Shreve's writing just sings in this book. The opening scene, in which the 15-year-old main character makes her way across a beach as men gawk at her, is simply stunning. I can hear lines from this book in my head, they're so well written. Perhaps this book resonates particularly strongly becaus...more
I love this book...a reluctant admittance. The story of forbidden love is wrong, right, sad, joyful, and just utterly romantic even in its sheer destruction. I think my feelings for this book may also be biased by things in my personal life around the time that really made me feel and understand all of the characters quite deeply. Anyway,...more
Do not be fooled for an instant. Shreve’s novel is a pale imitation of those Grande Dames of Literature.
Oh sure, Fortune’s Rocks—much like Wharton’s The Age of Innocence—is filled with scenes that would startle modern readers with their conservatism. An...more
Let's see, what else? Haskell and Olympia are two people who experience that "connection" so many people...more
That's an approximation of the sound effects I made in my car (on repeat) while listening to this book. The decisions made by Olympia Biddeford continually frustrated me to the point of audibly expressing myself in the car. I tried to get on board with the relationship between Olympia & Haskell. It was 1900! Women got married younger! This could be love? But then every bone in my body would be like: NO! She is 15! He is 41! I don't care what year it is - he...more
Set in the summer of 1899 when Olympia is 15 years old, the story takes place at a wealthy beach community, in New Hampshire. I am not sure if it is a real place or a mythical one, but it definitely has a basis in historical fact and the setting is as much a character as any of the human...more
I must admit that I really felt for Olympia, a girl struggling with the strict rules of her era, the 19th century (Shreve did a nice job researching and bringing this period alive). Her wealthy family hovers over her protectively, but ironically enough they are the ones inviting danger into their house. Presenting itself in the form of charming docto...more
In the beginning this book is almost everything I least like reading. It's a historical love story set in 1899. If I hadn't read any of Shreve's books before I'd have given up then and there. I carried on reading about the affair between fifteen year old Olympia Biddeford and forty one year old married with four children John Haskell because I thought that Shreve must have something in mind other than a pure romance (or not-so-pure depending on which sense you apply pure in, I suppose).
And of c...more
Como história principal, acompanhamos Olympia Biddeford, de 15 anos, que se apaixona por um amigo do seu pai, que tem 41 anos, á casado e pai de quatro filhos. Não posso dizer que esteja de acordo com o que Olympia e John fizeram, pois se há algo que não suporto é a traição, mas talvez na...more
The central character Olympia undergoes a massive transition as she matures and recognises the consequences of her actions.
It was somewhat disappointing to me that at no stage did the author approach the issue of obsession, even though a...more
No entanto foi demasiado fácil compreender o papel de Olympia, a sua angústia, o seu sofrimento...todos os momentos pelos quais passou, pelos quais, chega a pensar, que não deveria ter passado.
Sendo uma jovem de 15 anos, Olympia sabe pensar, sabe agir. Não se deixa levar pelas opiniões, tem capacidade para levar avante os seus pensamentos, as suas acções, o que o coração lhe dita.
How olympia deals with the lov...more
This was the first Anita Shreve book I've read since "The Last Time They Met" from about 6 years ago which was gorgeously written, and I had hopes that despite my slight aversion to plots centered around affairs, this plot, if well-composed, could be acceptable...
...but by the end of the novel, I was still convinced that John Haskell, the marrie...more
So that affair does what it does and we follow her through some years of consequences. The last section of the book follows her in a trial where her stance does not elicit my emp...more