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Theory of Film Practice

3.87 of 5 stars 3.87  ·  rating details  ·  23 ratings  ·  2 reviews

This classic in film theory, presents a systematic study of the techniques of the film medium and of their potential uses for creating formal structures in individual films such as Dovzhenko's Earth, Antonioni's La Notte, Bresson's Au Hasard Balthazar, Renoir's Nana, and Godard's Pierrot le Fou.
Originally published in 1981.
The Princeton Legacy Library uses the latest print...more
Paperback, 186 pages
Published June 21st 1981 by Princeton University Press (first published 1969)
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Esteban Arrangoiz
El mejor libro para empezar a pensar formalmente el cine. Muy necesario para los estudiantes y todos aquellos que quieran hacer cine.
Re-read 11/26-12/2/13.
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