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  <description><![CDATA[Subterranean Press is proud to make Philip K. Dick's screenplay adaptation of one of his signature novels available for the first time in more than twenty years. Copies of the first edition of Ubik: the Screenplay now fetch more than $100 on the collector's market, when you can find them. In addition, the screenplay features an ending that differs markedly from that of the novel.<br/><br/>&quot;Dick included far more parenthetical description and interpretation than can be standard for screenplays, and so we have here his considered, after-the-fact portraits of Glen Runciter, Ella Runciter, Joe Chip, Pat Conley, and Ubik itself. And too, with a facility that's scarce among novelists, he smoothly adapts his story to the wider, deeper ranges of the film medium. The Ubik 'ads' are much more effective as actual intrusions than as chapter headings, the soundtrack becomes a central element (and makes us wonder what music Dick would have chosen to complement some of his other novels), and he presents the dysfunctions in time and perception even more effectively when he imagines them enacted on a movie screen. In some ways, in fact, it almost seems as though we're getting a purer version of UBIK—something closer to the original conception than the text of the novel.&quot; -- Tim Powers, from his foreword]]></description>
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    <![CDATA[Ubik: The Screenplay]]>
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    <![CDATA[Subterranean Press is proud to make Philip K. Dick's screenplay adaptation of one of his signature novels available for the first time in more than twenty years. Copies of the first edition of Ubik: the Screenplay now fetch more than $100 on the collector's market, when you can find them. In addition, the screenplay features an ending that differs markedly from that of the novel.<br/><br/>&quot;Dick included far more parenthetical description and interpretation than can be standard for screenplays, and so we have here his considered, after-the-fact portraits of Glen Runciter, Ella Runciter, Joe Chip, Pat Conley, and Ubik itself. And too, with a facility that's scarce among novelists, he smoothly adapts his story to the wider, deeper ranges of the film medium. The Ubik 'ads' are much more effective as actual intrusions than as chapter headings, the soundtrack becomes a central element (and makes us wonder what music Dick would have chosen to complement some of his other novels), and he presents the dysfunctions in time and perception even more effectively when he imagines them enacted on a movie screen. In some ways, in fact, it almost seems as though we're getting a purer version of UBIK—something closer to the original conception than the text of the novel.&quot; -- Tim Powers, from his foreword]]>
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    <body><![CDATA[The Ubik screenplay is what it is: an early-draft screenplay by a novelist who had never even tried to write a screenplay before. It doesn't add much to the story, and it doesn't take away much either-- in fact, most of the dialog is lifted directly from the novel. As a result it's about three times...<a href="http://www.goodreads.com/review/show/42577054">more...</a>]]></body>
    
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    <![CDATA[Ubik: The Screenplay]]>
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    <![CDATA[The screenplay to the seminal sf novel, out of print for more than two decades.]]>
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