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"The Rich Boy" And Oth...
Matthew J. Bruccoli
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"The Rich Boy" And Other Stories By F. Scott Fitzgerald (Everyman Short Story Collection)

3.66 of 5 stars 3.66  ·  rating details  ·  239 ratings  ·  18 reviews
Fitzgerald's short story "The Rich Boy" (like his novel The Great Gatsby) utilizes an outside narrator to tell the story of a wealthy protagonist in a sympathetic but still somewhat distanced way. Here the protagonist is Anson Hunter, a well-to-do young New Yorker, who would seem to have the whole world ahead of him and the streets paved in gold.

By his early twenties, he h...more
Published (first published 1930)
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Out of his collections of short stories, “The Rich Boy” is one of F. Scott Fitzgerald’s best pieces. Today the tale might be called a short novella; it has also been deemed a psychological study of the advantaged. It is the story of a young man born into wealth and how he responds to love, relationships and issues of money and status within his upper-class, 5th Avenue inner-circle.

Fitzgerald begins by depicting rich people almost as if they are a separate race – “they are different,” the narrat...more
Where Gatsby explores the concept of wealth and class from the point of view of the outsider---for no matter how much wealth Gatsby amasses, no matter how lavish his parties, no matter how desired his company, he will never be truly accepted because, as Fitzgerald hammers home in this novella just like he did in Gatsby---the rich are different than we are. Even if they lose their wealth, they are still different. The distinction goes deeper than bank account balances. It is a more existential th...more
Alex Sarll
Because summer's kiss is fading, and even when you're not a great enthusiast for summer, that always evokes a certain melancholy, I felt the need for some Fitzgerald. But not Tender is the Night, not yet, because once I've read that there are no more novels. And my mammoth selection of his shorts is wonderful, but not really something to slip in one's pocket and read in the twilight by the waterside, or perching in the acid grassland, so finding this slim edition of three stories in the library...more
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Laura Little
Fitzgerald writes best when he hews close to what he knows: privileged society men whose personal misfortunes stem primarily from misapprehending some key life wisdom. For Gatsby, it was that his Daisy was but a whisper of the past (incidentally, Judy Jones in 'Winter Dreams' serves a similar purpose, although more flesh-and-blood yet with less likability); for Anson of 'The Rich Boy', it was that a woman would, if pushed, marry another rich boy. Fitzgerald's writing here is more observational,...more
"They are different from you and me."

This is the centerpiece of Fitzgerald's novella. It's a trap. People start comparing themselves to the rich, as "you and me", and naturally, not being rich, we see the negative differences. They are pompous (because we are not). They are spoiled (and we are not). Etcetera. As empirically hypocritical as it is, like any bigotry, it is blinding. There is absolutely nothing unbiased or fair about comparing the rich and the not rich so I doubt we'll ever realize...more
The Rich Boy is an excellent short story/novella, which has some of the ambience and narrative devices of The Great Gatsby, but is, in some ways, more nuanced and clinical in tone. As with TGG, the story is told by a largely "off screen" narrator, a friend to the rich and famous. He starts the story like an anthropologist studying a foreign tribe, admitting as much in saying that those who are "born rich" really are like a foreign population that you need to study in order to understand. This is...more
Fitzgerald, who was fond of writing based on his acquaintances and personal experiences, wrote these three novellas about the rich.

This compilation tells of the lives of men who: were in-love with women of class and beauty, were stuck in the past, and simply cannot move on.

Written during an era when men truly treasured, respected and admired women, The Rich Boy has shed light and has brought hope to a dark personal belief that a man who loves like Anson, Michael or Andy might already be, during...more
Kevin Schuster
His creation of characters (likable and hated) is a treat in this story. However, I can't remember the ending or the importance of the ending; but the book has a great message about the results of being raised a certain way.
Wilde Sky
Set in the first part of the twentieth century, these three short stories deal with the recurring themes of money, love, lost opportunities and aging. The best of the three is the 'The Last of the Belles'.

The three stories as a whole are moving and thought provoking - definitely worth reading for anyone approaching middle age (which, when these stories was written, appeared to be considered thirty years old) or wondering about middle age regrets.
Three fairly similar themes to these three stories - presumably linked together in this collection for that very reason. As always with Fitzgerald, really well written.
Mary Alice
Novelette,really a long short story. Bleak young life of a spoiled young man destined to be uncle and godparent to all, but nobody to anyone.
Ada Iye
Love love love F Scott Fitzgerald. 3 beautiful short stories with their wonderfully sketched inevitably fraught, relationship-conflicted men.
The more I read Fitzgerald`s work, the more I realise it is not about the loss of love, but about the loss of illusion.
Den Vidi
Man man, nen echten Stiewman!!! Machtige schrijver
I think I feel a bit like Paula Legendre..
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Matthew Bruccoli was Professor of English at the University of South Carolina and a world-renowned expert on the life and works of F. Scott Fitzgerald.

After hearing a radio broadcast of Fitzgerald's The Diamond as Big as the Ritz, he was hooked and immediately purchased a copy of The Great Gatsby. He has authored many books on Fitzgerald, including what is considered to be the best biography of...more
More about Matthew J. Bruccoli...
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“Nevertheless, his very superiority kept him from being a success in college--the independence was mistaken for egotism, and the refusal to accept Yale standards with the proper awe seemed to belittle all those who had.” 2 likes
“Begin with an individual, and before you know it you find that you have created a type; begin with a type, and you find that you have created—nothing. That is because we are all queer fish, queerer behind our faces and voices than we want any one to know or than we know ourselves. When I hear a man proclaiming himself an "average, honest, open fellow," I feel pretty sure that he has some definite and perhaps terrible abnormality which he has agreed to conceal—and his protestation of being average and honest and open is his way of reminding himself of his misprision.” 1 likes
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