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  <title><![CDATA[Maurice, or The Fisher's Cot: A Tale]]></title>
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  <description><![CDATA[Mary Shelley's short children's tale, <em>Maurice, or the Fisher's Cot</em>, remained undiscovered for 200 years. It's a charming enough story about a stolen child who is eventually reunited with his parents, but taken on its own merits, <em>Maurice</em> is far more likely to appeal to Shelley scholars than to modern-day children. Fortunately, its publishers recognize this and have sensibly included a fascinating introduction by Claire Tomalin--indeed, the introduction is longer than the story itself. In it, Tomalin describes the circumstances under which the manuscript was rediscovered (in a trunk, in a palazzo, in Tuscany) and its authenticity verified: <blockquote> We were greeted by Andrea and Cristina Dazzi, and offered coffee. Then the manuscript of <em>Maurice</em> was brought out and laid in front of me on the table: an alarming moment because coffee and manuscripts must not occupy the same space. Once we had separated them, I found <em>Maurice</em> exactly as Cristina Dazzi had described it. </blockquote> Tomalin then goes on to relate the unhappy life of its author from her impulsive elopement to the continent with the then-married  Percy Shelley  through the early deaths of three of her children and the unorthodox relationship between herself, her husband, and her sister--who may also have been Percy Shelley's lover. So riveting is the preface to Shelley's short story, in fact, that a more accurate title might have been <em>An Introduction by Claire Tomalin with a Long-Lost Tale by Mary Shelley</em>.  <p> Included in this slim volume are two versions of <em>Maurice</em>; one is &quot;corrected and slightly modernized for ease of reading.&quot; The other is a facsimile of the original with Shelley's lineation, pagination, spelling, corrections. Read in the context of the author's own unhappy experience of losing children, her fable of a child regained resonates poignantly. This is one lost tale we're glad was found. <em>--Alix Wilber</em></p>]]></description>
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    <![CDATA[Maurice, or The Fisher's Cot: A Tale]]>
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    <![CDATA[Mary Shelley's short children's tale, <em>Maurice, or the Fisher's Cot</em>, remained undiscovered for 200 years. It's a charming enough story about a stolen child who is eventually reunited with his parents, but taken on its own merits, <em>Maurice</em> is far more likely to appeal to Shelley scholars than to modern-day children. Fortunately, its publishers recognize this and have sensibly included a fascinating introduction by Claire Tomalin--indeed, the introduction is longer than the story itself. In it, Tomalin describes the circumstances under which the manuscript was rediscovered (in a trunk, in a palazzo, in Tuscany) and its authenticity verified: <blockquote> We were greeted by Andrea and Cristina Dazzi, and offered coffee. Then the manuscript of <em>Maurice</em> was brought out and laid in front of me on the table: an alarming moment because coffee and manuscripts must not occupy the same space. Once we had separated them, I found <em>Maurice</em> exactly as Cristina Dazzi had described it. </blockquote> Tomalin then goes on to relate the unhappy life of its author from her impulsive elopement to the continent with the then-married  Percy Shelley  through the early deaths of three of her children and the unorthodox relationship between herself, her husband, and her sister--who may also have been Percy Shelley's lover. So riveting is the preface to Shelley's short story, in fact, that a more accurate title might have been <em>An Introduction by Claire Tomalin with a Long-Lost Tale by Mary Shelley</em>.  <p> Included in this slim volume are two versions of <em>Maurice</em>; one is &quot;corrected and slightly modernized for ease of reading.&quot; The other is a facsimile of the original with Shelley's lineation, pagination, spelling, corrections. Read in the context of the author's own unhappy experience of losing children, her fable of a child regained resonates poignantly. This is one lost tale we're glad was found. <em>--Alix Wilber</em></p>]]>
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    <body><![CDATA[Okay Mary Shelley wrote it and it's been lost for years, but it's a children's tale. Kind of boring for me. ]]></body>
    
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    <![CDATA[Mary Shelley's short children's tale, <em>Maurice, or the Fisher's Cot</em>, remained undiscovered for 200 years. It's a charming enough story about a stolen child who is eventually reunited with his parents, but taken on its own merits, <em>Maurice</em> is far more likely to appeal to Shelley scholars than to modern-day children. Fortunately, its publishers recognize this and have sensibly included a fascinating introduction by Claire Tomalin--indeed, the introduction is longer than the story itself. In it, Tomalin describes the circumstances under which the manuscript was rediscovered (in a trunk, in a palazzo, in Tuscany) and its authenticity verified: <blockquote> We were greeted by Andrea and Cristina Dazzi, and offered coffee. Then the manuscript of <em>Maurice</em> was brought out and laid in front of me on the table: an alarming moment because coffee and manuscripts must not occupy the same space. Once we had separated them, I found <em>Maurice</em> exactly as Cristina Dazzi had described it. </blockquote> Tomalin then goes on to relate the unhappy life of its author from her impulsive elopement to the continent with the then-married  Percy Shelley  through the early deaths of three of her children and the unorthodox relationship between herself, her husband, and her sister--who may also have been Percy Shelley's lover. So riveting is the preface to Shelley's short story, in fact, that a more accurate title might have been <em>An Introduction by Claire Tomalin with a Long-Lost Tale by Mary Shelley</em>.  <p> Included in this slim volume are two versions of <em>Maurice</em>; one is &quot;corrected and slightly modernized for ease of reading.&quot; The other is a facsimile of the original with Shelley's lineation, pagination, spelling, corrections. Read in the context of the author's own unhappy experience of losing children, her fable of a child regained resonates poignantly. This is one lost tale we're glad was found. <em>--Alix Wilber</em></p>]]>
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    <![CDATA[Maurice, or The Fisher's Cot: A Tale]]>
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    <![CDATA[Mary Shelley's short children's tale, <em>Maurice, or the Fisher's Cot</em>, remained undiscovered for 200 years. It's a charming enough story about a stolen child who is eventually reunited with his parents, but taken on its own merits, <em>Maurice</em> is far more likely to appeal to Shelley scholars than to modern-day children. Fortunately, its publishers recognize this and have sensibly included a fascinating introduction by Claire Tomalin--indeed, the introduction is longer than the story itself. In it, Tomalin describes the circumstances under which the manuscript was rediscovered (in a trunk, in a palazzo, in Tuscany) and its authenticity verified: <blockquote> We were greeted by Andrea and Cristina Dazzi, and offered coffee. Then the manuscript of <em>Maurice</em> was brought out and laid in front of me on the table: an alarming moment because coffee and manuscripts must not occupy the same space. Once we had separated them, I found <em>Maurice</em> exactly as Cristina Dazzi had described it. </blockquote> Tomalin then goes on to relate the unhappy life of its author from her impulsive elopement to the continent with the then-married  Percy Shelley  through the early deaths of three of her children and the unorthodox relationship between herself, her husband, and her sister--who may also have been Percy Shelley's lover. So riveting is the preface to Shelley's short story, in fact, that a more accurate title might have been <em>An Introduction by Claire Tomalin with a Long-Lost Tale by Mary Shelley</em>.  <p> Included in this slim volume are two versions of <em>Maurice</em>; one is &quot;corrected and slightly modernized for ease of reading.&quot; The other is a facsimile of the original with Shelley's lineation, pagination, spelling, corrections. Read in the context of the author's own unhappy experience of losing children, her fable of a child regained resonates poignantly. This is one lost tale we're glad was found. <em>--Alix Wilber</em></p>]]>
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    <![CDATA[Maurice, or The Fisher's Cot: A Tale]]>
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    <![CDATA[Mary Shelley's short children's tale, <em>Maurice, or the Fisher's Cot</em>, remained undiscovered for 200 years. It's a charming enough story about a stolen child who is eventually reunited with his parents, but taken on its own merits, <em>Maurice</em> is far more likely to appeal to Shelley scholars than to modern-day children. Fortunately, its publishers recognize this and have sensibly included a fascinating introduction by Claire Tomalin--indeed, the introduction is longer than the story itself. In it, Tomalin describes the circumstances under which the manuscript was rediscovered (in a trunk, in a palazzo, in Tuscany) and its authenticity verified: <blockquote> We were greeted by Andrea and Cristina Dazzi, and offered coffee. Then the manuscript of <em>Maurice</em> was brought out and laid in front of me on the table: an alarming moment because coffee and manuscripts must not occupy the same space. Once we had separated them, I found <em>Maurice</em> exactly as Cristina Dazzi had described it. </blockquote> Tomalin then goes on to relate the unhappy life of its author from her impulsive elopement to the continent with the then-married  Percy Shelley  through the early deaths of three of her children and the unorthodox relationship between herself, her husband, and her sister--who may also have been Percy Shelley's lover. So riveting is the preface to Shelley's short story, in fact, that a more accurate title might have been <em>An Introduction by Claire Tomalin with a Long-Lost Tale by Mary Shelley</em>.  <p> Included in this slim volume are two versions of <em>Maurice</em>; one is &quot;corrected and slightly modernized for ease of reading.&quot; The other is a facsimile of the original with Shelley's lineation, pagination, spelling, corrections. Read in the context of the author's own unhappy experience of losing children, her fable of a child regained resonates poignantly. This is one lost tale we're glad was found. <em>--Alix Wilber</em></p>]]>
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