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Thirteen Ways Of Looking At The Novel

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3.77  ·  Rating Details ·  905 Ratings  ·  153 Reviews
Pulitzer Prize winner and bestselling novelist Jane Smiley celebrates the novel–and takes us on an exhilarating tour through one hundred of them–in this seductive and immensely rewarding literary tribute.

In her inimitable style–exuberant, candid, opinionated–Smiley explores the power of the novel, looking at its history and variety, its cultural impact, and just how it wor
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Published 2007 by Faber (first published September 13th 2005)
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David
Jul 05, 2007 David rated it it was amazing  ·  review of another edition
So many books .... so little time. Last year I read over a hundred books, yet I still feel I barely scratched the surface. There’s always the sense of falling further behind. One can certainly understand the appeal of Pierre Bayard’s “How to Talk About Books You Haven’t Read”, if only as an aid to help keep your head above water, to help navigate the tsunami of new material which bombards us monthly.

But that’s not what this review is about. Jane Smiley’s “Thirteen ways of Looking at the Novel” w
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Violet wells
I’m afraid I found this tedious – a huge waste of time and effort both on her part for writing it and my part for reading it. James Wood manages to give more thrilling insights into the nature of the novel in one review than Smiley manages in almost six hundred pages. Virginia Woolf likewise in any one of her essays in The Common Reader. At one point Smiley devises some bizarre clock segmented into twelve categories which is supposed to offer insight into the nature of the novel. The categories ...more
Paul Bryant
Sep 25, 2007 Paul Bryant rated it really liked it  ·  review of another edition
Shelves: litcrit
If Jane Smiley's brain was a car it wouldn't be a car it would be a chunky powerful red tractor forever heaving things out of deep ditches and making a hell of a loud noise whilst doing so. Every time I read some of this big book it's like she's four inches from my face yelling things. But quite a lot of what she's yelling is really good. Frinstance -

"unfortunately for the highly ideological novelist, ideas change - the first things to die in any novel are those precious social theories that the
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David
Books about books can be interesting or deadly dull, and books with one author's arbitrary list of "100 books I think you should read" can likewise be great when they convince you to add a few to your TBR shelf, or annoying when you find yourself saying "Come on — a list full of obscure 19th century novels most people have never heard of, but no love at all for genre fiction?" I found myself doing both while reading 13 Ways of Looking at the Novel. Jane Smiley talks about novels with enthusiasm ...more
مروان البلوشي
الأمريكيين يميلون لتحليل ومقاربة الأمور وكأنهم يجرون عملية جراحية في عيادة مايو كلينيك، أو يصلحون سيارة في شيكاغو أو ديترويت. المعنى هو أنهم لا يأخذون الأمور بنفس العمق (المتعب أحياناً) الذي يميل له الأوروبيون، هذا التعميم الذي يبسط الكثير من الأمور، نجد دليل له في هذا الكتاب الممتع :

"13 طريقة لفهم الرواية"
في 2001 كانت الكاتبة الأمريكية جاين سمايلي في وسط عملية كتابة أحدث رواياتها، عندما تفاجأت أن بئر الإبداع جف فجأة وأنها لا تستطيع إكمال الكتابة، قررت سمايلي أن تقوم بقراءة 100 رواية مختلفة، على
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Glen Engel-Cox
One of the ways to consider this unusual book by Pulitzer-prize winning author Smiley is as an instruction book. I purchased this because it came up as a featured selection of the Writer's Digest Book Club, and its as good a book regarding the process of writing a novel as any I've read, and better than most. Smiley points out that, unlike many other artistic endeavors, the novel is one that doesn't require much equipment (paper and a pen/pencil). What it takes, more than anything is motivatioon ...more
Heather
Feb 17, 2009 Heather rated it it was amazing  ·  review of another edition
Shelves: library, nonfiction
I originally picked this book up at the library because I had fallen in love with How to Read Literature Like a Professor by Thomas C. Foster; that book changed the way I read, and it made me want to read more on the artistry behind reading and writing. The text started off at a crawl, the reader has to want to read this and plug through the dense language to get at the important message and value of this book. This is not dissimiliar to Smiley's works of fiction, as they generally start off slo ...more
Jessica
Jan 13, 2008 Jessica rated it really liked it  ·  review of another edition
Recommends it for: novel-readers; wannabe novel-writers
Recommended to Jessica by: david; ginnie
Shelves: wish-i-owned
I wish Jane Smiley were on Bookface so that she could be my Bookster. I guess that isn't really necessary, though, thanks to this!

I really, really enjoyed 13 Ways of Looking at the Novel. I think it's great for someone who, like me, enjoys reading novels but doesn't think much about what they are or why she likes them, who'd appreciate some framework for thinking about them that isn't based at all in literary criticism or theory. Smiley isn't writing as an academic or a critic, but as a reader a
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Lauren
Aug 26, 2012 Lauren rated it it was amazing  ·  review of another edition
I've read this book several times now, and my copy is quite battered. That's partly because I have a bone-deep weakness for "books about books," and if someone writes an account of their reading, I will almost certainly read it, but it's also because Smiley's analysis of the novel as a form is insightful and nuanced.

Smiley was struggling with writer's block when she decided to reboot and recharge by reading a hundred "serious" novels. (There are moments where I push back against this book, and o
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Dusty Myers
I thought this book would be light and breezy, probably because of ill-informed notions I had of Smiley as a writer (I guess I placed her near Anne Tyler in some kind of continuum), and because of the folksy title. The conceit behind the book is that shortly after Sept. 11, 2001, Smiley found herself not just stuck/bored with the novel she'd been writing, but also unsure about the importance of The Novel in general. So she set the book aside and read 100 novels over the next three years. The not ...more
Melinda Jane Harrison
Aug 27, 2012 Melinda Jane Harrison rated it it was amazing  ·  review of another edition
Recommends it for: all writers and readers of novels
Recommended to Melinda Jane Harrison by: My sister
REREAD. Had some issues with novel again. This book really helps me make decisions that otherwise I might not be able to make for weeks and weeks. Clarity on what the novel is, what it does, great examples when talking about 100 other novels. I love it. Highly Recommended.

I've had some issue with my own writing lately and to work out some problems in my mind, I stopped and read this book, which has been so helpful to me. Jane Smiley is a genius! For one she wrote this book for herself when she g
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Cynthia
Parts of this very wonderful book got two stars and parts got five stars, thus my three-star rating. It's not an exact science.

This is a big, keep-on-the shelf reference for would-be novelists. Lots of really important tips for authors, very practical stuff. Like David noted on his Goodreads review, there are quite a few novelists who should really study this before they write again.

My expectations for this chunky, pithy, reference was that it would be a book for readers. Really it is a book for
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Sharon
Oct 10, 2010 Sharon rated it it was amazing  ·  review of another edition
Shelves: non-fiction
This is a filet mignon of a book: meaty, delicious, and satisfying. I've enjoyed most of Smiley's fiction (except "Greenlanders" - WTF?), and this non-fiction work shows me exactly why that is. She discusses her own work, but also undertook to read 100 novels when she was having a bout of writer's block. That project resulted in this book. In the first half, she discusses various aspects of the novel, in general. She also gives a couple of chapters worth of writing tips. The last half of the boo ...more
Bookmarks Magazine

Critical opinion varies greatly on the discourse offered by this Pulitzer Prize winner on the biography and art of the novel. While some critics applaud her convictions on what makes a novel and a novelist, others feel she needs to exit the classroom and enter the minds of the mainstream reader. As the author of 11 novels who turned her attention to devouring books when she lost inspiration while writing Good Faith (**** July/Aug 2003) during 9/11, she has certainly done her homework. Perhaps th

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Alex
May 20, 2013 Alex rated it it was amazing  ·  review of another edition
How funny, I haven't added this book. I've been reading it for like three years now. It's terrific. Smiley's take on the 100 novels she reads don't always agree with mine, but they often do - and they're always clear-eyed, unsentimental and very smart. It's pretty fun to finish a classic, think "Man, I kinda didn't like that," flip to this thing and find Smiley just savaging it.

She calls To Kill a Mockingbird "The Uncle Tom's Cabin of the 20th century." Finally, someone agrees with me!

There's n
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Jennifer Louden
Aug 29, 2012 Jennifer Louden rated it really liked it  ·  review of another edition
Certainly took me long enough to read because I fell asleep during the early sections - smart and insightful yes but also academic and I'm not sure why. But when I finally got to the three sections about novel writing - hitting the writing mother lode. As good as Ron Carlson Writes a Story, maybe better. So many gems that gave me hope and most valuable at all, deep insight into the creative process by a very smart and accomplished and brave writer.
Emma Sea
DNF.

I dislike Smiley's voice.
Larry Bassett
I was not optimistic about Thirteen Ways of Looking at the Novel after I got it on GR Bookswap. The second half is about 100 books that the author thinks will “illuminate the whole concept of the novel.” I have read one of them (To Kill a Mockingbird) and heard of only about one-third more. Probably more than George W. Bush but still embarrassing for a college english major. Smiley takes Bush (who said his favorite book is The Very Hungry Caterpillar) to task in the chapter on history. She got p ...more
Taka
Not bad—

This is not a practical guide book showing how to go about writing a novel. It doesn't have "techniques" or "method," but the different kinds of rumination Smiley offers can be instructive and in some cases inspire you to re-examine your own work, as yours sincerely did. At points, I had theoretical objections to her use of "theory" in writing novels, but that's a quibble really not worth mentioning here.

If you're interested in what novels can mean and learning about different aspects of
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Sara
If only I could put together something this bright, insightful, and inspiring when I have writer's block! Published in 2005, this book was borne from dual frustrations - Smiley's inability to finish her new novel and the then recent attacks on the World Trade Center. As an antidote, she decides to read 100 novels from The Tale of Genji to Atonement (though, she notes, not read chronologically) and remind herself what the novel is capable of. This book is the fruit of those labors.

The first twel
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Jane Turner
Jun 14, 2011 Jane Turner rated it it was amazing  ·  review of another edition
Shelves: awesome, how-to-write
The goal of a good novel is to understand a character more completely than the reader understands herself, according to Jane Smiley. To do so, abundance is the key, and in her book 13 Ways of Looking at the Novel, Smiley provides an abundance of ideas far beyond her numeric 13.

When writing your novel, Smiley insists your characters possess an abundance of talent, misfortune, and feral nature, and you must pepper everything with insight and paradoxes. A story about war is really about peace, and
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Marie
I think I may have to buy this book.

I didn't *love* it, but it's an academic book, and dense, and there's a lot I want to review.

However long it's been on my "currently reading" list, it didn't actually take me 7 months to read. But the library kept taking it back, and it wasn't something meant to read in one sitting.

Smiley is insightful and intelligently articulates what she thinks the novel is, which I must admit I don't fully agree with. Nevertheless, she argues well for her position, and th
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Amy Wilder
Nov 23, 2009 Amy Wilder is currently reading it  ·  review of another edition
This is a little daunting because I feel reading it like a stupid ninth grader who has never taken an English class not a graduate of a good college who took 400-level English courses. On the other hand I feel like when/if I finish it I will be able to TEACH a 400-level English class - or at least ninth grade English. I think that it's interesting that my teachers and professors never stopped to talk for long about what a novel is - I mean they went over the origins of the novel - damn, I think ...more
Nick
Nov 10, 2008 Nick marked it as never-finished  ·  review of another edition
Smiley's prose is well-crafted but dull and meandering. There are neither bold claims nor humor. She has some good insights, but they seem to lie at the bottom of a sty: they might well be worth reading but do you really want to dig through the mud and dung to get there? The best part of the book is her analysis of the 100 novels--there she is pithy and her choice of novels is quite fascinating.

I thought it funny that she didn't admire "The Unberable Lightness of Being." Perhaps she is right th
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Nora
Jun 05, 2015 Nora rated it really liked it  ·  review of another edition
i really enjoyed reading this; i expanded my to-read list by a LOT. i don't think you would like this if you weren't a big big big novel reader. i appreciated the author's thoroughness, and i think i enjoyed the second half, which is a straight-up list of 100+ novels she read plus her thoughts on them, more than the essays of the first half, which draws definitions of the novel by making comparisons between them. i liked how attentive she was to the psychological/sociological underpinnings of ea ...more
Lily
May 19, 2015 Lily rated it really liked it  ·  review of another edition
Recommends it for: Interest in novels -- whether writing or reading them
Recommended to Lily by: Don't remember
I liked this well enough to buy my own paperback copy and return the hardcover to the library system.

So far, I have especially enjoyed Smiley's reviews of 100 novels, even when, or even especially if, I don't agree with her.

But the more philosophical material about writing seems very worthwhile and I will keep pecking away at it, in small junks (a chapter or two, or less) at a time. After all, Smiley has taught literature at Iowa for a long time, as well as earning and building her solid reputat
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Janet
Jul 08, 2009 Janet rated it really liked it  ·  review of another edition
I'm reading this book just by opening and reading a paragraph or two... so much inspiration and insight doing it that way. Tried reading it in a linear way but didn't like that as much. This way, I read until I feel inspired and then go to work. I'm more interested in being inspired than informed.
Zeenat
Dec 06, 2015 Zeenat rated it it was amazing  ·  review of another edition
There are two chapters in the middle about writing specifically, which are pure gold. The first half is about general writing and Smiley's own experiences as a writer and her thoughts on writing which are philosophical and critical and informed. Then the two chapters on writing divide the second half which comprises brief essays on the 100 books she read. Wonderful read!
Carrie
Mar 21, 2008 Carrie rated it liked it  ·  review of another edition
If I could, I'd give this book both a five and a one. Some of this book is gut-wrenching and life -affirming (if your life happens to revolve, in any way, around novels. Mine does.) She has a whole section about how reading novels teaches empathy, and I love that. But her summaries of the 100 novels she read, well, they kind of piss me off sometimes. Lolita is mediocre? I dunno, Jane.
Mugren Al-Ohaly
I only read the main part of the book (which is about 50%), I didn't read her summaries of the 100 novels.

I feel like a lot could've been cut out, making for an easier read. Too much vital information gets lost in the denseness and drabness of her writing.
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Jane Smiley is a Pulitzer Prize-winning American novelist.

Born in Los Angeles, California, Smiley grew up in Webster Groves, Missouri, a suburb of St. Louis, and graduated from John Burroughs School. She obtained a A.B. at Vassar College, then earned a M.F.A. and Ph.D. from the University of Iowa. While working towards her doctorate, she also spent a year studying in Iceland as a Fulbright Scholar
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“Many people, myself among them, feel better at the mere sight of a book.” 6136 likes
“A novelist has two lives-- a reading and writing life, and a lived life. he or she cannot be understood at all apart from this.” 22 likes
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