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Theory of Film Practice
This classic in film theory, presents a systematic study of the techniques of the film medium and of their potential uses for creating formal structures in individual films such as Dovzhenko's Earth, Antonioni's La Notte, Bresson's Au Hasard Balthazar, Renoir's Nana, and Godard's Pierrot le Fou.
Originally published in 1981.
The Princeton Legacy Library uses the latest print...more
Paperback, 186 pages
Published June 21st 1981 by Princeton University Press
(first published 1969)
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