Variations in Time: Nathan Oliverira, Monotypes and Monomprints
Printmaking has appealed to California painter Nathan Oliveira throughout his career, not as a reproductive technology but as an extension of painting. In the early 1970s he became fascinated with the monotypes of Degas and began to work his magic on zinc plates. By merging the act of painting with that of printing in a single process, monotype gave him the ability to gene...more
Paperback, 64 pages
Published January 1st 1998 by University of Washington Press
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