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<book id="2092154">
  <title><![CDATA[Pictures at a Revolution: Five Movies and the Birth of the New Hollywood]]></title>
  <isbn><![CDATA[1594201528]]></isbn>
  <isbn13><![CDATA[9781594201523]]></isbn13>
    <work>
  <best_book_id type="integer">2092154</best_book_id>
  <books_count type="integer">7</books_count>
  <default_description>&lt;b&gt;An epic account of how the revolution hit Hollywood, told through the stories of the five films nominated for the 1967 Academy Awards&lt;/b&gt; &lt;br/&gt;&lt;br/&gt; The year is 1963. The studios are churning out westerns, war movies, prudish sex comedies and overblown historical epics, but audiences whose interests have been piqued by an influx of innovative films from abroad are hungering for something more, something new. At &lt;i&gt;Esquire&lt;/i&gt;, two young writers hatch a plan to create a movie treatment that they hope will attract the director Fran*ois Truffaut: the story of the gangsters Bonnie Parker and Clyde Barrow. Mike Nichols, an improvisatory comedian turned neophyte theater director, gets his hands on an obscure first novel called &lt;i&gt;The Graduate&lt;/i&gt; and wonders if he's ready to make the jump to Hollywood. Warren Beatty, just 26 years old and struggling through a series of flops after the success of &lt;i&gt;Splendor in the Grass&lt;/i&gt;, decides to take his career into his own hands, but can't seem to settle on his next move. Dustin Hoffman, sleeping on friends' floors and scrounging for temp work in New York, struggles just to get an off-Broadway audition. Sidney Poitier, after two dozen movies, still yearns for something that seems completely unattainable: a good role. And 20th Century Fox, on the brink of financial catastrophe, puts all its hopes in a genre-the family musical-that will revitalize the company and then nearly destroy it again. &lt;br/&gt;&lt;br/&gt; &lt;i&gt;Pictures at a Revolution&lt;/i&gt; tracks five movies-the milestones &lt;i&gt;Bonnie and Clyde&lt;/i&gt; and &lt;i&gt;The Graduate&lt;/i&gt;, the popular hits &lt;i&gt;Guess Who's Coming To Dinner&lt;/i&gt; and &lt;i&gt;In the Heat of the Night&lt;/i&gt;, and the big-budget disaster &lt;i&gt;Doctor Dolittle&lt;/i&gt;-on their five-year journey to Oscar night in the spring of 1968. It follows their fortunes through the last days of the studio system and the first sparks of a cultural upheaval that would launch maverick new stars and directors, topple more than one industry titan from his pedestal, and redefine what American movies could be. In 1967, moviegoers witnessed the arrival of taboo-shattering sex and violence on screen, the debuts of Dustin Hoffman and Faye Dunaway, the return of Katharine Hepburn and the poignant farewell of Spencer Tracy, the audacious risks taken by Warren Beatty, Arthur Penn, Mike Nichols and Norman Jewison, and Hollywood's agonized attempt to grapple with an incendiary moment in American race relations, with results that would change Sidney Poitier's career forever. &lt;br/&gt;&lt;br/&gt; By tracing the gambles, the stumbles, the clashes and the creative partnerships that produced these films, Mark Harris captures both the twilight of old Hollywood and the dawn of a new golden age in studio filmmaking. Based on unprecedented access to the actors, directors, screenwriters, producers and executives whose movies defined the era, as well a wealth of previously unexplored archival material, &lt;i&gt;Pictures at a Revolution&lt;/i&gt; is an utterly original, revealing, and entertaining history of a true cultural watershed.</default_description>
  <id type="integer">2097513</id>
  <media_type nil="true"></media_type>
  <original_language_id type="integer" nil="true"></original_language_id>
  <original_publication_day type="integer">14</original_publication_day>
  <original_publication_month type="integer">2</original_publication_month>
  <original_publication_year type="integer">2008</original_publication_year>
  <original_title>Pictures at a Revolution: Five Movies and the Birth of the New Hollywood</original_title>
  <rating_dist>total:345|5:118|4:171|3:51|2:4|1:1|</rating_dist>
  <ratings_count type="integer">345</ratings_count>
  <ratings_sum type="integer">1436</ratings_sum>
  <reviews_count type="integer">727</reviews_count>
  <text_reviews_count type="integer">122</text_reviews_count>
</work>

  <average_rating><![CDATA[4.16]]></average_rating>
  <ratings_count><![CDATA[338]]></ratings_count>
  <text_reviews_count><![CDATA[121]]></text_reviews_count>
  <url><![CDATA[http://www.goodreads.com/book/show/2092154.Pictures_at_a_Revolution_Five_Movies_and_the_Birth_of_the_New_Hollywood]]></url>
  <authors>
        <author id="1009244">
      <name><![CDATA[Mark  Harris]]></name>
      <role><![CDATA[]]></role>
      <url><![CDATA[http://www.goodreads.com/author/show/1009244.Mark_Harris]]></url>
      <average_rating><![CDATA[4.17]]></average_rating>
      <ratings_count><![CDATA[339]]></ratings_count>
      <text_reviews_count><![CDATA[122]]></text_reviews_count>
    </author>
      </authors>
    <reviews start="1" end="20" total="727">
    <review id="16769554">
    <user id="10378">
    <name><![CDATA[Mike]]></name>
    <location><![CDATA[Saint Paul, MN]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/10378-mike?utm_medium=api]]></url>
  </user>
      <rating>5</rating>
  <votes>1</votes>
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  <recommended_for><![CDATA[Movie fans, especially those who think Adorno &amp; Horkheimer were a little too mechanistic]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sat Mar 01 00:00:00 -0800 2008</read_at>
  <date_added>Sat Mar 01 10:15:00 -0800 2008</date_added>
  <date_updated>Wed Mar 05 19:28:55 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[One of the best books about films I've ever read, and a masterfully-crafted, thrilling read at that. <br/><br/>Harris untangles how we got to the Best Picture slate of 1967, a fine representative case study of a shift in Hollywood conventions.  And also, obviously, situated in a time of significan...<a href="http://www.goodreads.com/review/show/16769554">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/16769554?utm_medium=api]]></url>
</review>
    <review id="8305807">
    <user id="245237">
    <name><![CDATA[Spiros]]></name>
    <location><![CDATA[San Francisco, CA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/245237-spiros?utm_medium=api]]></url>
  </user>
      <rating>3</rating>
  <votes>1</votes>
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        <shelf name="california" />
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Nov 01 00:00:00 -0700 2007</read_at>
  <date_added>Sat Oct 27 00:27:16 -0700 2007</date_added>
  <date_updated>Wed Nov 14 13:58:49 -0800 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[As a rule, I tend to fight shy of &quot;watershed&quot; books, books that purport to show you how &quot;this changed everything&quot;; to his credit (and despite the marketing blurbs on the back), Harris attempts to do no such thing. Instead, what he has written is a diligently constructed book, chr...<a href="http://www.goodreads.com/review/show/8305807">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/8305807?utm_medium=api]]></url>
</review>
    <review id="46291464">
    <user id="164842">
    <name><![CDATA[Don]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/164842-don?utm_medium=api]]></url>
  </user>
      <rating>5</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Feb 01 00:00:00 -0800 2009</read_at>
  <date_added>Fri Feb 13 20:32:10 -0800 2009</date_added>
  <date_updated>Fri Feb 13 20:46:06 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Excellent!<br/><br/>Other books I have read about the motion picture industry have, for the most part, been full of interesting and fun facts and anecdotes, but not particularly solid histories.  This book scores on both accounts.<br/><br/>A fascinating history examining the production of each o...<a href="http://www.goodreads.com/review/show/46291464">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/46291464?utm_medium=api]]></url>
</review>
    <review id="46270582">
    <user id="424536">
    <name><![CDATA[Jonathan]]></name>
    <location><![CDATA[Port of Spain, Trinidad and Tobago]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/424536-jonathan?utm_medium=api]]></url>
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      <rating>3</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at></read_at>
  <date_added>Fri Feb 13 15:53:39 -0800 2009</date_added>
  <date_updated>Fri Feb 13 19:55:28 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[If the 1960s were a time of great social and cultural ferment in the US, reactionary, conservative Hollywood didn't seem to get the memo. Slowly, however, a new crop of filmmakers, influenced by European cinema – and by the French New Wave auteurs in particular – began to break out of the classi...<a href="http://www.goodreads.com/review/show/46270582">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/46270582?utm_medium=api]]></url>
</review>
    <review id="45463217">
    <user id="1008236">
    <name><![CDATA[Bookmarks Magazine]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1008236-bookmarks-magazine?utm_medium=api]]></url>
  </user>
      <rating>0</rating>
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  <read_at></read_at>
  <date_added>Thu Feb 05 09:56:04 -0800 2009</date_added>
  <date_updated>Thu Feb 05 09:56:04 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[<p>Mark Harris, a former editor for <em>Entertainment Weekly</em>, combines his remarkable knowledge of film history with interviews and research that capture the Zeitgeist of the late 1960s, particularly the cloistered, changing world of Hollywood. The films that challenged the industry's expectations were, Ha...</p><a href="http://www.goodreads.com/review/show/45463217">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/45463217?utm_medium=api]]></url>
</review>
    <review id="76584062">
    <user id="406701">
    <name><![CDATA[Nate]]></name>
    <location><![CDATA[Brooklyn, NY]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/406701-nate?utm_medium=api]]></url>
  </user>
      <rating>4</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[anyone interested in film history]]></recommended_for>
  <recommended_by><![CDATA[My parents, who gave it to me last Christmas]]></recommended_by>
  <read_at>Thu Nov 05 00:00:00 -0800 2009</read_at>
  <date_added>Tue Nov 03 08:49:26 -0800 2009</date_added>
  <date_updated>Fri Nov 06 10:46:02 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Ostensibly the story of the five 1967 Best Picture nominees, this is more significantly a broad window into 60s film-making, the American studio system, American culture in general, and the labyrinthine path of any film from conception to screen. <br/><br/>Stylistically, this is a pretty straight-...<a href="http://www.goodreads.com/review/show/76584062">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/76584062?utm_medium=api]]></url>
</review>
    <review id="64091195">
    <user id="2345554">
    <name><![CDATA[Kasa]]></name>
    <location><![CDATA[Oakland, CA]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/2345554-kasa-cotugno?utm_medium=api]]></url>
  </user>
      <rating>4</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Wed Jul 22 00:00:00 -0700 2009</read_at>
  <date_added>Sun Jul 19 09:45:35 -0700 2009</date_added>
  <date_updated>Fri Jul 24 13:03:11 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[The reader doesn't have to had been around in 1968 to find this book interesting, but it enhances the enjoyment.  Those who remember movies prior to the formation of the rating system, when the infamous Hays Code was dictating what could and could not be seen, will recognize the advances in maturity...<a href="http://www.goodreads.com/review/show/64091195">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/64091195?utm_medium=api]]></url>
</review>
    <review id="57437774">
    <user id="653338">
    <name><![CDATA[Trish]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/653338-trish?utm_medium=api]]></url>
  </user>
      <rating>4</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon May 25 00:00:00 -0700 2009</read_at>
  <date_added>Tue May 26 18:37:14 -0700 2009</date_added>
  <date_updated>Tue May 26 18:46:47 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[My boss passed this on to me, knowing I'd enjoy the behind-the-scenes (or screens) information about the five films competing for the 1968 Academy Awards: Bonnie and Clyde, Guess Who's Coming to Dinner?, Dr. Doolittle, In the Heat of the Night, and The Graduate. Harris does a wonderful job of weavin...<a href="http://www.goodreads.com/review/show/57437774">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/57437774?utm_medium=api]]></url>
</review>
    <review id="54828073">
    <user id="1237191">
    <name><![CDATA[Mitchell]]></name>
    <location><![CDATA[The United States]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1237191-mitchell?utm_medium=api]]></url>
  </user>
      <rating>5</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
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      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Sun May 03 16:56:54 -0700 2009</date_added>
  <date_updated>Wed May 13 19:47:50 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This is really something special: a fun, thorough history of Hollywood filmmaking between 1963 and 1967, as seen through they eyes of the people who made <em>Bonnie and Clyde</em>, <em>Doctor Dolittle</em>, <em>The Graduate</em>, <em>Guess Who's Coming to Dinner</em>, and <em>In the Heat of the Night</em>. Those were the five movies nominated ...<a href="http://www.goodreads.com/review/show/54828073">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/54828073?utm_medium=api]]></url>
</review>
    <review id="41883760">
    <user id="871024">
    <name><![CDATA[Taylor]]></name>
    <location><![CDATA[Chicago, IL]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/871024-taylor?utm_medium=api]]></url>
  </user>
      <rating>5</rating>
  <votes>0</votes>
  <sell_flag>false</sell_flag>
  <spoiler_flag>false</spoiler_flag>
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        <shelf name="film" />
        <shelf name="non-fiction" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Jan 08 00:00:00 -0800 2009</read_at>
  <date_added>Sun Jan 04 15:54:57 -0800 2009</date_added>
  <date_updated>Thu Jan 08 14:41:00 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[The book is essentially a production history of the 5 films nominated for the Best Picture Oscar in 1968. The strength of the book lies in the way Harris compares and contrasts the production histories, seperating the films into New Hollywood, Old Hollywood and MOR. <em>Bonnie and Clyde</em> and <em>The Graduate...</em><a href="http://www.goodreads.com/review/show/41883760">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/41883760?utm_medium=api]]></url>
</review>
    <review id="40331446">
    <user id="180121">
    <name><![CDATA[James]]></name>
    <location><![CDATA[Hoboken, NJ]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/180121-james?utm_medium=api]]></url>
  </user>
      <rating>5</rating>
  <votes>0</votes>
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      </shelves>
  <recommended_for><![CDATA[everyone]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Jan 08 00:00:00 -0800 2009</read_at>
  <date_added>Wed Dec 17 14:54:58 -0800 2008</date_added>
  <date_updated>Fri Jan 09 14:47:43 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This is one of the best books I have read in recent memory and certainly one of my favorite non-fiction reads in a very long time.  The book follows the five 1967 Oscar nominated films (The Graduate, In the Heat of the Night, Guess Who's Coming to Dinner, Bonnie and Clyde and Doctor Dolittle) from i...<a href="http://www.goodreads.com/review/show/40331446">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/40331446?utm_medium=api]]></url>
</review>
    <review id="43634213">
    <user id="1931628">
    <name><![CDATA[Larry]]></name>
    <location><![CDATA[]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/1931628-larry?utm_medium=api]]></url>
  </user>
      <rating>0</rating>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Jan 01 00:00:00 -0800 2009</read_at>
  <date_added>Mon Jan 19 17:02:45 -0800 2009</date_added>
  <date_updated>Tue Jan 20 04:44:34 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[A great story about a critical time in American movie making- the early to mid-60s when you saw a transition from the big musicals, and Doris Day comedy romances, and big war epics to racier, disturbing, and anti-hero driven films.  You can see how &quot;Mean Streets&quot;, &quot;The Conversation&quot;...<a href="http://www.goodreads.com/review/show/43634213">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/43634213?utm_medium=api]]></url>
</review>
    <review id="38888510">
    <user id="975391">
    <name><![CDATA[Steven]]></name>
    <location><![CDATA[Austin, TX]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/975391-steven?utm_medium=api]]></url>
  </user>
      <rating>4</rating>
  <votes>0</votes>
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  <shelves>
        <shelf name="culture" />
        <shelf name="history" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Tue Dec 30 00:00:00 -0800 2008</read_at>
  <date_added>Sat Nov 29 14:13:23 -0800 2008</date_added>
  <date_updated>Fri Jan 02 09:09:56 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This made a list of best non-fiction book for 2008 in the New York Times, and since it was in my library, I thought I'd check it out -- and it seems I was the first person to do so.<br/><br/>I have only seen one of the five 1967 Best Picture Nominees which are the subject of this book -- and that ...<a href="http://www.goodreads.com/review/show/38888510">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/38888510?utm_medium=api]]></url>
</review>
    <review id="50921724">
    <user id="304352">
    <name><![CDATA[Sam]]></name>
    <location><![CDATA[Brooklyn, NY]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/304352-sam?utm_medium=api]]></url>
  </user>
      <rating>4</rating>
  <votes>0</votes>
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      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Mar 01 00:00:00 -0800 2009</read_at>
  <date_added>Mon Mar 30 09:56:50 -0700 2009</date_added>
  <date_updated>Mon Mar 30 10:00:39 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Damn fine companion piece to <a href="http://www.goodreads.com/book/show/6793.Easy_Riders_Raging_Bulls_How_the_Sex_Drugs_and_Rock_N_Roll_Generation_Saved_Hollywood" title="Easy Riders, Raging Bulls  How the Sex-Drugs-and-Rock 'N' Roll Generation Saved Hollywood by Peter Biskind">Easy Riders, Raging Bulls  How the Sex-Drugs-and-Rock 'N' Roll Generation Saved Hollywood</a> and <a href="http://www.goodreads.com/book/show/137365.The_Studio" title="The Studio by John Gregory Dunne">The Studio</a>.  Wish Harris had talked a little bit more about what was going on in the larger world - particularly because he's so adamant that these movies were products of their...<a href="http://www.goodreads.com/review/show/50921724">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/50921724?utm_medium=api]]></url>
</review>
    <review id="49997693">
    <user id="1300121">
    <name><![CDATA[Trisha]]></name>
    <location><![CDATA[Oregon, WI]]></location>        
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      <rating>4</rating>
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  <read_at>Sun Apr 26 00:00:00 -0700 2009</read_at>
  <date_added>Sat Mar 21 17:49:18 -0700 2009</date_added>
  <date_updated>Sun Apr 26 17:04:51 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[1967 was a great year for movies and of the five academy award nominees I remember seeing four of them and thinking they were all worth being given the Oscar.  This book is a fascinating look at what went into the following five pictures:  Bonnie and Clyde, In the Heat of the Night; the Graduate; Gu...<a href="http://www.goodreads.com/review/show/49997693">more...</a>]]></body>
    <url><![CDATA[http://www.goodreads.com/review/show/49997693?utm_medium=api]]></url>
</review>
    <review id="64213266">
    <user id="170420">
    <name><![CDATA[Lazygal]]></name>
    <location><![CDATA[Carmel, NY]]></location>        
    <url><![CDATA[http://www.goodreads.com/user/show/170420-lazygal?utm_medium=api]]></url>
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      <rating>4</rating>
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  <read_at>Sun Sep 13 00:00:00 -0700 2009</read_at>
  <date_added>Mon Jul 20 07:59:34 -0700 2009</date_added>
  <date_updated>Sun Sep 13 07:26:45 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[The only one of the 1968 Oscar nominees for Best Picture that I saw during it's original theatrical release was Dr. Doolittle, so the impact of the other four (The Graduate, Guess Who's Coming for Dinner, In the Heat of the Night and Bonnie and Clyde) was completely missed.  For those older and more...<a href="http://www.goodreads.com/review/show/64213266">more...</a>]]></body>
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</review>
    <review id="62079294">
    <user id="768999">
    <name><![CDATA[Nette]]></name>
    <location><![CDATA[Torrance, CA]]></location>        
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      <rating>4</rating>
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  <read_at>Thu Jul 02 00:00:00 -0700 2009</read_at>
  <date_added>Fri Jul 03 19:59:35 -0700 2009</date_added>
  <date_updated>Fri Jul 03 20:10:30 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This was a nice change after all the memoirs I've been reading:  a straight-ahead, in-depth study of the five Best Picture nominees of 1967.  Absorbing and full of interesting details.  Like, Faye Dunaway gobbled diet pills before &quot;Bonnie and Clyde&quot; and shrank so much her wardrobe didn't f...<a href="http://www.goodreads.com/review/show/62079294">more...</a>]]></body>
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    <review id="61821230">
    <user id="1748244">
    <name><![CDATA[Jennifer]]></name>
    <location><![CDATA[Los Angeles, CA]]></location>        
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      <rating>4</rating>
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  <read_at>Fri Oct 16 00:00:00 -0700 2009</read_at>
  <date_added>Wed Jul 01 17:02:33 -0700 2009</date_added>
  <date_updated>Fri Nov 20 16:49:33 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This book was a honking huge volume. Luckily, I really enjoy books about production history, I was already familar with all of the films... and we had talked a little bit about the birth of &quot;New Hollywood&quot; in several of my critical studies film classes at USC. So, I came into the book know...<a href="http://www.goodreads.com/review/show/61821230">more...</a>]]></body>
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</review>
    <review id="25242535">
    <user id="923535">
    <name><![CDATA[Greg]]></name>
    <location><![CDATA[The United States]]></location>        
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      <rating>5</rating>
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  <read_at>Tue Jul 08 00:00:00 -0700 2008</read_at>
  <date_added>Mon Jun 23 14:52:45 -0700 2008</date_added>
  <date_updated>Tue Jul 08 14:46:56 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[This was a very interesting and entertaining read about a dynamic time in movie history.<br/><br/>The author believes the five films nominated for the 1968 Academy Awards (Doctor Doolittle, Guess Who's Coming to Dinner, In the Heat of the Night, The Graduate, and Bonnie &amp; Clyde) represent a waters...<a href="http://www.goodreads.com/review/show/25242535">more...</a>]]></body>
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</review>
    <review id="21676327">
    <user id="917047">
    <name><![CDATA[Tina]]></name>
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      <rating>4</rating>
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  <read_at>Mon May 26 00:00:00 -0700 2008</read_at>
  <date_added>Mon May 05 20:20:54 -0700 2008</date_added>
  <date_updated>Wed May 28 14:48:33 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[ Very detailed and interesting account of 1967's five best picture nominees from their inception to their fruition onto film. The train wreck, and film I was least interested in, &quot;Doctor Doolittle&quot;, was the most fun to read, although all the movies had an interesting tale behind them.  I w...<a href="http://www.goodreads.com/review/show/21676327">more...</a>]]></body>
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