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  <title><![CDATA[The Best American Crime Writing: 2003 Edition: The Year's Best True Crime Reporting]]></title>
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  <description><![CDATA[This year&#8217;s worth of the most powerful, the most startling, the smartest and most astute, in short, the best crime journalism. Scouring hundreds of publications, Otto Penzler and Thomas H. Cook have created a remarkable compilation containing the best examples of the most current and vibrant of our literary traditions: crime reporting.<br/><br/>Included in this volume are Maximillian Potter&#8217;s  &#8220;The Body Farm&#8221; from <em>GQ</em>, a portrait of Murray Marks, who collects dead bodies and strews them around two acres of the University of Tennessee campus to study their decomposition in order to help solve crime; Jay Kirk&#8217;s <br/> &#8220;My Undertaker, My Pimp,&#8221; from <em>Harper&#8217;s</em>, in which Mack Moore and his wife, Angel, switch from run-ning crooked funeral parlors to establishing a brothel; Skip Hollandsworth&#8217;s &#8220;The Day Treva Throneberry Disappeared&#8221; from <em>Texas Monthly</em>, about the sudden disappearence of a teenager and the strange place she turned up; Lawrence Wright&#8217;s &#8220;The Counterterrorist&#8221; from <em>The New Yorker</em>, the story of John O&#8217;Neill, the FBI agent who tracked Osama bin Laden for a decade&#8212;until he was killed when the World Trade Center collapsed. Intriguing, entertaining, and compelling reading, <strong>Best American Crime Writing</strong> has established itself as a much-anticipated annual.]]></description>
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    <![CDATA[The Best American Crime Writing: 2003 Edition: The Year's Best True Crime Reporting]]>
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    <![CDATA[This year&#8217;s worth of the most powerful, the most startling, the smartest and most astute, in short, the best crime journalism. Scouring hundreds of publications, Otto Penzler and Thomas H. Cook have created a remarkable compilation containing the best examples of the most current and vibrant of our literary traditions: crime reporting.<br/><br/>Included in this volume are Maximillian Potter&#8217;s  &#8220;The Body Farm&#8221; from <em>GQ</em>, a portrait of Murray Marks, who collects dead bodies and strews them around two acres of the University of Tennessee campus to study their decomposition in order to help solve crime; Jay Kirk&#8217;s <br/> &#8220;My Undertaker, My Pimp,&#8221; from <em>Harper&#8217;s</em>, in which Mack Moore and his wife, Angel, switch from run-ning crooked funeral parlors to establishing a brothel; Skip Hollandsworth&#8217;s &#8220;The Day Treva Throneberry Disappeared&#8221; from <em>Texas Monthly</em>, about the sudden disappearence of a teenager and the strange place she turned up; Lawrence Wright&#8217;s &#8220;The Counterterrorist&#8221; from <em>The New Yorker</em>, the story of John O&#8217;Neill, the FBI agent who tracked Osama bin Laden for a decade&#8212;until he was killed when the World Trade Center collapsed. Intriguing, entertaining, and compelling reading, <strong>Best American Crime Writing</strong> has established itself as a much-anticipated annual.]]>
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  <date_added>Thu Dec 04 11:41:21 -0800 2008</date_added>
  <date_updated>Thu Dec 04 11:41:41 -0800 2008</date_updated>
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    <body><![CDATA[Best American Crime Writing 2003 contains 20 essays that appeared in 2002 on the pages of The New York Times, Harper's Magazine, Esquire, Texas Monthly, and others. The writing styles vary as widely as the topics. Editors Otto Penzler and Thomas H. Cook note in the book's introduction that the event...<a href="http://www.goodreads.com/review/show/39301587">more...</a>]]></body>
    
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      <review>
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    <![CDATA[This year&#8217;s worth of the most powerful, the most startling, the smartest and most astute, in short, the best crime journalism. Scouring hundreds of publications, Otto Penzler and Thomas H. Cook have created a remarkable compilation containing the best examples of the most current and vibrant of our literary traditions: crime reporting.<br/><br/>Included in this volume are Maximillian Potter&#8217;s  &#8220;The Body Farm&#8221; from <em>GQ</em>, a portrait of Murray Marks, who collects dead bodies and strews them around two acres of the University of Tennessee campus to study their decomposition in order to help solve crime; Jay Kirk&#8217;s <br/> &#8220;My Undertaker, My Pimp,&#8221; from <em>Harper&#8217;s</em>, in which Mack Moore and his wife, Angel, switch from run-ning crooked funeral parlors to establishing a brothel; Skip Hollandsworth&#8217;s &#8220;The Day Treva Throneberry Disappeared&#8221; from <em>Texas Monthly</em>, about the sudden disappearence of a teenager and the strange place she turned up; Lawrence Wright&#8217;s &#8220;The Counterterrorist&#8221; from <em>The New Yorker</em>, the story of John O&#8217;Neill, the FBI agent who tracked Osama bin Laden for a decade&#8212;until he was killed when the World Trade Center collapsed. Intriguing, entertaining, and compelling reading, <strong>Best American Crime Writing</strong> has established itself as a much-anticipated annual.]]>
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  <published>2003</published>
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    <rating>4</rating>
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  <recommended_for><![CDATA[Essay fans, true crime fans.]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Jan 01 00:00:00 -0800 2006</read_at>
  <date_added>Mon Mar 10 10:14:00 -0700 2008</date_added>
  <date_updated>Mon Mar 10 10:15:49 -0700 2008</date_updated>
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    <body><![CDATA[This was a really great collection of crime articles from newspapers. I like essays and these were extremely interesting and entertaining, and not in the exact form as true crime books. ]]></body>
    
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  <average_rating>4.14</average_rating>
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  <description>
    <![CDATA[This year&#8217;s worth of the most powerful, the most startling, the smartest and most astute, in short, the best crime journalism. Scouring hundreds of publications, Otto Penzler and Thomas H. Cook have created a remarkable compilation containing the best examples of the most current and vibrant of our literary traditions: crime reporting.<br/><br/>Included in this volume are Maximillian Potter&#8217;s  &#8220;The Body Farm&#8221; from <em>GQ</em>, a portrait of Murray Marks, who collects dead bodies and strews them around two acres of the University of Tennessee campus to study their decomposition in order to help solve crime; Jay Kirk&#8217;s <br/> &#8220;My Undertaker, My Pimp,&#8221; from <em>Harper&#8217;s</em>, in which Mack Moore and his wife, Angel, switch from run-ning crooked funeral parlors to establishing a brothel; Skip Hollandsworth&#8217;s &#8220;The Day Treva Throneberry Disappeared&#8221; from <em>Texas Monthly</em>, about the sudden disappearence of a teenager and the strange place she turned up; Lawrence Wright&#8217;s &#8220;The Counterterrorist&#8221; from <em>The New Yorker</em>, the story of John O&#8217;Neill, the FBI agent who tracked Osama bin Laden for a decade&#8212;until he was killed when the World Trade Center collapsed. Intriguing, entertaining, and compelling reading, <strong>Best American Crime Writing</strong> has established itself as a much-anticipated annual.]]>
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  <date_added>Sat Jul 28 13:49:08 -0700 2007</date_added>
  <date_updated>Sat Jul 28 13:49:15 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[With Berendt's intro.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/3713336]]></url>
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  <average_rating>4.14</average_rating>
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    <![CDATA[This year&#8217;s worth of the most powerful, the most startling, the smartest and most astute, in short, the best crime journalism. Scouring hundreds of publications, Otto Penzler and Thomas H. Cook have created a remarkable compilation containing the best examples of the most current and vibrant of our literary traditions: crime reporting.<br/><br/>Included in this volume are Maximillian Potter&#8217;s  &#8220;The Body Farm&#8221; from <em>GQ</em>, a portrait of Murray Marks, who collects dead bodies and strews them around two acres of the University of Tennessee campus to study their decomposition in order to help solve crime; Jay Kirk&#8217;s <br/> &#8220;My Undertaker, My Pimp,&#8221; from <em>Harper&#8217;s</em>, in which Mack Moore and his wife, Angel, switch from run-ning crooked funeral parlors to establishing a brothel; Skip Hollandsworth&#8217;s &#8220;The Day Treva Throneberry Disappeared&#8221; from <em>Texas Monthly</em>, about the sudden disappearence of a teenager and the strange place she turned up; Lawrence Wright&#8217;s &#8220;The Counterterrorist&#8221; from <em>The New Yorker</em>, the story of John O&#8217;Neill, the FBI agent who tracked Osama bin Laden for a decade&#8212;until he was killed when the World Trade Center collapsed. Intriguing, entertaining, and compelling reading, <strong>Best American Crime Writing</strong> has established itself as a much-anticipated annual.]]>
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    <rating>4</rating>
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  <date_added>Sat Dec 12 22:53:15 -0800 2009</date_added>
  <date_updated>Sat Dec 12 22:53:15 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/80826983]]></url>
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      <review>
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    <![CDATA[The Best American Crime Writing: 2003 Edition: The Year's Best True Crime Reporting]]>
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  <average_rating>4.14</average_rating>
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  <description>
    <![CDATA[This year&#8217;s worth of the most powerful, the most startling, the smartest and most astute, in short, the best crime journalism. Scouring hundreds of publications, Otto Penzler and Thomas H. Cook have created a remarkable compilation containing the best examples of the most current and vibrant of our literary traditions: crime reporting.<br/><br/>Included in this volume are Maximillian Potter&#8217;s  &#8220;The Body Farm&#8221; from <em>GQ</em>, a portrait of Murray Marks, who collects dead bodies and strews them around two acres of the University of Tennessee campus to study their decomposition in order to help solve crime; Jay Kirk&#8217;s <br/> &#8220;My Undertaker, My Pimp,&#8221; from <em>Harper&#8217;s</em>, in which Mack Moore and his wife, Angel, switch from run-ning crooked funeral parlors to establishing a brothel; Skip Hollandsworth&#8217;s &#8220;The Day Treva Throneberry Disappeared&#8221; from <em>Texas Monthly</em>, about the sudden disappearence of a teenager and the strange place she turned up; Lawrence Wright&#8217;s &#8220;The Counterterrorist&#8221; from <em>The New Yorker</em>, the story of John O&#8217;Neill, the FBI agent who tracked Osama bin Laden for a decade&#8212;until he was killed when the World Trade Center collapsed. Intriguing, entertaining, and compelling reading, <strong>Best American Crime Writing</strong> has established itself as a much-anticipated annual.]]>
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  <published>2003</published>
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  <date_added>Mon Oct 05 23:20:29 -0700 2009</date_added>
  <date_updated>Mon Oct 05 23:20:29 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/73597255]]></url>
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      <review>
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    <![CDATA[The Best American Crime Writing: 2003 Edition: The Year's Best True Crime Reporting]]>
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  <average_rating>4.14</average_rating>
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  <description>
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    <![CDATA[This year&#8217;s worth of the most powerful, the most startling, the smartest and most astute, in short, the best crime journalism. Scouring hundreds of publications, Otto Penzler and Thomas H. Cook have created a remarkable compilation containing the best examples of the most current and vibrant of our literary traditions: crime reporting.<br/><br/>Included in this volume are Maximillian Potter&#8217;s  &#8220;The Body Farm&#8221; from <em>GQ</em>, a portrait of Murray Marks, who collects dead bodies and strews them around two acres of the University of Tennessee campus to study their decomposition in order to help solve crime; Jay Kirk&#8217;s <br/> &#8220;My Undertaker, My Pimp,&#8221; from <em>Harper&#8217;s</em>, in which Mack Moore and his wife, Angel, switch from run-ning crooked funeral parlors to establishing a brothel; Skip Hollandsworth&#8217;s &#8220;The Day Treva Throneberry Disappeared&#8221; from <em>Texas Monthly</em>, about the sudden disappearence of a teenager and the strange place she turned up; Lawrence Wright&#8217;s &#8220;The Counterterrorist&#8221; from <em>The New Yorker</em>, the story of John O&#8217;Neill, the FBI agent who tracked Osama bin Laden for a decade&#8212;until he was killed when the World Trade Center collapsed. Intriguing, entertaining, and compelling reading, <strong>Best American Crime Writing</strong> has established itself as a much-anticipated annual.]]>
  </description>
  <published>2003</published>
</book>

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  <date_added>Mon Jul 21 08:30:26 -0700 2008</date_added>
  <date_updated>Mon Jul 21 08:30:26 -0700 2008</date_updated>
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