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The Sot-Weed Factor

4.08 of 5 stars 4.08  ·  rating details  ·  4,456 ratings  ·  242 reviews
Considered by critics to be Barth's most distinguished masterpiece, The Sot-Weed Factor has acquired the status of a modern classic. Set in the late 1600s, it recounts the wildly chaotic odyssey of hapless, ungainly Ebenezer Cooke, sent to the New World to look after his father's tobacco business and to record the struggles of the Maryland colony in an epic poem.

On his mis
Paperback, 756 pages
Published March 1st 2005 by Atlantic Books (UK) (first published 1960)
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What a fun book. I'd like to compare it to Bob Dylan’s 115th Dream, but alas it's already been done. The song's plot is not all that far from what John Barth is up to in The Sot-Weed Factor, but Barth is far more (dare I say it) exhausting.

This is a mock history of the real life poet Ebenezer Cooke, who wrote the Hudibrastic poem "The sot-weed factor: or, A voyage to Maryland. A satyr. In which is describ'd the laws, government, courts and constitutions of the country, and also the buildings, f
Richard Reviles Censorship Always in All Ways
Well-loved books from my past

Rating: 5 golden stars of five, with a rapturous yodel cluster

The Publisher Says: Considered by critics to be Barth's most distinguished masterpiece, The Sot-Weed Factor has acquired the status of a modern classic. Set in the late 1600s, it recounts the wildly chaotic odyssey of hapless, ungainly Ebenezer Cooke, sent to the New World to look after his father's tobacco business and to record the struggles of the Maryland colony in an epic poem. On his mission, Cooke
Dec 26, 2012 Mariel rated it 3 of 5 stars
Recommends it for: for want of a name the shoe was lost
Recommended to Mariel by: Shananabananafofana
We sit here on a blind rock careening through space; we are all of us rushing headlong to the grave. Think you the worms will care, when anon they make a meal of you, whether you spent your moment sighing wigless in your chamber, or sacked the golden tombs of Montezuma? Lookee, the day’s nigh spent; ’tis gone careering into time forever… We are dying men: i’faith, there’s time for naught but bold resolves!

It kills me when I go to the movies and I'm sitting next to some little kid that has to stu

This book is kind of nuts.
In a good, hilarious way, I mean.
"I am Ebenzer Cooke, Poet and Laureate of this province."
"Well, I was once called the Traveling Whore o' Dorset, but I don't boast of't."
Ebenzer Cooke has been waving his title in everyone's faces. So have been many others. Maryland is infested with poet laureates called Ebenzer Cooke. Henry Burlingame, on the other hand, is singlehandedly filling many shoes as he goes on a Mission Impossible-esque spree of changing disguises. Joan Toas
MJ Nicholls
Health Warning!

This novel is nothing like Sorrentino’s 1983 novel Blue Pastoral. After extensive talks with leaders of the Nathan “N.R.” Public Evisceration & Associated Critical Dismantling-For-Jollies Corporation, we at the MJ Nicholls 20-Second Knocked-Off Reviews-for-the-sake-of-them Organisation & Affiliated Dunces Inc. would like to issue an apology for anyone who read a certain review of Blue Pastoral and emerged from the experience with the opinion this novel in any way resembled
David Lentz
This true American masterpiece is written like a 17th century literary novel. The style could well be Fielding, except that Barth is even more hilarious.At a time when minimalist novelists seem to be in vogue, I revelled in the intelligent richness of the elaborate quixotic tale woven by Barth. When a novelist can write as well as peers like Saul Bellow or V.S. Naipaul, then a maximalist style like Barth's is to be savoured. Poor chaste poet laureate, Ebenezer Cooke, encounters harsh reality at ...more
Joel bought me something several years ago for xmas. I already owned it. He kept that copy and asked, teeth gritted, what I wanted. I suggested this and read it over the holidays, particularly one hungover party at my parents'. Punning and ribald, it must be situated just below Pynchon, specifically Mason and Dixon. It is disquieting how polarizing otherwise literate people are concerning Mason and Dixon. One should read the Sot-Weed Factor if at all concerned with the undulating comic possibili ...more
Poesy/Prosey perfection. More fun than a barrel-full 'o brandy, and saucier than the Traveling Whore 'O Dorset on a particularly randy morn.
This book is getting away from me, kind of like things in my life at the moment. It’s real good but I left it unread for too long. Fucking books I love them but they consume me. At bars I tell other drinkers, the serious and casual alike about books, I met women, go on dates, talk more about books then I do myself. I got this reading thing pretty bad, but I think it’s good for me. I wish life was like a novel, but it ain’t. I’m just rambling, been single longer then I’d like to admit, it could ...more
Chance Maree

“In the last years of the Seventeenth Century there was to be found among the fops and fools of the London coffee-houses one rangy, gangling flitch called Ebenezer Cooke…”

The Sot-Weed Factor hooked me from the first sentence.

John Barth's novel was inspired by a poem of the same name written by Ebenezer Cooke in 1708. The novel itself draws on official archives of Maryland, but its historical account is animated by a whirlpool of imagination.

The plot pivots and twirls with intrigue, counter-int
Camille Stein

The Sot-Weed Factor -

Era ciertamente un espectáculo de lo más insólito: más flaco aún que de costumbre debido al rigor de los meses que había pasado embarcado, Ebenezer avanzaba por la carretera de troncos dando zancadas como una cigüeña con las plumas erizadas. Llevaba los pies desnudos y llenos de ampollas, la camisa y los pantalones hechos jirones; rapado y afeitado cuando lo raptaron del ‘Poseidón’, ahora le había crecido salvaje el pelo del cuero cabelludo y de la barbil
Mariano Hortal
Publicado en

Si algo tenía claro era que la vuelta al blog después de las vacaciones tenía que ser a lo grande; ya que este post es el número ciento cincuenta y para tal acontecimiento era necesario que el comentario se refiriese a una “magna” obra. Dicho y hecho, aprovecharemos el momento para hablar de “El plantador de tabaco” del norteamericano John Barth.
plantador_gdeDesde que empecé Filología Inglesa tengo una pequeña obsesión con pintar, rellenar tod
It's a toss up whether to give this 4 or 5 stars. In the end I went with 4 because giving it 5 would leave no clear category for books that are even better. I tend to ignore people who rate everything as a 5.

Having said that, The Sot-Weed Factor is a great read. In high school one of my classmates asked our wonderful English teacher for a list of books he'd recommend. I kept the list for years. There were probably 4 Barth titles on it and I eventually got to them.

The Sot-Weed Factor is perhaps m
Carrie The Wade
A few years ago a creative writing teacher recommended that I read this book after writing a trite little fake-historical fiction short story about an artists' colony in Massachusetts Bay around 1636. The Sot-Weed Factor is the kind of book that makes you feel worthless as a writer for its sheer brilliance. I have quickly abandoned all hope of ever rewriting that narrative from 2008 ever again because John Barth has already written it in a way that will overshadow any kind of fiction that dare t ...more

So there I was, excitedly embarking on my reading list for 1960, expecting all things more modern. I checked The Sot-Weed Factor out of the library and hit a few barriers.

First off was the title. Sometimes I go around for years with a tantalizing title in my mind but without any conception of what the book is about. For example, The View From Pompey's Head, a 1954 bestseller by Hamilton Basso. I'd picked it up at a going-out-of-business sale at a local used bookstore, thinking it must be about a
I appreciate what Barth does in this novel, essentially riffing on the 18th century historical novel (I believe the Sot-Weed Factor was published around 1960). He does it with a great deal of humor and, at least it seems to me, authenticity. Alas, I have tried twice and I just can't read more than about 50 pages of the thing.

My problem is mainly this: I don't like reading books written in the 18th century. I don't like the style of writing or the way people spoke, especially when they're trying
I heard about The Sot-Weed Factor years and years ago and for the longest time it sat only on the outer periphery of my "eventually read" pseudo-list. Then in November last year, reading On Being Blue I encountered that excerpt from the rape of the Cyprian episode and immediately Sot-Weed was at or near the top my "must read as soon as the the arbitrary whim strikes me" pseudo-list.

Indeed, soon did the arbitrary whim strike me. The last day or two (or thereabouts) of December, I tore through The
This is John Barth at his most readable. I confess that not all his writing has pleased me as greatly as this and the Goat Boy did. Yet Barth is certainly one of America's finest writers and who are we to say that he should not concoct the odd experiment?

What to say about The Sotweed Factor? What to say about any sort of factor indeed, for the title lends a key by itself, in that Barth has managed to use outdated language in the most charming, even disarming fashion. Where our reading of Walter
Brian Sweany
I was introduced to this book almost by accident. It was the spring of 1995. I was a senior at Eastern Michigan University and taking a class on the evolution of the American novel as examined through the works of Melville, Fitzgerald, Faulkner, Hemingway, Pynchon, Didion and Ellison. For our final, we were asked to choose a novel by a completely different author and deconstruct it in a 10-15 page mini-thesis of sorts.

I had been working nights behind the desk at a local fitness facility called
Sentimental Surrealist
One part revival of the so-called "anatomy novel" (big, rambling books without much by way of plot); part all-important postmodern tome; part study on topics such as identity, loyalty, naivete, colonialism and art; part experiment with seventeenth-century English (which gets a lot easier to read once you've sunk into the book); part metafictional hall-of-mirrors; part rip-roaring adventure story; part bildingsroman and one hundred percent ribald joke to rival Portnoy's Complaint. Gravity's Rainb ...more
A completely preposterous, hilarious and brilliant book about, among a million other things, the evils of innocence. Written beautifully in 17th century prose, in which time the book is set. About Ebeneezer Cooke, possibly the poet laureate of the colony of Maryland, depending on whom you believe, which in this book should be no one at all. Every character he meets has at least one lengthy story to tell, always fascinating, about events seemingly distant from Cooke's story, yet which inevitably ...more
Ronald Wise
This book somehow came to my library in the late 1970s and I first read it in 1979. I had only vague recollections of it, but this time found it a fascinating and hilarious read. A fictitious tale based on a well-known poem of the same name by a genuine poet, Ebenezer Cooke, the entire book is written in the style and vernacular of the late 17th century. Reading it was especially enjoyable when I could sit in front of a computer and look up the unfamiliar words on the OED and locate the exact ac ...more
Jamie Sigal
A sprawling and sarcastic tale about the founding of Maryland and the Colonies in general, The Sot-Weed Factor was hilarious in most parts, heart-wrenching in others, and endlessly frustrating in the foolish choices Barth has his characters make. The prose is written in a facsimile of colonial speech patterns which does take some getting used to, but once you gather the rhythms of the speech patterns it actually becomes quite enjoyable. I wouldn't recommend this book to everybody, but for people ...more
For a book rumored to be difficult to read, I had no difficulty and enjoyed it immensely. The book is large, but I do not think Barth could have accomplished what he does in any less space. It has a story that is both comic and compelling. Suspenseful and entertaining. It has the feel of the historic, but says things that never would have been said for a piece from the period. My final summation would have to be a book with plenty to chew on which still yet doesn't chip teeth.
Douglas Dalrymple
I gave this book about three hundred pages (out of eight hundred) before setting it aside. I enjoyed those three hundred pages. They were funny, smart, and sometimes even philosophically interesting. I just don’t have the endurance that Barth apparently expects of his readers – which is saying something since I’m not one to shy away from long books, and the period in question is a personal enthusiasm of mine. Yes, in writing an old-fashioned comic satire a la Smollett or Fielding, Barth is being ...more
Dwight Penny
This is a book about story telling. Well, among many other things, it is a book about story telling. In 795 pages, pared down by 50 from the initial edition, Barth expands on the kernel of a satirical poem about Maryland by one Eben Cook, Gent., throwing in everything that interests or amuses him, in a kitchen sink approach: Maryland history (John Coode, Governor Nicholson, Lord Baltimore were real people), Rabelais (epic devotion to excreta, flatulence, pox -- all in good fun), pirate lore, a b ...more
This may be the funniest book I have ever read. The story follows Ebenezer Cooke, who actually existed, and actually wrote a poem called The Sot-Weed Factor. The novel itself is Mr. Barth's imagining of what led Eben to write such a disillusioned satire about his terrible experience in Maryland. He is vexed along the way by a revolving door cast of characters, gets a lesson in Maryland history (my personal favorite scene, because it's basically about how Virginia and Pennsylvania have been tryin ...more
Frederick Gault
God's Teeth me hearties! Damn my eyes, this tome has a surfeit of rogues, poltroons and poxy dollymops! There be pirates, Indians, spies, slavery, rapes, crooked judges, murders and every other form of unbridled knavery invented by benighted men. All of it swirls around the most innocent naive cove that ever muddled his way through the wicked world. It all happens in Lord Baltimore's Maryland in the 1690s which was the Wild West of it's day where adventurers, traitors, escaped prisoners and inde ...more
He leído mucho sobre este libro; su renovación formal, su búsqueda de un nuevo camino, una tercera vía de posguerra.

Aprecio el esfuerzo de estilo, entiendo la superposición quijotesca (casi un palimpsesto). Allí donde había idealismo y realismo, aquí hay inocencia y una crítica paródica a su sustento y la ceguera que lo sostiene. Muy bien. Todo eso entre digresiones sternianas y una visión corrosiva del pasado con una actitud plenamente moderna. Es claramente premeditado que los personajes car
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the sot weed factor 13 95 Dec 23, 2013 05:52PM  
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"John Simmons Barth (born May 27, 1930) is an American novelist and short-story writer, known for the postmodernist and metafictive quality of his work.

John Barth was born in Cambridge, Maryland, and briefly studied "Elementary Theory and Advanced Orchestration" at Juilliard before attending Johns Hopkins University, receiving a B.A. in 1951 and an M.A. in 1952 (for which he wrote a thesis novel,
More about John Barth...
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“My dear fellow,' Burlingame said, 'we sit here on a blind rock careening through space; we are all of us rushing headlong to the grave. Think you the worms will care, when anon they make a meal of you, whether you spent your moment sighing wigless in your chamber, or sacked the golden towns of Montezuma? Lookee, the day's nigh spent; 'tis gone careening into time forever. Not a tale's length past we lined our bowels with dinner, and already they growl for more. We are dying men, Ebenezer: i'faith, there's time for naught but bold resolves!” 18 likes
“All men are loyal, but their objects of allegiance are at best approximate.” 11 likes
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