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Art for All?: The Collision of Modern Art and the Public in Late-Nineteenth-Century Germany
This work tells the story of Germany's rich, flourishing and diversified world of art in the last decades of the 19th century - a world that has been eclipsed by the events of the 20th century. Beth Irwin Lewis focuses on how critics and the public responded to new forms of painting.
Hardcover, 448 pages
Published July 6th 2003 by Princeton University Press
(first published June 16th 2003)
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