Rate this book

Clear rating

1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars

La Celestina

3.39 of 5 stars 3.39 · rating details · 1,983 ratings · 62 reviews

La loca pasión por Melibea, hija de un rico mercader, lleva al joven Calisto a romper todas las barreras morales y a aliarse con una vieja alcahueta y hechicera, Celestina. El amor es, pues, una pasión que lo mueve todo. Los señores aman según los cánones del amor cortés, y los criados se mueven en el inframundo de los prostíbulos, pero tanto unos como otros sienten el goz...more

Paperback, 336 pages

Published May 1st 2010 by Castalia (first published 1499)

more details... edit details

Get a copy:

More…

Friend Reviews

To see what your friends thought of this book, please sign up.

Lists with This Book

Crime and Punishment by Fyodor Dostoyevsky

Los 100

46th out of 104 books — 13 voters

Le Morte D'Arthur. the Original Ed. of William Caxton Now Rep... by Thomas Malory

By Fire, By Water by Mitchell James Kaplan

Fifteenth Century List

7th out of 20 books — 5 voters

More lists with this book...

Community Reviews

(showing 1-30 of 2,849)

filter | sort: default (?) | rating details

Apr 16, 2011 Joselito Honestly and Brilliantly rated it 4 of 5 stars · review of another edition

For about a month they have been having sex clandestinely at night, inside Malibea's room, right under the noses of her unsuspecting parents. To get to her room Calisto has to climb up a steep ladder carried to the site every night by his servants. During this last night, after three exhausting but blissful encores, Calisto heard a commotion outside. Rushing to check what it was, suspecting his servants may be in trouble, he slipped off the ladder and fell to his death, his head split into three...more

6 likes · like · see review

Oct 19, 2012 charta rated it 4 of 5 stars · review of another edition

Shelves: teatro, traduzione, europa, filologia

Nonostante sia trascorso più di mezzo secolo dalla prima edizione di questa traduzione in italiano della comedia para ser leída per eccellenza, per raffinatezza e fedeltà al testo resta un pregevolissimo lavoro.

1 like · like · see review

Mar 12, 2013 Nick Bond rated it 4 of 5 stars

Sometimes credited as the first novel and the work that marked the beginning of the Spanish literary Renaissance, La Celestina uses a combination of tragedy and comedy to cast its bizarre spell on unsuspecting readers. It provides a truly unique experience that I enjoyed a great deal, though a number of warnings are necessary before anyone dives into it headfirst.

First off, let's be clear -- for all intents and purposes, this is a play. It consists only of dialogue and its style is far closer to...more

like · see review

Nov 14, 2012 Emusam rated it 5 of 5 stars

Shelves: school-lit, spanish

This drama/novel is fun to read because of the parodic elements and very notable for its style of dialogue and one particular character that it introduces (Celestina). This work really denotes the end of the medieval period and the beginning of the Renacimiento. On one end we have El cantar del mio Cid and, on the other, we have La Celestina. Characters are not black and white and there is intrigue and suicide. Calisto's complaining about how his beloved doesn't even know he exists was one of my...more

like · see review

Apr 27, 2013 Carlos Vazquez rated it 5 of 5 stars

Novela o drama -no se sabe porque por entonces las formas literarias eran incipientes- que, perdonen, pero a mí me gusta más que D. Quijote.
Es una obra máxima de la literatura mundial, y trata de las aventuras de Celestina, bruja alcohólica que rige dos prostitutas –ella ha sido prostituta de joven- y favorece el amor entre dos jóvenes de alto rango en la nobleza, pero cuyo amor está socialmente prohibido, Calixto y Melibea.
Dos jóvenes que no son Romeo y Julieta, sino estúpidos. Esta es la hist...more

like · see review

May 15, 2013 Nella Fantasia rated it 4 of 5 stars

Una de las grandes obras de la literatura española, "la Celestina" es una obra imprescindible para comprender cómo era la España del siglo XV y XVI. Muy moderna para publicarse en el 1499, cuenta la historia de Celestina, mujer que utilizaba brebajes y ungüentos entre otros. Actuará como mediadora entre Calisto y Melibea, dos enamorados. Todo esta obra es una novela dialogada, algo inédito en España hasta ese momento y muy crítica tanto con la sociedad (que se movía por dinero e intereses) como...more

like · see review

Mar 31, 2010 Talia is currently reading it · review of another edition

I just bought the book today, after hearing the translator, Peter Bush, speak about his experiences and intents with this translation. He also compared his translation to others, and talked about the author (a law student, Jewish convert to Catholicism during the Inquisition) and the literary environment at that time. Interestingly, de Rojas never wrote another book; possibly because this one portrays the church in a bad light. Also he wrote this book for professional readers who would read stor...more

like · see review

May 17, 2012 Aaron Cance rated it 4 of 5 stars · review of another edition

"Laugh-out-loud funny" book is not only extremely entertaining, but also lays some of the groundwork for the modern novel by way of the individualized psychology of its characters, who are no longer present as set pieces but now have their own opinions and ideas about what's going on in the story (and aren't afraid to share them with the reader through many asides). Apparently, this book was enormously influential on Miguel de Cervantes, and the reader can easily see how this work (can we call i...more

like · see review

Nov 07, 2011 Jay F rated it 5 of 5 stars · review of another edition

Shelves: literature-spanish

“La Celestina” sits between the last gasps of the Middle Ages and the first breaths of the Renaissance. Written for the most part by a 25 year old graduate of the Universidad de Salamanca, it also stands slightly behind “Don Quijote” in Castile’s novelistic rankings. It is still, over 500 years after its composition in 1499-1502, a masterpiece of Western literature. Arguably, it also could lay claim (according to Otis Green in his” Spain and the Western Tradition”) to being the first novel or “t...more “La Celestina” sits between the last gasps of the Middle Ages and the first breaths of the Renaissance. Written for the most part by a 25 year old graduate of the Universidad de Salamanca, it also stands slightly behind “Don Quijote” in Castile’s novelistic rankings. It is still, over 500 years after its composition in 1499-1502, a masterpiece of Western literature. Arguably, it also could lay claim (according to Otis Green in his” Spain and the Western Tradition”) to being the first novel or “truly dramatic work produced in modern Europe.”

The story is the universal one of passionate love won and lost. Calixto, a young nobleman in hot pursuit of his falcon, finds himself in the garden of Pleberio and eyeball to eyeball with Pleberio’s daughter, Melibea. Instantly smitten, he declares himself mesmerized by her beauty and unworthy of her love; she agrees, telling him in no uncertain words to bug off.

Calixto returns to his home where his servant, not at all oblivious to his master’s “mental aberration” (Ottis Green), proposes a solution to what, at this point, is unrequited love. [“Loco está este me amo” says Sempronio.] Enters the old bawd Celestina whom Calixto employs to soften Melibea’s heart.

Celestina, described as a bearded lady, is a piece of work. In addition to running a brothel, she is a purveyor of drugs and creams that cure all imaginable defects and conditions. She knows magic and is in touch with the supernatural. She is also a seamstress—a cover for her other arts but also a talent that allows her to repair maidenheads by sewing small bladders into the broken membrane. [She sold the French ambassador “one of her wenches three times a virgin.”]

Ostensively a seamstress, she is able to gain entrance into any number of places, monasteries and homes. And, using that ability, she visits Melibea, learning that Melibea, too, in spite of her initial claims to the contrary, is equally smitten with Calixto.

It would seem that love among the nobility and the lower classes is never easy even in the XIV Century. Calixto, overjoyed with Celestina’s success, rewards her with a gold chain. But Calixto’s servants believe that they, too, should share in the reward. When Celestina refuses to share, they kill her. They in turn, captured before they can escape, are summarily beheaded by the law.
But Calixto is essentially oblivious to the fates of the underclass. He and Melibea begin a month long affair—a nightly, amorous encounter in the garden of Melibea’s parents –with little though to things beyond their own pleasures. However, in leaving one night, Calixto falls off of the wall and dies instantly. Melibea, distraught, kills herself by jumping off a tower.

On one level, the author purports his work to be a lesson on the wages of sin. But here “sin” is not sex but unbridled self-interest. Vividly reflected in “La Celestina” is the social world of a new, a modern age wrapped in an emerging capitalism. Fernando de Rojas moves his characters in an urban world were new social constructs are emerging to define the relationships between and among the classes. Notes Juan Goytisolo in his preface to Peter Bush’s excellent English translation: “Pleberio’s distraught invective against ‘the deceitful fairground of life’ [after he sees his daughter fall to her death] take [sic] on a disturbing slant when read in the light of the ceaseless decline of democratic, humanist values of solidarity in today’s global village, shop or casino, where the only law is the immediacy of profit. Does human life exist outside the laws of the market, or is it just one more product for sale?”

It would seem that the world of “La Celestina” is no different than our world today and the answer to Goytisolo’s question is the same in 2011 as it would have been in 1499.(less)

like · see review

May 31, 2011 Jay F rated it 5 of 5 stars · review of another edition

Shelves: literature-spanish

“La Celestina” sits between the last gasps of the Middle Ages and the first breaths of the Renaissance. Written for the most part by a 25 year old graduate of the Universidad de Salamanca, it also stands slightly behind “Don Quijote” in Castile’s novelistic rankings. It is still, over 500 years after its composition in 1499-1502, a masterpiece of Western literature. Arguably, it also could lay claim (according to Otis Green in his” Spain and the Western Tradition”) to being the first novel or “t...more “La Celestina” sits between the last gasps of the Middle Ages and the first breaths of the Renaissance. Written for the most part by a 25 year old graduate of the Universidad de Salamanca, it also stands slightly behind “Don Quijote” in Castile’s novelistic rankings. It is still, over 500 years after its composition in 1499-1502, a masterpiece of Western literature. Arguably, it also could lay claim (according to Otis Green in his” Spain and the Western Tradition”) to being the first novel or “truly dramatic work produced in modern Europe.”

The story is the universal one of passionate love won and lost. Calixto, a young nobleman in hot pursuit of his falcon, finds himself in the garden of Pleberio and eyeball to eyeball with Pleberio’s daughter, Melibea. Instantly smitten, he declares himself mesmerized by her beauty and unworthy of her love; she agrees, telling him in no uncertain words to bug off.

Calixto returns to his home where his servant, not at all oblivious to his master’s “mental aberration” (Ottis Green), proposes a solution to what, at this point, is unrequited love. [“Loco está este me amo” says Sempronio.] Enters the old bawd Celestina whom Calixto employs to soften Melibea’s heart.

Celestina, described as a bearded lady, is a piece of work. In addition to running a brothel, she is a purveyor of drugs and creams that cure all imaginable defects and conditions. She knows magic and is in touch with the supernatural. She is also a seamstress—a cover for her other arts but also a talent that allows her to repair maidenheads by sewing small bladders into the broken membrane. [She sold the French ambassador “one of her wenches three times a virgin.”]

Ostensively a seamstress, she is able to gain entrance into any number of places, monasteries and homes. And, using that ability, she visits Melibea, learning that Melibea, too, in spite of her initial claims to the contrary, is equally smitten with Calixto.

It would seem that love among the nobility and the lower classes is never easy even in the XIV Century. Calixto, overjoyed with Celestina’s success, rewards her with a gold chain. But Calixto’s servants believe that they, too, should share in the reward. When Celestina refuses to share, they kill her. They in turn, captured before they can escape, are summarily beheaded by the law.

But Calixto is essentially oblivious to the fates of the underclass. He and Melibea begin a month long affair—a nightly, amorous encounter in the garden of Melibea’s parents –with little though to things beyond their own pleasures. However, in leaving one night, Calixto falls off of the wall and dies instantly. Melibea, distraught, kills herself by jumping off a tower.

On one level, the author purports his work to be a lesson on the wages of sin. But here “sin” is not sex but unbridled self-interest. Vividly reflected in “La Celestina” is the social world of a new, a modern age wrapped in an emerging capitalism. Fernando de Rojas moves his characters in an urban world were new social constructs are emerging to define the relationships between and among the classes. Notes Juan Goytisolo in his preface to Peter Bush’s excellent English translation: “Pleberio’s distraught invective against ‘the deceitful fairground of life’ [after he sees his daughter fall to her death] take [sic] on a disturbing slant when read in the light of the ceaseless decline of democratic, humanist values of solidarity in today’s global village, shop or casino, where the only law is the immediacy of profit. Does human life exist outside the laws of the market, or is it just one more product for sale?”

It would seem that the world of “La Celestina” is no different than our world today and the answer to Goytisolo’s question is the same in 2011 as it would have been in 1499.
(less)

1 like · like · see review

Oct 23, 2011 John David rated it 3 of 5 stars · review of another edition

Shelves: literary-fiction

This review may contain spoilers.

“Celestina” is one of those literary peculiarities that you might not have had the pleasure to be introduced to if you had not taken a course in Spanish literature. I first ran across the title in the Dedalus European Classics series, which has a lot of similarly obscure and wonderful things, including Georges Rodenbach and Gustav Meyrink. I was pleasantly surprised when I found out that a more mainstream publisher like Penguin had the same translation, by Peter...more This review may contain spoilers.

“Celestina” is one of those literary peculiarities that you might not have had the pleasure to be introduced to if you had not taken a course in Spanish literature. I first ran across the title in the Dedalus European Classics series, which has a lot of similarly obscure and wonderful things, including Georges Rodenbach and Gustav Meyrink. I was pleasantly surprised when I found out that a more mainstream publisher like Penguin had the same translation, by Peter Bush.

Celestina, the local procuress and alchemic mage, makes a living off of restoring the hymens of previously deflowered young girls so that they may be marriageable again. The rich noble Calisto has fallen in love with Melibea, yet it is wholly unrequited. He enlists Celestina to fix this, and through some crafty manipulation she eventually succeeds. Two of Calisto’s servants, Parmeno and Sempronio, promise to offer their own services to Celestina if she will split Calisto’s payment three ways. Parmeno starts out being honest, telling Calisto that Celestina is nothing but a money-hungry crook, but eventually gives up when he sees how hopelessly in love Calisto really is. Once Celestina refuses to pay them, everything starts to go horribly, horribly downhill. What read for the first two-thirds as a bawdy comedy turns into a bloodbath on par with “Hamlet.” The label tragicomedy seems especially appropriate here, having equal measures of both.

The plot is fast-paced and easy to follow. It is divided into twenty-one short, heavily dialogue-driven chapters that read very much like a play (even though it was apparently never mean to be staged). Throughout, the best advice is given through numbing, stultifying bromides, and this is especially true of Celestina. You can almost open the book randomly and find clichés, though the humor of the characters still manages to jump off the page.

Simone de Beauvoir wrote a beautiful description of Celestina in “The Coming of Age.” She wrote, “This was the first time that an old woman had appeared as the main heroine; in the traditional way she was of course a bawd, but a bawd of dimensions quite unlike those of any character who had yet been produced. She was a former whore who had stayed in the trade because she liked it, a self-seeking, lewd, and intriguing old woman, and something of a witch as well – the leading, most active character in the play [though play, as I noted above, is not the right word for this piece]. In her are summed up all the vices that had been attributed to the old women since classical times, and in spite of all her shrewdness she ends by being severely punished. The French theatre turned to this source of inspiration, but with less striking results: we find old bawds and prostitutes in Jodelle, Odet de Turnebe, and Larivey.”

The reader gets the feeling that, when it was first published at the very end of the fifteenth century, “Celestina” was meant first and foremost to be a savage critique of the reigning morality of the time. While it has lost its critical punch, it is still full of characters, ideas, and bawdy that make it enjoyable, humane, and lovable. Since it was written before most modern-day genres had the chance to fully gel, the style takes getting used to; it cannot be easily pegged down, like we do more easily with Cervantes and Shakespeare, who in theme and style and both heavily foreshadowed here (especially the former).

I can’t read Spanish, so I can’t comment on the original. However, I can recommend Peter Bush’s translation to anyone who is looking for a unique reading experience far off the beaten path. (less)

1 like · like · see review

Jul 18, 2012 Katsumi rated it 3 of 5 stars

Shelves: romance-erotic-affairs

This review has been hidden because it contains spoilers. To view it, click here.

like · see review

Dec 09, 2009 Leo rated it 4 of 5 stars

Shelves: spanish-literature

This play was written by Fernando Rojas in the year 1499. It is a wonderful play about love and tragedy. Calisto fell in love with Melibea who was a beautiful young woman who would inherit a great fortune from her father. Calisto was rich and paid Celestina, an old astute witch of a woman, money so she could make Melibea love him.
Calistos servants, Sempronio and Parmoneo were in cohuts with Celestina but she kept all the gold for herself. When she defaulted on her deal Sempronio kills her.

1 like · like · see review

Nov 10, 2012 María Sola rated it 3 of 5 stars · review of another edition

La verdad es que no soy mucho de clásicos. La historia en general me gusta bastante, me parece entretenida y enrevesada, además que pensando en la época que se publicó fue todo un escándalo.
Lo que para mi ha hecho que le baje la nota y demás es la forma de hablar de los personajes, o más bien la forma de escribir del autor, ya que el libro está escrito en castellano antiguo y me ha costado lo mío entenderlo todo.
En general está bien pero la forma de escribir ha sido un gran problema.

like · see review

Nov 10, 2011 Audrey rated it 4 of 5 stars · review of another edition

Shelves: classics, graduate-school, medieval, spanish, comprehensive-exam

Pienso que me tolerancia para historias melodramaticas esta aumentando, porque este libro (como El Carcel de Amor) me daba risa mas que me enojaba. Desde luego, hay criticos que dicen de ambos libros que son parodias. Tal vez es por eso que me gustan. Da un retrato interesante de la clase baja de la edad media (aunque casi todos los personajes son tipos). Es un retrato de la sociedad bastante pesimista, en que todos los personajes estan motivados por el sexo o por el dinero--normalmente los dos...more

like · see review

Oct 12, 2010 DeLys rated it 5 of 5 stars · review of another edition

Shelves: books-i-ve-taught, spain

One of the "must reads" of Spanish literature, this book represents both the end of the Middle Ages and the beginning of the Renaissance in Spain. The character of Celestina is the basis of one of the three literary types from Spanish literature, although with Don Quijote and Don Juan. I've taught it multiple times and am always amazed by how much my students resonate with the issues raised in the book.

1 like · like · see review

Dec 07, 2010 Isabel rated it 2 of 5 stars

Nunca me han gustado este tipo de libros, y menos cuando te hacen leerlos en el instituto. Pero pensé: "No puede ser tan malo". Pues me equivocaba.
La historia en sí no es que esté mal, pero es un libro que se hace muy pesado tanto por su vocabulario como por los monólogos que se montan los personajes (que luego resulta que no te enteras de nada). Será un clásico español y todo lo que se quiera, pero a mi se me ha hecho muy pesado terminar de leermelo.

1 like · like · see review

Jan 26, 2013 Amentalmute rated it 1 of 5 stars · review of another edition

Otro trauma durante el colegio. Fue mi primer acercamiento sin ninguna advertencia al castellano antiguo y me costó una eternidad comprenderlo, por tanto mi comprensión y atención se iban de mí cuando abría el libro.

like · see review

Mar 14, 2009 Ricardo rated it 5 of 5 stars

I am reading this once again as I teach it to my students this semester, and once again I am impressed by the shocking modernity of this extraordinary book. I'm also pleased to see how accessible Patricia Finch's edition is to advanced Spanish students. The text seems to be giving them a lot less trouble than it did me, when I read it for the first time.

like · see review

Aug 13, 2011 Pili rated it 5 of 5 stars

Lo estoy terminando, en la version "gordita"

Y pensar que muchos piensan que ser Celestina es buena onda....naaaaa! Celestina era putinga, brujilla, hacia abortos y era mas turbia que el Mapocho!

like · see review

Mar 23, 2010 Nacho rated it 5 of 5 stars

Shelves: clásicos, españoles

Al principio se hace muy (pero que muy) cuesta arriba por el escollo del castellano antiguo y es difícil leer más de diez páginas de una tacada. Según vas acostumbrándote, cada vez influye menos y, al final, te dejas atrapar por la historia y por unos personajes que son memorables. Me ha encantado, pero, aun así, tengo que reconocer que varias veces he estado a punto de ceder a la tentación y dejarlo sin acabar en la estantería.

1 like · like · see review

Apr 19, 2013 Perséfone rated it 1 of 5 stars

Estoy leyendo esto para mi clase de literatura española y... no. Llevo dos capítulos y estoy que me duermo.

ACTUALIZACIÓN:
Lo aburrido no se va. La historia es tan aguada que sigue dando ganas de dormir. No me gustó.

like · see review

Oct 24, 2012 Anuar rated it 3 of 5 stars

Shelves: teatro, espa-a

Leí tres(!) veces La Celestina. La primera vez cuando cursé Literatura Española I, las dos restantes en sendos exámenes a los que no me presenté. Bueno, no sé a quién pueda interesarle esa insignificante estadística personal, es sólo que me sorprende a mí mismo y quería dejar alguna constancia(?) de ello. De más está decir que, a pesar de tratarse de una obra de teatro, tiene mucho de novela, es una colección de refranes y dichos populares, etc.

like · see review

Sep 13, 2011 Silvia Llopis rated it 5 of 5 stars

This character is full dramatic connotations, this old prostitute show us the world of the prostitute and the sale of the sentiments, through traps and lies.

like · see review

Mar 22, 2013 Jane rated it 4 of 5 stars

No acostumbro a leer esta clase de libros, clásicos pero tuve que hacerlo por la escuela.

Al fin y al cabo, me sorprende decirlo, me gustó.

like · see review

Aug 07, 2012 Douglas Echenique Zambrano rated it 3 of 5 stars · review of another edition

Una trajicomedia algo pesada para mi gusto con una manera de redacción muy similar a la de un guión lo que hace que pierda sentido para mi una historia.
Lo más interesante sin duda alguna es todo lo que gira al rededor de la celestina, sus múltiples profesiones aunque la que más resalta es la de hacer virgos. Su manera de ver la vida.

like · see review

Aug 29, 2011 Daniel Domenech rated it 3 of 5 stars

The Spanish version of Romeo and Juliet, having arrived in fact over a century earlier. A good story overall, but one I'm not that fond of.

like · see review

Feb 05, 2013 Bruno rated it 3 of 5 stars

The historical importance of this book is undeniable
La impoertancia histórica de este libro es innegable

like · see review

Apr 06, 2013 Aby Gimeno rated it 2 of 5 stars

No es que esté mal pero se me hizo muy pesado... No veía el momento oportuno para dejarlo.

like · see review

Apr 14, 2013 Ro Capriles rated it 5 of 5 stars

Shelves: exámenes

I read it ten years ago and understood squat. Now I found it hilarious xD

like · see review

« previous 1 2 3 4 5 6 7 8 9 … 94 95 next »

new topic
Discuss This Book

There are no discussion topics on this book yet. Be the first to start one »

Recommend it | Stats | Recent status updates

combine
Other Editions (137)

More editions...

Genres

Classics

32 users

European Literature > Spanish Literature

24 users

Plays

12 users

Cultural > Spain

10 users

Drama

5 users

Literature > 15th Century

5 users

Historical Fiction > Medieval

5 users

Academic > School

5 users

Literature

4 users

Romance

3 users

See top shelves...

Readers also enjoyed similar books

About Fernando de Rojas

Fernando De Rojas was a Castilian author about whom little information is known.

Fernando de Rojas is known for writing La Celestina (originally titled Tragicomedia de Calisto y Melibea) in 1499. It describes a tragic love affair, and is seen as the beginning of Spain's literary Renaissance. Although the work was published anonymously, the author revealed his name and famous birthplace in an acros...more

More about Fernando de Rojas...

Books by Fernando de Rojas

Comedia de Calisto y Melibea: Hacia "La Celestina" Anterior a Fernando de Rojas

Pornoboscodidascalus Latinus (1624): Kaspar Barth's Neo-Latin Translation of Celestina

More…

Share This Book

Facebook Twitter Your website

Trivia About Tragicomedia de C...

No trivia or quizzes yet. Add some now »

Quotes from La Celestina

“O world, world when I was younger I thought there was some order governing you and your deeds. But now you seem to be a labyrinth of errors, a frightful desert, a den of wild beasts, a game in which men move in circles…a stony field, a meadow full of serpents, a flowering but barren orchard, a spring of cares, a river of tears, a sea of suffering, a vain hope.” — 4 people liked it

More quotes…

title link	preview: La Celestina
avg rating	preview: La Celestina Goodreads rating: 3.39 (1983 ratings)
small image	preview: click here [close]
med image	preview: click here [close]
BBCode	[url=http://www.goodreads.com/book/show/214858.La_Celestina?utm_medium=api&utm_source=blog_book][img]http://d.gr-assets.com/books/1371162947l/214858.jpg[/img][/url] [url=http://www.goodreads.com/book/show/214858.La_Celestina?utm_medium=api&utm_source=blog_book]La Celestina by Fernando de Rojas[/url]

La Celestina

Friend Reviews

Community Reviews

Share This Book

Share This Book on Your Website