Farewell My Lovely (Philip Marlowe #2)

1644 West 54th Place was a dried-out brown house with a dried-out brown lawn in front of it. There was a large bare patch around a tough-looking palm tree. On the porch stood one lonely wooden rocker, and the afternoon breeze made the unprunned shoots of last year’s poinsettias tap-tap against the cracked stucco wall. A line of stiff yellowish half-washed clothes jittered on a rusty wire in the side yard.
…
I was looking into dimness at a blowsy woman who was blowing her nose as she opened the door. Her face was gray and puffy. She had weedy hair of that vague color which is neither brown nor blond, that hasn’t enough life in it to be ginger and isn’t clean enough to be gray. Her body was thick in a shapeless outing flannel bathrobe many moons past color and design.

Sitting there alone I felt like a high-class corpse, laid out by an undertaker with a lot of good taste.

I looked at my watch once more. It was more than time for lunch. My stomach burned from the last drink. I wasn’t hungry. I lit a cigarette. It tasted like a plumber’s handkerchief. I nodded across the office at Mr. Rembrandt, then I reached for my hat and went out. I was halfway to the elevator before the thought hit me. It hit me without any reason or sense, like a dropped brick. I stopped and leaned against the marbled wall and pushed my hat around on my head and suddenly I laughed.

I stopped thinking. Lights moved behind my closed lids. I was lost in space. I was a gilt-edged sap come back from a vain adventure. I was a hundred dollar package of dynamite that went off with a noise like a pawnbroker looking at a dollar watch. I was a pink-headed bug crawling up the side of the City Hall.
I was asleep.

He pushed his empty cup at me and I refilled it. His eyes were going over my face line by line, corpuscle by corpuscle, like Sherlock Holmes with his magnifying glass or Thorndyke with his pocket lens.

He looked at the one with the mustache again. “This guy is very tough,” he told him. “He wants to shoot an Indian.”
“Listen, Hemingway, don’t repeat everything I say,” I said.
“I think the guy is nuts,” the big one said. “He just called me Hemingway. Do you think he is nuts?
...
“Who is this Hemingway person at all?”
“A guy that keeps saying the same thing over and over until you begin to believe it must be good.”

A large, thick-necked Negro was leaning against the end of the bar with pink garters on his shirt sleeves and pink and w

A large, thick-necked Negro was leaning against the end of the bar with pink garters on his shirt sleeves and pink and white suspenders crossing his broad back. He had bouncer written all over him. He put his lifted foot down slowly and turned slowly and stared at us, spreading his feet gently and moving a broad tongue along his lips. He had a battered face that looked as if it had been hit by everything but the back of a dragline. It was scarred, flattened, thickened, checkered, and welted. It was a face that had nothing to fear. Everything had been done to it that anybody could think of.

In everything that can be called art there is a quality of redemption. It may be pure tragedy, if it is high tragedy, and it may be pity and irony, and it may be the raucous laughter of the strong man. But down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid. The detective in this kind of story must be such a man. He is the hero; he is everything. He must be a complete man and a common man and yet an unusual man. He must be, to use a rather weathered phrase, a man of honor—by instinct, by inevitability, without thought of it, and certainly without saying it. He must be the best man in his world and a good enough man for any world. I do not care much about his private life; he is neither a eunuch nor a satyr; I think he might seduce a duchess and I am quite sure he would not spoil a virgin; if he is a man of honor in one thing, he is that in all things.

He is a relatively poor man, or he would not be a detective at all. He is a common man or he could not go among common people. He has a sense of characters, or he would not know his job. He will take no man’s money dishonestly and no man’s insolence without a due and dispassionate revenge. He is a lonely man and his pride is that you will treat him as a proud man or be very sorry you ever saw him. He talks as the man of his age talks—that is, with rude wit, a lively sense of the grotesque, a disgust for sham, and a contempt for pettiness.

The story is this man’s adventure in search of a hidden truth, and it would be no adventure if it did not happen to a man fit for adventure. He has a range of awareness that startles you, but it belongs to him by right, because it belongs to the world he lives in. If there were enough like him, the world would be a very safe place to live in, without becoming too dull to be worth living in.

"...he looked about as inconspicuous as a tarantula on a slice of angel food."

"Then he smiled. He was doing an awful lot of smiling that day. Using up a whole week's supply."

"I like smooth shiny girls, hardboiled and loaded with sin."

You're so marvelous... So brave, so determined and you work for so little money. Everybody bats you over the head and chokes you and smacks your jaw and fills you with morphine, but you just keep right on hitting between tackle and end until they're all worn out. What makes you so wonderful?