What's Bred In The Bone (Cornish Trilogy, #2)

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What's Bred In The Bone (The Cornish Trilogy #2)

4.22 of 5 stars 4.22 · rating details · 2,547 ratings · 111 reviews

Francis Cornish was always good at keeping secrets. From the well-hidden family secret of his childhood to his mysterious encounters with a small -town embalmer, an expert art restorer, a Bavarian countess, and various masters of espionage, the events in Francis's life were not always what they seemed.

In this wonderfully ingenious portrait of an art expert and collector o

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Paperback, 436 pages

Published 1987 by Penguin (first published January 1st 1985)

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Mar 03, 2008 laura rated it 4 of 5 stars

Had this one on my shelves for so long I thought I'd already read it. But, nope. It's the story of a half-provincial half-royal kid from Canada who is raised by a Catholic aunt and learns to draw in the local funeral home, then turns to Renaissance painting in the face of his family's craziness during WWII. Funny and intriguing all the way through. Must read more Robertson Davies.

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Jan 27, 2013 Ted rated it 5 of 5 stars

What's Bred in the Bone by Robertson Davies is my favourite novel. It is the second in the otherwise unremarkable Cornish trilogy and details the life of the second Francis Cornish from birth to death, including a confusing religious upbringing by everyone but his parents in a rural Ontario town, his education from 'Spook' to Oxford, his apprenticeship in art fraud to cheat the Nazis and his secret life as a spy. Along the way, Cornish 'assassinates' an art faker as it takes one to know one, fal...more

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Dec 03, 2009 Margaret rated it 5 of 5 stars · review of another edition

Shelves: magical-realism, canadian-literature, authors-cd

What's Bred in the Bone is the second of a trilogy of books which are bound together by the life of one Francis Cornish, Canadian artist, critic, and collector, and by a host of other characters who are tied to him in one way or another. This book tells Cornish's life story, starting from a conversation between his heirs and his biographer and featuring interjections from a pair of supernatural beings, the Lesser Zadkiel (the Angel of Biography) and Maimon, Francis's personal daimon. The daimons...more

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Sep 08, 2007 Yuichiro rated it 4 of 5 stars

Bred in the Bone is the only book I have read by Robertson Davies, but it is not for the of lack of talent on the author's part. Davies has clear control of the plot, characters, and the English language and forms a story that is creative and believable, though not something we can relate to. (at least in this case) I recommend this book to anyone who enjoys books by John Irving. There are many similarities between the two authors, especially in the way the plot follows one character for much of...more

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Sep 04, 2012 Sheryl Dunn rated it 4 of 5 stars

I avoided Robertson Davies for many years, and the only reason I read this one was that a friend asked me to read it aloud to him. I'm glad I did.

While the writing style felt old fashioned to me, Davies' wit and charm, especially when he's being satiric, is extremely engaging. Sometimes we laughed out loud; sometimes we discussed the issues raised in the novel. If the satire had continued at the same rate through the entire novel, I would have given this five stars instead of four, but the novel...more

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May 14, 2012 Carol rated it 4 of 5 stars

Shelves: literary-fiction

This is the second book in Davies' Cornish trilogy, which began with The Rebel Angels. However, it's not a trilogy in the usual contiguous story divided into three books sense. What's Bred in the Bone backtracks from The Rebel Angels to tell the life story of Francis Cornish, whose death and estate was the catalyst for the main events of the first book. And it turns out to be a tale every bit as entertaining and rich as the academic hijinks of the first book.
Francis Cornish grows up in early 20t...more

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Apr 10, 2012 Leslie rated it 4 of 5 stars

I fell in love with Robertson Davies while in high school. The vivid strangeness of the worlds he creates, clothed in a style so sedate that it can be difficult to notice, captivated me entirely, especially in The Deptford Trilogy. I returned to What's Bred In The Bone after stumbling upon a tattered copy in a used bookstore, and, while I was still transported, I got to look at it a little more clearly. He definitely tells instead of showing at times, and may lay things out a little too clearly...more

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Apr 11, 2011 Radio2isstatic rated it 5 of 5 stars

Shelves: 2011-reading-more

This was the first Davies book I ever read, during the Canadian Studies student phase of my life when all books were acquired by picking at random from the CanLit shelf at the used bookstore. I've since gone back and read the whole Cornish trilogy, and much as I love the rest of it I really never felt it was necessary for my development as a person to have read more than this book. Possibly because it's so structurally different from the other two, Bred in the Bone sticks out. Its focus holds to...more

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Sep 06, 2010 Rosanne Lortz rated it 4 of 5 stars

Francis Cornish, the wealthy Canadian art collector, is dead. But what kind of man was he? And what should his posthumous biography tell the waiting world? Neither his nephew Arthur nor the biographer Darcourt are entirely sure. Heaven only knows who Francis Cornish really was, and so it is heaven that provides the reader with a narrator for the tale. The recorder angel Zadkiel and the daimon Maimas (Francis’s indwelling inspiration) tell the story of a lonely boy, a loveless man, and an electri...more Francis Cornish, the wealthy Canadian art collector, is dead. But what kind of man was he? And what should his posthumous biography tell the waiting world? Neither his nephew Arthur nor the biographer Darcourt are entirely sure. Heaven only knows who Francis Cornish really was, and so it is heaven that provides the reader with a narrator for the tale. The recorder angel Zadkiel and the daimon Maimas (Francis’s indwelling inspiration) tell the story of a lonely boy, a loveless man, and an electrifying artist who lived in the wrong century to be truly considered great.

Francis grows up in the small Canadian town of Blairlogie. His father, a member of the British Secret Service, and his mother, a glittering socialite, have no time for him, and so he is raised by his maternal grandparents in a house full of stern religious convictions and startling secrets. A strange, neglected child, he has no friends but a few household servants. Drawing becomes a passion with him, and he learns to draw the human figure in the cold rooms of the town morgue.

After attending school in Canada, he goes to college at Oxford in England. The Secret Service recruits him as an inactive member and encourages him to exercise his powers of perception in the 1930′s world of growing European tensions. At Oxford, he falls in love with his cousin Ismay, despite her coarseness and Communist leanings. When Ismay becomes pregnant by another man, she tricks Francis into marrying her, then runs away to the continent forcing him to provide financially for the child. Although Francis is devastated by this affair, it is all the work of his governing daimon who knows that artistic greatness cannot be achieved without great sorrow.

At the encouragment of the Secret Service, Francis becomes the apprentice to Tancred Saraceni, a restorer of Renaissance art with a somewhat shady business deal in the works. Under Tancred’s direction, Francis goes to a ruined castle in Germany to restore and “improve” old, non-descript German paintings. These paintings are then shipped to England and traded to Hitler’s regime for works by famous artists like Raphael or Michelangelo. In the process, Tancred challenges Francis to paint two works in the style of the old masters. Using old canvases and creating his own pigments, Francis produces a picture of a dwarf and masterful triptych called the Marriage at Cana. Both are indistinguishable from German Renaissance art, and, despite Francis’s misgivings, join the batch of work sold to Hitler’s Aryan museum.

The rest of the story describes the fruit that comes from this artistic fraud. The war comes and goes and the Allies send in art experts to redistribute the old masterpieces that Hitler had accumulated–Francis’s paintings among them. In the final chapter of the story, Francis makes a choice that angers his daimon. He determines to stop the fraud he has created, the Marriage at Cana, from being foisted on the National Art Gallery of Canada. By doing this, he rejects love, ambition, and future fame, and (according to the daimon) loses the distinction of being truly great. But by doing this, he also shows a spark of integrity that the circumstances of his life have stifled but never fully extinguished.

Modern art is a subject I have always struggled to understand and appreciate, and this book by Davies offers remarkable insight. When Francis first encounters his mentor, Tancred Saraceni, the maestro gives his explanation of what modern art is, and though it is long, it is worth quoting in its entirety.

“It [modern art] is the logical outcome of the art of the Renaissance. During those three centuries, to measure roughly, that we call the Renaissance, the mind of civilized man underwent a radical change. A psychologist would say that it changed from extraversion to introversion. The exploration of the outer world was partnered by a new exploration of the inner world, the subjective world. And it was an exploration that could not depend on the old map of relgion. It was the exploration that brought forth Hamlet, instead of Gorboduc. Man began to look inside himself for all that was great and also–if he was honest, which most people aren’t–for all that was ignoble, base, evil. If the artist was a man of scope and genius, he found God and all His works within himself, and painted them for the world to recognize and admire.”

(Francis:) “But the moderns don’t paint God and all His works. Sometimes I can’t make out what they are painting.”

(Saraceni:) “They are painting the inner vision, and working very hard at it when they are honest, which by no means all of them are. But they depend only on themselves, unaided by religion or myth, and of course what most of them find within themselves is revelation only to themselves. And these lonely searches can quickly slide into fakery. Nothing is so easy to fake as the inner vision, Mr. Cornish. Look at those ruined frescoes we were examining this morning; the people who painted those–Rossetti, Morris, Burne-Jones–all had the inner vision linked with legend, and they chose to wrap it up in Grail pictures and sloe-eyes, sexy beauties who were half the Mother of God and half Rossetti’s overblown mistresses. But the moderns, having been hit on the head by a horrible world war, and having understood whatever they can of Sigmund Freud, are hell-bent for honesty. They are sick of what they suppose to be God, and they find something in the inner vision that is so personal that to most people it looks like chaos. But it isn’t simply chaos. It’s raw gobbets of the psyche displayed on canvas. Not very pretty and not very communicative, but they have to find their way through that to something that is communicative–though I wonder if it will be pretty.”

Later on in the story, Saraceni again gives his viewpoint on the moderns in a more concise form:

“I do not hate them [modern artists]. The best of them are doing what honest painters have always done, which is to paint the inner vision, or to bring the inner vision to some outer subject. But in an earlier day the inner vision presented itself in a coherent language of mythological or religious terms, and now both mythology and religion are powerless to move the modern mind. So–the search for the inner vision must be direct. The artist solicits and implores something from the realm of what the psychoanalysts, who are the great magicians of our day, call the Unconscious, though it is actually the Most Conscious. And what they fish up–what the Unconscious hangs on the end of the hook the artists drop into the great well in which art has its being–may be very fine, but they express it in a language more or less private. It is not the language of mythology or religion. And the great danger is that such private language is perilously easy to fake. Much easier to fake than the well-understood language of the past.”

I picked up What’s Bred in the Bone in a small shop in Victoria, BC and greatly enjoyed it. (One warning: because the book is very frank in its discussion and description of sexuality, it is probably inappropriate for high school age and below.) Although I did not realize this while I was reading the book, What’s Bred in the Bone is actually the second book in a trilogy of connected novels about the Cornish family. The first and third novels in the trilogy are both set in the aftermath of Francis Cornish’s death, but in my opinion, they were unnecessary to a full understanding of this middle novel.(less)

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Dec 20, 2009 Mag rated it 4 of 5 stars · review of another edition

A perfectly nice and entertaining literary work, but definitely not Canadian the way I understand it. If I didn’t know any better, I would think he is British, and very much imperial British. He represents everything one associates with colonial times in Canada: white, male, comfortably well-off, elitist, and monarchist. His writing is very accessible, definitely not post-modern, much more in the "by-gone" 19th century style. He draws exclusively on European tradition and good solid knowledge of...more

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Feb 18, 2013 Wes Christensen rated it 5 of 5 stars

An artist friend gave this book to me, years ago when we were both in school. He didn't tell me anything about it, but since I liked him and his art work, I gave the book a try and went on to be a huge fan of the author, searching out everything I could find by him to read over the years. Being an artist myself, and painting in a rather traditional manner like the protagonist, it was bracing to read Davies' account of an artist who felt out of step in a Modern era -- much like I did, trying to m...more

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Apr 16, 2013 Adam Dunn rated it 2 of 5 stars

This book was a struggle to read, and while at points I would give four or five stars, overall the end of the book really brought it down for me and I struggled to finish it.

The book excels in parts. When we see Francis as a little boy or later as an art apprentice trying to solve a painting’s origins the book shines. The more the novel goes into the art world however, it gets dragged down in a smileless, soulless vacuum that I had no interest in deciphering.

Told, with a hint of pretension, by t...more

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Jan 19, 2013 Frank rated it 2 of 5 stars

Strangely disappointing after the genial and at times very comical first part of this trilogy.
Some very stagey, clumsily managed dialogue between the characters of that first part is used to introduce us to the subject of this second volume: the life of Francis Cornish (of whose estate the protagonists of the first and third volume were the executors).

It turns out to be a rather run of the mill Bildungsroman or Künstlerroman, whichever you prefer to call it. There's some hokum with a kind of g...more

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Feb 28, 2012 Kate Z rated it 3 of 5 stars

Shelves: i-own-this-tbr

Colleen gave me this book to try almost 2 years ago! I have wanted to read it but it's not the size I prefer and I'm always more tempted by the bigger hardbacks than this short, stubby little paperback. But 2012 is the year I clean up my "I Own This TBR" pile and clear books off of my (actual, not just virtual) bookshelves.

This book was fine but I just wasn't that into it. It took me 212 pages before I ever thought to myself, "Oh, this book might be okay after all." However, the writing is good...more

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Jun 05, 2008 Mitch rated it 5 of 5 stars · review of another edition

I have to say, the thought of Canadian governmental machinations, British secret service, and Italian art restoration did not excite me at all. And, though a slow starting book, I found myself wanting to read more and more of this one...The story ended up being fascinating, character development was adequate to the point of care, and overall, a very enjoyable read.

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Apr 27, 2013 Sheri-lee rated it 5 of 5 stars · review of another edition

There is a bit of a spoiler in here, so don't read the last paragraph, Stephen. :)

I think this is my favourite Robertson Davies book (so far). The New York Times is quoted as saying, "A deliciously readable story...an altogether remarkable creation, his most accomplished to date." and I would have to agree on all counts. (I've only read his Salterton Trilogy and Deptford Trilogy to date).

It's interesting to me how Francis Cornish is not portrayed as a very loveable or even likeable character in...more

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Dec 24, 2012 Alisa rated it 3 of 5 stars · review of another edition

Extremely well-written, erudite, and entertaining. I've already read _The Fifth Business_ several times and that unfortunately takes the gloss off this one due to their overt similarities (Dunstan Ramsey is a crossover character besides, anyway.) Quiet Canadian boy of academic promise encounters numerous characters some of great eccentricity who dose him with wisdom. There's the free-spirited and saucy young woman with whom he explores sexuality... etc... this is probably all purposeful on Davi...more

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Sep 29, 2008 Heather rated it 4 of 5 stars

One of my favorite books-- you must read the entire Cornish series. Hard to describe but the characters are like old friends that you can't get enough of and Davies' writing about art and religion are just enough to make you feel like you are learning more about the world.

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Apr 12, 2009 Nina Menard rated it 5 of 5 stars Recommends it for: Anyone

Recommended to Nina by: it was lying around my house!

My first impression of this book was, "Ugh"! ..."Another Fusty Book with Victorian Overtones"....then, as I pursued with reading I became engrossed in the tales surrounding the elite Francis Cornish...Who can resist reading the lessons given by Zaddok, on
"The Art of Funeral Work"???...as young Francis records in his sketch book, the embalmed and not-so embalmed figures ..."Most people don't see what's in front of their nose. They just see what they ought to see."...and...
"Cleanliness Is Essenti...more

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Jun 03, 2011 Kate Millin rated it 4 of 5 stars

This is not the same copy as I am reading as I have a trilogy - and what to record reading them separately.
The second book in the trilogy goes back to tell the story of Francis Cornish was always good at keeping secrets and whose will was the link for the characters in the first novel. From the well-hidden family secret of his childhood to his mysterious encounters with a small -town embalmer, an expert art restorer, a Bavarian countess, and various masters of espionage, the events in Francis's...more

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Feb 14, 2013 Ruth rated it 3 of 5 stars

I only gave it as much as three stars because once the author got into the real purpose and point of the book it was moderately enjoyable. I like learning about the man behind the incredible collection described in the first book of the trilogy 'The Rebel Angels'. However the introduction to the second book in the series would have stopped me cold (and did for a few days); if I hadn't bought the trilogy as one book I would not have bothered to go beyond this line: "You two married about six mont...more

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Dec 09, 2007 Héctor rated it 5 of 5 stars Recommends it for: anyone

voici mon livre favorite de Robertson Davies: un livre vraiment "devorable"! I read this book non-stop and have bought it to have it available to those who love historical fiction. Davies was a Canadian genius!

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Aug 15, 2009 Murray rated it 5 of 5 stars

I saw this book reviewed in the year of its publication and asked the local library (what wonderful things those are/used to be in the UK) to get it. The librarian bought it within the week and I read it immediately.

It is simply a stunning book with the conceit that the hero's Daemon (who inspires but can remember nothing) and his Angel (who records everything but does not interfere in life) discuss between sections, why the hero did what he did. In between these entertaining interludes, we hav...more

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Oct 17, 2008 Jesse rated it 5 of 5 stars

Very strange and wonderful. If you're interested at all in the world or art, hermeticism, history and philosophy, this is for you. One of my favorite writers :)

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May 04, 2013 Gavin Stephenson-Jackman rated it 4 of 5 stars

What’s Bred in the Bone is the middle volume of the Cornish Trilogy by Robertson Davies. This is a extremely well written tale of the life of Francis Cornish from before his birth to his death, and the fears of his surviving family that some of the truths of his life could cause, embarrassment and financial difficulty for them. The story is narrated by the Daimon Maimas, and an angel, the Lesser Zadkiel. Of all parts of the novel I found the ongoing conversation between these two the most annoyi...more What’s Bred in the Bone is the middle volume of the Cornish Trilogy by Robertson Davies. This is a extremely well written tale of the life of Francis Cornish from before his birth to his death, and the fears of his surviving family that some of the truths of his life could cause, embarrassment and financial difficulty for them. The story is narrated by the Daimon Maimas, and an angel, the Lesser Zadkiel. Of all parts of the novel I found the ongoing conversation between these two the most annoying part. This may be in part because I have not read the first part of the trilogy where, I understand, these two characters play a much larger role. In this novel I found that their conversation did little to add to my understanding of the narrative. The constant interruption of the story by their conversation, for me interrupted the narrative.

In the course of his life Francis learns about the existence of a myriad of family secrets, including an older brother, also Francis Cornish, who is mentally handicapped and hidden away from the world. Francis’ parents are largely absent from his day to day life during and following WWI.

Francis learns art at an early age and is exposed to situations which allow him to develop his art that are just a little out of the norm. All of this he keeps secret from the family as they would not approve of the arrangements. As he grows he studies at “Spook” (Trinity College, Toronto) and later at Oxford before pursuing his art in Germany with Tancred Saraceni, a noted art restoration expert. It is during this time that Francis creates the art works which if the truth were told could set the art world on its head. Davies is unapologetic in his use of local references, some of which might be lost on those not familiar with Southern and Eastern Ontario, but knowing the area I found both interesting and humorous at times.

Despite the annoying interruptions of the narrators in the story this is a fantastic read that examines a time of transition from Victorian England to the modern day. (less)

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May 09, 2012 Kathryn Anthony rated it 5 of 5 stars

For me this book is the epitome of the so-called "Southern Ontario Gothic" genre (though Alice Munro's _Lives of Girls and Women_, and of course Davies's _Fifth Business_ also fit the bill. But somehow, _What's Bred in the Bone_ really represents what I imagine of the sub- sub- sub-genre).

It's been a number of years since I read it, but it still evokes memories of some of the darker, but oddly fascinating moments in the narrative. I keep feeling like I should revisit these (not to mention the ot...more

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Nov 18, 2012 Douglas Cosby rated it 4 of 5 stars

This review has been hidden because it contains spoilers. To view it, click here.

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Oct 05, 2011 Terry94705 rated it 4 of 5 stars

I think I had picked this up before--and set it down after a few pages. The opening is not terribly inspiring, but once I realized there was an ART angle, I plugged on. I'm glad I did. Davies is quite a humorist and certainly manages to draw in enough interesting issues to keep the young Francis Cornish well occupied. He also write smartly about art.

I enjoyed watching young Francis develop as an artist, even if he was one of those never-need-to-sell, never-need-a-job types. (He does want the dig...more

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Oct 24, 2010 Lou rated it 4 of 5 stars · review of another edition

Shelves: art-forgery-and-history

After I read THE FORGERY OF VENUS I LOOKED FOR ANOTHER "ART FORGERY" novel and came up with Gruber's AIR AND SHADOWS and somewhere along the way WHAT'S BRED IN THE BONE. I am delighted to find this author who has not only provided a nice follow up to FORGERY for me but also has described the French/ English friction in Canada and GB that we in the lower 50 barely appreciate ( unless you watch Montreal Canadien hockey). I am enjoying learning some of the background behind this friction and look f...more

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Jan 10, 2010 Oscar rated it 3 of 5 stars · review of another edition

Shelves: mainstream, míos

La primera novela de la Trilogía de Cornish, 'Ángeles rebeldes', giraba en torno a la figura de Francis Cornish, millonario y benefactor de artistas, o más bien a su legado y todas las batallas por hacerse con él. 'Lo que arraiga en el hueso', segunda novela de dicha trilogía, trata justamente de la vida y milagros de tan enigmático personaje, desde su gestación hasta su muerte, pasando por su infancia, muy significativa para él y parte importante dentro del libro (de ahí el título, ya que "Lo q...more

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About Robertson Davies

William Robertson Davies, CC, FRSC, FRSL (born August 28, 1913, at Thamesville, Ontario, and died December 2, 1995 at Orangeville, Ontario) was a Canadian novelist, playwright, critic, journalist, and professor. He was one of Canada's best-known and most popular authors, and one of its most distinguished "men of letters", a term Davies is sometimes said to have detested. Davies was the founding Ma...more

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The Deptford Trilogy: Fifth Business, The Manticore, and World of Wonders

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“The little boy nodded at the peony and the peony seemed to nod back. The little boy was neat, clean and pretty. The peony was unchaste, dishevelled as peonies must be, and at the height of its beauty.(...) Every hour is filled with such moments, big with significance for someone.” — 2 people liked it

“The new priest in his whitish lab-coat gives you nothing at all except a constantly changing vocabulary which he -- because he usually doesn't know any Greek -- can't pronounce, and you are expected to trust him implicitly because he knows what you are too dumb to comprehend. It's the most overweening, pompous priesthood mankind has ever endured in all its recorded history, and its lack of symbol and metaphor and its zeal for abstraction drive mankind to a barren land of starved imagination.” — 1 person liked it

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What's Bred In The Bone (The Cornish Trilogy #2)

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