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  <title><![CDATA[The Rape of the Lock]]></title>
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  <description><![CDATA[Alexander Pope's classic poem &quot;The Rape of the Lock,&quot; edited and with an introduction by Thomas Marc Parrott.  <p>  Perhaps no other great poet in English Literature has been so differently judged at different times as Alexander Pope. Accepted almost on his first appearance as one of the leading poets of the day, he rapidly became recognized as the foremost man of letters of his age. He held this position throughout his life, and for over half a century after his death his works were considered not only as masterpieces, but as the finest models of poetry. With the change of poetic temper that occurred at the beginning of the nineteenth century Pope's fame was overshadowed. The romantic poets and critics even raised the question whether Pope was a poet at all. And as his poetical fame diminished, the harsh judgments of his personal character increased. It is almost incredible with what exulting bitterness critics and editors of Pope have tracked out and exposed his petty intrigues, exaggerated his delinquencies, misrepresented his actions, attempted in short to blast his character as a man.  <p>  Both as a man and as a poet Pope is sadly in need of a defender to-day. And a defense is by no means impossible. The depreciation of Pope's poetry springs, in the main, from an attempt to measure it by other standards than those which he and his age recognized. The attacks upon his character are due, in large measure, to a misunderstanding of the spirit of the times in which he lived and to a forgetfulness of the special circumstances of his own life. Tried in a fair court by impartial judges Pope as a poet would be awarded a place, if not among the noblest singers, at least high among poets of the second order. And the flaws of character which even his warmest apologist must admit would on the one hand be explained, if not excused, by circumstances, and on the other more than counterbalanced by the existence of noble qualities to which his assailants seem to have been quite blind.</p></p>]]></description>
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    <![CDATA[The Rape of the Lock]]>
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    <![CDATA[Alexander Pope's classic poem &quot;The Rape of the Lock,&quot; edited and with an introduction by Thomas Marc Parrott.  <p>  Perhaps no other great poet in English Literature has been so differently judged at different times as Alexander Pope. Accepted almost on his first appearance as one of the leading poets of the day, he rapidly became recognized as the foremost man of letters of his age. He held this position throughout his life, and for over half a century after his death his works were considered not only as masterpieces, but as the finest models of poetry. With the change of poetic temper that occurred at the beginning of the nineteenth century Pope's fame was overshadowed. The romantic poets and critics even raised the question whether Pope was a poet at all. And as his poetical fame diminished, the harsh judgments of his personal character increased. It is almost incredible with what exulting bitterness critics and editors of Pope have tracked out and exposed his petty intrigues, exaggerated his delinquencies, misrepresented his actions, attempted in short to blast his character as a man.  <p>  Both as a man and as a poet Pope is sadly in need of a defender to-day. And a defense is by no means impossible. The depreciation of Pope's poetry springs, in the main, from an attempt to measure it by other standards than those which he and his age recognized. The attacks upon his character are due, in large measure, to a misunderstanding of the spirit of the times in which he lived and to a forgetfulness of the special circumstances of his own life. Tried in a fair court by impartial judges Pope as a poet would be awarded a place, if not among the noblest singers, at least high among poets of the second order. And the flaws of character which even his warmest apologist must admit would on the one hand be explained, if not excused, by circumstances, and on the other more than counterbalanced by the existence of noble qualities to which his assailants seem to have been quite blind.</p></p>]]>
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  <date_updated>Wed Oct 14 19:20:15 -0700 2009</date_updated>
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    <body><![CDATA[One of the more memorable and, in my opinion, applicable and useful pieces I read for my Early British Lit class.  I might use it to teach a unit on beauty and vanity in a classroom.  Because it is challenging, it definitely should be used in honors or AP classes for high school seniors or juniors (...<a href="http://www.goodreads.com/review/show/74273685">more...</a>]]></body>
    
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    <![CDATA[The Rape of the Lock]]>
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    <![CDATA[&lt;div&gt;Current publication reproduces &quot;ideal&quot; 1896 edition in which text, typography and illustration complement each other. 10 great illustrations capture the mock-heroic, delicate fancy of Pope's poem.<br/>&lt;/div&gt;]]>
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  <read_at>Sun Feb 01 00:00:00 -0800 2009</read_at>
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    <body><![CDATA[A very entertaining mock epic.<br/><br/>I'm personally not one for this sort of satire, and as entertaining as Pope is, he's not the poet I would generally elect to read. So having to read this for a class, I wasn't too thrilled about it at first. Then I opened my mind, gave it a shot, and am very...<a href="http://www.goodreads.com/review/show/61148401">more...</a>]]></body>
    
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      <review>
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    <![CDATA[The Rape of the Lock]]>
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  <average_rating>3.48</average_rating>
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    <![CDATA[Alexander Pope's classic poem &quot;The Rape of the Lock,&quot; edited and with an introduction by Thomas Marc Parrott.  <p>  Perhaps no other great poet in English Literature has been so differently judged at different times as Alexander Pope. Accepted almost on his first appearance as one of the leading poets of the day, he rapidly became recognized as the foremost man of letters of his age. He held this position throughout his life, and for over half a century after his death his works were considered not only as masterpieces, but as the finest models of poetry. With the change of poetic temper that occurred at the beginning of the nineteenth century Pope's fame was overshadowed. The romantic poets and critics even raised the question whether Pope was a poet at all. And as his poetical fame diminished, the harsh judgments of his personal character increased. It is almost incredible with what exulting bitterness critics and editors of Pope have tracked out and exposed his petty intrigues, exaggerated his delinquencies, misrepresented his actions, attempted in short to blast his character as a man.  <p>  Both as a man and as a poet Pope is sadly in need of a defender to-day. And a defense is by no means impossible. The depreciation of Pope's poetry springs, in the main, from an attempt to measure it by other standards than those which he and his age recognized. The attacks upon his character are due, in large measure, to a misunderstanding of the spirit of the times in which he lived and to a forgetfulness of the special circumstances of his own life. Tried in a fair court by impartial judges Pope as a poet would be awarded a place, if not among the noblest singers, at least high among poets of the second order. And the flaws of character which even his warmest apologist must admit would on the one hand be explained, if not excused, by circumstances, and on the other more than counterbalanced by the existence of noble qualities to which his assailants seem to have been quite blind.</p></p>]]>
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    <rating>3</rating>
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  <recommended_by><![CDATA[Required for British Literature class.]]></recommended_by>
  <read_at>Sun Jan 01 00:00:00 -0800 2006</read_at>
  <date_added>Tue Aug 18 07:47:17 -0700 2009</date_added>
  <date_updated>Tue Aug 18 07:47:17 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I'd always been under the misconception that this was something about a rape.  It's actually a parody!  It turns some silly trivial event (similar to something we'd see today on some entertainment news TV show) into an overblown epic poem.  It's about a girl of high society with curly hair who gets ...<a href="http://www.goodreads.com/review/show/67875730">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/67875730]]></url>
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      <review>
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    <![CDATA[The Rape of the Lock]]>
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    <![CDATA[Alexander Pope's classic poem &quot;The Rape of the Lock,&quot; edited and with an introduction by Thomas Marc Parrott.  <p>  Perhaps no other great poet in English Literature has been so differently judged at different times as Alexander Pope. Accepted almost on his first appearance as one of the leading poets of the day, he rapidly became recognized as the foremost man of letters of his age. He held this position throughout his life, and for over half a century after his death his works were considered not only as masterpieces, but as the finest models of poetry. With the change of poetic temper that occurred at the beginning of the nineteenth century Pope's fame was overshadowed. The romantic poets and critics even raised the question whether Pope was a poet at all. And as his poetical fame diminished, the harsh judgments of his personal character increased. It is almost incredible with what exulting bitterness critics and editors of Pope have tracked out and exposed his petty intrigues, exaggerated his delinquencies, misrepresented his actions, attempted in short to blast his character as a man.  <p>  Both as a man and as a poet Pope is sadly in need of a defender to-day. And a defense is by no means impossible. The depreciation of Pope's poetry springs, in the main, from an attempt to measure it by other standards than those which he and his age recognized. The attacks upon his character are due, in large measure, to a misunderstanding of the spirit of the times in which he lived and to a forgetfulness of the special circumstances of his own life. Tried in a fair court by impartial judges Pope as a poet would be awarded a place, if not among the noblest singers, at least high among poets of the second order. And the flaws of character which even his warmest apologist must admit would on the one hand be explained, if not excused, by circumstances, and on the other more than counterbalanced by the existence of noble qualities to which his assailants seem to have been quite blind.</p></p>]]>
  </description>
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    <rating>2</rating>
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    <body><![CDATA[ Yes, yes, I know. All time great poet, etc. etc. I've had to read this multiple times for many classes, and the blatant, almost proudly flamboyant sexism is something I won't excuse. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/70539702]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/70539702]]></link>
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      <review>
  <id>77700474</id>
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    <name><![CDATA[Janelle]]></name>
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  <title>
    <![CDATA[The Rape of the Lock]]>
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  <description>
    <![CDATA[Alexander Pope's classic poem &quot;The Rape of the Lock,&quot; edited and with an introduction by Thomas Marc Parrott.  <p>  Perhaps no other great poet in English Literature has been so differently judged at different times as Alexander Pope. Accepted almost on his first appearance as one of the leading poets of the day, he rapidly became recognized as the foremost man of letters of his age. He held this position throughout his life, and for over half a century after his death his works were considered not only as masterpieces, but as the finest models of poetry. With the change of poetic temper that occurred at the beginning of the nineteenth century Pope's fame was overshadowed. The romantic poets and critics even raised the question whether Pope was a poet at all. And as his poetical fame diminished, the harsh judgments of his personal character increased. It is almost incredible with what exulting bitterness critics and editors of Pope have tracked out and exposed his petty intrigues, exaggerated his delinquencies, misrepresented his actions, attempted in short to blast his character as a man.  <p>  Both as a man and as a poet Pope is sadly in need of a defender to-day. And a defense is by no means impossible. The depreciation of Pope's poetry springs, in the main, from an attempt to measure it by other standards than those which he and his age recognized. The attacks upon his character are due, in large measure, to a misunderstanding of the spirit of the times in which he lived and to a forgetfulness of the special circumstances of his own life. Tried in a fair court by impartial judges Pope as a poet would be awarded a place, if not among the noblest singers, at least high among poets of the second order. And the flaws of character which even his warmest apologist must admit would on the one hand be explained, if not excused, by circumstances, and on the other more than counterbalanced by the existence of noble qualities to which his assailants seem to have been quite blind.</p></p>]]>
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    <rating>4</rating>
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  <date_added>Fri Nov 13 17:43:30 -0800 2009</date_added>
  <date_updated>Fri Nov 13 17:44:45 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Women care very much for their self image and virtuous, untouched beauty. But to threaten to kill a man over cutting off a lock of hair, now that's justice.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/77700474]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/77700474]]></link>
</review>
      <review>
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    <![CDATA[The Rape of the Lock]]>
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    <![CDATA[Alexander Pope's classic poem &quot;The Rape of the Lock,&quot; edited and with an introduction by Thomas Marc Parrott.  <p>  Perhaps no other great poet in English Literature has been so differently judged at different times as Alexander Pope. Accepted almost on his first appearance as one of the leading poets of the day, he rapidly became recognized as the foremost man of letters of his age. He held this position throughout his life, and for over half a century after his death his works were considered not only as masterpieces, but as the finest models of poetry. With the change of poetic temper that occurred at the beginning of the nineteenth century Pope's fame was overshadowed. The romantic poets and critics even raised the question whether Pope was a poet at all. And as his poetical fame diminished, the harsh judgments of his personal character increased. It is almost incredible with what exulting bitterness critics and editors of Pope have tracked out and exposed his petty intrigues, exaggerated his delinquencies, misrepresented his actions, attempted in short to blast his character as a man.  <p>  Both as a man and as a poet Pope is sadly in need of a defender to-day. And a defense is by no means impossible. The depreciation of Pope's poetry springs, in the main, from an attempt to measure it by other standards than those which he and his age recognized. The attacks upon his character are due, in large measure, to a misunderstanding of the spirit of the times in which he lived and to a forgetfulness of the special circumstances of his own life. Tried in a fair court by impartial judges Pope as a poet would be awarded a place, if not among the noblest singers, at least high among poets of the second order. And the flaws of character which even his warmest apologist must admit would on the one hand be explained, if not excused, by circumstances, and on the other more than counterbalanced by the existence of noble qualities to which his assailants seem to have been quite blind.</p></p>]]>
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  <date_added>Sun Mar 01 02:12:35 -0800 2009</date_added>
  <date_updated>Sun Mar 01 02:15:14 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[A brilliant rendering of epic themes to eighteenth century frivolity. Illustrations are suitably complex and sinister. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/47866099]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/47866099]]></link>
</review>
      <review>
  <id>81090737</id>
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  <isbn>0486219631</isbn>
  <isbn13>9780486219639</isbn13>
  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[The Rape of the Lock]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1238984646m/1886758.jpg</image_url>
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  <link>http://www.goodreads.com/book/show/1886758.The_Rape_of_the_Lock</link>
  <average_rating>3.83</average_rating>
  <ratings_count>23</ratings_count>
  <description>
    <![CDATA[Current publication reproduces &quot;ideal&quot; 1896 edition in which text, typography and illustration complement each other. 10 great illustrations capture the mock-heroic, delicate fancy of Pope's poem.]]>
  </description>
  <published>1717</published>
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  <date_added>Tue Dec 15 09:56:18 -0800 2009</date_added>
  <date_updated>Tue Dec 15 09:57:17 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[It's excellent, but what I love most is this edition with the illustrations by Aubrey Beardsley.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/81090737]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/81090737]]></link>
</review>
      <review>
  <id>22620390</id>
    <user>
    <id>974210</id>
    <name><![CDATA[Erik]]></name>
    <location><![CDATA[Chicago, IL]]></location>
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    <![CDATA[The Rape of the Lock]]>
  </title>
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  <average_rating>3.48</average_rating>
  <ratings_count>311</ratings_count>
  <description>
    <![CDATA[Current publication reproduces &quot;ideal&quot; 1896 edition in which text, typography and illustration complement each other. 10 great illustrations capture the mock-heroic, delicate fancy of Pope's poem.]]>
  </description>
  <published>1717</published>
</book>

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  <recommended_for><![CDATA[Pope fans]]></recommended_for>
  <recommended_by><![CDATA[Mr. Sileski]]></recommended_by>
  <read_at>Wed Jan 01 00:00:00 -0800 1969</read_at>
  <date_added>Tue May 20 10:16:27 -0700 2008</date_added>
  <date_updated>Sat Apr 04 21:09:16 -0700 2009</date_updated>
  <read_count>1</read_count>
    <body><![CDATA[ We were ordered to read this thing in senior English.  It was a bad choice.  Perhaps our teacher thought we'd think it funny while appreciating how subtle our understanding had become by virtue of having read the classical sources which Pope imitates.  Well, we could see how he was trying to be fun...<a href="http://www.goodreads.com/review/show/22620390">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/22620390]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/22620390]]></link>
</review>
      <review>
  <id>49602269</id>
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    <id>874144</id>
    <name><![CDATA[Kevin]]></name>
    <location><![CDATA[San Francisco, CA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/874144-kevin-albrecht]]></link>
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  <text_reviews_count type="integer">12</text_reviews_count>
  <title>
    <![CDATA[The Rape of the Lock]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
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  <average_rating>3.48</average_rating>
  <ratings_count>311</ratings_count>
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    <![CDATA[Alexander Pope's classic poem &quot;The Rape of the Lock,&quot; edited and with an introduction by Thomas Marc Parrott.  <p>  Perhaps no other great poet in English Literature has been so differently judged at different times as Alexander Pope. Accepted almost on his first appearance as one of the leading poets of the day, he rapidly became recognized as the foremost man of letters of his age. He held this position throughout his life, and for over half a century after his death his works were considered not only as masterpieces, but as the finest models of poetry. With the change of poetic temper that occurred at the beginning of the nineteenth century Pope's fame was overshadowed. The romantic poets and critics even raised the question whether Pope was a poet at all. And as his poetical fame diminished, the harsh judgments of his personal character increased. It is almost incredible with what exulting bitterness critics and editors of Pope have tracked out and exposed his petty intrigues, exaggerated his delinquencies, misrepresented his actions, attempted in short to blast his character as a man.  <p>  Both as a man and as a poet Pope is sadly in need of a defender to-day. And a defense is by no means impossible. The depreciation of Pope's poetry springs, in the main, from an attempt to measure it by other standards than those which he and his age recognized. The attacks upon his character are due, in large measure, to a misunderstanding of the spirit of the times in which he lived and to a forgetfulness of the special circumstances of his own life. Tried in a fair court by impartial judges Pope as a poet would be awarded a place, if not among the noblest singers, at least high among poets of the second order. And the flaws of character which even his warmest apologist must admit would on the one hand be explained, if not excused, by circumstances, and on the other more than counterbalanced by the existence of noble qualities to which his assailants seem to have been quite blind.</p></p>]]>
  </description>
  <published>1717</published>
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  <date_added>Tue Mar 17 16:55:09 -0700 2009</date_added>
  <date_updated>Fri Apr 03 22:45:41 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Recommended here: <a rel="nofollow" target="_blank" href="http://poemshape.wordpress.com/2009/03/02/what-is-heroic-couplets/" title="http://poemshape.wordpress.com/2009/03/02/what-is-heroic-couplets/">http://poemshape.wordpress.com/2009/03/0...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/49602269]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/49602269]]></link>
</review>
      <review>
  <id>6491780</id>
    <user>
    <id>104521</id>
    <name><![CDATA[Stephanie]]></name>
    <location><![CDATA[Mishawaka, IN]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/104521-stephanie]]></link>
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  <isbn>0312115695</isbn>
  <isbn13>9780312115692</isbn13>
  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[The Rape of the Lock]]>
  </title>
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  <small_image_url>http://photo.goodreads.com/books/1179773937s/954434.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/954434.The_Rape_of_the_Lock</link>
  <average_rating>3.31</average_rating>
  <ratings_count>35</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;This edition reprints the text of Pope's classic poem &#8212; both the five-canto 1714 version and the facsimilie of the original 1712 version &#8212; together with a broad selection of documents. Including correspondence, poems, broadsides, reviews, and parodies, the documents focus special attention on Pope's life and career as well as on eighteenth-century poetic traditions and innovations, social habits and assumptions, historical events, and political implications. A general introduction providing historical and cultural background, a chronology of Pope's life and times, an introduction to each thematic group of documents, headnotes, extensive annotations, a selected bibliography, and a generous collection of maps, portraits, and illustrations make this volume a unique scholarly edition of this classic work of eighteenth-century literature.&lt;/div&gt;]]>
  </description>
  <published>1717</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
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  <read_at></read_at>
  <date_added>Thu Sep 20 08:38:09 -0700 2007</date_added>
  <date_updated>Thu Sep 20 08:40:41 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[This delightfully sarcastic poem is definitely worth at least one read, preferably two if you have the time. Pope raises questions about the priorities of England's 18th century <em>beau-monde</em> that will leave you wondering what his ultimate &quot;moral&quot; really is. And while we're at it, what do we ...<a href="http://www.goodreads.com/review/show/6491780">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/6491780]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/6491780]]></link>
</review>
      <review>
  <id>3021964</id>
    <user>
    <id>189569</id>
    <name><![CDATA[Katie]]></name>
    <location><![CDATA[New York, NY]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/189569-katie-hayes]]></link>
    <image_url><![CDATA[http://photo.goodreads.com/users/1184333861p3/189569.jpg]]></image_url>
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  <isbn>0312115695</isbn>
  <isbn13>9780312115692</isbn13>
  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[The Rape of the Lock]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1179773937m/954434.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1179773937s/954434.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/954434.The_Rape_of_the_Lock</link>
  <average_rating>3.48</average_rating>
  <ratings_count>311</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;This edition reprints the text of Pope's classic poem &#8212; both the five-canto 1714 version and the facsimilie of the original 1712 version &#8212; together with a broad selection of documents. Including correspondence, poems, broadsides, reviews, and parodies, the documents focus special attention on Pope's life and career as well as on eighteenth-century poetic traditions and innovations, social habits and assumptions, historical events, and political implications. A general introduction providing historical and cultural background, a chronology of Pope's life and times, an introduction to each thematic group of documents, headnotes, extensive annotations, a selected bibliography, and a generous collection of maps, portraits, and illustrations make this volume a unique scholarly edition of this classic work of eighteenth-century literature.&lt;/div&gt;]]>
  </description>
  <published>1717</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at></read_at>
  <date_added>Fri Jul 13 07:04:34 -0700 2007</date_added>
  <date_updated>Thu Dec 17 00:29:10 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I love it. It is a must read, especially for British Literature fans. I read it alongside of Paradise Lost for an English comparison paper and could not put it down.  The two are so different but the authors both use the epic form brilliantly.   ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/3021964]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/3021964]]></link>
</review>
      <review>
  <id>19244888</id>
    <user>
    <id>1001935</id>
    <name><![CDATA[Tawny]]></name>
    <location><![CDATA[Seattle, WA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1001935-tawny]]></link>
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  <text_reviews_count type="integer">12</text_reviews_count>
  <title>
    <![CDATA[The Rape of the Lock]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/2262521.The_Rape_of_the_Lock</link>
  <average_rating>3.48</average_rating>
  <ratings_count>311</ratings_count>
  <description>
    <![CDATA[Alexander Pope's classic poem &quot;The Rape of the Lock,&quot; edited and with an introduction by Thomas Marc Parrott.  <p>  Perhaps no other great poet in English Literature has been so differently judged at different times as Alexander Pope. Accepted almost on his first appearance as one of the leading poets of the day, he rapidly became recognized as the foremost man of letters of his age. He held this position throughout his life, and for over half a century after his death his works were considered not only as masterpieces, but as the finest models of poetry. With the change of poetic temper that occurred at the beginning of the nineteenth century Pope's fame was overshadowed. The romantic poets and critics even raised the question whether Pope was a poet at all. And as his poetical fame diminished, the harsh judgments of his personal character increased. It is almost incredible with what exulting bitterness critics and editors of Pope have tracked out and exposed his petty intrigues, exaggerated his delinquencies, misrepresented his actions, attempted in short to blast his character as a man.  <p>  Both as a man and as a poet Pope is sadly in need of a defender to-day. And a defense is by no means impossible. The depreciation of Pope's poetry springs, in the main, from an attempt to measure it by other standards than those which he and his age recognized. The attacks upon his character are due, in large measure, to a misunderstanding of the spirit of the times in which he lived and to a forgetfulness of the special circumstances of his own life. Tried in a fair court by impartial judges Pope as a poet would be awarded a place, if not among the noblest singers, at least high among poets of the second order. And the flaws of character which even his warmest apologist must admit would on the one hand be explained, if not excused, by circumstances, and on the other more than counterbalanced by the existence of noble qualities to which his assailants seem to have been quite blind.</p></p>]]>
  </description>
  <published>1717</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[Dr. Nancy Christiansen]]></recommended_by>
  <read_at>Mon Nov 15 00:00:00 -0800 2004</read_at>
  <date_added>Tue Apr 01 18:02:17 -0700 2008</date_added>
  <date_updated>Tue Apr 01 18:12:45 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Favorite lines:<br/>1. &quot;What dire Offence from am'rous Causes springs,<br/>  What mighty Contests rise from trivial Things.&quot;<br/>2. &quot;But see how oft ambition's aims are cross'd,<br/>  And chiefs content 'til all the prize is lost!&quot;]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/19244888]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/19244888]]></link>
</review>
      <review>
  <id>2762108</id>
    <user>
    <id>123293</id>
    <name><![CDATA[Angela]]></name>
    <location><![CDATA[Itoigawa-shi, Niigata-ken, Japan]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/123293-angela]]></link>
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  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[The Rape of the Lock]]>
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  <small_image_url>http://photo.goodreads.com/books/1179773937s/954434.jpg</small_image_url>
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  <average_rating>3.48</average_rating>
  <ratings_count>311</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;This edition reprints the text of Pope's classic poem &#8212; both the five-canto 1714 version and the facsimilie of the original 1712 version &#8212; together with a broad selection of documents. Including correspondence, poems, broadsides, reviews, and parodies, the documents focus special attention on Pope's life and career as well as on eighteenth-century poetic traditions and innovations, social habits and assumptions, historical events, and political implications. A general introduction providing historical and cultural background, a chronology of Pope's life and times, an introduction to each thematic group of documents, headnotes, extensive annotations, a selected bibliography, and a generous collection of maps, portraits, and illustrations make this volume a unique scholarly edition of this classic work of eighteenth-century literature.&lt;/div&gt;]]>
  </description>
  <published>1717</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Tue Oct 01 00:00:00 -0700 2002</read_at>
  <date_added>Fri Jul 06 04:07:17 -0700 2007</date_added>
  <date_updated>Fri Jul 06 04:12:51 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[I loved this story so much in college that I took three different classes in which the text was used.  I knew the intricacies of it so well by graduation time that I could have taught the class!]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/2762108]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/2762108]]></link>
</review>
      <review>
  <id>19317736</id>
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    <location><![CDATA[Ottawa, Canada]]></location>
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    <![CDATA[The Rape of the Lock]]>
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  <ratings_count>311</ratings_count>
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    <![CDATA[Alexander Pope's classic poem &quot;The Rape of the Lock,&quot; edited and with an introduction by Thomas Marc Parrott.  <p>  Perhaps no other great poet in English Literature has been so differently judged at different times as Alexander Pope. Accepted almost on his first appearance as one of the leading poets of the day, he rapidly became recognized as the foremost man of letters of his age. He held this position throughout his life, and for over half a century after his death his works were considered not only as masterpieces, but as the finest models of poetry. With the change of poetic temper that occurred at the beginning of the nineteenth century Pope's fame was overshadowed. The romantic poets and critics even raised the question whether Pope was a poet at all. And as his poetical fame diminished, the harsh judgments of his personal character increased. It is almost incredible with what exulting bitterness critics and editors of Pope have tracked out and exposed his petty intrigues, exaggerated his delinquencies, misrepresented his actions, attempted in short to blast his character as a man.  <p>  Both as a man and as a poet Pope is sadly in need of a defender to-day. And a defense is by no means impossible. The depreciation of Pope's poetry springs, in the main, from an attempt to measure it by other standards than those which he and his age recognized. The attacks upon his character are due, in large measure, to a misunderstanding of the spirit of the times in which he lived and to a forgetfulness of the special circumstances of his own life. Tried in a fair court by impartial judges Pope as a poet would be awarded a place, if not among the noblest singers, at least high among poets of the second order. And the flaws of character which even his warmest apologist must admit would on the one hand be explained, if not excused, by circumstances, and on the other more than counterbalanced by the existence of noble qualities to which his assailants seem to have been quite blind.</p></p>]]>
  </description>
  <published>1717</published>
</book>

    <rating>2</rating>
  <votes>0</votes>
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  <read_at></read_at>
  <date_added>Wed Apr 02 14:33:52 -0700 2008</date_added>
  <date_updated>Wed Apr 02 14:34:42 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I was never really a fan of this poem like everyone else seems to be.  I found the whole thing to be just a bit of overkill.  It does have some amusing parts to it though.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/19317736]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/19317736]]></link>
</review>
      <review>
  <id>18409705</id>
    <user>
    <id>1009420</id>
    <name><![CDATA[Nour]]></name>
    <location><![CDATA[Minneapolis, MN]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1009420-nour]]></link>
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  <isbn>1557429162</isbn>
  <isbn13>9781557429162</isbn13>
  <text_reviews_count type="integer">12</text_reviews_count>
  <title>
    <![CDATA[The Rape of the Lock]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/2262521.The_Rape_of_the_Lock</link>
  <average_rating>3.48</average_rating>
  <ratings_count>311</ratings_count>
  <description>
    <![CDATA[Alexander Pope's classic poem &quot;The Rape of the Lock,&quot; edited and with an introduction by Thomas Marc Parrott.  <p>  Perhaps no other great poet in English Literature has been so differently judged at different times as Alexander Pope. Accepted almost on his first appearance as one of the leading poets of the day, he rapidly became recognized as the foremost man of letters of his age. He held this position throughout his life, and for over half a century after his death his works were considered not only as masterpieces, but as the finest models of poetry. With the change of poetic temper that occurred at the beginning of the nineteenth century Pope's fame was overshadowed. The romantic poets and critics even raised the question whether Pope was a poet at all. And as his poetical fame diminished, the harsh judgments of his personal character increased. It is almost incredible with what exulting bitterness critics and editors of Pope have tracked out and exposed his petty intrigues, exaggerated his delinquencies, misrepresented his actions, attempted in short to blast his character as a man.  <p>  Both as a man and as a poet Pope is sadly in need of a defender to-day. And a defense is by no means impossible. The depreciation of Pope's poetry springs, in the main, from an attempt to measure it by other standards than those which he and his age recognized. The attacks upon his character are due, in large measure, to a misunderstanding of the spirit of the times in which he lived and to a forgetfulness of the special circumstances of his own life. Tried in a fair court by impartial judges Pope as a poet would be awarded a place, if not among the noblest singers, at least high among poets of the second order. And the flaws of character which even his warmest apologist must admit would on the one hand be explained, if not excused, by circumstances, and on the other more than counterbalanced by the existence of noble qualities to which his assailants seem to have been quite blind.</p></p>]]>
  </description>
  <published>1717</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
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  <date_added>Sat Mar 22 18:18:17 -0700 2008</date_added>
  <date_updated>Sat Mar 22 18:18:57 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[This mock epic has many of the traditional characteristic epics hold, yet it keeps the humor up and interesting to read.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/18409705]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/18409705]]></link>
</review>
      <review>
  <id>67476326</id>
    <user>
    <id>572197</id>
    <name><![CDATA[Rachel]]></name>
    <location><![CDATA[West Lothian, The United Kingdom]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/572197-rachel]]></link>
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  <isbn>0099511525</isbn>
  <isbn13>9780099511526</isbn13>
  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[The Rape of the Lock]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/2033416.The_Rape_of_the_Lock</link>
  <average_rating>3.48</average_rating>
  <ratings_count>311</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;Current publication reproduces &quot;ideal&quot; 1896 edition in which text, typography and illustration complement each other. 10 great illustrations capture the mock-heroic, delicate fancy of Pope's poem.<br/>&lt;/div&gt;]]>
  </description>
  <published>1717</published>
</book>

    <rating>0</rating>
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  <date_added>Sat Aug 15 05:35:13 -0700 2009</date_added>
  <date_updated>Sun Oct 11 14:32:20 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[To read for:<br/>EN1004: Explorers and Revolutionaries - Literature 1680-1830<br/><br/>To obtain: Ebay]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/67476326]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/67476326]]></link>
</review>
      <review>
  <id>1702827</id>
    <user>
    <id>118917</id>
    <name><![CDATA[Momi]]></name>
    <location><![CDATA[Pakistan]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/118917-momi]]></link>
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    <book>
  <id type="integer">157351</id>
  <isbn>0898046629</isbn>
  <isbn13>9780898046625</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[The Rape of the Lock]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/157351.The_Rape_of_the_Lock</link>
  <average_rating>3.71</average_rating>
  <ratings_count>7</ratings_count>
  <description>
    <![CDATA[The Rape of the Lock reprints one of the most exquisite poems ever written in English.  Inspired by a trivial dispute between two noble English families, Alexander Pope crafted a mock-heroic poem that successfully led the feuding families to heal their rift by laughing their way out of their hurt feelings, while entertaining the rest of English society.      	  But the enduring charm of this poem lies in its relevance to all human disputes, not just one celebrated incident.  How often do we pour the collected woes and agonies of the Cave of Spleen onto the wounds of our emotional sores, thereby magnifying our problems?  The Rape of the Lock helps us laugh at our own tendencies to take hurts too seriously.    This book is the third in a set of the complete poetry of Alexander Pope being reprinted by Judzu House in reader friendly formats.]]>
  </description>
  <published>1717</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
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  <read_at>Thu Jan 01 00:00:00 -0800 2004</read_at>
  <date_added>Wed Jun 06 00:50:39 -0700 2007</date_added>
  <date_updated>Wed Dec 16 20:50:06 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[i loved reading it! takes us to a fantasy world with all the fairies, sylphs and gnomes!]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/1702827]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/1702827]]></link>
</review>
      <review>
  <id>23064006</id>
    <user>
    <id>1190673</id>
    <name><![CDATA[MET]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1190673-met]]></link>
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  <isbn>1557429162</isbn>
  <isbn13>9781557429162</isbn13>
  <text_reviews_count type="integer">12</text_reviews_count>
  <title>
    <![CDATA[The Rape of the Lock]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/2262521.The_Rape_of_the_Lock</link>
  <average_rating>3.48</average_rating>
  <ratings_count>311</ratings_count>
  <description>
    <![CDATA[Alexander Pope's classic poem &quot;The Rape of the Lock,&quot; edited and with an introduction by Thomas Marc Parrott.  <p>  Perhaps no other great poet in English Literature has been so differently judged at different times as Alexander Pope. Accepted almost on his first appearance as one of the leading poets of the day, he rapidly became recognized as the foremost man of letters of his age. He held this position throughout his life, and for over half a century after his death his works were considered not only as masterpieces, but as the finest models of poetry. With the change of poetic temper that occurred at the beginning of the nineteenth century Pope's fame was overshadowed. The romantic poets and critics even raised the question whether Pope was a poet at all. And as his poetical fame diminished, the harsh judgments of his personal character increased. It is almost incredible with what exulting bitterness critics and editors of Pope have tracked out and exposed his petty intrigues, exaggerated his delinquencies, misrepresented his actions, attempted in short to blast his character as a man.  <p>  Both as a man and as a poet Pope is sadly in need of a defender to-day. And a defense is by no means impossible. The depreciation of Pope's poetry springs, in the main, from an attempt to measure it by other standards than those which he and his age recognized. The attacks upon his character are due, in large measure, to a misunderstanding of the spirit of the times in which he lived and to a forgetfulness of the special circumstances of his own life. Tried in a fair court by impartial judges Pope as a poet would be awarded a place, if not among the noblest singers, at least high among poets of the second order. And the flaws of character which even his warmest apologist must admit would on the one hand be explained, if not excused, by circumstances, and on the other more than counterbalanced by the existence of noble qualities to which his assailants seem to have been quite blind.</p></p>]]>
  </description>
  <published>1717</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
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  <date_added>Tue May 27 13:18:57 -0700 2008</date_added>
  <date_updated>Tue May 27 13:19:36 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[A real classic.  And great satire.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/23064006]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/23064006]]></link>
</review>
      <review>
  <id>19600617</id>
    <user>
    <id>134930</id>
    <name><![CDATA[Emily]]></name>
    <location><![CDATA[Arlington, VA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/134930-emily]]></link>
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  <isbn>1557429162</isbn>
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  <text_reviews_count type="integer">12</text_reviews_count>
  <title>
    <![CDATA[The Rape of the Lock]]>
  </title>
  <image_url>http://www.goodreads.com/images/nocover-111x148.jpg</image_url>
  <small_image_url>http://www.goodreads.com/images/nocover-60x80.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/2262521.The_Rape_of_the_Lock</link>
  <average_rating>3.48</average_rating>
  <ratings_count>311</ratings_count>
  <description>
    <![CDATA[Alexander Pope's classic poem &quot;The Rape of the Lock,&quot; edited and with an introduction by Thomas Marc Parrott.  <p>  Perhaps no other great poet in English Literature has been so differently judged at different times as Alexander Pope. Accepted almost on his first appearance as one of the leading poets of the day, he rapidly became recognized as the foremost man of letters of his age. He held this position throughout his life, and for over half a century after his death his works were considered not only as masterpieces, but as the finest models of poetry. With the change of poetic temper that occurred at the beginning of the nineteenth century Pope's fame was overshadowed. The romantic poets and critics even raised the question whether Pope was a poet at all. And as his poetical fame diminished, the harsh judgments of his personal character increased. It is almost incredible with what exulting bitterness critics and editors of Pope have tracked out and exposed his petty intrigues, exaggerated his delinquencies, misrepresented his actions, attempted in short to blast his character as a man.  <p>  Both as a man and as a poet Pope is sadly in need of a defender to-day. And a defense is by no means impossible. The depreciation of Pope's poetry springs, in the main, from an attempt to measure it by other standards than those which he and his age recognized. The attacks upon his character are due, in large measure, to a misunderstanding of the spirit of the times in which he lived and to a forgetfulness of the special circumstances of his own life. Tried in a fair court by impartial judges Pope as a poet would be awarded a place, if not among the noblest singers, at least high among poets of the second order. And the flaws of character which even his warmest apologist must admit would on the one hand be explained, if not excused, by circumstances, and on the other more than counterbalanced by the existence of noble qualities to which his assailants seem to have been quite blind.</p></p>]]>
  </description>
  <published>1717</published>
</book>

    <rating>4</rating>
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  <read_at>Tue Jan 01 00:00:00 -0800 2002</read_at>
  <date_added>Sun Apr 06 17:46:05 -0700 2008</date_added>
  <date_updated>Sun Apr 06 17:46:05 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Entertaining, to say the least.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/19600617]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/19600617]]></link>
</review>
      <review>
  <id>11535377</id>
    <user>
    <id>737672</id>
    <name><![CDATA[Cheryl]]></name>
    <location><![CDATA[Clifton, NJ]]></location>
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  <isbn>0486219631</isbn>
  <isbn13>9780486219639</isbn13>
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  <title>
    <![CDATA[The Rape of the Lock]]>
  </title>
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  <average_rating>3.48</average_rating>
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  <description>
    <![CDATA[Current publication reproduces &quot;ideal&quot; 1896 edition in which text, typography and illustration complement each other. 10 great illustrations capture the mock-heroic, delicate fancy of Pope's poem.]]>
  </description>
  <published>1717</published>
</book>

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  <read_at>Thu Jan 01 00:00:00 -0800 1998</read_at>
  <date_added>Thu Jan 03 09:36:57 -0800 2008</date_added>
  <date_updated>Thu Jan 03 09:37:29 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[British satire at its best!!]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/11535377]]></url>
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