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My Name is Red

3.81 of 5 stars 3.81  ·  rating details  ·  25,368 ratings  ·  2,285 reviews
At once a fiendishly devious mystery, a beguiling love story, and a brilliant symposium on the power of art, My Name Is Red is a transporting tale set amid the splendor and religious intrigue of sixteenth-century Istanbul, from one of the most prominent contemporary Turkish writers.

The Sultan has commissioned a cadre of the most acclaimed artists in the land to create a gr
Paperback, 417 pages
Published August 27th 2002 by Vintage (first published 1998)
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Generally, when a book starts out with a chapter entitled "I Am A Corpse," you know it's going to be pretty good.

The novel is set up so that each chapter introduces a different narrator, including (but not limited to), Black, Black's uncle, Shekure, a dog, a horse, the murderer and various artists in the workshop. This type of structure for a mystery novel isn't new--Wilkie Collins, for example, employed it several times, most notably in The Moonstone--and it is an effective way to structure a
Jason Koivu
My Name is Red is as gorgeous as these illuminations.


The narrative flows with the weight of such a lush artistic style.


It is a dazzling brilliance that creates a languid beauty...


...that bogs the story down so much I couldn't tell you what the fuck happened.
May 22, 2010 miaaa rated it 2 of 5 stars  ·  review of another edition
Recommended to miaaa by: Graeme
Shelves: fictions-others
On-a-high version:

I am called Black, I longed for my dearest Shekure for twelve years;
I, Shekure, not quite sure what was I doing in this story;
I am called Butterfly, I was the one who drew the Death and Mia thought I was the murderer;
I am called Stork, I was the one who drew the Tree and Butterfly always envy me as I was more talented without the help from our master;
I am called Olive, I was the one who rendered the Satan and drew the exquisite horse;
I am your beloved uncle, I was preparing a
Henry Avila
During nine snowy, cold, winter days, in the fabulous city of Istanbul, the capital of the Ottoman Empire, at its height, in the reign of Sultan Murat 111, there occurred a brutal murder, (not the last one ), the year 1591. At the bottom of an abandoned well, the mangled body of Elegant Effendi, nicknamed Red, a miniaturist, who had worked for the Sultan is found, but not before the corpse tells his sad story. How the victim was lured by a person that was thought a close friend, with promises of ...more
My fickle heart longs for the West when I'm in the East and for the East when I'm in the West.
My other parts insist I be a woman when I'm a man and a man when I'm a woman.
How difficult it is being human, even worse is living a human's life.
I only want to amuse myself frontside and backside, to be Eastern and Western both.

This is Pamuk's enduring, never ending obsession. He's written fiction and non-fiction, journal articles and newspaper bites, and given endless interviews on this theme. He's ev
Nandakishore Varma
I am in two minds about this book.

Obviously, it is an important work. It showcases the miniaturist tradition of the Islamic world, and uses the cloistered world of miniaturists to explore the difference in philosophies between the East and the West. It was all the more interesting to me because I have been fascinated by this difference ever since I began viewing paintings with serious interest. In the East, "perspective" does not exist: the painting flows seamlessy over space and time whereas in
Shoshi ♥~

" قلْ هَلْ يَسْتَوِي الأَعْمَى وَالْبَصِيرُ أَمْ هَلْ تَسْتَوِي الظُّلُمَاتُ وَالنُّورُ أَمْ جَعَلُواْ لِلّهِ شُرَكَاء خَلَقُواْ كَخَلْقِهِ فَتَشَابَهَ الْخَلْقُ عَلَيْهِمْ قُلِ اللّهُ خَالِقُ كُلِّ شَيْءٍ وَهُوَ الْوَاحِدُ الْقَهَّارُ " سورة الرعد 16

" وَلِلّهِ الْمَشْرِقُ وَالْمَغْرِبُ
فَأَيْنَمَا تُوَلُّواْ فَثَمَّ وَجْهُ الله " سورة البقرة 115

ويقول أورهان على لسان بهزاد في فلسفته للرسم ..

الف : الرسم هو بعث الحياة فيما يراه العقل من أجل متعة العين
لام : بقدر ما ترى العين العالم بقدر ما تخدم
I tried very hard to really like this book. But, I suppose it's impossible to succeed in everything.

My Name Is Red is both historical fiction and a murder mystery. It takes place in 1591 (according to the timeline at the end of the book). The over-arching motion of the plot centers around the death of a master miniturist in the Sultan's court. The death is revealed in the first chapter, though the reasons surrounding the his death are much slower in being revealed. What is known, almost at the o
Arguably the best novel of Orhan Pamuk. Set in Istanbul during the height of Ottoman power, this novel is a tribute to the art of painting as well as a fascinating murder mystery which will keep you hooked till the end. The unusual narrative is felt with full force right from the start - as you read the first chapter, starting with the voice of a corpse at the bottom of the well wondering who was the wretched man that killed him.

Then ensues a beautiful exploration of the 16th century Istanbul's
mai ahmd
كانت هذه الرواية هي المدخل إلى عالم باموق ... لم تكن الجريمة هي ما جذبني إلى هذه الرواية إنما أسلوب الكاتب والأحاديث الداخلية .. حتى الكلاب تحكي في هذه الرواية .. هذا إلى جانب أنه من المدهش أن تقرأ رواية فتجد نفسك في معرضٍ للوحات تراه بأم العين تتخيل كل التفاصيل الذي استطاع هذا الكاتب الفذ أن يوصلها إليك بحرفية عالية ودقة تضاهي دقة رسامين ذلك العصر

باموق من الكتاب المفضلين لدي وسأظل دائما متحيزة لهذا الكاتب


Some stories sink their teeth into your gut and don't let go. Others offer more cerebral pleasures (works by Borges comes to mind). This is more the second than the first, and I'm okay with that.

First and foremost, there are quite a few chapters in this book that read more like a chapter in a book on the history of Islamic illuminations than a chapter in a novel. In this respect, however, Pamuk can legitimately point to past antecedents in this vein: Tolstoy for one in War and Peace, Melville f
Ayu Palar
Jul 29, 2009 Ayu Palar rated it 5 of 5 stars  ·  review of another edition
Recommends it for: everyone :D
Shelves: favorites-ever
‘To God belongs the East and the West’ – Al-Qur’an, Al Baqarah ayat 115.

I had abandoned My Name is Red for how long I can’t remember. The brilliance of it was untouched, what a shame. But after reading Other Colours (an amazing essay collection also by Orhan Pamuk), I thought I should give Mr. Pamuk another shot, and boy, how much I enjoyed the novel! And I understand why Pamuk deserves the Nobel prize. He’s the kind of writer that can bring out the cultural richness but at the same time using
Aug 02, 2007 Leslie rated it 2 of 5 stars
Recommends it for: people with patience
Saying I liked it or didn't like it doesn't really capture the complexity of my experience with this book. Part murder mystery, part love story, and part historical novel about the book-art in the ottoman empire....I thought it was right up my alley. Maybe I expected to have more of an emotional connection but it was all very intellectual and somehow that frustrated me...churned up my stomach which was quite contented on the diet of all-fluff, all-the-time. Reading this was like eating roasted b ...more
تحديث: إضافة القراءة بالعربي من عام 2007 و لا أدري لم وضعت قراءة بالانكليزية أصلا، ربما لأني كنت أظنه موقع بالانكليزية

لا أدري ما أقوله عن هذه الرواية التي حاز صاحبها جائزة نوبل لهذا العام و التي بلغت شهرته الآفاق بسببها و التي ترجمت لـ 24 لغة...0
هي قصة جريمة حدثت في الزمن العثماني و بين أوساط النقاشين (أي المصورين الذين كانوا يزينون الكتب برسوماتهم). و من خلال القصة ينقلنا باموق بإسهاب و معرفة و عناية إلى أجواء النقش الإسلامي و تاريخه و مواضيعه و الألوان و الرسومات و التصاوير و الح
It's not often you find books that start with the speech of an already dead character. It's actually pretty damn rare to find dead bodies speaking at all, wouldn't you agree? Well, Pamuk apparently didn't get the memo. Because that is exactly how his wonderful work, "My Name is Red", starts.

The body of "Elegant" Effendi is rotting in a well, somewhere in Istanbul. During life, he was a miniaturist, an artistry that is usually found in Ottoman books, and his talent was known as one of the best o
Ahmad Sharabiani
عنوان رمان «نام من سرخ» است ترجمه از «بنیم آدیم قیرمیزی»، شاید با عنوان دیگر هم چاپ شده باشد، نمیدانم. متن و روش روایت به قدری زیباست که اگر بخواهم تکه ای را انتخاب کنم، تا برای دل شما اینجا بکارم تا سبز شود، باید همه ی کتاب را از ابتدا تا انتها بنویسم، اورهان برنده ی جایزه نوبل ادبیات شده، در سال 2006، شاید برای این کتاب بوده، هوش از سرم پرید، دوباره، شروع به خواندن کرده ام. اورهان جایی مینویسد: «تصویر و متن، رنگ و کلمه، با هم برادرند.» اورهان پاموک میگوید: بعضی ها میگویند: «نام من سرخ» یک رمان ...more
It’s not a historical, though there is sort of history in it (Istanbul, Ottoman Empire, 1591). The mystery death of two master miniaturists doesn’t make it a murder mystery novel either. It’s not a philosophical novel though there are lots of discussions about illusrtation in European style concerning perspective, and traditional Eastern illustrating, which sees the world in the way Allah would see it.
What amazed me is, how Pamuk has taken a now forbiden discussion, to 5 centuries back, to stab
I loved this book. It's passionate, provocative and intelligent, surprisingly bringing the field of 16th-century miniaturist painting to bear on aesthetic and ethical issues that seem urgent (at least for artists) today. The main concern is with the notion of 'style' in art: is it desirable to have a personal style as an artist or are traces of style simply evidence of faults? In the process of investigating this question we discover the more fundamental question: what constitutes 'style'? Chara ...more
I've spent quite a bit of time debating how to rate this book- more than once it nearly landed on my "May I please have these hours of my life back" shelf, mostly because it moves so, so slowly and because (for me) the detail that Pamuk puts into it turns into nothing more than tedium.
However, parts of the story are so beautiful and well-written (see the chapters written from the perspective of the color red or the horse in the painting) that I don't feel that my time was entirely wasted.
Why thi
Orhan Pamuk won the Nobel Prize for literature this year. Described as “part murder mystery, part love story,” I found this to be an absorbing novel, but what most interested me, and the reason that I recommend this book to you, were the passages which attempt to describe the late sixteenth-century Istanbul miniaturists’ attitudes towards art. My Name is Red, though it seems to be only loosely based upon historical fact, deals with the repercussions of the meeting of two visual worlds: Venetian ...more
کتاب به اندازه ی کافی مشهور است و نیاز به معرفی اضافه ندارد غیر از 2 نکته به نظر من :1. نحوه روایت از زبان راویان مختلف مثلن جایی از زبان یک سکه پول،که جذابیت فوق العاده ای داشت و 2. یک جایی یک جمله می گوید که شخصا فکر می کنم بزرگترین و اصلی ترین تفاوت شرق و غرب است.مضمون جمله این است که چرا غربی ها از کشیدن پرتره لذت می برند و نقاشان شرق از کشیدن چهره هایی متعلق به فرشته ها و عالم بالا ؟ در ادامه می نویسد به این دلیل که غربی ها دنیا را آنگونه می بینند که هست و شرقی ها آنگونه که می خواهند باشد!
اسمي محمد، وأنا نادم على عدم إتاحة الفرصة لباموك من قبل. كونت عنه فكرة أنه شديد اﻷسهاب، كلاسيكي حد الإملال، لم أجد ذلك صحيحا البتة، ففي هذه الرواية بدا لي النوبلي التركي قاصا مبدعا بناء على الحيثيات التالية:
1- أنه طرح موضوعا شديد الخصوصية ولست مهتما به، ومع ذلك تمكن من إثارة فضولي وحملني على إتمام الرواية.
2- أنه روى الأحداث على ألسنة شخصيات متعددة. وهذه الرواية الوحيدة التي وجدت هذا الكم الكبير من القاصين فيها: أكثر من 10.
3- أنه لم يقتصر على الشخصيات البشرية لسرد اﻷحداث بل جعل للحيوانات والجمادا

تحذير لا بد منه: انتبه عند قراءتك هذه الرواية لئلا يخزّك مخرز أورهان
فتعمى بصيرتك.

"فاحذروا كل الحذر من الوثوق في "أورهان" لأنه ليس ثمة كذبة لا يقدم عليها لتكون حكايته جميلة وصادقة "

ضحكت وأنا أبدأ مراجعتي من آخر فقرة في الرواية...ربما لأن هذا فعلا ما أحسست به وأنا أنهيها...

حيرتني هذه الرواية في رد فعلي تجاهها...وحيرتني عند تقييمها

إنها كالروح الخفية التي تنسل لروحك...تتلبسك...تنقاد لها دون أن تشعر...تسلمها كل إحساسك...تحبها وتكرهها بنفس القوة في نفس الوقت

من أين جاء أورهان بتلك الفكرة الرهيبة...وك
Feb 08, 2008 laura rated it 2 of 5 stars
Recommended to laura by: book club
this book sort of felt like a text from an art history elective i never went to but had to study for the final...with all its intricate descriptions of artworks that were interesting, but too unfamiliar to respectably imagine, i skimmed paragraphs and pages waiting to get the chunky parts of the story. i really wish it had pictures to be honest.

as one member of my book club said "i feel like i need to read this book again, but i wish i never read it in the first place". the whole time i was thin
Jeremy Allan
At first look, Orhan Pamuk’s My Name is Red bears many resemblances to Umberto Eco’s The Name of the Rose: both take place in a period when manuscript illumination was a prestigious art, both deal in worlds where the licitness of books commanded great spiritual (and thus physical) importance, and both tell the story of a series of murders born out of the struggle for control of these things. Deeper consideration, though, shows that these two novels differ by more than the fact that the former in ...more
Farhan Khalid
My Death conceals an appalling conspiracy against our religion, our traditions and the way we see the world

The earthy smell of mud mingled with memories

I don’t want to be a tree, I want to be its meaning

It is important that a painting, through its beauty, summon us towards life's abundance, towards compassion, towards respect for the colors of the realm which God created, and toward reflection and faith

Painting is the silence of the thought and the music of sight

The novel is popular in so far as it treats themes so serious and artistic, unveiling the secrets of creation through postures of belief and conscious creative act.In fact to what extent creative act becomes a distinctive feature og its own, what is the quality of art, and Time. What is the image of artist, how does he view his work of art. What I like of the novel are Persian images of Husrev and Shirin, their images, the images of well-beloved imprenrted somewhere in the picture of Shirin, som ...more
Jul 28, 2011 Arwa rated it 4 of 5 stars  ·  review of another edition
Recommends it for: Amal fahad
حسناً إذاً , أنهيت الكِتاب وأخيراً , قرأته في وقت حرج جداً , كنت أتمنى إن أنهيه خلال يومين على الأقل , لكن الأيام امتدت لـ عشرة أيام تقريباً !

- أجواء الرواية صعبة ! تتحدّث عن شيء مجهول بالنسبة لي , ما النقش ؟ وكيف هو ؟ أريد أن أرى وقة واحد مذهّبة منفوشة , لا أريد صورة خسرو وشيرين , أريد شجرة , عصا على قارعة الطريق , تكفيني ..

- أكثر ما أعجبني " المدّاح " , وكيف يستطيع تقمّص الأدوار , تمنّيت لو أجد مثله الآن , يذهلني بكلامه , وكيف يستطيع تقمّص دور النقود , الكلب , الشجرة , المرأة , حتّى دور الشيط
Scrive Orhan Pamuk:”La questione di fondo del romanzo “il mio nome è rosso” non è il rapporto Oriente-Occidente, è la sofferta, tribolata dedizione del miniaturista, dell’artista, al proprio lavoro. Tema del libro è l’arte, l’esistenza, la vita coniugale, la felicità. Il dilemma Oriente- Occidente si colloca in una posizione più arretrata”.
In effetti il libro può essere definito come una lode all’antichissima arte della miniatura che l’Islam ereditò dalla Cina, un’arte che richiede pazienza, pre
This novel by Orhan Pamuk, Nobel Prize in Literature-winning Turkish author, is creatively written and raises intriguing questions about the process of artistic production.

Using the chronology at the end of the book, I conclude that the book’s events are taking place at the end of the 16th century. The multiple perspectives - each short chapter reflects a different one - seem to be different characters. The setting is Istanbul. A murder has occurred. Who is the murderer? “Olive” or “Stork” or “B
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social & cultural history in My Name is Red 3 79 Jul 13, 2015 10:13PM  
2015 Reading Chal...: My Name is Red by Orhan Pamuk 1 17 Jul 06, 2015 10:28AM  
How did they discover the murderer? *spoilers!* 2 49 Apr 26, 2015 06:41AM  
Middle East/North...: My Name is Red (March/April) 111 131 Jan 22, 2015 10:56AM  
character 6 95 Oct 20, 2014 02:20PM  
***spoiler alert*** 4 109 May 04, 2014 04:36PM  
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Orhan Pamuk was born in Istanbul in 1952 and grew up in a large family similar to those which he describes in his novels Cevdet Bey and His Sons and The Black Book, in the wealthy westernised district of Nisantasi. As he writes in his autobiographical book Istanbul, from his childhood until the age of 22 he devoted himself largely to painting and dreamed of becoming an artist. After graduating fro ...more
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“I don't want to be a tree; I want to be its meaning.” 564 likes
“Dogs do speak, but only to those who know how to listen.” 316 likes
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