204th out of 2,947 books
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12,435 voters
Idoru (Bridge #2)
The New York Times bestselling author takes readers to 21st-century Tokyo after the millennial quake--where something violently new is about to erupt...
Paperback, 308 pages
Published
January 7th 2003
by Berkley Trade
(first published 1996)
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Apr 29, 2008
Rob
rated it
5 of 5 stars
Recommends it for:
jaded futurists in search of "that physical thing"
This review has been hidden because it contains spoilers. To view it,
click here.
You know, it seems like I would really like William Gibson, from what I've heard of him, but there's something about his writing that leaves too much out. This book is the first of his I've been able to finish. I still don't feel like I understood everything he was trying to say--something about a melding of science and nature, centered around the music star Rez and the idoru Rei. It was interesting, but I kept feeling like it was something I was reading out of the corner of my eye, and every ti...more
This review has been hidden because it contains spoilers. To view it,
click here.
This one just didn't grab me. At times I relished the Gibson flair for otherworldly scenarios and the very unfamiliar but very distinctive in some passages. Other times I cringed at the seemingly contrived (and trite) attempts to make instances more than what they were - just uninteresting characters operating in bland locales - all this despite they were in Tokyo!
I have a vague sense that this is the most well-regarded of Gibson's post-Sprawl books, mostly because the Idoru of the title anticipates the current use of virtual pop-stars in Japan, though how well the two things map to each other I don't know. Personally, I think that it's the best novel he's ever written, and he's never written a bad one, not because of his predictive powers but because of a sideways emotional hook at the end. Gibson's smooth polished surface cool resists real depth of empa...more
Originally published on my blog here in February 2001.
We are rapidly approaching the era when virtual celebrities will become a commonplace; there are already websites which feature purely digital news readers. We will no doubt soon see computer generated actors (improving on Jar Jar Binks) and musicians. Eventually, they will have at least simulations of personalities of their own. The pivotal event of this novel depends on this idea; rock star Rez announces his engagement to a virtual personal...more
We are rapidly approaching the era when virtual celebrities will become a commonplace; there are already websites which feature purely digital news readers. We will no doubt soon see computer generated actors (improving on Jar Jar Binks) and musicians. Eventually, they will have at least simulations of personalities of their own. The pivotal event of this novel depends on this idea; rock star Rez announces his engagement to a virtual personal...more
This has been my second Gibson. Idoru is certainly mellower than Neuromancer but every bit as true to the genre. Like Neuromancer, it takes you deep into the net, which you'd think only Gibson understands in all its terrible glory. If you know your way around the web, you would recognize many of the things in this novel as highly probable extrapolations of our own net. Gibson seems to have a talent for seeing stuff, just like Laney one of the protagonists. Laney looks into the mass of data gener...more
I think Gibson tries to say a lot about technology and the nature of celebrity and I'm not sure if I get it all.
I love the story line about the 14 year old named Chia Pet who gets taken advantage of and ends up on the run from the mob.
Colin Laney's story is also interesting. He was working for a company with no scruples and suddenly found that he couldn't just watch someone's life implode without doing something. He tried to expose them, but his own background threatened his credibility and no...more
I love the story line about the 14 year old named Chia Pet who gets taken advantage of and ends up on the run from the mob.
Colin Laney's story is also interesting. He was working for a company with no scruples and suddenly found that he couldn't just watch someone's life implode without doing something. He tried to expose them, but his own background threatened his credibility and no...more
Now this book I remember better than its immediate predecessor, "Virtual Light". One might guess that it is because I liked "Idoru" better than VL, but I think it is another subjective factor. From the early to end of the 90s I did a fair amount of traveling and East Asia, including Japan was where I went often. So, I suspect that familiarity with the locations and real-world culture and people helped make a stronger impression on me than people living in San Francisco (which city I have only se...more
The review is part of a combined respones I did for my current MFA program.
Response to Breath, Eyes, Memory by Edwidge Danticat, Idoru by William Gibson, and The Brief Wondrous Life of Oscar Wao by Junot Diaz
Attempting a combined response with these three books does not make sense at first blush, but contrasts are often interesting and illuminating, so I will attempt it. My real hesitation is that Diaz’s writing from a craft perspective brings so much more to the table that it may overwhelm the...more
Response to Breath, Eyes, Memory by Edwidge Danticat, Idoru by William Gibson, and The Brief Wondrous Life of Oscar Wao by Junot Diaz
Attempting a combined response with these three books does not make sense at first blush, but contrasts are often interesting and illuminating, so I will attempt it. My real hesitation is that Diaz’s writing from a craft perspective brings so much more to the table that it may overwhelm the...more
Lo/Rez is the hottest rock band on the planet, but their fan club is horrified by rumors that Rez, the band’s lead singer, intends to marry Rei Toei, a Japanese idoru, an “idol singer.” The problem is, this isn’t your run-of-the-mill Tokyopop princess–Rei Toei is a software agent, a complex amalgamation of computer code that simulates a human being. The Seattle branch of the Lo/Rez fan club is disturbed enough to send one of its members, fourteen-year-old Chia McKenzie, to Japan to investigate....more
Gibson is an ideas man: big on 'what', not on 'why' or 'how'. It's been said enough times that his predictions are spookily accurate. This book - written in 1996 - features many foreshadowings of the current time. A time where we hide behind an avatar, led around by geo-aware goggle-boxes. Social networks, always-on broadband, CGI pop stars (nearly).
Gibson's writing has distance. The (lethargic) characters seem behind a transparent wall; you can see but not touch. Laney - one of two protagonists...more
Gibson's writing has distance. The (lethargic) characters seem behind a transparent wall; you can see but not touch. Laney - one of two protagonists...more
This is the 6th bk I've read by Gibson. I read "Neuromancer" 1st & was excited by the CyberPunk genre b/c it seemed like an important new development in SF. Since then, it's become a bit hackneyed for me. In fact, I've kindof long since written off Gibson as being not such a great writer. NONETHELESS, I started reading this, knowing that I'd enjoy it for all the same reasons that I've ever enjoyed CyberPunk: its environment of near-future technical sleaze - &, yes, I immediately became e...more
William Gibson is a very good author, and so far I've loved all the books of his that I've read, but can't read too much of him too close together, because though his writing is excellent and his plotting is great, the strongest aspect of his narratives, to my mind, is the atmosphere his books conjure. Like eating at a high-end ultra-modern sushi bar, it's fantastic in small doses but I'd get heartily sick of it if I went too often. So, I'm still backlisting, and I'm trying to get through his ca...more
While I'm a bigger fan of Gibson's Sprawl trilogy (Neuromancer, Count Zero, and Mona Lisa Overdrive), I think Idoru may actually be the best introduction to this work. Unlike the imaginable-but-still-genuinely-strange world of the Sprawl trilogy, Idoru's setting seems to be about 10 minutes into the future (five minutes, if you've already been to Japan); and in this future, pop sensation Rez is has announced that he is going to marry an idoru -- a virtual pop singer with no corporeal existence....more
This is the first book I've read by William Gibson (though I have Neuromancer lined up and ready to read in my get-to pile but I've already started to realize that his style is a lot like Phillip K. Dick. Except, you know, without the whole acid trip surrealism.

OM NOM NOM. TASTY, TASTY ACID!
According to the back jacket of my book, Gibson is "credited with having coined the term cyberspace" and "with having envisioned both the internet and virtual reality before either existed." While I heartily...more

OM NOM NOM. TASTY, TASTY ACID!
According to the back jacket of my book, Gibson is "credited with having coined the term cyberspace" and "with having envisioned both the internet and virtual reality before either existed." While I heartily...more
I' d say this book is more "cyberpop" than cyberpunk but i really liked it.
Gibson creates a breathtaking scenery in futuristic Tokyo that follows the fact that an A.I. pop singer - the Idoru and Rez, singer of the Lo-Rez band are having an affair.
For me, Gibson talks about the present, projecting ideas in the future based on technologies that already exist - in this case, the nanotechnology.
Gibson is trully a very intelligent man and a very talented writer.
Gibson creates a breathtaking scenery in futuristic Tokyo that follows the fact that an A.I. pop singer - the Idoru and Rez, singer of the Lo-Rez band are having an affair.
For me, Gibson talks about the present, projecting ideas in the future based on technologies that already exist - in this case, the nanotechnology.
Gibson is trully a very intelligent man and a very talented writer.
From our Blog:
This is not a new book by no means. Published in 1996, Idoru is the second book of William Gibson's Bridge trilogy and yet again a testimony of just how ahead of his time Gibson has been.
There is no need to read Virtual Light (#1 Bridge Trilogy) to understand 100% of this story since both novels are related by world rather than by characters. The backdrop is close enough to our own to be believable yet extrapolated enough to be very imaginative and engrossing. This makes me wonder...more
This is not a new book by no means. Published in 1996, Idoru is the second book of William Gibson's Bridge trilogy and yet again a testimony of just how ahead of his time Gibson has been.
There is no need to read Virtual Light (#1 Bridge Trilogy) to understand 100% of this story since both novels are related by world rather than by characters. The backdrop is close enough to our own to be believable yet extrapolated enough to be very imaginative and engrossing. This makes me wonder...more
Nov 23, 2007
Ash
rated it
5 of 5 stars
Recommends it for:
Sci-Fi Fans, People Who Hate LA
Shelves:
fiction-novels-plays-stories
I've really been holding out in regards to sci fi. I have a lot of friends who love it, but it took me reading books for school with Gibson footnoted constantly.
Idoru is great and a not too sci-fi introduction to his work. It is a quick read, which is great if you're busy and just want to know what all the hype is about.
It takes place in a future LA and Tokyo and deals a lot with fame in the digital age-- all very interesting if you've ever lived in LA.
Idoru is great and a not too sci-fi introduction to his work. It is a quick read, which is great if you're busy and just want to know what all the hype is about.
It takes place in a future LA and Tokyo and deals a lot with fame in the digital age-- all very interesting if you've ever lived in LA.
So, I went into this book with pretty high expectations. It sounded close in source material to an old anime that I really liked called Macross Plus. Sad to say, the description on the back of the book was pretty much where the similarities began and ended. Overall it was a decent, and quick, read. I was hoping more for it to deal with the aspects of an artificial intelligence born in the image of a Japanese pop idol, the Idoru of the book's title, gaining sentience, but it's more of a case stud...more
William Gibson impresses me more with his imagination than with his story or characters. He is the inventor of cyber-punk and steam-punk (there were some others too but forget them). His concepts and worlds are ones that our world seems to use as guidelines. Reading a Gibson book is what I imagine a computer would see if it could take an acid trip.
The characters aren't great, but they are pretty good. More impressive than anything is his world. It is so real that it feels like I'm going to star...more
The characters aren't great, but they are pretty good. More impressive than anything is his world. It is so real that it feels like I'm going to star...more
10/25/2012
Last night my daughter introduced me to one of her hot new things on YouTube: Hatsune Miku, a purely synthetic pop star. In return, I introduced her to this book in which Gibson predicts such a thing, twenty years ago. Then we checked out her other hot new thing, the PBS Idea Channel and among other things, we watched Mike Rugnetta talk about the connections between Gibson, Hatsune Miku, Lana del Rey, pop culture, technology and art. And then I told her about a show that used to be o...more
Last night my daughter introduced me to one of her hot new things on YouTube: Hatsune Miku, a purely synthetic pop star. In return, I introduced her to this book in which Gibson predicts such a thing, twenty years ago. Then we checked out her other hot new thing, the PBS Idea Channel and among other things, we watched Mike Rugnetta talk about the connections between Gibson, Hatsune Miku, Lana del Rey, pop culture, technology and art. And then I told her about a show that used to be o...more
I feel that Japan can't possibly be as weird as it seems to inevitably be portrayed in fiction, despite the fact that this portrayal seems to be universal, coming from both Japanese and Western writers. And yet something about Japan seems to inspire people to write very strange stories set there. Admittedly, this one is future-Japan, and future-anywhere is usually a little strange. But yeah. I don't know.
Aside from the weirdness, I'm not sure quite what to make of this. Theoretically, it's kind...more
Aside from the weirdness, I'm not sure quite what to make of this. Theoretically, it's kind...more
This is my own stupid fault for jumping into a trilogy by reading the second book first; I daresay my opinion of this one will change when I've read the others.
As a cyberpunk piece it's a bit generic but the little details are fun - stuff that's given a futuristic twist, or things you wish were invented already. The latter half felt like a bit of a letdown for some reason, but considering how it extensively explores issues such as the internet and Japanese pop culture it's not aged too badly. If...more
As a cyberpunk piece it's a bit generic but the little details are fun - stuff that's given a futuristic twist, or things you wish were invented already. The latter half felt like a bit of a letdown for some reason, but considering how it extensively explores issues such as the internet and Japanese pop culture it's not aged too badly. If...more
Starting out OK, but not fabulous. But that's the same way I felt about Visual Light, which I rather liked. I think I prefer Gibson when he's telling the story, to when he's setting up the story.
This is Vol II of a Trilogy, but so far, any connection with Volume I is vague. They have mentioned the main characters from Virtual Light, but that's about it. to me. From reading the synopsis, I take it we return to them in Volume III.
The structure, is similar, going from a Male charecters to a young...more
This is Vol II of a Trilogy, but so far, any connection with Volume I is vague. They have mentioned the main characters from Virtual Light, but that's about it. to me. From reading the synopsis, I take it we return to them in Volume III.
The structure, is similar, going from a Male charecters to a young...more
The fact that some of the "futuristic" detailing of this story is already here and old hat wasn't lost on me, but didn't bother me either. The story world of this book is a believable take on the not-too-distant future. I loved the fantastic worlds people create together to interact online, and the way their avatars have morphed into fully-loaded alter egos. People create elaborate virtual sets and props for their meetings, parties, escapist fantasy, musical sessions, and just about everything e...more
Neuromancer, Spook Country, Pattern Recognition, All Tomorrow's Parties, Virtual Light: other William Gibson novels I've reviewed here. As I mentioned way back in my first review, one quickly becomes a William Gibson groupie. After reading all these, plus Idoru, I am more of a groupie than ever. I know, of course, that several of these novels are connected by characters, scenes, and themes, and in fact tell a continuing story. Idoru satisfied my itch to know more about the artificial intelligenc...more
Gibson writes technological fiction, but his technology is too specific, too detailed, and betrays him as someone who fundamentally does not understand how computers work.
This is the passage that made me give up on Idoru:
"""
He watched as she jacked the computers into dataports and called up identical images of a longhaired dirty-blond guy in his mid-twenties. Goatee and a gold earring. The face meant nothing to Laney.
"Clinton Hillman," Kathy Torrance said. "Hairdresser, sushi chef, music journal...more
This is the passage that made me give up on Idoru:
"""
He watched as she jacked the computers into dataports and called up identical images of a longhaired dirty-blond guy in his mid-twenties. Goatee and a gold earring. The face meant nothing to Laney.
"Clinton Hillman," Kathy Torrance said. "Hairdresser, sushi chef, music journal...more
Gibson writes well and convincingly. He incorporates the specifics of his futuristic world. The problem is, he has done it better before, and with greater detail, so fans are not likely to forgive him for a simpler world and story. Still, reading any Gibson book is a treat, especially compared with much of what's out there. His ability to incorporate near-future technology with an exciting story that fits perfectly inside this fabricated world is astounding even on this smaller scale.
Good job o...more
Good job o...more
Spoilers down here....
I enjoyed this enormously and I only gave it four stars because I am acutely aware I have been spoilt by other science fiction that came after.
If I had read this in the late nineties, it would probably have blown the top off my head for its observations: The obsessive fanclub and its virtual meetings, the psychology and insecurities behind the icons with which they represent themselves, the virtual popstar (Gorillaz, anyone?), etc.
There was one thing that utterly surprised...more
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Librarian Note: There is more than one author in the Goodreads database with this name. See this thread for more information.
William Ford Gibson is an American-Canadian writer who has been called the father of the cyberpunk subgenre of science fiction, having coined the term cyberspace in 1982 and popularized it in his first novel, Neuromancer(1984), which has sold more than 6.5 million copies wor...more
More about William Gibson...
William Ford Gibson is an American-Canadian writer who has been called the father of the cyberpunk subgenre of science fiction, having coined the term cyberspace in 1982 and popularized it in his first novel, Neuromancer(1984), which has sold more than 6.5 million copies wor...more
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“I think I'd probably tell you that it's easier to desire and pursue the attention of tens of millions of total strangers than it is to accept the love and loyalty of the people closest to us.”
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88 people liked it
“Laney had recently noticed that the only people who had titles that clearly described their jobs had jobs he wouldn't have wanted.”
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