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The Monkey Grammarian

3.95 of 5 stars 3.95  ·  rating details  ·  107 ratings  ·  9 reviews
Written while the Nobel Prize–winning author was the Mexican ambassador to India, this is a dazzling mind-journey to the temple city of Galta, "a sumptuous feast of visual imagery" (SFChronicle). Hanuman, the red-faced monkey god and ninth grammarian of Hindu mythology, is the protagonist, offering an occasion for Octavio Paz to explore the nature of time and reality, fixi ...more
Paperback, 176 pages
Published January 18th 1991 by Arcade Publishing (first published 1972)
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Riku Sayuj

Not a word in the dictionary to rest your head on. How can a true lover of language endorse it? How can a Grammarian escape himself? Hanuman watches the city he will destroy - first by naming and then by fire; Paz observes the Noble Monkey and destroys him by writing about him; and then sets himself down on paper, to be destroyed by the reader as he reads. The words flowing into meaning, the meanings flowing out as they do. Paz reads about Valmiki who had read Hanuman's readings of the battle of
Octavio Paz in his philosophical writings is a mad irreverent lone-ranger prophet of words, sounds and the stuff of robust, far-ranging euro-indocentric myth-meddling glutton of ideas. In Conjunctions and Disjunctions, you get the sense that for the author, the only ancient worlds that existed were indo/sino/saxon/aztec. Perhaps thats all there is??!! For Paz, these were intellectual civilizations whose underpinning is eroticism and exorcism with himself as the magicien alchemist, a true peddlar ...more
El Usuario
"Me di cuenta de que mi texto no iba a ninguna parte" dice Paz y, precisamente, yo creo que ese es el problema. Terrible caso. El texto es bonito pero no tiene algo detrás. "Ay, pero si el agua, ay, si no sabe a nada".
Unlike most poststructuralist musings on language, Paz's are not only readable and engaging, but fascinating. Highly recommended for those who like words and philosophy of language.
José Angel Daza
No le pongo más estrellas porque ya no hay más...
Ensayo poético filosófico en torno a la creación. ¿Es la escritura poética un camino para llegar a algún lugar? ¿a la búsqueda de sentido? O por el contrario es la escritura poética una crítica del lenguaje, un desvanecimiento de las apariencias?

Art and India. This piece is rhythmic, sensual and peaceful. I have a sacred temple in my heart for pages and pages of poetry regarding exotic trees their medicinal uses. This is by far my favorite book of poetry.
Me resultó complicado seguir el ritmo y lenguaje de Paz, pero con tiempo y ganas es posible (aún para alguien como yo) disfrutar de su exquisito léxico y recursos.
Diego Eaton
"El lenguaje es la consecuencia (o la causa) de nuestro destierro del universo, significa la distancia entre las cosas y nosotros."
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Octavio Paz Lozano (March 31, 1914 – April 19, 1998) was a Mexican writer, poet, and diplomat, and the winner of the 1982 Neustadt International Prize for Literature and the 1990 Nobel Prize for Literature ("for impassioned writing with wide horizons, characterized by sensuous intelligence and humanistic integrity.")
More about Octavio Paz...
The Labyrinth of Solitude and Other Writings The Collected Poems, 1957-1987 El laberinto de la Soledad The Double Flame: Love and Eroticism Sunstone

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