593-ida-rand?utm_medium=api]]></url>
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    <rating>2</rating>
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  <read_at>Fri Jan 01 00:00:00 -0800 1999</read_at>
  <date_added>Fri Nov 21 20:12:13 -0800 2008</date_added>
  <date_updated>Fri Nov 21 20:12:13 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[oh man, i had to read this for a class along with drawing from the left of the brain and some other thing that had to do with total stupidity. i feel bad for the teacher because he was really trying and, having worked on empathy for a while, i know what he was trying to do, but he failed miserably p...<a href="http://www.goodreads.com/review/show/38355893">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/38355893?utm_medium=api]]></url>
</review>
    <review id="52164657">
  <user id="153826">
    <name><![CDATA[Ronny]]></name>
    <location><![CDATA[BSD, Indonesia]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/153826-ronny?utm_medium=api]]></url>
  </user>
    <rating>5</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at></read_at>
  <date_added>Fri Apr 10 02:47:50 -0700 2009</date_added>
  <date_updated>Fri Apr 10 02:53:04 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Di dunia internasional, ini buku revolusioner yang telah mengubah peta kritik seni serta kajian budaya pada akhir 1970-an. Pada kehidupan saya pribadi, ini buku tipis yang mengalahkan dan meruntuhkan semua yg pernah diajarkan secara formal di kampus ttg seni rupa, dan membuat saya sadar bhw perkulia...<a href="http://www.goodreads.com/review/show/52164657">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/52164657?utm_medium=api]]></url>
</review>
    <review id="62718818">
  <user id="280382">
    <name><![CDATA[Sarah]]></name>
    <location><![CDATA[Salem, OR]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/280382-sarah?utm_medium=api]]></url>
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    <rating>3</rating>
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  <read_at>Sun Jul 19 00:00:00 -0700 2009</read_at>
  <date_added>Wed Jul 08 20:32:45 -0700 2009</date_added>
  <date_updated>Sun Jul 19 18:26:02 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[These essays gave me some meaty subjects to think about, mostly about the nature of art and how we see it. It was interesting watching the author tear traditional art historians' approaches to shreds. There were some good observations about how art is perceived and how images embody the views of the...<a href="http://www.goodreads.com/review/show/62718818">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/62718818?utm_medium=api]]></url>
</review>
    </reviews>
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