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Transmetropolitan, Vol. 1: Back on the Street (Transmetropolitan, #1)
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Transmetropolitan, Vol. 1: Back on the Street (Transmetropolitan #1)

4.22 of 5 stars 4.22  ·  rating details  ·  27,782 ratings  ·  543 reviews
After years of self-imposed exile from a civilization rife with degradation and indecency, cynical journalist Spider Jerusalem is forced to return to a job that he hates and a city that he loathes. Working as an investigative reporter for the newspaper The Word, Spider attacks the injustices of his surreal 23rd Century surroundings. Combining black humor, life-threatening...more
Paperback, 72 pages
Published February 1st 1998 by Vertigo (first published January 1998)
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Community Reviews

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Comics have been going through a very public struggle with maturity for some time now. They were well on their way to catching up with other art forms until they were hit with the 'Comics Code' in the fifties. The code was an outgrowth of reactionary postwar witch-hunting a la McCarthyism, and succeeded in bowdlerizing and stultifying an entire medium for thirty years.

For example, all crime had to be portrayed as sordid, and no criminals could be sympathetic. There goes any comic book retellings...more
Dec 06, 2007 Andrew rated it 3 of 5 stars
Recommends it for: the smugly superior
Shelves: scientific, visual, genre
I found this comic pretty irritating. It's the story of gonzo journalist Spider Jerusalem, who's pulled out of sylvan retirement when his publisher demands he deliver on his contractual obligations. Impoverished and drug-addled, Jerusalem has no choice but to comply; he gets a job writing a column called I Hate It Here, a chronicle of his experiences in the scifi megalopolis known as The City.

Throughout the comic, Jerusalem is portrayed as an underdog, fighting for the rights of the common man....more
Everyone seems to love this! Whether they are reviewing the series or just this first volume is sometimes unclear, but with this first installation I was mostly disappointed. It's one of those comics series that you hear about here and there, so I decided to give it a go. And to me it mainly seemed crude just for the hell of it, and with characters that you're not supposed to care about or relate with. Spider is supposedly meant to be a moral character, and yet when the story starts it is made a...more
This is manic, biting, and brilliant. Ellis takes on everything he can think of: magpie popular culture, the media, politics, and anything else in his path. And though I haven't read everything he's ever written, I can definitely say that this is one of his best works. You know, I was a little irritated when I got the trade and saw just how thin it is, only three issues. But those are three powerful issues, with more substance than six issues of 90% of the comics out there.
Written by one of my favorite comic writers, Warren Ellis.

This series is in the running for my top five favorite comics of all time. That might seem like faint praise until you consider the fact that it's competing with comics like Sandman, Bone, Hellboy, Lucifer, and Girl Genius.
Transmetropolitan's main character, Spider Jerusalem, is annoying at his best and exasperating at his worst. His childish, hyperactive antics would be funny if they didn't involve blowing up buildings, burning people with his cigarettes and shooting up bars. Spider gleeful spreads his the wanton destruction aimlessly, all while expressing a holier-than-thou attitude toward virtually every person on the planet, all the mindless sheep he hypocritically despises; he decries their addictions as he t...more
I agree with most of what Ellis is saying in this book, but I'm not really a fan of HOW he is saying it. It's a bit too juvenile and obvious, and nowhere near as subversive as it likes to think it is. Overall, it's not at all bad, it just didn't connect with me. I'll give it a few more volumes to see whether or not I change my mind about Ellis as a writer.
Sam Quixote
I read the Transmetropolitan series a few years ago but loved it so much I decided to go back and give them a re-read and see if they hold up the second time around. And if this first volume is any indication, they most certainly do!

Living in isolation atop a mountain idyll, renegade journalist and bestselling author Spider Jerusalem is living the life he's always wanted - shooting rats in a hovel far from the bustling metropolis of the future. If only he'd unplugged the phone... His publisher c...more
I put off reviewing this graphic novel to give it a fair shake but my feelings haven't changed. I found the main character to be chaotic and without much in the way of morals and most of his attempts to be funny just turned out crude or got a question mark for me. The artwork felt jammed on the page rather than flowing nicely. There were certainly some interesting ideas within but I found myself struggling in the latter 20% of the the graphic novel. I will give the second volume a chance but I d...more
I'm reading a lot of reviews here saying that this series is "crude just for the hell of it," among other things. I think those people, and anyone else who reads this series, would do well to keep a couple things in mind: first, if you bother to read the forward to volume one, it's stated that Warren Ellis doesn't like nice things and doesn't trust nice people, and that this series is his way of breaking away from the "nice" world of superhero comics. Second, this series (or, at least, the first...more
What can I say? I love the main character.
Loony, unpredictable, mood-swingy Spider Jerusalem (I'm excited to find out about his name) - fighter for truth and justice :D kh..khhh..

He's on a roll from the very start:
"Working this tollbooth all week, pissing in a whiskey bottle and weakly jerking off over the radio porn that aerial picks up...must be a tough life. But you really are everything I moved to the mountains to escape from. A worthless scrap of frogshit with a pulse and a bit of authority...more
So fucking awesome! If awesomeness could be condensed into six books, then this would be it!

Warren Ellis makes some eye-opening observations through Spider Jerusalem. The one that struck me most was this:

There's one hole in every revolution, large or small. And it's one word long -- people. No matter how big the idea they all stand under, people are small and weak and cheap and frightened. It's people that kill every revolution. (Issue 3)

He also captures the essence of journalism in a brief but...more
Wildly inventive, politically incorrect - in the real sense, not the lame-excuses-for-being-sexist-and-racist sense - and frequently hilarious: like the canon of anarchic late-'60s and punk-era underground comics brought lurching to the cusp of the millennium. Ellis is a sharp satirist here, but the real star of the show is Darick Robertson, who packs his panels with dense layers of pop-culture references (was that John Lennon as a shirtless angel?) and jokes. If I have any complaints, it's that...more
Don't know what took me so long to read this, but glad that I finally did. Read this volume on an airplane, which is not necessarily advisable as being in an enclosed space surrounded by a cross-section of humanity really magnified the overall feelings of misanthropy that one might get from reading this book and I started feeling like punching people in the face. However despite all the anger, weirdness, and over-the-top humor in Transmet, what really struck me about it was the political certain...more
Spider Jerusalem is a metaphor - a metaphor for dealing with the absurd amount of cynicism an absurd society bestows on us as the people inhabiting it. That way of dealing is by uncovering the truth and then abiding it, by direct, assertive action and personal standards.

He also shows us how being a perverted oddball addicted to cigarettes and guns can change society by refusing to stand by the sidelines. And Spider does have a good heart.

This is truly one of Warren Ellis' greatest works and th...more
Gerhardt Himmelmann
Transmetropolitan is a relic of 90s Cyberpunk that somehow I never got to until now. Nearly 20 years after its initial publication, it’s a strange mix of dated technology and timeless attitude that’s familiar to me from other contemporaries in the genre, most notably the Cyberpunk 2020 (tabletop) role-playing game.

It’s curiously interesting to see just how far computing technology (and in particular, networks) leapfrogged the science fiction of only 20 years ago. On the other hand, the home fabr...more
Federiken Masters
Dec 17, 2010 Federiken Masters rated it 4 of 5 stars  ·  review of another edition
Recommends it for: Fans de South Park y de la soft-SF
Recommended to Federiken by: Sosías.
Leído a lo frankenstein entre números sueltos en inglés y tomos españoles de Norma. Esta serie fue uno de los hitazos claves de la línea Vertigo y ahora que finalmente leo la primera saga puedo ver los porqués. Ellis vomita todas sus ideas e ideales a medio regurgitar con total inmunidad y Robertson se preocupa por que los cachitos de comida a medio procesar generen el asco correspondiente con su dibujo prolijo y antihigiénico a la vez. La visión de la sociedad -yanqui principalmente-, las menti...more
Aug 21, 2011 Halik rated it 4 of 5 stars
Recommended to Halik by: Smriti Daniel
Kick-ass comic book. Literally. Funny and pushes my journalistic ego buttons. But objectively speaking this is a deep meditation on a bleak projection of Earth's future. A future where sexual perversion has reached proportions almost equal to its technological advances. Transmetropolitan is set in 'The City' from which famous journalist Spider Jerusalem has been staying away (out of disgust) in self enforced exile. But due to owing books to his publisher, and being able to only write whilst in T...more
Zan G
May 24, 2007 Zan G rated it 4 of 5 stars
Recommends it for: warren ellis fans, h.s. thompson fans.
This is a great series but you are goddamned crazy if you think I'm going to write ten reviews of a single series I've been reading over the course of the year. The comic's main character is based off of Hunter S. Thompson and has a lot of similar humor to that man's writing. He, like Thompson, is a political journalist hounding a corrupt politician who pulls some very ominously 9/11 and Katrina-aid type ploys to gain control of the nation. Ellis is a very political guy and he gets to politic as...more
I love Hunter S. Thompson. Really, really, love him. With the possible exception of David Foster Wallace, there isn't an author who I've read more thoroughly, or whose style I adore more.

But Warren Ellis, who is a great author in his own right, just isn't Hunter S. Thompson. Spider Jerusalem mimics Thompson's obvious traits: the drugs and the guns and the antics and the anger. But Ellis's homage to Thompson misses the more subtle, but more important characteristics of the great godfather of Gonz...more
I'm on a bit of a Warren Ellis kick at the moment, and this might be my favorite thing so far.

A crazy, disillusioned, world-hating author is forced to return to the city he thought he had escaped for good 5 years ago when he is told that he can either finish the last 2 books of his contract or be sent to debtors prison. He can only write in the city and so he returns, in a foul mood with a bunch of weapons. Needing money he takes a job as a reporter and goes into the world to see what troubles h...more
Stephan van der Linde
I liked this graphic novel a lot.

Good art, a lot of detail which reminded me of Bomb Queen (a total fucked up society)
Main character Spider Jerusalem is (like often in graphic novels) a very excessive, tough anti-hero-journalist with a lot of bad habits.

The dark humor is constant and good. POV often In your face. Emotions are depict very well.
Good atmosphere and a lot of strange and original stuff.
(A cat with 2 heads smoking all the time, "buy-bombs" you dream commercials in your sleep, a gu...more
Graphic Novel. Spider Jerusalem's been living in the mountains for five years, letting his hair grow and hiding from his fans, but an unfinished book contract forces him back into the sin-infested city. Hot DAMN is Spider sexy and messed up. This really is the perfect place for Ellis. He gets to swear and hate humanity and write monologues about how shitty life is and that's the story instead of getting in the way of the story. The art is just as manic and pissed off as Spider, full of dirt and...more
Everytime I read the first volume of a comics series I want to be introduced to an interesting world and characters, alongside a great storyline. But sometimes that just doesn't happen - as it is the case a lot lately! I mean, even when I get a great plot, if the characters and the world don't stay with me after I finish reading it, then it's going to be a hard task picking up its second volume 'cause there's so much to read... but FINALLY I've found in "Transmetropolitan" a comics series that I...more
Still awesome. Ellis' lightning writing makes my brain sit up and take notice - the tight phrasing, constant barrage of unpleasant yet intriguing ideas/scenes/concepts, coupled with a completely insane, totally id-driven hero, all conspire to keep me far too alert and fuels my longstanding paranoia.

Robertson's art is energetic, fully-formed (filling frames, not just phoning them in) and just plain whacky. Every cell has extra shit he's scribbled in - I imagine it's like leakage from his own imag...more
I want to like Warren Ellis, I really do, but a lot of his work feels like he's trying too hard to be shocking, crude, or otherwise strange -- it's for that reason and many others that I hated Crooked Little Vein, and I'm about halfway through the Transmetropolitan series and struggling to care enough to finish.

I liked Fell a lot, because I could get behind the main character more and he was as interested in figuring out what the hell was going on as I was, but Transmet's main character, Spider...more
Javier Jiménez
Warren Ellis nos presenta en Transmetropolitan a un personaje sin igual: Spider Jerusalem. Este protagonista es un periodista que vuelve a la ciudad después de haberse excluido en el bosque por algunos años. Pero no es un periodista muy común y el escenario en el que se desarrolla la historia es una distopía con muchos elementos de ciencia ficción.

Volviendo a Jerusalem, es un periodista atrevido, que está dispuesto a revelar la verdad a la sociedad sin importar las consecuencias, además de que p...more
Cesar Viteri
Es notorio que soy incapaz de resistirme a cualquier forma de subcultura: he jugado a toda clase de juegos de rol, cartas, estrategia o videojuegos, he visto toda clase de infrapelículas y cutreseries, y desde luego, colecciono cómics.

Dentro de todo esto, me gustan particularmente todas las cosas que tienen que ver con el futuro. La ciencia ficción es una de mis pasiones, con todo lo bueno y malo que eso conlleva. Es un género donde a menudo te encuentras con subproductos pobres y carentes de im...more
Ukratko... Pročitano u jednom dahu! ;) Mislim sam da samo Garth Ennis može napraviti niz likova takvog kova, no u Ellisovom Transu sve je to koncentrirano u jednom liku - Spideru Jerusalemu - zaje*aniji od samog Ennisa! ;) On je gonzo novinar, nametnuo je očito sam sebi svetu misiju, poslanje, razotkrivanje govna i postizanje ultimativne slobode u dekadentnom gradu nedefinirane budućnosti. Ono doslovno se odnosi na verbalno i fizičko razračunavanje s neprijateljima slobode i slobode govora… Pomo...more
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Has written comics & graphic novels, books, journalism, animation, tv, film, videogames and anything else that looks like it might pay a bill or buy whisky.

Second novel, GUN MACHINE, due from Mulholland Books in autumn of 2012.

First non-fiction book due from FSG in 2014.

Currently a weekly columnist for VICE UK.


More about Warren Ellis...
Transmetropolitan, Vol. 3: Year of the Bastard (Transmetropolitan, #3) Transmetropolitan, Vol. 2: Lust for Life (Transmetropolitan, #2) Transmetropolitan, Vol. 5: Lonely City (Transmetropolitan, #5) Planetary, Vol. 1: All Over the World and Other Stories Transmetropolitan, Vol. 7: Spider's Thrash (Transmetropolitan, #7)

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“There's one hole in every revolution, large or small. And it's one word long— PEOPLE. No matter how big the idea they all stand under, people are small and weak and cheap and frightened. It's people that kill every revolution.” 56 likes
“Journalism is just a gun. It’s only got one bullet in it, but if you aim right, that’s all you need. Aim it right, and you can blow a kneecap off the world.” 53 likes
More quotes…