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  <title><![CDATA[Against Depression]]></title>
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  <description><![CDATA[ Written as an answer to the question, &quot;What if van Gogh had been on anti-depressants,&quot; <em>Against Depression</em> manages to be more of an exploration than a polemic, regardless of its title. While author Peter Kramer (<em>Listening to Prozac</em>) expresses a definite opinion--that disease of any sort should be treated as effectively as possible--he manages to express sympathy along with frustration about the recurring idea that soulful creativity often goes hand-in-hand with depression. Without ever being dismissive or particularly angry, his writing makes his point abundantly clear after the first chapter: The pervasive idea of depression serving a creative purpose is preposterous, as well as highly damaging.  <p> While he draws from a number of recent studies on depression, the book is not meant to assist in the diagnosis or treatment of individuals, except in a very general sense. Instead, Kramer adds the findings of those studies into his thoughts on how patients modify medication doses for depression as they wouldn't for purely physical diseases, and looks into future possibilities of genetically modified stress hormone transmitters that could work to prevent a slide into chronic depression. In the arts, he examines the work of philosophers, painters and writers in relation to the reputation their personal lives have earned (critics and consumers alike believe that pain equals genius and lack of pain equals lack of depth). Adding Dineson, Bellow, Updike and Kierkegaard to the list headed by van Gogh, Kramer shows a variety of ways we live with the assumption that creative genius does not function without severe emotional strain.  <p> While he does include a few stories from a patient to illustrate specific treatments, most of the book is slow and thoughtful, without ever being dry or pedantic. Useful to families or individuals who have encountered depression, this book offers excellent support for anyone--creative genius or otherwise--who struggle to define their talents as existing separately from their illness. <em>Jill Lightner</em></p></p>]]></description>
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  <title>
    <![CDATA[Against Depression]]>
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    <![CDATA[ Written as an answer to the question, &quot;What if van Gogh had been on anti-depressants,&quot; <em>Against Depression</em> manages to be more of an exploration than a polemic, regardless of its title. While author Peter Kramer (<em>Listening to Prozac</em>) expresses a definite opinion--that disease of any sort should be treated as effectively as possible--he manages to express sympathy along with frustration about the recurring idea that soulful creativity often goes hand-in-hand with depression. Without ever being dismissive or particularly angry, his writing makes his point abundantly clear after the first chapter: The pervasive idea of depression serving a creative purpose is preposterous, as well as highly damaging.  <p> While he draws from a number of recent studies on depression, the book is not meant to assist in the diagnosis or treatment of individuals, except in a very general sense. Instead, Kramer adds the findings of those studies into his thoughts on how patients modify medication doses for depression as they wouldn't for purely physical diseases, and looks into future possibilities of genetically modified stress hormone transmitters that could work to prevent a slide into chronic depression. In the arts, he examines the work of philosophers, painters and writers in relation to the reputation their personal lives have earned (critics and consumers alike believe that pain equals genius and lack of pain equals lack of depth). Adding Dineson, Bellow, Updike and Kierkegaard to the list headed by van Gogh, Kramer shows a variety of ways we live with the assumption that creative genius does not function without severe emotional strain.  <p> While he does include a few stories from a patient to illustrate specific treatments, most of the book is slow and thoughtful, without ever being dry or pedantic. Useful to families or individuals who have encountered depression, this book offers excellent support for anyone--creative genius or otherwise--who struggle to define their talents as existing separately from their illness. <em>Jill Lightner</em></p></p>]]>
  </description>
  <published>2005</published>
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  <votes>3</votes>
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  <date_added>Tue Oct 02 19:36:51 -0700 2007</date_added>
  <date_updated>Mon Oct 08 09:33:13 -0700 2007</date_updated>
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    <body><![CDATA[This book is fascinating and pretty well written, but if you're too depressed to read it, here are some things you need to know:<br/><br/>* Depression causes cumulative, permanent, physical, measurable brain damage. It can literally make holes in your brain. It's not a failure of character; it's a...<a href="http://www.goodreads.com/review/show/7178031">more...</a>]]></body>
    
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  <title>
    <![CDATA[Against Depression]]>
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  <average_rating>3.71</average_rating>
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    <![CDATA[ Written as an answer to the question, &quot;What if van Gogh had been on anti-depressants,&quot; <em>Against Depression</em> manages to be more of an exploration than a polemic, regardless of its title. While author Peter Kramer (<em>Listening to Prozac</em>) expresses a definite opinion--that disease of any sort should be treated as effectively as possible--he manages to express sympathy along with frustration about the recurring idea that soulful creativity often goes hand-in-hand with depression. Without ever being dismissive or particularly angry, his writing makes his point abundantly clear after the first chapter: The pervasive idea of depression serving a creative purpose is preposterous, as well as highly damaging.  <p> While he draws from a number of recent studies on depression, the book is not meant to assist in the diagnosis or treatment of individuals, except in a very general sense. Instead, Kramer adds the findings of those studies into his thoughts on how patients modify medication doses for depression as they wouldn't for purely physical diseases, and looks into future possibilities of genetically modified stress hormone transmitters that could work to prevent a slide into chronic depression. In the arts, he examines the work of philosophers, painters and writers in relation to the reputation their personal lives have earned (critics and consumers alike believe that pain equals genius and lack of pain equals lack of depth). Adding Dineson, Bellow, Updike and Kierkegaard to the list headed by van Gogh, Kramer shows a variety of ways we live with the assumption that creative genius does not function without severe emotional strain.  <p> While he does include a few stories from a patient to illustrate specific treatments, most of the book is slow and thoughtful, without ever being dry or pedantic. Useful to families or individuals who have encountered depression, this book offers excellent support for anyone--creative genius or otherwise--who struggle to define their talents as existing separately from their illness. <em>Jill Lightner</em></p></p>]]>
  </description>
  <published>2005</published>
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    <rating>5</rating>
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  <read_at>Sun Jun 01 00:00:00 -0700 2008</read_at>
  <date_added>Sun Mar 09 20:56:25 -0700 2008</date_added>
  <date_updated>Sat Jul 12 17:45:17 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Dr. Kramer presents the latest medical research into the progressive, systemic disease that is depression. He debunks the misplaced morality and flawed personality theory that colors any discussion of the disease in this culture. He even tries to figure out why we talk about depression, a physiologi...<a href="http://www.goodreads.com/review/show/17415609">more...</a>]]></body>
    
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      <review>
  <id>17059412</id>
    <user>
    <id>109933</id>
    <name><![CDATA[Lori]]></name>
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  <title>
    <![CDATA[Against Depression]]>
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  <average_rating>3.71</average_rating>
  <ratings_count>85</ratings_count>
  <description>
    <![CDATA[ Written as an answer to the question, &quot;What if van Gogh had been on anti-depressants,&quot; <em>Against Depression</em> manages to be more of an exploration than a polemic, regardless of its title. While author Peter Kramer (<em>Listening to Prozac</em>) expresses a definite opinion--that disease of any sort should be treated as effectively as possible--he manages to express sympathy along with frustration about the recurring idea that soulful creativity often goes hand-in-hand with depression. Without ever being dismissive or particularly angry, his writing makes his point abundantly clear after the first chapter: The pervasive idea of depression serving a creative purpose is preposterous, as well as highly damaging.  <p> While he draws from a number of recent studies on depression, the book is not meant to assist in the diagnosis or treatment of individuals, except in a very general sense. Instead, Kramer adds the findings of those studies into his thoughts on how patients modify medication doses for depression as they wouldn't for purely physical diseases, and looks into future possibilities of genetically modified stress hormone transmitters that could work to prevent a slide into chronic depression. In the arts, he examines the work of philosophers, painters and writers in relation to the reputation their personal lives have earned (critics and consumers alike believe that pain equals genius and lack of pain equals lack of depth). Adding Dineson, Bellow, Updike and Kierkegaard to the list headed by van Gogh, Kramer shows a variety of ways we live with the assumption that creative genius does not function without severe emotional strain.  <p> While he does include a few stories from a patient to illustrate specific treatments, most of the book is slow and thoughtful, without ever being dry or pedantic. Useful to families or individuals who have encountered depression, this book offers excellent support for anyone--creative genius or otherwise--who struggle to define their talents as existing separately from their illness. <em>Jill Lightner</em></p></p>]]>
  </description>
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    <rating>4</rating>
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  <read_at>Wed Mar 19 00:00:00 -0700 2008</read_at>
  <date_added>Wed Mar 05 05:26:20 -0800 2008</date_added>
  <date_updated>Thu Mar 20 21:09:54 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[As I started reading this book, I also began to read and learn more about mood disorders in general. As a result, I felt that Kramer's use of &quot;mood disorder&quot; to refer to depression specifically was inappropriate. Mood disorders cover a wide range of mental illnesses. Different mental illne...<a href="http://www.goodreads.com/review/show/17059412">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/17059412]]></url>
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      <review>
  <id>14905040</id>
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    <name><![CDATA[Kirsten]]></name>
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    <![CDATA[Against Depression]]>
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  <average_rating>3.71</average_rating>
  <ratings_count>85</ratings_count>
  <description>
    <![CDATA[ Written as an answer to the question, &quot;What if van Gogh had been on anti-depressants,&quot; <em>Against Depression</em> manages to be more of an exploration than a polemic, regardless of its title. While author Peter Kramer (<em>Listening to Prozac</em>) expresses a definite opinion--that disease of any sort should be treated as effectively as possible--he manages to express sympathy along with frustration about the recurring idea that soulful creativity often goes hand-in-hand with depression. Without ever being dismissive or particularly angry, his writing makes his point abundantly clear after the first chapter: The pervasive idea of depression serving a creative purpose is preposterous, as well as highly damaging.  <p> While he draws from a number of recent studies on depression, the book is not meant to assist in the diagnosis or treatment of individuals, except in a very general sense. Instead, Kramer adds the findings of those studies into his thoughts on how patients modify medication doses for depression as they wouldn't for purely physical diseases, and looks into future possibilities of genetically modified stress hormone transmitters that could work to prevent a slide into chronic depression. In the arts, he examines the work of philosophers, painters and writers in relation to the reputation their personal lives have earned (critics and consumers alike believe that pain equals genius and lack of pain equals lack of depth). Adding Dineson, Bellow, Updike and Kierkegaard to the list headed by van Gogh, Kramer shows a variety of ways we live with the assumption that creative genius does not function without severe emotional strain.  <p> While he does include a few stories from a patient to illustrate specific treatments, most of the book is slow and thoughtful, without ever being dry or pedantic. Useful to families or individuals who have encountered depression, this book offers excellent support for anyone--creative genius or otherwise--who struggle to define their talents as existing separately from their illness. <em>Jill Lightner</em></p></p>]]>
  </description>
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</book>

    <rating>5</rating>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[Jen Tait]]></recommended_by>
  <read_at>Thu Jun 01 00:00:00 -0700 2006</read_at>
  <date_added>Fri Feb 08 09:09:59 -0800 2008</date_added>
  <date_updated>Fri Feb 08 09:09:59 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[This is a magnificent book, definitely required reading for those who have suffered from major depression or anyone who has ever been close to a depressive. Kramer (the author of the also-excellent <em>Listening to Prozac</em>) makes it clear from the start that he believes that depression is an insidious di...<a href="http://www.goodreads.com/review/show/14905040">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/14905040]]></url>
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</review>
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    <![CDATA[Against Depression]]>
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    <![CDATA[ Written as an answer to the question, &quot;What if van Gogh had been on anti-depressants,&quot; <em>Against Depression</em> manages to be more of an exploration than a polemic, regardless of its title. While author Peter Kramer (<em>Listening to Prozac</em>) expresses a definite opinion--that disease of any sort should be treated as effectively as possible--he manages to express sympathy along with frustration about the recurring idea that soulful creativity often goes hand-in-hand with depression. Without ever being dismissive or particularly angry, his writing makes his point abundantly clear after the first chapter: The pervasive idea of depression serving a creative purpose is preposterous, as well as highly damaging.  <p> While he draws from a number of recent studies on depression, the book is not meant to assist in the diagnosis or treatment of individuals, except in a very general sense. Instead, Kramer adds the findings of those studies into his thoughts on how patients modify medication doses for depression as they wouldn't for purely physical diseases, and looks into future possibilities of genetically modified stress hormone transmitters that could work to prevent a slide into chronic depression. In the arts, he examines the work of philosophers, painters and writers in relation to the reputation their personal lives have earned (critics and consumers alike believe that pain equals genius and lack of pain equals lack of depth). Adding Dineson, Bellow, Updike and Kierkegaard to the list headed by van Gogh, Kramer shows a variety of ways we live with the assumption that creative genius does not function without severe emotional strain.  <p> While he does include a few stories from a patient to illustrate specific treatments, most of the book is slow and thoughtful, without ever being dry or pedantic. Useful to families or individuals who have encountered depression, this book offers excellent support for anyone--creative genius or otherwise--who struggle to define their talents as existing separately from their illness. <em>Jill Lightner</em></p></p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>5</rating>
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  <read_at>Mon May 01 00:00:00 -0700 2006</read_at>
  <date_added>Thu May 31 12:24:26 -0700 2007</date_added>
  <date_updated>Thu May 31 12:25:26 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[Against Depression may be the most significant book I've read on the topic of depression, combining new scientific research with cultural and social criticism. The book chronicles new developments in the science of the brain, highlighting the lack of resilience in certain parts of the brain in the d...<a href="http://www.goodreads.com/review/show/1564999">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/1564999]]></url>
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    <![CDATA[Against Depression]]>
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    <![CDATA[ Written as an answer to the question, &quot;What if van Gogh had been on anti-depressants,&quot; <em>Against Depression</em> manages to be more of an exploration than a polemic, regardless of its title. While author Peter Kramer (<em>Listening to Prozac</em>) expresses a definite opinion--that disease of any sort should be treated as effectively as possible--he manages to express sympathy along with frustration about the recurring idea that soulful creativity often goes hand-in-hand with depression. Without ever being dismissive or particularly angry, his writing makes his point abundantly clear after the first chapter: The pervasive idea of depression serving a creative purpose is preposterous, as well as highly damaging.  <p> While he draws from a number of recent studies on depression, the book is not meant to assist in the diagnosis or treatment of individuals, except in a very general sense. Instead, Kramer adds the findings of those studies into his thoughts on how patients modify medication doses for depression as they wouldn't for purely physical diseases, and looks into future possibilities of genetically modified stress hormone transmitters that could work to prevent a slide into chronic depression. In the arts, he examines the work of philosophers, painters and writers in relation to the reputation their personal lives have earned (critics and consumers alike believe that pain equals genius and lack of pain equals lack of depth). Adding Dineson, Bellow, Updike and Kierkegaard to the list headed by van Gogh, Kramer shows a variety of ways we live with the assumption that creative genius does not function without severe emotional strain.  <p> While he does include a few stories from a patient to illustrate specific treatments, most of the book is slow and thoughtful, without ever being dry or pedantic. Useful to families or individuals who have encountered depression, this book offers excellent support for anyone--creative genius or otherwise--who struggle to define their talents as existing separately from their illness. <em>Jill Lightner</em></p></p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
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  <read_at>Wed Jun 17 00:00:00 -0700 2009</read_at>
  <date_added>Thu May 21 17:32:55 -0700 2009</date_added>
  <date_updated>Wed Jun 17 13:03:14 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This book contains the view of depression that I've been waiting to find--one that juxtaposes science with mythology and the reality of illness with the idealization of melancholy.  Kramer starts with a central question that people always ask him at his presentations, &quot;what if antidepressants h...<a href="http://www.goodreads.com/review/show/56902178">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/56902178]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/56902178]]></link>
</review>
      <review>
  <id>35500592</id>
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    <name><![CDATA[John]]></name>
    <location><![CDATA[Glenn Dale, MD]]></location>
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  <isbn>0143036963</isbn>
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  <text_reviews_count type="integer">21</text_reviews_count>
  <title>
    <![CDATA[Against Depression]]>
  </title>
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  <average_rating>3.71</average_rating>
  <ratings_count>85</ratings_count>
  <description>
    <![CDATA[ Written as an answer to the question, &quot;What if van Gogh had been on anti-depressants,&quot; <em>Against Depression</em> manages to be more of an exploration than a polemic, regardless of its title. While author Peter Kramer (<em>Listening to Prozac</em>) expresses a definite opinion--that disease of any sort should be treated as effectively as possible--he manages to express sympathy along with frustration about the recurring idea that soulful creativity often goes hand-in-hand with depression. Without ever being dismissive or particularly angry, his writing makes his point abundantly clear after the first chapter: The pervasive idea of depression serving a creative purpose is preposterous, as well as highly damaging.  <p> While he draws from a number of recent studies on depression, the book is not meant to assist in the diagnosis or treatment of individuals, except in a very general sense. Instead, Kramer adds the findings of those studies into his thoughts on how patients modify medication doses for depression as they wouldn't for purely physical diseases, and looks into future possibilities of genetically modified stress hormone transmitters that could work to prevent a slide into chronic depression. In the arts, he examines the work of philosophers, painters and writers in relation to the reputation their personal lives have earned (critics and consumers alike believe that pain equals genius and lack of pain equals lack of depth). Adding Dineson, Bellow, Updike and Kierkegaard to the list headed by van Gogh, Kramer shows a variety of ways we live with the assumption that creative genius does not function without severe emotional strain.  <p> While he does include a few stories from a patient to illustrate specific treatments, most of the book is slow and thoughtful, without ever being dry or pedantic. Useful to families or individuals who have encountered depression, this book offers excellent support for anyone--creative genius or otherwise--who struggle to define their talents as existing separately from their illness. <em>Jill Lightner</em></p></p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>2</rating>
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  <read_at>Sat Mar 01 00:00:00 -0800 2008</read_at>
  <date_added>Thu Oct 16 16:56:35 -0700 2008</date_added>
  <date_updated>Thu Oct 16 16:58:17 -0700 2008</date_updated>
  <read_count>1</read_count>
    <body><![CDATA[The author certainly knows about depression, but in this book his prose style and frequent tangents slow the reader down and are little more that detractors and fillers. You wonder if he is writing for himself: has he fallen in love with his writing style so that as many sentences as possible can be...<a href="http://www.goodreads.com/review/show/35500592">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/35500592]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/35500592]]></link>
</review>
      <review>
  <id>26282814</id>
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    <name><![CDATA[Jennifer]]></name>
    <location><![CDATA[The United States]]></location>
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  <isbn13>9780670034055</isbn13>
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  <title>
    <![CDATA[Against Depression]]>
  </title>
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  <average_rating>3.71</average_rating>
  <ratings_count>85</ratings_count>
  <description>
    <![CDATA[ Written as an answer to the question, &quot;What if van Gogh had been on anti-depressants,&quot; <em>Against Depression</em> manages to be more of an exploration than a polemic, regardless of its title. While author Peter Kramer (<em>Listening to Prozac</em>) expresses a definite opinion--that disease of any sort should be treated as effectively as possible--he manages to express sympathy along with frustration about the recurring idea that soulful creativity often goes hand-in-hand with depression. Without ever being dismissive or particularly angry, his writing makes his point abundantly clear after the first chapter: The pervasive idea of depression serving a creative purpose is preposterous, as well as highly damaging.  <p> While he draws from a number of recent studies on depression, the book is not meant to assist in the diagnosis or treatment of individuals, except in a very general sense. Instead, Kramer adds the findings of those studies into his thoughts on how patients modify medication doses for depression as they wouldn't for purely physical diseases, and looks into future possibilities of genetically modified stress hormone transmitters that could work to prevent a slide into chronic depression. In the arts, he examines the work of philosophers, painters and writers in relation to the reputation their personal lives have earned (critics and consumers alike believe that pain equals genius and lack of pain equals lack of depth). Adding Dineson, Bellow, Updike and Kierkegaard to the list headed by van Gogh, Kramer shows a variety of ways we live with the assumption that creative genius does not function without severe emotional strain.  <p> While he does include a few stories from a patient to illustrate specific treatments, most of the book is slow and thoughtful, without ever being dry or pedantic. Useful to families or individuals who have encountered depression, this book offers excellent support for anyone--creative genius or otherwise--who struggle to define their talents as existing separately from their illness. <em>Jill Lightner</em></p></p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
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  <read_at></read_at>
  <date_added>Fri Jul 04 06:16:18 -0700 2008</date_added>
  <date_updated>Wed Jul 01 14:38:25 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Thesis of the book: depression is an illness and we must treat it as such and work to eradicate it. However, through the years, depression has been viewed as something other than an illness--more like a part of one's personality. A noble suffering, if you will. Which is complete and utter bullshit. ...<a href="http://www.goodreads.com/review/show/26282814">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/26282814]]></url>
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</review>
      <review>
  <id>72852707</id>
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    <name><![CDATA[Matthew]]></name>
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  <text_reviews_count type="integer">21</text_reviews_count>
  <title>
    <![CDATA[Against Depression]]>
  </title>
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  <small_image_url>http://photo.goodreads.com/books/1173305896s/271219.jpg</small_image_url>
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  <average_rating>3.71</average_rating>
  <ratings_count>85</ratings_count>
  <description>
    <![CDATA[ Written as an answer to the question, &quot;What if van Gogh had been on anti-depressants,&quot; <em>Against Depression</em> manages to be more of an exploration than a polemic, regardless of its title. While author Peter Kramer (<em>Listening to Prozac</em>) expresses a definite opinion--that disease of any sort should be treated as effectively as possible--he manages to express sympathy along with frustration about the recurring idea that soulful creativity often goes hand-in-hand with depression. Without ever being dismissive or particularly angry, his writing makes his point abundantly clear after the first chapter: The pervasive idea of depression serving a creative purpose is preposterous, as well as highly damaging.  <p> While he draws from a number of recent studies on depression, the book is not meant to assist in the diagnosis or treatment of individuals, except in a very general sense. Instead, Kramer adds the findings of those studies into his thoughts on how patients modify medication doses for depression as they wouldn't for purely physical diseases, and looks into future possibilities of genetically modified stress hormone transmitters that could work to prevent a slide into chronic depression. In the arts, he examines the work of philosophers, painters and writers in relation to the reputation their personal lives have earned (critics and consumers alike believe that pain equals genius and lack of pain equals lack of depth). Adding Dineson, Bellow, Updike and Kierkegaard to the list headed by van Gogh, Kramer shows a variety of ways we live with the assumption that creative genius does not function without severe emotional strain.  <p> While he does include a few stories from a patient to illustrate specific treatments, most of the book is slow and thoughtful, without ever being dry or pedantic. Useful to families or individuals who have encountered depression, this book offers excellent support for anyone--creative genius or otherwise--who struggle to define their talents as existing separately from their illness. <em>Jill Lightner</em></p></p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
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  <date_added>Mon Sep 28 21:42:29 -0700 2009</date_added>
  <date_updated>Mon Sep 28 21:44:50 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[With a command of art, literature and his chosen profession of psychiatry, Kramer makes a compelling argument that depression has been romanticized throughout modern culture and shouldn't be. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/72852707]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/72852707]]></link>
</review>
      <review>
  <id>80066853</id>
    <user>
    <id>2935655</id>
    <name><![CDATA[Saleem]]></name>
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  <text_reviews_count type="integer">21</text_reviews_count>
  <title>
    <![CDATA[Against Depression]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1173305896m/271219.jpg</image_url>
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  <average_rating>3.71</average_rating>
  <ratings_count>85</ratings_count>
  <description>
    <![CDATA[ Written as an answer to the question, &quot;What if van Gogh had been on anti-depressants,&quot; <em>Against Depression</em> manages to be more of an exploration than a polemic, regardless of its title. While author Peter Kramer (<em>Listening to Prozac</em>) expresses a definite opinion--that disease of any sort should be treated as effectively as possible--he manages to express sympathy along with frustration about the recurring idea that soulful creativity often goes hand-in-hand with depression. Without ever being dismissive or particularly angry, his writing makes his point abundantly clear after the first chapter: The pervasive idea of depression serving a creative purpose is preposterous, as well as highly damaging.  <p> While he draws from a number of recent studies on depression, the book is not meant to assist in the diagnosis or treatment of individuals, except in a very general sense. Instead, Kramer adds the findings of those studies into his thoughts on how patients modify medication doses for depression as they wouldn't for purely physical diseases, and looks into future possibilities of genetically modified stress hormone transmitters that could work to prevent a slide into chronic depression. In the arts, he examines the work of philosophers, painters and writers in relation to the reputation their personal lives have earned (critics and consumers alike believe that pain equals genius and lack of pain equals lack of depth). Adding Dineson, Bellow, Updike and Kierkegaard to the list headed by van Gogh, Kramer shows a variety of ways we live with the assumption that creative genius does not function without severe emotional strain.  <p> While he does include a few stories from a patient to illustrate specific treatments, most of the book is slow and thoughtful, without ever being dry or pedantic. Useful to families or individuals who have encountered depression, this book offers excellent support for anyone--creative genius or otherwise--who struggle to define their talents as existing separately from their illness. <em>Jill Lightner</em></p></p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
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  <read_at></read_at>
  <date_added>Sun Dec 06 08:58:48 -0800 2009</date_added>
  <date_updated>Sun Dec 06 09:02:21 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Good book for any one interested in depression, gives a different insight but longer than it should and I found it for unknown reason a bit Narcissistic.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/80066853]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/80066853]]></link>
</review>
      <review>
  <id>61393893</id>
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    <name><![CDATA[Joselynn]]></name>
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  <isbn>0143036963</isbn>
  <isbn13>9780143036968</isbn13>
  <text_reviews_count type="integer">21</text_reviews_count>
  <title>
    <![CDATA[Against Depression]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1173305896m/271219.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1173305896s/271219.jpg</small_image_url>
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  <average_rating>3.71</average_rating>
  <ratings_count>85</ratings_count>
  <description>
    <![CDATA[ Written as an answer to the question, &quot;What if van Gogh had been on anti-depressants,&quot; <em>Against Depression</em> manages to be more of an exploration than a polemic, regardless of its title. While author Peter Kramer (<em>Listening to Prozac</em>) expresses a definite opinion--that disease of any sort should be treated as effectively as possible--he manages to express sympathy along with frustration about the recurring idea that soulful creativity often goes hand-in-hand with depression. Without ever being dismissive or particularly angry, his writing makes his point abundantly clear after the first chapter: The pervasive idea of depression serving a creative purpose is preposterous, as well as highly damaging.  <p> While he draws from a number of recent studies on depression, the book is not meant to assist in the diagnosis or treatment of individuals, except in a very general sense. Instead, Kramer adds the findings of those studies into his thoughts on how patients modify medication doses for depression as they wouldn't for purely physical diseases, and looks into future possibilities of genetically modified stress hormone transmitters that could work to prevent a slide into chronic depression. In the arts, he examines the work of philosophers, painters and writers in relation to the reputation their personal lives have earned (critics and consumers alike believe that pain equals genius and lack of pain equals lack of depth). Adding Dineson, Bellow, Updike and Kierkegaard to the list headed by van Gogh, Kramer shows a variety of ways we live with the assumption that creative genius does not function without severe emotional strain.  <p> While he does include a few stories from a patient to illustrate specific treatments, most of the book is slow and thoughtful, without ever being dry or pedantic. Useful to families or individuals who have encountered depression, this book offers excellent support for anyone--creative genius or otherwise--who struggle to define their talents as existing separately from their illness. <em>Jill Lightner</em></p></p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>2</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at>Thu Jun 01 00:00:00 -0700 2006</read_at>
  <date_added>Sun Jun 28 10:30:04 -0700 2009</date_added>
  <date_updated>Sun Jun 28 10:30:29 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Kinda dry writing but the research is interesting.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/61393893]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/61393893]]></link>
</review>
      <review>
  <id>39996273</id>
    <user>
    <id>502486</id>
    <name><![CDATA[Ann]]></name>
    <location><![CDATA[Oakland, CA]]></location>
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  <title>
    <![CDATA[Against Depression]]>
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  <average_rating>3.71</average_rating>
  <ratings_count>85</ratings_count>
  <description>
    <![CDATA[ Written as an answer to the question, &quot;What if van Gogh had been on anti-depressants,&quot; <em>Against Depression</em> manages to be more of an exploration than a polemic, regardless of its title. While author Peter Kramer (<em>Listening to Prozac</em>) expresses a definite opinion--that disease of any sort should be treated as effectively as possible--he manages to express sympathy along with frustration about the recurring idea that soulful creativity often goes hand-in-hand with depression. Without ever being dismissive or particularly angry, his writing makes his point abundantly clear after the first chapter: The pervasive idea of depression serving a creative purpose is preposterous, as well as highly damaging.  <p> While he draws from a number of recent studies on depression, the book is not meant to assist in the diagnosis or treatment of individuals, except in a very general sense. Instead, Kramer adds the findings of those studies into his thoughts on how patients modify medication doses for depression as they wouldn't for purely physical diseases, and looks into future possibilities of genetically modified stress hormone transmitters that could work to prevent a slide into chronic depression. In the arts, he examines the work of philosophers, painters and writers in relation to the reputation their personal lives have earned (critics and consumers alike believe that pain equals genius and lack of pain equals lack of depth). Adding Dineson, Bellow, Updike and Kierkegaard to the list headed by van Gogh, Kramer shows a variety of ways we live with the assumption that creative genius does not function without severe emotional strain.  <p> While he does include a few stories from a patient to illustrate specific treatments, most of the book is slow and thoughtful, without ever being dry or pedantic. Useful to families or individuals who have encountered depression, this book offers excellent support for anyone--creative genius or otherwise--who struggle to define their talents as existing separately from their illness. <em>Jill Lightner</em></p></p>]]>
  </description>
  <published>2005</published>
</book>

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  <date_added>Fri Dec 12 22:17:19 -0800 2008</date_added>
  <date_updated>Sun Mar 22 22:57:43 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[If Van Gogh had tuberculosis, we would not have hesitated to cure him with all the medicine at our disposal.  Why then do so many people hesitate when asked if it would have been good to use medication to cure him of his depression?  Thus asks Kramer, who believes that depression is not the essence ...<a href="http://www.goodreads.com/review/show/39996273">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/39996273]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/39996273]]></link>
</review>
      <review>
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  <title>
    <![CDATA[Against Depression]]>
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  <average_rating>3.71</average_rating>
  <ratings_count>85</ratings_count>
  <description>
    <![CDATA[ Written as an answer to the question, &quot;What if van Gogh had been on anti-depressants,&quot; <em>Against Depression</em> manages to be more of an exploration than a polemic, regardless of its title. While author Peter Kramer (<em>Listening to Prozac</em>) expresses a definite opinion--that disease of any sort should be treated as effectively as possible--he manages to express sympathy along with frustration about the recurring idea that soulful creativity often goes hand-in-hand with depression. Without ever being dismissive or particularly angry, his writing makes his point abundantly clear after the first chapter: The pervasive idea of depression serving a creative purpose is preposterous, as well as highly damaging.  <p> While he draws from a number of recent studies on depression, the book is not meant to assist in the diagnosis or treatment of individuals, except in a very general sense. Instead, Kramer adds the findings of those studies into his thoughts on how patients modify medication doses for depression as they wouldn't for purely physical diseases, and looks into future possibilities of genetically modified stress hormone transmitters that could work to prevent a slide into chronic depression. In the arts, he examines the work of philosophers, painters and writers in relation to the reputation their personal lives have earned (critics and consumers alike believe that pain equals genius and lack of pain equals lack of depth). Adding Dineson, Bellow, Updike and Kierkegaard to the list headed by van Gogh, Kramer shows a variety of ways we live with the assumption that creative genius does not function without severe emotional strain.  <p> While he does include a few stories from a patient to illustrate specific treatments, most of the book is slow and thoughtful, without ever being dry or pedantic. Useful to families or individuals who have encountered depression, this book offers excellent support for anyone--creative genius or otherwise--who struggle to define their talents as existing separately from their illness. <em>Jill Lightner</em></p></p>]]>
  </description>
  <published>2005</published>
</book>

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  <date_added>Sun Jul 26 19:35:27 -0700 2009</date_added>
  <date_updated>Sun Jul 26 19:35:47 -0700 2009</date_updated>
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    <body><![CDATA[Eye opening.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/65073991]]></url>
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      <review>
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  <title>
    <![CDATA[Against Depression]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1173305896m/271219.jpg</image_url>
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  <average_rating>3.71</average_rating>
  <ratings_count>85</ratings_count>
  <description>
    <![CDATA[ Written as an answer to the question, &quot;What if van Gogh had been on anti-depressants,&quot; <em>Against Depression</em> manages to be more of an exploration than a polemic, regardless of its title. While author Peter Kramer (<em>Listening to Prozac</em>) expresses a definite opinion--that disease of any sort should be treated as effectively as possible--he manages to express sympathy along with frustration about the recurring idea that soulful creativity often goes hand-in-hand with depression. Without ever being dismissive or particularly angry, his writing makes his point abundantly clear after the first chapter: The pervasive idea of depression serving a creative purpose is preposterous, as well as highly damaging.  <p> While he draws from a number of recent studies on depression, the book is not meant to assist in the diagnosis or treatment of individuals, except in a very general sense. Instead, Kramer adds the findings of those studies into his thoughts on how patients modify medication doses for depression as they wouldn't for purely physical diseases, and looks into future possibilities of genetically modified stress hormone transmitters that could work to prevent a slide into chronic depression. In the arts, he examines the work of philosophers, painters and writers in relation to the reputation their personal lives have earned (critics and consumers alike believe that pain equals genius and lack of pain equals lack of depth). Adding Dineson, Bellow, Updike and Kierkegaard to the list headed by van Gogh, Kramer shows a variety of ways we live with the assumption that creative genius does not function without severe emotional strain.  <p> While he does include a few stories from a patient to illustrate specific treatments, most of the book is slow and thoughtful, without ever being dry or pedantic. Useful to families or individuals who have encountered depression, this book offers excellent support for anyone--creative genius or otherwise--who struggle to define their talents as existing separately from their illness. <em>Jill Lightner</em></p></p>]]>
  </description>
  <published>2005</published>
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    <rating>3</rating>
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  <date_added>Mon Jun 23 22:22:11 -0700 2008</date_added>
  <date_updated>Mon Jun 23 22:24:35 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I found it to be less solid that &quot;Listening to the Prozac&quot;.  The intro was a bit whinny but he does make good points.  I read this at the same time I was reading &quot;Touched by Fire&quot; by Kathrine Reddfield Jamison.  Those are two interesting books to read at the same time because Jam...<a href="http://www.goodreads.com/review/show/25279495">more...</a>]]></body>
    
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      <review>
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  <title>
    <![CDATA[Against Depression]]>
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  <average_rating>3.71</average_rating>
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    <![CDATA[ Written as an answer to the question, &quot;What if van Gogh had been on anti-depressants,&quot; <em>Against Depression</em> manages to be more of an exploration than a polemic, regardless of its title. While author Peter Kramer (<em>Listening to Prozac</em>) expresses a definite opinion--that disease of any sort should be treated as effectively as possible--he manages to express sympathy along with frustration about the recurring idea that soulful creativity often goes hand-in-hand with depression. Without ever being dismissive or particularly angry, his writing makes his point abundantly clear after the first chapter: The pervasive idea of depression serving a creative purpose is preposterous, as well as highly damaging.  <p> While he draws from a number of recent studies on depression, the book is not meant to assist in the diagnosis or treatment of individuals, except in a very general sense. Instead, Kramer adds the findings of those studies into his thoughts on how patients modify medication doses for depression as they wouldn't for purely physical diseases, and looks into future possibilities of genetically modified stress hormone transmitters that could work to prevent a slide into chronic depression. In the arts, he examines the work of philosophers, painters and writers in relation to the reputation their personal lives have earned (critics and consumers alike believe that pain equals genius and lack of pain equals lack of depth). Adding Dineson, Bellow, Updike and Kierkegaard to the list headed by van Gogh, Kramer shows a variety of ways we live with the assumption that creative genius does not function without severe emotional strain.  <p> While he does include a few stories from a patient to illustrate specific treatments, most of the book is slow and thoughtful, without ever being dry or pedantic. Useful to families or individuals who have encountered depression, this book offers excellent support for anyone--creative genius or otherwise--who struggle to define their talents as existing separately from their illness. <em>Jill Lightner</em></p></p>]]>
  </description>
  <published>2005</published>
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  <date_added>Tue Aug 12 07:06:44 -0700 2008</date_added>
  <date_updated>Tue Aug 12 07:09:19 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[A compelling exploration of what &quot;depression&quot; is and what is really means in our culture.  Dr. Kramer employs scientific knowledge with a profound understanding of literature, philosophy and humane insight to unlock the cultural misappropriation of depression as a requisite for intellectur...<a href="http://www.goodreads.com/review/show/29929630">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/29929630]]></url>
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      <review>
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  <title>
    <![CDATA[Against Depression]]>
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  <average_rating>3.71</average_rating>
  <ratings_count>85</ratings_count>
  <description>
    <![CDATA[ Written as an answer to the question, &quot;What if van Gogh had been on anti-depressants,&quot; <em>Against Depression</em> manages to be more of an exploration than a polemic, regardless of its title. While author Peter Kramer (<em>Listening to Prozac</em>) expresses a definite opinion--that disease of any sort should be treated as effectively as possible--he manages to express sympathy along with frustration about the recurring idea that soulful creativity often goes hand-in-hand with depression. Without ever being dismissive or particularly angry, his writing makes his point abundantly clear after the first chapter: The pervasive idea of depression serving a creative purpose is preposterous, as well as highly damaging.  <p> While he draws from a number of recent studies on depression, the book is not meant to assist in the diagnosis or treatment of individuals, except in a very general sense. Instead, Kramer adds the findings of those studies into his thoughts on how patients modify medication doses for depression as they wouldn't for purely physical diseases, and looks into future possibilities of genetically modified stress hormone transmitters that could work to prevent a slide into chronic depression. In the arts, he examines the work of philosophers, painters and writers in relation to the reputation their personal lives have earned (critics and consumers alike believe that pain equals genius and lack of pain equals lack of depth). Adding Dineson, Bellow, Updike and Kierkegaard to the list headed by van Gogh, Kramer shows a variety of ways we live with the assumption that creative genius does not function without severe emotional strain.  <p> While he does include a few stories from a patient to illustrate specific treatments, most of the book is slow and thoughtful, without ever being dry or pedantic. Useful to families or individuals who have encountered depression, this book offers excellent support for anyone--creative genius or otherwise--who struggle to define their talents as existing separately from their illness. <em>Jill Lightner</em></p></p>]]>
  </description>
  <published>2005</published>
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    <rating>4</rating>
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  <recommended_for><![CDATA[artists of all media]]></recommended_for>
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  <read_at></read_at>
  <date_added>Sun Sep 30 11:35:00 -0700 2007</date_added>
  <date_updated>Sun Sep 30 11:39:27 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[in natalie angier's review for the new york times, she says, &quot;Forget the persistent myth of depression as a source of artistry, soulfulness and rebellion. Depression doesn't fan creative flames. It is photophobic and anhedonic and would rather just drool in the dark.&quot;  this is so important...<a href="http://www.goodreads.com/review/show/7037253">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/7037253]]></url>
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      <review>
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    <name><![CDATA[Melissa]]></name>
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  <title>
    <![CDATA[Against Depression]]>
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  <average_rating>3.71</average_rating>
  <ratings_count>85</ratings_count>
  <description>
    <![CDATA[ Written as an answer to the question, &quot;What if van Gogh had been on anti-depressants,&quot; <em>Against Depression</em> manages to be more of an exploration than a polemic, regardless of its title. While author Peter Kramer (<em>Listening to Prozac</em>) expresses a definite opinion--that disease of any sort should be treated as effectively as possible--he manages to express sympathy along with frustration about the recurring idea that soulful creativity often goes hand-in-hand with depression. Without ever being dismissive or particularly angry, his writing makes his point abundantly clear after the first chapter: The pervasive idea of depression serving a creative purpose is preposterous, as well as highly damaging.  <p> While he draws from a number of recent studies on depression, the book is not meant to assist in the diagnosis or treatment of individuals, except in a very general sense. Instead, Kramer adds the findings of those studies into his thoughts on how patients modify medication doses for depression as they wouldn't for purely physical diseases, and looks into future possibilities of genetically modified stress hormone transmitters that could work to prevent a slide into chronic depression. In the arts, he examines the work of philosophers, painters and writers in relation to the reputation their personal lives have earned (critics and consumers alike believe that pain equals genius and lack of pain equals lack of depth). Adding Dineson, Bellow, Updike and Kierkegaard to the list headed by van Gogh, Kramer shows a variety of ways we live with the assumption that creative genius does not function without severe emotional strain.  <p> While he does include a few stories from a patient to illustrate specific treatments, most of the book is slow and thoughtful, without ever being dry or pedantic. Useful to families or individuals who have encountered depression, this book offers excellent support for anyone--creative genius or otherwise--who struggle to define their talents as existing separately from their illness. <em>Jill Lightner</em></p></p>]]>
  </description>
  <published>2005</published>
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    <rating>3</rating>
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  <read_at>Fri Aug 01 00:00:00 -0700 2008</read_at>
  <date_added>Mon Aug 25 07:22:23 -0700 2008</date_added>
  <date_updated>Mon Aug 25 07:25:32 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[This book was pretty dry reading for me since I have literally no background in psychology. (That's right, NYC Dept. of Ed... I never even took Ed. Psych. Come and get me!) As India points out, the main point comes through clear: depression makes Holes in Your Brain. When you really absorb this, it ...<a href="http://www.goodreads.com/review/show/31126591">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/31126591]]></url>
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      <review>
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  <title>
    <![CDATA[Against Depression]]>
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  <average_rating>3.71</average_rating>
  <ratings_count>85</ratings_count>
  <description>
    <![CDATA[ Written as an answer to the question, &quot;What if van Gogh had been on anti-depressants,&quot; <em>Against Depression</em> manages to be more of an exploration than a polemic, regardless of its title. While author Peter Kramer (<em>Listening to Prozac</em>) expresses a definite opinion--that disease of any sort should be treated as effectively as possible--he manages to express sympathy along with frustration about the recurring idea that soulful creativity often goes hand-in-hand with depression. Without ever being dismissive or particularly angry, his writing makes his point abundantly clear after the first chapter: The pervasive idea of depression serving a creative purpose is preposterous, as well as highly damaging.  <p> While he draws from a number of recent studies on depression, the book is not meant to assist in the diagnosis or treatment of individuals, except in a very general sense. Instead, Kramer adds the findings of those studies into his thoughts on how patients modify medication doses for depression as they wouldn't for purely physical diseases, and looks into future possibilities of genetically modified stress hormone transmitters that could work to prevent a slide into chronic depression. In the arts, he examines the work of philosophers, painters and writers in relation to the reputation their personal lives have earned (critics and consumers alike believe that pain equals genius and lack of pain equals lack of depth). Adding Dineson, Bellow, Updike and Kierkegaard to the list headed by van Gogh, Kramer shows a variety of ways we live with the assumption that creative genius does not function without severe emotional strain.  <p> While he does include a few stories from a patient to illustrate specific treatments, most of the book is slow and thoughtful, without ever being dry or pedantic. Useful to families or individuals who have encountered depression, this book offers excellent support for anyone--creative genius or otherwise--who struggle to define their talents as existing separately from their illness. <em>Jill Lightner</em></p></p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>5</rating>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <date_added>Thu Aug 07 18:51:04 -0700 2008</date_added>
  <date_updated>Thu Aug 07 18:52:24 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Picking up where he left off in listening to Prozac, Kramer now turns to the subject of depression and our romantic notions of the empassioned and depressed artist. If you could cure depression once and for all, would you. Would Van Gogh been better off without his mania and depression. He might hav...<a href="http://www.goodreads.com/review/show/29568082">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/29568082]]></url>
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      <review>
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    <![CDATA[Against Depression]]>
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  <ratings_count>85</ratings_count>
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    <![CDATA[ Written as an answer to the question, &quot;What if van Gogh had been on anti-depressants,&quot; <em>Against Depression</em> manages to be more of an exploration than a polemic, regardless of its title. While author Peter Kramer (<em>Listening to Prozac</em>) expresses a definite opinion--that disease of any sort should be treated as effectively as possible--he manages to express sympathy along with frustration about the recurring idea that soulful creativity often goes hand-in-hand with depression. Without ever being dismissive or particularly angry, his writing makes his point abundantly clear after the first chapter: The pervasive idea of depression serving a creative purpose is preposterous, as well as highly damaging.  <p> While he draws from a number of recent studies on depression, the book is not meant to assist in the diagnosis or treatment of individuals, except in a very general sense. Instead, Kramer adds the findings of those studies into his thoughts on how patients modify medication doses for depression as they wouldn't for purely physical diseases, and looks into future possibilities of genetically modified stress hormone transmitters that could work to prevent a slide into chronic depression. In the arts, he examines the work of philosophers, painters and writers in relation to the reputation their personal lives have earned (critics and consumers alike believe that pain equals genius and lack of pain equals lack of depth). Adding Dineson, Bellow, Updike and Kierkegaard to the list headed by van Gogh, Kramer shows a variety of ways we live with the assumption that creative genius does not function without severe emotional strain.  <p> While he does include a few stories from a patient to illustrate specific treatments, most of the book is slow and thoughtful, without ever being dry or pedantic. Useful to families or individuals who have encountered depression, this book offers excellent support for anyone--creative genius or otherwise--who struggle to define their talents as existing separately from their illness. <em>Jill Lightner</em></p></p>]]>
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  <published>2005</published>
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    <body><![CDATA[Sort of still reading this...part of me loves it because the science makes a lot of sense, and it's reassuring to see someone taking depression as seriously as it should be taken.<br/><br/>On the other hand, I've felt a lot of self-doubt in relation to this book...I'll say more in private if anyon...<a href="http://www.goodreads.com/review/show/7645590">more...</a>]]></body>
    
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      <review>
  <id>32893442</id>
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  <id type="integer">361389</id>
  <isbn>0670034053</isbn>
  <isbn13>9780670034055</isbn13>
  <text_reviews_count type="integer">5</text_reviews_count>
  <title>
    <![CDATA[Against Depression]]>
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  <average_rating>3.71</average_rating>
  <ratings_count>85</ratings_count>
  <description>
    <![CDATA[ Written as an answer to the question, &quot;What if van Gogh had been on anti-depressants,&quot; <em>Against Depression</em> manages to be more of an exploration than a polemic, regardless of its title. While author Peter Kramer (<em>Listening to Prozac</em>) expresses a definite opinion--that disease of any sort should be treated as effectively as possible--he manages to express sympathy along with frustration about the recurring idea that soulful creativity often goes hand-in-hand with depression. Without ever being dismissive or particularly angry, his writing makes his point abundantly clear after the first chapter: The pervasive idea of depression serving a creative purpose is preposterous, as well as highly damaging.  <p> While he draws from a number of recent studies on depression, the book is not meant to assist in the diagnosis or treatment of individuals, except in a very general sense. Instead, Kramer adds the findings of those studies into his thoughts on how patients modify medication doses for depression as they wouldn't for purely physical diseases, and looks into future possibilities of genetically modified stress hormone transmitters that could work to prevent a slide into chronic depression. In the arts, he examines the work of philosophers, painters and writers in relation to the reputation their personal lives have earned (critics and consumers alike believe that pain equals genius and lack of pain equals lack of depth). Adding Dineson, Bellow, Updike and Kierkegaard to the list headed by van Gogh, Kramer shows a variety of ways we live with the assumption that creative genius does not function without severe emotional strain.  <p> While he does include a few stories from a patient to illustrate specific treatments, most of the book is slow and thoughtful, without ever being dry or pedantic. Useful to families or individuals who have encountered depression, this book offers excellent support for anyone--creative genius or otherwise--who struggle to define their talents as existing separately from their illness. <em>Jill Lightner</em></p></p>]]>
  </description>
  <published>2005</published>
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  <read_at>Fri Jul 01 00:00:00 -0700 2005</read_at>
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  <date_updated>Sun Sep 14 20:35:11 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Kramer makes the case for depression as a purely biological illness, driven by nature rather than nurture. He also argues against the time-honored practice of romanticizing depression, tying it to the arts and to creativity. It's an interesting book, although a bit longer than it needs to be.]]></body>
    
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