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Die Liebe Des Letzten Tycoon: Ein Western ; Roman

3.65 of 5 stars 3.65  ·  rating details  ·  6,105 ratings  ·  411 reviews

The Love of the Last Tycoon, edited by the preeminent Fitzgerald scholar Matthew J. Bruccoli, is a restoration of the author's phrases, words, and images that were excised from the 1940 edition, giving new luster to an unfinished literary masterpiece. It is the story of the young Hollywood mogul Monroe Stahr, who was inspired by the life of boy-genius Irving Thalberg, and

Published 2006 by Diogenes (first published 1941)
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I'm not precisely sure why this book effected me the way it did, but it certainly did. Fitzgerald finished writing the fifth chapter of this book before he had a heart attack and died. When you get to the end of this unfinished novel, you find the last word one of the greatest American writers ever wrote. Something about this is chilling. And despite the fact that one can not make any substantial investment in characters who we know in advance we'll never know completely or whose stories we won' ...more
Oh, Fitzgerald, Fitzy, Scott, F. I kept putting this one off because I knew exactly how it would leave me, and I was exactly right. As much as I love Gatsby, as much as I love Tender is the Night and the short stories and the essays and every wastebasket scrap he’s written, this would have been It. Capital-I It. It still almost is, even terribly unfinished.

Now what? The other woman was more missed in her absence. They were alone and on too slim a basis for what had passed already. They existe
Reading F. Scott Fitzgerald’s penultimate novel, “Tender is the Night,” saddened me, because it showed a once-great man struggling—and failing—to write a novel worthy of his prodigious talent and storied past.

Reading “The Last Tycoon” saddens me, because he found that novel, then suddenly died before he could finish it.

“The Last Tycoon” tells the story of Hollywood golden boy Monroe Stahr.
He’s a good guy, pays his people well, and works hard to make good, profitable films—he’s not even afraid
Another Fitzgerald novel that I read in French a long time ago, and have just rediscovered with wonder by reading it in English. There's something about Fitzgerald's writing style that is really unique and that no translation, as good as it may be, can communicate. Because The Last Tycoon is unfinished, and is a work in progress that will always stay this way, it can come across as frustrating not to have the complete novel, and to read sentences and paragraphs that the author may have rewritten ...more
I have now read all of Fitzgerald's major published works. After finishing The Love of The Last Tycoon, the incomplete manuscript on his desk when he died, I ask immediately wonder how this novel differs from his other works. Did he know he had this one last chance to voice his ideas? Did he compile the breadth of his lifelong learning into his final literary hero? Unfortunately, we can only speculate on these questions. But I find comfort in the idea that we would not have these questions had n ...more
La Mala  ✌
EDIT: Junio, 2015

I Watched the movie again last night. Sick and all, STILL LOVED IT.

Reseña Original: November, 2014


I read the book a looong time ago, but last week I saw the movie for a fourth time and..

I'm not sure why but, for some reason, I prefer the film version to the book.


I wonder why that is...


....I mean, I think the movie had a certain something a superior someone...


I know it had something someone definitely superior...


...That i loved a lot more/u>< in the movie...


May 19, 2013 Laura rated it 4 of 5 stars  ·  review of another edition
Recommends it for: Bettie, Wanda, Carey
This review has been hidden because it contains spoilers. To view it, click here.
Chester Dean
Después de El Gran Gatsby, no había podido leer nada más de Fitzgerald, intenté leer Éste lado del paraíso, pero creo no llegué ni a la mitad (algún día planeo terminarlo) así que sentí como una excelente oportunidad continuar con los libros de Fitzgerald con ésta novela. Cuando leí la sinopsis quedé convencida, ya que amo el mundo del cine, tanto nuevo como antiguo, así que tenía muchas ganas de leer al respecto.

El libro es narrado a dos voces, la principal, que es un narrador en tercera person
I can only be brief here because of how unmemorable a read this book was. I was honestly disappointed by the quality of prose and story I observed in this novel. Sadly diminished as it was from Fitzgerald's usual quality. However to be fair the story was incomplete due to his untimely death and he may have gone back and edited it later. Still I found it to be rather dry and boring.

It seemed that he attempted to write another moral tale in the vein of The Great Gatsby yet failed to produce a tale
Elizabeth Periale

"Fitzgerald deftly sketches the 24-hour schedule of a studio boss, while also making him a thinking, feeling human being. The object of Stahr's desire, Kathleen, is a little less clearly drawn, but that seems deliberate, as she presents herself at first as a woman of mystery, to discourage Stahr's romantic pursuit. ...

Stahr and his work, not just his potential romance, are so involving that it is truly tragic for the reader when the text stops abruptly. Th
Evan Kingston
There are some really great scraps in this manuscript: complex, well-drawn characters; witty dialogue; a vivid sense of setting, both time and place; rare insight into the workings of the studio system; and frequent passages of gorgeous prose. It seems that if F. Scott could have kept working on it, he could have reclaimed his talent and turned it into another great novel, maybe going on to write many more.

Unfortunately, he died before he finishing a whole draft; this book has no end--and worse-
Shannon (Giraffe Days)
This is Fitzgerald's last work before he died, and is incomplete. This authorised text version comes with a lot of preface and appendices, all designed to be extremely helpful to the Fitzgerald enthusiast.

That ain't me.

Aside from a couple of neat lines in The Great Gatsby, I was incredibly bored by that book and haven't bothered with anything else of his.

I don't think I'd even heard of this book before, but I had to read it for one of my bookclubs. It's very short, at only 127 pages, and ends ab
I finished The Last Tycoon, what there is of it, and it underwhelmed in the end. I have a bit of a problem with the mix of first person and third person. Fitzgerald justifies it in a letter included with the book, but I think the book would have been better all in first person. He also says in the letter that

"Unlike Tender is the Night, it is not the story of deterioration--it is not depressing and not morbid in spite of the tragic ending. If one book could ever be 'like' another, I should say i
Shelly Holder
Jan 31, 2010 Shelly Holder is currently reading it  ·  review of another edition
The paragraph transitions are a little choppy, but for an uncompleted manuscript this is extremely polished and honed. Sometimes one will simply forget this detail because of the quality of the story-telling. I am quickly falling in love with the book that is the unfinished jewel at the pinnacle of a master's career.

I grew up in Southern California, not far from Hollywood, and has always despised the movie industry in a way from the familiarity. I lost the sense of glow and glamor, but Fitzgera
The library copy of Fitzgerald's unfinished novel that I've read was published in 1941, shortly after Fitzgerald's death, and has an introduction by his friend and literary critic, Edmund Wilson, who was the first to collect and edit the author's writing and notes. This version is just six chapters long but includes notes and ideas for further chapters.

The protagonist, Monroe Stahr, is purportedly based on the life of film producer and Hollywood Wonder Boy, Irving Thalberg, whose studio rival i
Brian Willis
Ah, Scott. You really knew how to make an exit, didn't you? With this primary draft fragment, Fitzgerald made one last grasp at literary immortality, and likely would have known it in his lifetime if he had the time. The existing half of LOTLT is enthralling, full of the hauntingly beautiful lyricism of Fitz's best work. It is also grounded in the knowledge of the Hollywood trade that would have made for a completely devastating social commentary on the manufacturing of dreams. One can't help bu ...more
John Williams
Reading Fitzgerald always reminds me of the joys of writing. Not of story-telling, but the technical act of writing in and of itself. Fitzgerald is a craftsman. And while he always tells his stories passionately and there is always great drama and romance to be found in his plots, it is always his poetic craftsmanship which intrigues and impresses me. I found myself laughing with joy on more than one occasion just at the mere feel of his word order and word choice as I read them in my mind. He h ...more
Jul 18, 2008 Art rated it 5 of 5 stars  ·  review of another edition
Recommends it for: everyone, especially aspiring writers
As a stand alone work (this is an unfinished novel), the book does not hold up. But as a glimpse into the writing process of a literary genius, it is a stunning work. This is the book I wish he had finished before dying. The most polished pieces of the book, the first few chapters, are some of his very best work. I was amazed when I read it, and again when I re-read it.

Drawing on his experiences as a lackluster screen writer in Hollywood in the 30's, Fitzgerald weaves a modern-day (for his time)
Steve Stuart
I can't in good conscience recommend this book for anyone. If you enjoy it, you'll be disappointed when the unfinished novel ends, just as the central romance suffers an unexpected turnaround, and before the storyline that leads to the book's climax is really unveiled. And if it doesn't bother you that the book ends in the middle, then you probably should have been reading something else anyway.

The narration style is strange, bouncing back and forth between first-person narration by a peripheral
This is a terrific half novel and I thoroughly enjoyed it. Of course being obsessed with "making pictures" myself didn't hurt my appreciation of the story. But even if I wasn't movie-crazed, the book would still appeal just as strongly--Fitzgerald has a wonderful way of balancing his lyricism with character and action, creating suspense and then letting that suspense carry you through the more peaceful moments, while adding a healthy dollop of humor for good measure.

Fitzgerald was a certified r
with an unfinished manuscript, the story is bound to be a bit muddled, which The Last Tycoon absolutely was. However, the read poignancy of the book lies in the last 40 or so pages where the editors have included all of Fitzgerald's notes about where the novel would take him and how he would handle certain characterization. He evens writes in a letter that he hopes this novel is similar to The Great Gatsby in sentiment, but ends in a more hopeful way. For some reason it never dawned on me that s ...more
Lucas Dispoto
It's impossible to give this book a rating seeing as it was incomplete at the time of Fitzgerald's death and what remains are fragments. Reading the remains was a unique opportunity to get a sense of Fitzgerald the Writer, his creative process, and his vision. I leave it at 0 stars, not good, not bad. Nothing can be said about an unfinished work and it would be unfair to judge or criticize it.
I was so disappointed by this book, but I guess nothing is as good as "The Great Gatsby"...
Luís Blue Yorkie
"Monroe Stahr is a charismatic and successful Hollywood producer, mogul and workaholic. He lives in a bonfire of vanities, amid cynicism, hypocrisy, promiscuity and people willing to do anything to be immortalized on screen cinema. But Stahr, this Great Gatsby film industry, can not get over the death of his wife, Minna, a famous actress. Until a vision dominates: the much the same unknown with his late wife. The tragic story of the last tycoon love is told by Cecilia, daughter of a member of St ...more
Sarah Morris
This one got me excited when I picked it up as oddly I don't remember hearing about it. Fitzgerald's last, incomplete novel an almost west coast version of Gatsby by the sounds of it. And it was this, a man helplessly going after a woman who resists, 'a doomed love affair'. But it isn't too similar that it's just like oh he just tried to redo it. Of course as this is an unfinished book it's not going to be a perfect draft but the one thing that got me was the narration. It starts off in first pe ...more
Fitzgerald died halfway through writing chapter six (out of a planned nine) of The Last Tycoon, leaving behind a string of self-doubting notes as well as some outlines for the denouement of the story, which is cut short of a third act as it is. How do you even rate an unfinished work? Do you criticize what part has been completed, even if it holds as much polish as a first draft? Do you take into account the author's plans for what remains incomplete? How much would've been changed before it was ...more
A mish-mash of a book, it is largely interesting as a "work in progress", which it was upon Fitzgerald's death of a heart attack in December, 1940. A good edition is the version with Matthew Bruccoli's notes, showing the author's outline for the book and including notes by Fitzgerald and close friends who prepared the novel for publication in 1941.

"The Love of the Last Tycoon, A Western" is Fitzgerald's full title because he believed that Hollywood included the last American pioneers and immigra
Marco Freccero
Anche se non sono mai comparsa sullo schermo, nel cinema ci sono cresciuta.

Che senso ha riflettere su un romanzo rimasto incompiuto? Può essere almeno interessante, oppure il mio è un maldestro tentativo di far apprezzare agli altri un abbozzo, un’opera che è rimasta congelata in uno stato di acerba bellezza? Sono io quindi che scrivo, oppure è la simpatia che ho per Francis Scott Fitzgerald che mi spinge a pestare le dita sui tasti?

Più o meno erano questi i pensieri che mi facevano compagnia me
It's funny reading an unfinished novel, since you know you're not going to get a really satisfying ending. All things considered, this was pretty good in spite of not having an ending. However, it was spotty in places, presumably waiting for another edit. Frankly, the most interesting part for me was the examination of studio-era Hollywood, a milieu that Fitzgerald knew well. He goes into the hierarchical social differences and how that affects people's personal lives, and the process of actuall ...more
This is the best unfinished novel I've read (granted, it's a short list), but also better than many (most) finished ones. It's rough and patchy and incomplete, but that adds to its charm overall. Reading Fitzgerald's notes and synopsis and outline for the full-blown work, I'm glad he didn't finish it; the scraps that he did write were much more suggestive and flavorful for their standalone, incomplete nature. Based on the plans he had for it, the finished work would have been less than the sum o ...more
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Where did F. Scott stop? 2 11 Jun 08, 2014 08:52AM  
Which should I read? 1 17 Jan 22, 2013 04:52PM  
  • Some Sort of Epic Grandeur: The Life of F. Scott Fitzgerald
  • The Collected Writings
  • The Dangerous Summer
  • Three Complete Novels: Howards End, A Room with a View, Where Angels Fear to Tread
  • Hemingway vs. Fitzgerald
  • The Norton Anthology of English Literature: The Major Authors
  • Dodsworth
  • Rabbit Angstrom: The Four Novels
  • Fairy Tales
  • Best Short Stories of Jack London
  • The Story and Its Writer: An Introduction to Short Fiction, Compact Sixth Edition
  • The Mansion
  • Living Well Is the Best Revenge (Modern Library)
  • The Short Reign of Pippin IV
  • Byron's Poetry
Francis Scott Key Fitzgerald was an American writer of novels and short stories, whose works have been seen as evocative of the Jazz Age, a term he himself allegedly coined. He is regarded as one of the greatest twentieth century writers. Fitzgerald was of the self-styled "Lost Generation," Americans born in the 1890s who came of age during World War I. He finished four novels, left a fifth unfini ...more
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