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  <title><![CDATA[L'Amour fou : Photography and Surrealism]]></title>
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  <default_description>Now back in stock: A collection of fabulous photographs by the  foremost Surrealist artists.  &lt;P&gt;Much has been written about Surrealist painting and sculpture, but most of the  erotic, disorienting, and exquisite Surrealist photographs of Man Ray, Marcel  Duchamp, Max Ernst, Andre Breton, Brassai, Salvador Dali, Andre Kertesz, and  Hans Bellmer have remained all but unknown--until now. Traditional criticism has  viewed Surrealist photography as a pale imitation of authentic Surrealist work.  The assumption has been that photography, a &quot;realistic&quot; medium, is fundamentally  incompatible with a cause devoted to the wildly subjective, the world of dreams,  and the unconscious. As a consequence, Surrealist photography, a major body of  twentieth-century art, has remained largely unexplored.  &lt;P&gt;L' Amour fou is the first book to study the crucial role photography did in fact  play in the Surrealist movement. It shows how photographers enlisted into the  service of &quot;subjective&quot; Surrealism their medium's very claim to &quot;objective&quot;  reality. Of greatest interest, of course, is the book's abundant reproductions  of the fantastic and distorted photographic creations that must be acknowledged  as an important part of the Surrealist oeuvre.  &lt;P&gt;Other Details: 200 duotones, 24 full-color illustrations. 9 x 12&quot; trim size. Corcoran Gallery  of Art, Washington, D.C./Abbeville Press, New York, co-publishers. First  published 1985.</default_description>
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  <original_publication_month type="integer">10</original_publication_month>
  <original_publication_year type="integer">1985</original_publication_year>
  <original_title>L'Amour fou : Photography and Surrealism</original_title>
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      <name><![CDATA[Rosalind Krauss]]></name>
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    <body><![CDATA[I read lots and lots of Krauss on the way to writing my thesis.  This one is pretty twisted.  Women as photographic objects/subjects. The photograph as sexual dominance/possession of the female form.  Objective reality/surrealist vision.  Good times.  ]]></body>
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    <body><![CDATA[Yeah, the cover looks sexy.  Rosalind Krauss does not write sexy.  Don't be fooled.  It's an interesting dissertation on the relationship of photography to surrealism (you don't say, right?).  She's a genius.  ]]></body>
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