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<book id="263341">
  <title><![CDATA[Aspects of the Novel]]></title>
  <isbn><![CDATA[0156091801]]></isbn>
  <isbn13><![CDATA[9780156091800]]></isbn13>
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  <best_book_id type="integer">263341</best_book_id>
  <books_count type="integer">16</books_count>
  <default_description>There are all kinds of books out there purporting to explain  that odd phenomenon the novel. Sometimes it's hard to know whom they're  are for, exactly. Enthusiastic readers? Fellow academics? Would-be  writers? &lt;I&gt;Aspects of the Novel&lt;/I&gt;, E.M. Forster's 1927 treatise on  the &quot;fictitious prose work over 50,000 words&quot; is, it turns out, for  anyone with the faintest interest in how fiction is made. Open at  random, and find your attention utterly sandbagged.&lt;p&gt;  Forster's book is not really a book at all; rather, it's a collection  of lectures delivered at Cambridge University on subjects as parboiled  as &quot;People,&quot; &quot;The Plot,&quot; and &quot;The Story.&quot; It has an unpretentious  verbal immediacy thanks to its spoken origin and is written in the key of Aplogetic Mumble: &quot;Those who dislike Dickens have an excellent case. He ought to be bad.&quot; Such gentle provocations litter these pages. How can  you not read on? Forster's critical writing is so ridiculously  plainspoken, so happily commonsensical, that we often forget to be  intimidated by the rhetorical landscapes he so ably leads us through.  As he himself points out in the introductory note, &quot;Since the novel is  itself often colloquial it may possibly withhold some of its secrets  from the graver and grander streams of criticism, and may reveal them  to backwaters and shallows.&quot;&lt;p&gt;  And Forster does paddle into some unlikely eddies here. For instance,  he seems none too gung ho about love in the novel: &quot;And lastly, love. I  am using this celebrated word in its widest and dullest sense. Let me  be very dry and brief about sex in the first place.&quot; He really means in  the first place. Like the narrator of a '50s hygiene film, Forster  continues, dry and brief as anything, &quot;Some years after a human being  is born, certain changes occur in it...&quot; One feels here the same-sexer  having the last laugh, heartily.&lt;p&gt;  Forster's brand of humanism has fallen from fashion in literary  studies, yet it endures in fiction itself. Readers still love this  author, even if they come to him by way of the multiplex. The  durability of his  work is, of course, the greatest raison d'&#234;tre  this book could have. It should have been titled &lt;I&gt;How to Write Novels  People Will Still Read in a Hundred Years&lt;/I&gt;. &lt;I&gt;--Claire Dederer&lt;/I&gt;</default_description>
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  <original_publication_year type="integer">1927</original_publication_year>
  <original_title>Aspects of the Novel</original_title>
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  <average_rating><![CDATA[3.77]]></average_rating>
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  <url><![CDATA[http://www.goodreads.com/book/show/263341.Aspects_of_the_Novel]]></url>
  <authors>
        <author id="2103">
      <name><![CDATA[E.M. Forster]]></name>
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    <review id="39144701">
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      <rating>5</rating>
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  <read_at>Wed Dec 10 00:00:00 -0800 2008</read_at>
  <date_added>Tue Dec 02 16:06:09 -0800 2008</date_added>
  <date_updated>Wed Dec 10 16:41:22 -0800 2008</date_updated>
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    <body><![CDATA[If I were a cellist, I’d want to take a master class with Yo Yo Ma. But since I am a writer, I can think of nothing better than sitting at the Clark series of lectures at Trinity College, 1927, with E.M. Forster at the podium. His subject is Aspects of the Novel and his topics are Story, People, P...<a href="http://www.goodreads.com/review/show/39144701">more...</a>]]></body>
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    <review id="30394577">
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    <name><![CDATA[Jennifer]]></name>
    <location><![CDATA[Portland, OR]]></location>        
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      <rating>3</rating>
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  <date_added>Sun Aug 17 14:20:44 -0700 2008</date_added>
  <date_updated>Sun Aug 17 14:46:57 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Not exactly a how-to guide or a critique, Forster very basically explains different aspects of the novel through a series of lectures he gave in the late 1920s. A lot of the books that he refers to  I’ve never read and probably never will (Les Faux Monnayeurs, not so much interested in), but he us...<a href="http://www.goodreads.com/review/show/30394577">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/30394577]]></url>
</review>
    <review id="29831183">
    <user id="4695">
    <name><![CDATA[Daniel]]></name>
    <location><![CDATA[Glendale, CA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/4695-daniel]]></url>
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      <rating>4</rating>
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  <read_at>Fri Aug 01 00:00:00 -0700 2008</read_at>
  <date_added>Mon Aug 11 05:54:36 -0700 2008</date_added>
  <date_updated>Sun Aug 31 16:58:05 -0700 2008</date_updated>
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    <body><![CDATA[E.M. Forster's &quot;Aspects of the Novel,&quot; originally a series of lectures delivered at Trinity College, Cambridge, in 1927, is a conversational, insightful discussion of plot, characters, rhythm and other components of the novel. Forster's humility -- mocking his own abilities as a critic, po...<a href="http://www.goodreads.com/review/show/29831183">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/29831183]]></url>
</review>
    <review id="47307554">
    <user id="1950707">
    <name><![CDATA[W.H.]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1950707-w-h-manville]]></url>
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      <rating>5</rating>
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  <read_at></read_at>
  <date_added>Mon Feb 23 16:26:45 -0800 2009</date_added>
  <date_updated>Mon Feb 23 17:01:55 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[    Getting published presents problems beyond esthetic notions of style, plot and character. For instance, one of my writing students recently took me aside. Young and good looking, “Bill,” she said, “what will my mother say if she reads my descriptions of how often I get laid?” <br/>     ...<a href="http://www.goodreads.com/review/show/47307554">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/47307554]]></url>
</review>
    <review id="74559933">
    <user id="1207684">
    <name><![CDATA[Bruce]]></name>
    <location><![CDATA[Janesville, WI]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1207684-bruce]]></url>
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      <rating>4</rating>
  <votes>2</votes>
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  <read_at>Wed Oct 14 00:00:00 -0700 2009</read_at>
  <date_added>Wed Oct 14 17:12:55 -0700 2009</date_added>
  <date_updated>Wed Oct 14 17:13:20 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This fascinating book is a series of lectures (and, taking its tone from that format, is delightfully conversational) that Forster gave at Trinity College, Cambridge, in 1927.  In his “introductory” he makes this statement, “The final test of a novel (is) our affection for it.”  He proposes ...<a href="http://www.goodreads.com/review/show/74559933">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/74559933]]></url>
</review>
    <review id="74803004">
    <user id="1006902">
    <name><![CDATA[Matthew]]></name>
    <location><![CDATA[Monaca, PA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1006902-matthew]]></url>
  </user>
      <rating>4</rating>
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  <read_at>Sun Nov 01 00:00:00 -0700 2009</read_at>
  <date_added>Sat Oct 17 01:50:16 -0700 2009</date_added>
  <date_updated>Sun Nov 01 20:34:49 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[A rather interesting read, whether you read or write novels. The early chapters on the more traditional aspects -- story, plot, and characters -- are easy to understand and make sense, both emotionally and logically. (The distinction he makes between story and plot is particularly insightful.) Later...<a href="http://www.goodreads.com/review/show/74803004">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/74803004]]></url>
</review>
    <review id="60554631">
    <user id="706615">
    <name><![CDATA[Alan]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/706615-alan]]></url>
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      <rating>4</rating>
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  <recommended_for><![CDATA[LeAnn]]></recommended_for>
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  <read_at>Fri Jul 10 00:00:00 -0700 2009</read_at>
  <date_added>Sun Jun 21 16:05:35 -0700 2009</date_added>
  <date_updated>Mon Jul 13 20:57:29 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Overall, I enjoyed reading this book. As other reviewers have noted, this was a series of lectures, and therefore should NOT be considered a guide on &quot;how to write a novel.&quot; If, however, you have a background in English literature and want to write a novel, then you may find this book an i...<a href="http://www.goodreads.com/review/show/60554631">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/60554631]]></url>
</review>
    <review id="41583082">
    <user id="279880">
    <name><![CDATA[Haengbok92]]></name>
    <location><![CDATA[Philadelphia, PA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/279880-haengbok92]]></url>
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      <rating>5</rating>
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  <read_at>Wed Dec 31 00:00:00 -0800 2008</read_at>
  <date_added>Fri Jan 02 05:41:49 -0800 2009</date_added>
  <date_updated>Fri Jan 02 05:48:03 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This is a wonderfully perceptive guide to both writing and in general to the evolution of the novel (though specifically not handled with a focus on linear time).  I found a number of gems of interest scattered throughout this book, and his seven aspects: story, character, plot, fantasy, prophecy, p...<a href="http://www.goodreads.com/review/show/41583082">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/41583082]]></url>
</review>
    <review id="11406230">
    <user id="697731">
    <name><![CDATA[Courtney]]></name>
    <location><![CDATA[Portland, OR]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/697731-courtney]]></url>
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      <rating>3</rating>
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  <read_at>Tue Jan 01 00:00:00 -0800 2008</read_at>
  <date_added>Tue Jan 01 16:56:05 -0800 2008</date_added>
  <date_updated>Wed Jan 02 23:33:21 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[This series of lectures on how to critically approach novel reading provides an intriguing look at how one of the 20th Century's great novelists views his craft, but it lacks in internal consistency and several chapters don't quite hold together.<br/><br/>The first half of this book is strong. For...<a href="http://www.goodreads.com/review/show/11406230">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/11406230]]></url>
</review>
    <review id="38114007">
    <user id="176143">
    <name><![CDATA[Kristin]]></name>
    <location><![CDATA[Canyon Country, CA]]></location>        
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      <rating>3</rating>
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  <read_at>Mon Dec 01 00:00:00 -0800 2008</read_at>
  <date_added>Tue Nov 18 23:37:32 -0800 2008</date_added>
  <date_updated>Mon Dec 01 22:10:51 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[This is a very readable analysis of, what else?, the various aspects of the modern novel.  It was cool to hear a great author and critic say that he thinks we should view authors as they are, and not as products of the time periods to which they below and all compared to each other, not just to thei...<a href="http://www.goodreads.com/review/show/38114007">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/38114007]]></url>
</review>
    <review id="47888816">
    <user id="2076721">
    <name><![CDATA[Djrmel]]></name>
    <location><![CDATA[Schererville, IN]]></location>        
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      <rating>4</rating>
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  <read_at>Wed Nov 01 00:00:00 -0800 2006</read_at>
  <date_added>Sun Mar 01 09:39:11 -0800 2009</date_added>
  <date_updated>Sun Mar 01 09:39:54 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[ A collection fo lectures Forster gave in the late 20's on what makes a novel. Although I found some of his examples a little unreachable, and definitely disagreed with some of his opinions on certain authors, Forster's explanations on what a novel is at its foundation are incredibly clear and simpl...<a href="http://www.goodreads.com/review/show/47888816">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/47888816]]></url>
</review>
    <review id="78283907">
    <user id="1498905">
    <name><![CDATA[Chadfredlott]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1498905-chadfredlott]]></url>
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      <rating>4</rating>
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  <date_added>Wed Nov 18 22:01:03 -0800 2009</date_added>
  <date_updated>Wed Nov 18 22:05:50 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Forster is one of my favorites. I've got a soft spot for books about writing and this one delivers what is basically the text of several lectures on the art. The original audience was an academic turn of the century English one and the book is rooted in an exegesis of the Classics more so than new a...<a href="http://www.goodreads.com/review/show/78283907">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/78283907]]></url>
</review>
    <review id="45102827">
    <user id="294354">
    <name><![CDATA[Bryan]]></name>
    <location><![CDATA[The United States]]></location>        
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  <date_added>Sun Feb 01 20:50:19 -0800 2009</date_added>
  <date_updated>Sun Feb 01 20:50:19 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Great and thought-provoking book on writing not only a novel, but the actual psychological experience of it and a lot of overlooked thoughts on things never written about by authors, people and subjects ignored, and the source of originality in writing.]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/45102827]]></url>
</review>
    <review id="57041155">
    <user id="324838">
    <name><![CDATA[Brent]]></name>
    <location><![CDATA[Charlottesville, VA]]></location>        
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      <rating>3</rating>
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  <read_at>Fri May 01 00:00:00 -0700 2009</read_at>
  <date_added>Sat May 23 04:16:18 -0700 2009</date_added>
  <date_updated>Wed May 27 07:51:16 -0700 2009</date_updated>
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    <body><![CDATA[Forster's lectures on the novel are light, witty, and insightful. Some of the examples he uses didn't resonate with me (largely because I had never read them), but he balances his analysis with more widely known works. <em>Aspects of the Novel</em> is a brisk, easily readable piece of scholarship.]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/57041155]]></url>
</review>
    <review id="31523220">
    <user id="880381">
    <name><![CDATA[Leonardo Rodríguez]]></name>
    <location><![CDATA[Spain]]></location>        
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      <rating>4</rating>
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  <date_added>Fri Aug 29 09:27:56 -0700 2008</date_added>
  <date_updated>Fri Aug 29 09:27:56 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Es un error leer Aspectos de la novela como un manual para escribir novelas. En primer lugar, porque no se deben leer manuales para escribir novelas. Tengo la impresión de que las novelas así escritas, salen, ay, como manuales. Forster fue quizá demasiado discreto con su título. Le falta ese toq...<a href="http://www.goodreads.com/review/show/31523220">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/31523220]]></url>
</review>
    <review id="78016912">
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    <name><![CDATA[Paul]]></name>
    <location><![CDATA[Seattle, WA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/787522-paul]]></url>
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      <rating>4</rating>
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  <read_at>Thu Nov 19 00:00:00 -0800 2009</read_at>
  <date_added>Mon Nov 16 17:31:16 -0800 2009</date_added>
  <date_updated>Thu Nov 19 10:35:12 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Great. Definitely the best book on writing I've ever read. Especially the earlier sections, which focus on Story, People, and Plot. I took pages and pages of notes whilst reading this. Easy to follow, and yet still helpful. Very helpful.]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/78016912]]></url>
</review>
    <review id="69781558">
    <user id="858336">
    <name><![CDATA[John]]></name>
    <location><![CDATA[Japan]]></location>        
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  <read_at>Sun Sep 06 00:00:00 -0700 2009</read_at>
  <date_added>Wed Sep 02 03:26:19 -0700 2009</date_added>
  <date_updated>Sun Sep 06 23:19:36 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[A great writer is also a perceptive reader. Forster was both. These lectures aren`t as detailed, nor are they as awesome, as Nobakov`s Cornell lectures, but they are worth a read. Any aspiring writer and perspicatious reader should enjoy them.]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/69781558]]></url>
</review>
    <review id="52554273">
    <user id="1726886">
    <name><![CDATA[Sheldon]]></name>
    <location><![CDATA[New York, NY]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1726886-sheldon]]></url>
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      <rating>5</rating>
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  <read_at>Sun Feb 01 00:00:00 -0800 2009</read_at>
  <date_added>Mon Apr 13 16:07:42 -0700 2009</date_added>
  <date_updated>Mon Apr 13 16:09:18 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Absolutely superb. THE book to read, if you wish to write a novel or just understand how they should be written. And beautiful writing as well. HIGHLY recommended.]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/52554273]]></url>
</review>
    <review id="68457815">
    <user id="2583307">
    <name><![CDATA[Lillian]]></name>
    <location><![CDATA[Seattle, WA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/2583307-lillian]]></url>
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      <rating>4</rating>
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  <read_at>Sat Aug 29 19:51:52 -0700 2009</read_at>
  <date_added>Sat Aug 22 10:37:10 -0700 2009</date_added>
  <date_updated>Sat Aug 29 19:51:52 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Forster meanders somewhat but is emlightening as he discusses the story, people, plot, prophecy, and patttern and rhythm.  Excellent for writers and critical readers.]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/68457815]]></url>
</review>
    <review id="54505378">
    <user id="2270138">
    <name><![CDATA[Bradt]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/2270138-bradt]]></url>
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      <rating>4</rating>
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  <read_at></read_at>
  <date_added>Thu Apr 30 13:46:25 -0700 2009</date_added>
  <date_updated>Thu Apr 30 13:46:51 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[A must for anyone who loves literature and strives to find the language for criticism...]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/54505378]]></url>
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