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  <description><![CDATA[Jonathan Lethem, editor <br/><br/> &quot;The most outré science fiction writer of the 20th century has finally entered the canon,&quot; exclaimed <em>Wired Magazine</em> upon The Library of America's May 2007 publication of <em>Philip K. Dick: Four Novels of the 1960s</em>, edited by Jonathan Lethem. Now comes a companion volume collecting five novels that offer a breathtaking overview of the range of this science-fiction master. <br/><br/> Philip K. Dick (1928-82) was a writer of incandescent imagination who made and unmade world-systems with ferocious rapidity and unbridled speculative daring. &quot;The floor joists of the universe,&quot; he once wrote, &quot;are visible in my novels.&quot; <em>Martian Time-Slip</em> (1964) unfolds on a parched and thinly colonized Red Planet where schizophrenia is a contagion and the unscrupulous seek to profit from a troubled child's time-fracturing visions. <em>Dr. Bloodmoney, or How We Got Along After the Bomb</em> (1965) chronicles the deeply-interwoven stories of a multi-racial community of survivors, including the scientist who may have been responsible for World War III. Famous, among other reasons, for a therapy session involving a talking taxicab, <em>Now Wait for Last Year</em> (1966) explores the effects of JJ-180, a hallucinogen that alters not only perception, but reality.  In <em>Flow My Tears, the Policeman Said </em>(1974), a television star seeks to unravel a mystery that has left him stripped of his identity. <em>A Scanner Darkly</em> (1977), the basis for the 2006 film, envisions a drug-addled world in which a narcotics officer's tenuous hold on sanity is strained by his new surveillance assignment: himself. Mixing metaphysics and madness, phantasmagoric visions of a post-nuclear world and invading extraterrestrial authoritarians, and all-too-real evocations of the drugged-out America of the 70s, Dick's work remains exhilarating and unsettling in equal measure.]]></description>
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    <![CDATA[Jonathan Lethem, editor <br/><br/> &quot;The most outré science fiction writer of the 20th century has finally entered the canon,&quot; exclaimed <em>Wired Magazine</em> upon The Library of America's May 2007 publication of <em>Philip K. Dick: Four Novels of the 1960s</em>, edited by Jonathan Lethem. Now comes a companion volume collecting five novels that offer a breathtaking overview of the range of this science-fiction master. <br/><br/> Philip K. Dick (1928-82) was a writer of incandescent imagination who made and unmade world-systems with ferocious rapidity and unbridled speculative daring. &quot;The floor joists of the universe,&quot; he once wrote, &quot;are visible in my novels.&quot; <em>Martian Time-Slip</em> (1964) unfolds on a parched and thinly colonized Red Planet where schizophrenia is a contagion and the unscrupulous seek to profit from a troubled child's time-fracturing visions. <em>Dr. Bloodmoney, or How We Got Along After the Bomb</em> (1965) chronicles the deeply-interwoven stories of a multi-racial community of survivors, including the scientist who may have been responsible for World War III. Famous, among other reasons, for a therapy session involving a talking taxicab, <em>Now Wait for Last Year</em> (1966) explores the effects of JJ-180, a hallucinogen that alters not only perception, but reality.  In <em>Flow My Tears, the Policeman Said </em>(1974), a television star seeks to unravel a mystery that has left him stripped of his identity. <em>A Scanner Darkly</em> (1977), the basis for the 2006 film, envisions a drug-addled world in which a narcotics officer's tenuous hold on sanity is strained by his new surveillance assignment: himself. Mixing metaphysics and madness, phantasmagoric visions of a post-nuclear world and invading extraterrestrial authoritarians, and all-too-real evocations of the drugged-out America of the 70s, Dick's work remains exhilarating and unsettling in equal measure.]]>
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    <body><![CDATA[This is one of the best and most surprising books (a collection of novels, in fact) that i've read in a long time. I was turned on to Dick by reading <em>Do Androids Dream of Electric Sheep?</em> on my way back to Chicago from Tokyo via San Francisco this Summer. I really enjoyed that book, and feeling quite...<a href="http://www.goodreads.com/review/show/35702504">more...</a>]]></body>
    
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    <![CDATA[Jonathan Lethem, editor <br/><br/> &quot;The most outré science fiction writer of the 20th century has finally entered the canon,&quot; exclaimed <em>Wired Magazine</em> upon The Library of America's May 2007 publication of <em>Philip K. Dick: Four Novels of the 1960s</em>, edited by Jonathan Lethem. Now comes a companion volume collecting five novels that offer a breathtaking overview of the range of this science-fiction master. <br/><br/> Philip K. Dick (1928-82) was a writer of incandescent imagination who made and unmade world-systems with ferocious rapidity and unbridled speculative daring. &quot;The floor joists of the universe,&quot; he once wrote, &quot;are visible in my novels.&quot; <em>Martian Time-Slip</em> (1964) unfolds on a parched and thinly colonized Red Planet where schizophrenia is a contagion and the unscrupulous seek to profit from a troubled child's time-fracturing visions. <em>Dr. Bloodmoney, or How We Got Along After the Bomb</em> (1965) chronicles the deeply-interwoven stories of a multi-racial community of survivors, including the scientist who may have been responsible for World War III. Famous, among other reasons, for a therapy session involving a talking taxicab, <em>Now Wait for Last Year</em> (1966) explores the effects of JJ-180, a hallucinogen that alters not only perception, but reality.  In <em>Flow My Tears, the Policeman Said </em>(1974), a television star seeks to unravel a mystery that has left him stripped of his identity. <em>A Scanner Darkly</em> (1977), the basis for the 2006 film, envisions a drug-addled world in which a narcotics officer's tenuous hold on sanity is strained by his new surveillance assignment: himself. Mixing metaphysics and madness, phantasmagoric visions of a post-nuclear world and invading extraterrestrial authoritarians, and all-too-real evocations of the drugged-out America of the 70s, Dick's work remains exhilarating and unsettling in equal measure.]]>
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  <read_at>Sun Mar 01 00:00:00 -0800 2009</read_at>
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    <body><![CDATA[<strong>Martian Time-Slip</strong>: This is a fully fleshed-out and deftly crafted, spooky tale of autism, schizophrenia and weird time slips experienced by the bored and despairing colonists on Mars. Not much science fiction except the setting and the existence of a dying Martian race - the colonists ride around in...<a href="http://www.goodreads.com/review/show/29253134">more...</a>]]></body>
    
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      <review>
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    <![CDATA[Jonathan Lethem, editor <br/><br/> &quot;The most outré science fiction writer of the 20th century has finally entered the canon,&quot; exclaimed <em>Wired Magazine</em> upon The Library of America's May 2007 publication of <em>Philip K. Dick: Four Novels of the 1960s</em>, edited by Jonathan Lethem. Now comes a companion volume collecting five novels that offer a breathtaking overview of the range of this science-fiction master. <br/><br/> Philip K. Dick (1928-82) was a writer of incandescent imagination who made and unmade world-systems with ferocious rapidity and unbridled speculative daring. &quot;The floor joists of the universe,&quot; he once wrote, &quot;are visible in my novels.&quot; <em>Martian Time-Slip</em> (1964) unfolds on a parched and thinly colonized Red Planet where schizophrenia is a contagion and the unscrupulous seek to profit from a troubled child's time-fracturing visions. <em>Dr. Bloodmoney, or How We Got Along After the Bomb</em> (1965) chronicles the deeply-interwoven stories of a multi-racial community of survivors, including the scientist who may have been responsible for World War III. Famous, among other reasons, for a therapy session involving a talking taxicab, <em>Now Wait for Last Year</em> (1966) explores the effects of JJ-180, a hallucinogen that alters not only perception, but reality.  In <em>Flow My Tears, the Policeman Said </em>(1974), a television star seeks to unravel a mystery that has left him stripped of his identity. <em>A Scanner Darkly</em> (1977), the basis for the 2006 film, envisions a drug-addled world in which a narcotics officer's tenuous hold on sanity is strained by his new surveillance assignment: himself. Mixing metaphysics and madness, phantasmagoric visions of a post-nuclear world and invading extraterrestrial authoritarians, and all-too-real evocations of the drugged-out America of the 70s, Dick's work remains exhilarating and unsettling in equal measure.]]>
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  <date_added>Fri Aug 14 15:53:05 -0700 2009</date_added>
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    <body><![CDATA[Many, many years after my initial read, I just re-read 'Flow My Tears, The Policeman Said'.<br/>It seemed a bit rough to me; had it been better edited, I may have enjoyed it more.<br/>There is no character to <em>like</em> in this book, except the Potter. I did enjoy the overall colour. The meanness was ap...<a href="http://www.goodreads.com/review/show/67423857">more...</a>]]></body>
    
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      <review>
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    <![CDATA[Jonathan Lethem, editor <br/><br/> &quot;The most outré science fiction writer of the 20th century has finally entered the canon,&quot; exclaimed <em>Wired Magazine</em> upon The Library of America's May 2007 publication of <em>Philip K. Dick: Four Novels of the 1960s</em>, edited by Jonathan Lethem. Now comes a companion volume collecting five novels that offer a breathtaking overview of the range of this science-fiction master. <br/><br/> Philip K. Dick (1928-82) was a writer of incandescent imagination who made and unmade world-systems with ferocious rapidity and unbridled speculative daring. &quot;The floor joists of the universe,&quot; he once wrote, &quot;are visible in my novels.&quot; <em>Martian Time-Slip</em> (1964) unfolds on a parched and thinly colonized Red Planet where schizophrenia is a contagion and the unscrupulous seek to profit from a troubled child's time-fracturing visions. <em>Dr. Bloodmoney, or How We Got Along After the Bomb</em> (1965) chronicles the deeply-interwoven stories of a multi-racial community of survivors, including the scientist who may have been responsible for World War III. Famous, among other reasons, for a therapy session involving a talking taxicab, <em>Now Wait for Last Year</em> (1966) explores the effects of JJ-180, a hallucinogen that alters not only perception, but reality.  In <em>Flow My Tears, the Policeman Said </em>(1974), a television star seeks to unravel a mystery that has left him stripped of his identity. <em>A Scanner Darkly</em> (1977), the basis for the 2006 film, envisions a drug-addled world in which a narcotics officer's tenuous hold on sanity is strained by his new surveillance assignment: himself. Mixing metaphysics and madness, phantasmagoric visions of a post-nuclear world and invading extraterrestrial authoritarians, and all-too-real evocations of the drugged-out America of the 70s, Dick's work remains exhilarating and unsettling in equal measure.]]>
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    <body><![CDATA[Much wierder than I remembered. Which is saying a lot. Craft-wise, these have very serious flaws. In terms of raw vision and paranoiac power, however, there's not much that can top P.K.D. The only one here I hadn't read before was 'Now Wait for Last Year', which is instantly a favorite. ]]></body>
    
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    <![CDATA[Jonathan Lethem, editor <br/><br/> &quot;The most outré science fiction writer of the 20th century has finally entered the canon,&quot; exclaimed <em>Wired Magazine</em> upon The Library of America's May 2007 publication of <em>Philip K. Dick: Four Novels of the 1960s</em>, edited by Jonathan Lethem. Now comes a companion volume collecting five novels that offer a breathtaking overview of the range of this science-fiction master. <br/><br/> Philip K. Dick (1928-82) was a writer of incandescent imagination who made and unmade world-systems with ferocious rapidity and unbridled speculative daring. &quot;The floor joists of the universe,&quot; he once wrote, &quot;are visible in my novels.&quot; <em>Martian Time-Slip</em> (1964) unfolds on a parched and thinly colonized Red Planet where schizophrenia is a contagion and the unscrupulous seek to profit from a troubled child's time-fracturing visions. <em>Dr. Bloodmoney, or How We Got Along After the Bomb</em> (1965) chronicles the deeply-interwoven stories of a multi-racial community of survivors, including the scientist who may have been responsible for World War III. Famous, among other reasons, for a therapy session involving a talking taxicab, <em>Now Wait for Last Year</em> (1966) explores the effects of JJ-180, a hallucinogen that alters not only perception, but reality.  In <em>Flow My Tears, the Policeman Said </em>(1974), a television star seeks to unravel a mystery that has left him stripped of his identity. <em>A Scanner Darkly</em> (1977), the basis for the 2006 film, envisions a drug-addled world in which a narcotics officer's tenuous hold on sanity is strained by his new surveillance assignment: himself. Mixing metaphysics and madness, phantasmagoric visions of a post-nuclear world and invading extraterrestrial authoritarians, and all-too-real evocations of the drugged-out America of the 70s, Dick's work remains exhilarating and unsettling in equal measure.]]>
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  <date_updated>Wed Jan 21 16:09:01 -0800 2009</date_updated>
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    <body><![CDATA[A long read, indeed, but what else could be expected of a five novel collection.<br/>All five books have links that are only in the details (this makes it fun) - there are no over-arcing storylines between novels, but some things do make more sense when you see the details in the context of another...<a href="http://www.goodreads.com/review/show/35880479">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/35880479]]></url>
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      <review>
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  <title>
    <![CDATA[Five Novels of the 1960s &amp; 70s]]>
  </title>
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  <average_rating>4.46</average_rating>
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    <![CDATA[Jonathan Lethem, editor <br/><br/> &quot;The most outré science fiction writer of the 20th century has finally entered the canon,&quot; exclaimed <em>Wired Magazine</em> upon The Library of America's May 2007 publication of <em>Philip K. Dick: Four Novels of the 1960s</em>, edited by Jonathan Lethem. Now comes a companion volume collecting five novels that offer a breathtaking overview of the range of this science-fiction master. <br/><br/> Philip K. Dick (1928-82) was a writer of incandescent imagination who made and unmade world-systems with ferocious rapidity and unbridled speculative daring. &quot;The floor joists of the universe,&quot; he once wrote, &quot;are visible in my novels.&quot; <em>Martian Time-Slip</em> (1964) unfolds on a parched and thinly colonized Red Planet where schizophrenia is a contagion and the unscrupulous seek to profit from a troubled child's time-fracturing visions. <em>Dr. Bloodmoney, or How We Got Along After the Bomb</em> (1965) chronicles the deeply-interwoven stories of a multi-racial community of survivors, including the scientist who may have been responsible for World War III. Famous, among other reasons, for a therapy session involving a talking taxicab, <em>Now Wait for Last Year</em> (1966) explores the effects of JJ-180, a hallucinogen that alters not only perception, but reality.  In <em>Flow My Tears, the Policeman Said </em>(1974), a television star seeks to unravel a mystery that has left him stripped of his identity. <em>A Scanner Darkly</em> (1977), the basis for the 2006 film, envisions a drug-addled world in which a narcotics officer's tenuous hold on sanity is strained by his new surveillance assignment: himself. Mixing metaphysics and madness, phantasmagoric visions of a post-nuclear world and invading extraterrestrial authoritarians, and all-too-real evocations of the drugged-out America of the 70s, Dick's work remains exhilarating and unsettling in equal measure.]]>
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  <date_added>Sat Nov 29 10:35:29 -0800 2008</date_added>
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    <body><![CDATA[ok I rated it before reading it because (1) I've read the Dick pieces before and they're not perfect but brilliant in irreplaceable ways, and (2) this kind of thing is just up that brilliant collaborator Lethem's alley. It's gotta be great. yeah. ]]></body>
    
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      <review>
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  <title>
    <![CDATA[Five Novels of the 1960s &amp; 70s]]>
  </title>
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  <average_rating>4.46</average_rating>
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    <![CDATA[Jonathan Lethem, editor <br/><br/> &quot;The most outré science fiction writer of the 20th century has finally entered the canon,&quot; exclaimed <em>Wired Magazine</em> upon The Library of America's May 2007 publication of <em>Philip K. Dick: Four Novels of the 1960s</em>, edited by Jonathan Lethem. Now comes a companion volume collecting five novels that offer a breathtaking overview of the range of this science-fiction master. <br/><br/> Philip K. Dick (1928-82) was a writer of incandescent imagination who made and unmade world-systems with ferocious rapidity and unbridled speculative daring. &quot;The floor joists of the universe,&quot; he once wrote, &quot;are visible in my novels.&quot; <em>Martian Time-Slip</em> (1964) unfolds on a parched and thinly colonized Red Planet where schizophrenia is a contagion and the unscrupulous seek to profit from a troubled child's time-fracturing visions. <em>Dr. Bloodmoney, or How We Got Along After the Bomb</em> (1965) chronicles the deeply-interwoven stories of a multi-racial community of survivors, including the scientist who may have been responsible for World War III. Famous, among other reasons, for a therapy session involving a talking taxicab, <em>Now Wait for Last Year</em> (1966) explores the effects of JJ-180, a hallucinogen that alters not only perception, but reality.  In <em>Flow My Tears, the Policeman Said </em>(1974), a television star seeks to unravel a mystery that has left him stripped of his identity. <em>A Scanner Darkly</em> (1977), the basis for the 2006 film, envisions a drug-addled world in which a narcotics officer's tenuous hold on sanity is strained by his new surveillance assignment: himself. Mixing metaphysics and madness, phantasmagoric visions of a post-nuclear world and invading extraterrestrial authoritarians, and all-too-real evocations of the drugged-out America of the 70s, Dick's work remains exhilarating and unsettling in equal measure.]]>
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  <read_at>Fri Sep 11 00:00:00 -0700 2009</read_at>
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  <date_updated>Fri Sep 11 20:58:06 -0700 2009</date_updated>
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    <body><![CDATA[I only read Martian Time-Slip.  It was a good read, and I think it would have been better had I been able to read it more quickly.  Unfortunately, work kept interfering and I could only read a little bit at a time.  Great work on paranoia, fear, uncertainty, and the need to escape from the mass conf...<a href="http://www.goodreads.com/review/show/68541186">more...</a>]]></body>
    
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      <review>
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    <![CDATA[Five Novels of the 1960s &amp; 70s]]>
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    <![CDATA[Jonathan Lethem, editor <br/><br/> &quot;The most outré science fiction writer of the 20th century has finally entered the canon,&quot; exclaimed <em>Wired Magazine</em> upon The Library of America's May 2007 publication of <em>Philip K. Dick: Four Novels of the 1960s</em>, edited by Jonathan Lethem. Now comes a companion volume collecting five novels that offer a breathtaking overview of the range of this science-fiction master. <br/><br/> Philip K. Dick (1928-82) was a writer of incandescent imagination who made and unmade world-systems with ferocious rapidity and unbridled speculative daring. &quot;The floor joists of the universe,&quot; he once wrote, &quot;are visible in my novels.&quot; <em>Martian Time-Slip</em> (1964) unfolds on a parched and thinly colonized Red Planet where schizophrenia is a contagion and the unscrupulous seek to profit from a troubled child's time-fracturing visions. <em>Dr. Bloodmoney, or How We Got Along After the Bomb</em> (1965) chronicles the deeply-interwoven stories of a multi-racial community of survivors, including the scientist who may have been responsible for World War III. Famous, among other reasons, for a therapy session involving a talking taxicab, <em>Now Wait for Last Year</em> (1966) explores the effects of JJ-180, a hallucinogen that alters not only perception, but reality.  In <em>Flow My Tears, the Policeman Said </em>(1974), a television star seeks to unravel a mystery that has left him stripped of his identity. <em>A Scanner Darkly</em> (1977), the basis for the 2006 film, envisions a drug-addled world in which a narcotics officer's tenuous hold on sanity is strained by his new surveillance assignment: himself. Mixing metaphysics and madness, phantasmagoric visions of a post-nuclear world and invading extraterrestrial authoritarians, and all-too-real evocations of the drugged-out America of the 70s, Dick's work remains exhilarating and unsettling in equal measure.]]>
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  <read_at>Sat Nov 01 00:00:00 -0700 2008</read_at>
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    <body><![CDATA[See my immediately previous review.  More good surreal fun from Philip K. Dick.  ]]></body>
    
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    <![CDATA[Jonathan Lethem, editor <br/><br/> &quot;The most outré science fiction writer of the 20th century has finally entered the canon,&quot; exclaimed <em>Wired Magazine</em> upon The Library of America's May 2007 publication of <em>Philip K. Dick: Four Novels of the 1960s</em>, edited by Jonathan Lethem. Now comes a companion volume collecting five novels that offer a breathtaking overview of the range of this science-fiction master. <br/><br/> Philip K. Dick (1928-82) was a writer of incandescent imagination who made and unmade world-systems with ferocious rapidity and unbridled speculative daring. &quot;The floor joists of the universe,&quot; he once wrote, &quot;are visible in my novels.&quot; <em>Martian Time-Slip</em> (1964) unfolds on a parched and thinly colonized Red Planet where schizophrenia is a contagion and the unscrupulous seek to profit from a troubled child's time-fracturing visions. <em>Dr. Bloodmoney, or How We Got Along After the Bomb</em> (1965) chronicles the deeply-interwoven stories of a multi-racial community of survivors, including the scientist who may have been responsible for World War III. Famous, among other reasons, for a therapy session involving a talking taxicab, <em>Now Wait for Last Year</em> (1966) explores the effects of JJ-180, a hallucinogen that alters not only perception, but reality.  In <em>Flow My Tears, the Policeman Said </em>(1974), a television star seeks to unravel a mystery that has left him stripped of his identity. <em>A Scanner Darkly</em> (1977), the basis for the 2006 film, envisions a drug-addled world in which a narcotics officer's tenuous hold on sanity is strained by his new surveillance assignment: himself. Mixing metaphysics and madness, phantasmagoric visions of a post-nuclear world and invading extraterrestrial authoritarians, and all-too-real evocations of the drugged-out America of the 70s, Dick's work remains exhilarating and unsettling in equal measure.]]>
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    <![CDATA[Jonathan Lethem, editor <br/><br/> &quot;The most outré science fiction writer of the 20th century has finally entered the canon,&quot; exclaimed <em>Wired Magazine</em> upon The Library of America's May 2007 publication of <em>Philip K. Dick: Four Novels of the 1960s</em>, edited by Jonathan Lethem. Now comes a companion volume collecting five novels that offer a breathtaking overview of the range of this science-fiction master. <br/><br/> Philip K. Dick (1928-82) was a writer of incandescent imagination who made and unmade world-systems with ferocious rapidity and unbridled speculative daring. &quot;The floor joists of the universe,&quot; he once wrote, &quot;are visible in my novels.&quot; <em>Martian Time-Slip</em> (1964) unfolds on a parched and thinly colonized Red Planet where schizophrenia is a contagion and the unscrupulous seek to profit from a troubled child's time-fracturing visions. <em>Dr. Bloodmoney, or How We Got Along After the Bomb</em> (1965) chronicles the deeply-interwoven stories of a multi-racial community of survivors, including the scientist who may have been responsible for World War III. Famous, among other reasons, for a therapy session involving a talking taxicab, <em>Now Wait for Last Year</em> (1966) explores the effects of JJ-180, a hallucinogen that alters not only perception, but reality.  In <em>Flow My Tears, the Policeman Said </em>(1974), a television star seeks to unravel a mystery that has left him stripped of his identity. <em>A Scanner Darkly</em> (1977), the basis for the 2006 film, envisions a drug-addled world in which a narcotics officer's tenuous hold on sanity is strained by his new surveillance assignment: himself. Mixing metaphysics and madness, phantasmagoric visions of a post-nuclear world and invading extraterrestrial authoritarians, and all-too-real evocations of the drugged-out America of the 70s, Dick's work remains exhilarating and unsettling in equal measure.]]>
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