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The Art Thief

2.99 of 5 stars 2.99  ·  rating details  ·  1,885 ratings  ·  385 reviews
While three separate thefts are simultaneously investigated in three separate cities, theapparently unrelatedcrimes have more in common than anyone imagines. In each city, the authorities enlist the help of a renowned art investigator, police inspectors, and Scotland Yard.
Audio, 5 pages
Published September 1st 2007 by Blackstone Audiobooks (first published 2007)
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Mar 07, 2008 Kristin rated it 1 of 5 stars  ·  review of another edition
Recommends it for: elementary school language arts classes - examples of how not to write a book
Shelves: rubbish
The author (a term I use loosely) should stick to his day job - although in reading his profile, I believe he may not have one!!!

Did this man have an editor? He acknowledges one at the close. If indeed an editor exists with respect to the compilation of this book, perhaps he/she could have borrowed the author's thesaurus. A sample of editorial comments could then have included such notes as this:

"Mr. Charney, It is with most unfeigned sincerity that I present you with these palaverous, verbose,
Nov 04, 2007 Roberta added it  ·  review of another edition
Recommends it for: no one
Shelves: books-i-loathed
The Art Thief is an amateurish novel that lectures against romanticizing art theft while doing exactly that. The author is described in publicity material as the founding director of an international think tank on art crime with a board of trustees that “includes the respective art squad heads of the FBI, Carabinieri, and Scotland Yard, as well as renowned museum, art world, and criminology specialists.” They may not have read his novel. The book is populated with slapstick national stereotypes ...more
This was just painful. What started out as somewhat interesting factoids about art history and art theft turned into patronizing speeches by so-called characters in this book. I admit to skipping about 50 pages in the middle, with absolutely no detriment to the plot. Stolen canvases, auctions at Christie's, paintings hidden under other art, it all seemed so promising.
This book is essentially a mystery, a genre that I am rather unqualified to rate appropriately. Overall, I think the mystery aspect of the book was entertaining and not overtly obvious, so probably successful.

More than that, however, I adored this book. It is easily one of the best I have read. Of course, all of my reasons are selfish and probably not applicable to most people. This book appealed to all of my favorite things.

It made me feel smart. Scattered, untranslated phrases in French and It
If I could have give this book no stars or half a star I would have...
I picked this book up for all the wrong reasons and I paid for it.

The only part I liked about the book was the background discussion on art and the great artists (and the description of the great meals the two french characters kept eating!); otherwise, the plot, the characters, the narrative, and the ending (ugh!) were horrid. Entirely unsatisfying.

The author is so self-indulgent in this book. He obviously wrote himsel
I began reading this book, positive that I was going to hate it. I come from the Art History field, and you'd be surprised how many people just massacre art works with false information, or far-fetched ideas (Da Vinci Code, anyone?).
I was surprised to find accurate interpretations and readings; from an Art History point of view, all of his information was spot-on, and I couldn't help but smile at his various bits of information thrown in there.
That being said, the book built some momentum, and t
Ross Cavins
Could not finish. This book is too bloated with facts and "as you know Bob"s ... I care nothing for the characters because there are approximately 342 of them.

Plus, after reading all the hooty-tooty art stuff that the author just had to prove he knew, that picture of him on the back of the book makes me want to punch him in his high-class artsy-fartsy nose.

If I wanted to be subjected to lecture after lecture of dry facts, I'd go back to school. Seriously, in the small portion of the book I could
I am not sure how I feel about this book. It was well written and the plot was thick and vibrant. The end completely caught me by surprise, I never guessed who the bad guys were. But the end was cut too short. I am still trying to piece together all that happened. I was really dissappointed by the amount of f-words the author used. I think it shows a lack of intelligence and creativity that all they can do is profane left and right. It was a huge problem for me. But I looked past that to see how ...more
Mixed reviews. The info on the art world was great fun. Icons, symbols, art theft, history of paints, etc. - all fascinating. The plot was convoluted and the characters okay. If you enjoy fine art and a peek behind the scenes, you'd probably enjoy this book. There are lots of twists and turns.
Ben Babcock
Noah Charney knows a lot about art. His writing, however, leaves much to be desired.

The book improved much throughout the course of the story. It started out as an uninteresting, rather dull story with disparate characters. Charney employs some rather unusual metaphors and descriptive phrases. At the very end of the story, when all is revealed and the mystery solved, one can look back and say, "Oh yes, this all comes together, how interesting."

Unfortunately, in order to get to that point, the re
The overall heist story, I found that interesting. But I really didn't like the lectures I was forced to wade through to get to the plot. Every character with the least bit of knowlege about art, has to expound at length, and I just found myself skimming and skipping these pages. Which is strange, because the subjects they lectured about are ones I find interesting and ones that I have read about in non-fiction, but I was totally uninterested in them in the way they were presented here.

Noah Cha
Julie H.
Three seemingly unrelated art thefts in Rome, Paris, and London are deftly interwoven. Character development and dialogue are first-rate, as are the real-world insights offered into art history and art theft. The reader is treated to an engaging story that juxtaposes the seeming iconoclasm of Malevich with the richly symbolic work of Caravaggio. While the story is fiction, the author's knowledge of the world of art crimes is first-hand. Charney is the founder of the Association for Research into ...more
Mr. Charney has a degree in art history as well as being an expert in art crimes. He brings both those areas of knowledge to this book in an entertaining way. Three pieces of art are stolen under mysterious and very clever circumstances, causing both the Italian and British police and the art experts in the book to chase in circles to discover what is going on. The story was good, with a surprise (at least to me) ending but what really drove this book for me was the characters, any one of which ...more
The story of this book I liked - art history, foreign locations, mystery. What I didn't like was the author's tone - it's as if he was really glad to have published his book. There was just a weird overuse of language that got annoying. It would be like instead of saying "he leaned over", the author would say "he bent his torso at a forty-five degree angle..." It got annoying, but all in all, it was a nice quick read that I was happy to be occupied by for a few days.
Amy Neftzger
There are a lot of things I enjoyed about this book, especially the theme of iconography and its influence on art. I also liked the mystery aspect of the book and trying to figure out who did it and why (figuring out the motive was half the mystery). However, the ending of the book was less than I had hoped. I admit that I was looking for something more complex and that was right in front of me the whole time. I love it when an author puts one over on me, and I suddenly discover at the end that ...more
I haven't been so captivated by a book and new author for a long time. Mr. Charney gives us an education in art and thievery and morality in addition to a mystery.

Much of the book is about authentication revolving around two stolen paintings White on White and Caravaggio's Annuciation - and philosophical renderings about art, what we value, what is in our museums, why collectors collect. After reading the book, I question whether all of the paintings we value in museums are authentic. And Mr. Ch
After reading two non-fiction books by Edward Dolnick, I came across this fiction book about three seemingly unrelated art thefts - a Caravaggio from a Baroque church, a Malevich from the Malevich Society, and a recent acquisition from the National Gallery. As the police and art investigators across countries track down the stolen works, they find themselves wading through museums, private galleries, and auction houses in an effort to distinguish the forgeries from the authentic. Like Dolnick, C ...more
Jennifer Griffith
If you love art, this is a great book. The descriptions of the art pieces were so precise, I could see them perfectly in my mind. No small feat.

Maybe because I didn't read it all in one sitting, I had a little trouble keeping the characters and settings straight, even though the characterizations were fairly strong. There were just a lot of "main" characters, and the point of view jumped around a lot for me. That said, once the plot all started winding up I could see where he was going with it a
An intriguing art mystery. A grand list of quirky characters: detectives (one a lot like Lt. Columbo), art professors, art gallery curators, professors, art experts. This is the art underworld of fakers, forges and thieves. Three paintings are stolen, disguised and auctioned off. Eventually one is found abandoned in a warehouse and one at a flea market. The plot is complicated and the mystery and motives somewhat implausible. The book is written from about a dozen points of view so it is often c ...more
I still don't know whether I'd recommend this book or not. I enjoyed it -- for the most part -- but it left me feeling off-kilter. I'm not sure I can even explain why it failed to satisfy. It could be because there were a lot of characters and I found it difficult to keep up with who was who and who did what. It could be because the author would stick in big words -- gratuitously -- almost to show off that he was an intellectual.

But, there were some excellent scenes in the book. I particularly l
A very good read - I always appreciate it when an author sprinkles in another language and doesn't include the translation. Don't look at the back cover of this book - Noah just looks annoyed that you've picked up his book and that you might take it home, a home that perhaps doesn't live up to his ruthlessly thought-out self-presentation. i can't figure out who he reminds me of... In any case, smart boy who's written a pretty dandy read. I do like it that he seems to have aged his main character ...more
Bözsi Claussen
I found this book interesting mainly for two reasons: 1/ it is an entangled and suspenseful mystery/detective story, but without a "main" detective; instead various experts end up discovering and piecing things together in much the same way a jigsaw puzzle set out on a table at Xmas might be worked on at any given moment by just one person, or two persons (not always the same two) or three or four. Each person is an expert in one major area: iconography of art; art museum curator; art theft poli ...more
My review is of the audio version of the book, read by Simon Vance. This is an important element because I think he added so much by his performance.

This is a story of 3 art thefts that somehow converged together at the end. Noah Charney has written a clever story and his characters are very funny. BUT, I don't know if the characters would've been as funny silent on the page, as they came into life by Simon Vance. I loved the funny characters and they are worth listening just for that. Very Bri
I have mixed feelings about this book. The plot initially showed promise, but it was extremely jumpy, and the writing style left much to be desired. Mr. Charney has an excellent grasp of the art world, but is generally verbose, and often resorts to lengthy monologues by a character in order to educate the reader quickly about particular facets of it. He intersperses liberal amounts of French and Italian throughout the book, often with no clues as to the meaning. I read French, so I could read it ...more
Odette Cortés
The thing I enjoyed to most about the book was the sassiness that some of the characters have. The sarcasm is strong with this one! And I loved every minute of it. So, the book follows a complicated story that seems to follow the art theft of two different and wildly unrelated painting. The Art Thief by Noah Charney joins different focalization as the narrator follows a large number of characters who are spread through Italy, France and England. I love that the book had French and Italian little ...more
It’s a good book for those interested art history and its crimes. It also had some really nice moments of daily lives of the characters, complete with some descriptions of meals. But since it was advertised as a mystery – it feels lacking in this aspect. Therefore the rating. I think it's more one and a half stars; but I gave it a two because I did enjoy parts.

Oh, don’t get me wrong, there are certainly creative puzzles ((view spoiler)
Entertaining, especially if you like art and art history.
I would recommend this as an audiobook narrated by Simon Vance.
Here is the excerpt from From AudioFile Magazine:
"Hilarious! Delicious! This deftly plotted mystery is filled with art and French food and delightful heroines and heroes. (Or are they thieves?) Author Noah Charney’s knowledge of the art world is extensive—he headed the first international think tank on art theft—so this romp is not only entertaining, but educational as well.
Jan Vesna
This started out with such promise but the author tried to do too much in less than 300 pages. Characters fell flat and the story just sort of stopped and all the loose ends were tied up miraculously in 4 sentences or less. Meh.
Not only was this not even good enough to throw across the room, I didn't even care to finish it-at 8 pages left. Those who know me will understand immediately that this book sucks. I ALWAYS finish a book, and with all that time invested I still couldn't give a rip about the ending.


It's been a busy summer, so I've been reading a lot more audio books than print books. Sometimes I look for an audio book that is on my list of books to read, and sometimes I just scan what is in. The Art Thief by Noah Charney was one that looked intriguing recently.

It starts out with the theft of an altar piece in Italy. The thief repeatedly sets off the alarm but doesn't distrub anything so that the elderly priest assumes it is a malfunction and turns it off. The next morning he notices that t
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Art Crime: The Art Thief 1 8 Jun 01, 2012 09:19AM  
  • The Art Detective: Fakes, Frauds, and Finds and the Search for Lost Treasures
  • Pictures at an Exhibition
  • Hot Art: Chasing Thieves and Detectives Through the Secret World of Stolen Art
  • The Medici Conspiracy: The Illicit Journey of Looted Antiquities--From Italy's Tomb Raiders to the World's Greatest Museums
  • The Death of a Pope
  • Stealing Rembrandts: The Untold Stories of Notorious Art Heists
  • The Raphael Affair (Jonathan Argyll, #1)
  • Keeping the World Away
  • The Forgery of Venus
  • Stealing Athena
  • Vanished Smile: The Mysterious Theft of Mona Lisa
  • Museum of the Missing: A History of Art Theft
  • The Irish Game
  • Cézanne's Quarry
  • Rembrandt's Whore
  • With Violets
  • Stealing History: Tomb Raiders, Smugglers, and the Looting of the Ancient World
  • The Bellini Madonna: A Novel
Noah Charney holds degrees in art history from the Courtauld Institute of Art and Cambridge University. He is the founding director of the Association for Research into Crimes against Art (ARCA), the first international think tank on art crime. He divides his time between New Haven, Connecticut; Cambridge, England; and Rome, Italy.
More about Noah Charney...
Stealing the Mystic Lamb: The True Story of the World's Most Coveted Masterpiece The Art of Forgery: The Minds, Motives and Methods of the Master Forgers Art and Crime: Exploring the Dark Side of the Art World The Thefts of the Mona Lisa Barcelona

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“Caravaggio to another. I’m sure that’s crossed Ariosto’s mind, Coffin considered. Wonder if he’s more focused on retrieving this one, or if he thinks it’s gone forever, like the Palermo Adoration. Coffin scanned the interior as he took his first step inside. Three officers, one detective, one frantic priest, one missing altarpiece. Three flanking chapels on either side of the nave, each with a piece of art or relic as the focal point, chairs aligned in each, and empty prayer candles, one confessional booth, made of dark, oiled wood, much younger than the church itself, curtain in the front right corner must lead to offices, no holy water in the font, telephone beside the entrance, alarm keypad, motion sensors two feet off the ground along the periphery and across the altar, no locks on the ground-floor windows, not good,” 0 likes
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