Neuromancer (Sprawl #1)

They damaged his nervous system with a wartime Russian mycotoxin. Strapped to a bed in a Memphis hotel, his talent burning out micron by micron, he hallucinated for thirty hours. The damage was minute, subtle, and utterly effective. For Case, who'd lived for the bodiless exultation of cyberspace, it was the Fall.

A year here and he still dreamed of cyberspace, hope fading nightly. All the speed he took, all the turns he'd taken and the corners he'd cut in Night City, and he'd still see the matrix in his sleep, bright lattices of logic unfolding across that colorless void… The Sprawl was a long strange way home over the Pacific now, and he was no console man, no cyberspace cowboy. Just another hustler, trying to make it through. But the dreams came on in the Japanese night like livewire voodoo, and he'd cry for it, cry in his sleep, and wake alone in the dark, curled in his capsule in some coffin hotel, his hands clawed into the bedslab, temperfoam bunched between his fingers, trying to reach the console that wasn't there.

The drug hit him like an express train, a white-hot column of light mounting his spine from the region of his prostate, illuminating the sutures of his skull with x-rays of short-circuited sexual energy. His teeth sang in their individual sockets like tuning forks, each one pitch-perfect and clear as ethanol. His bones, beneath the hazy envelope of flesh, were chromed and polished, the joints lubricated with a film of silicone. Sandstorms raged across the scoured floor of his skull, generating waves of high thin static that broke behind his eyes, spheres of purest crystal, expanding...The anger was expanding, relentless, exponential, riding out behind the betaphenethylamine rush like a carrier wave, a seismic fluid, rich and corrosive.

Night City was like a deranged experiment in social Darwinism, designed by a bored researcher who kept one thumb permanently on the fast-forward button. Stop hustling and you sank without a trace, but move a little too swiftly and you'd break the fragile surface tension of the black market; either way, you were gone, with nothing left of you but some vague memory in the mind of a fixture like Ratz, though heart or lungs or kidneys might survive in the service of some stranger with New Yen for the clinic tanks.

"Motive," the construct said. "Real motive problem, with an AI. Not human, see?"

"Well, yeah, obviously."

"Nope. I mean, it's not human. And you can't get a handle on it. Me, I'm not human either, but I respond like one. See?"

I'm not referring to the overwhelming postapocalyptic damage and decay so often used in the set design of contemporary films when their directors attempt to depict a futuristic environment.... No, I speak instead of the scattered objects glimpsed within Chiba City bars ... each token of mundane temporality made rare by the passage of time.... When the past is always with you, it may as well be present; and if it is present, it will be future as well.

Give us the fucking code.... If you don't, what'll change? What'll ever fucking change for you? You'll wind up like the old man. You'll tear it all down and start building again! You'll build the walls back, tighter and tighter.... I got no idea at all what'll happen if Wintermute [the AI:] wins, but it'll change something!