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That which is seen and the act of seeing have long been preoccupations of Irish-born artist James Coleman. Having rejected painting in the 1970s, Coleman turned to the reproductive media of video and film, as well as theater projects, but his preferred format remains photography displayed through large-scale slide projection. Extraordinarily precise, both pictorially and n ...more
Hardcover, 176 pages
Published August 2nd 2002 by Hatje Cantz Publishers
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