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  <title><![CDATA[Stephen Shore: Uncommon Places - The Complete Works]]></title>
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  <description><![CDATA[&lt;div&gt;Originally published by Aperture in 1982 and long unavailable, Stephen Shore's now legendary book <em>Uncommon Places </em>has influenced a generation of photographers. Shore was among the first artists to take color beyond the domain of advertising and fashion photography. <em>Uncommon Places</em>--his visionary series of images of the American vernacular landscape of the seventies and early eighties--stands at the root of what has become a vital photographic tradition over the past three decades.<br/><br/><em>Uncommon Places</em>: <em>The Complete Works</em> presents an expanded, definitive collection of the early work of this major artist, much of which has never before been published or exhibited. In 1972 Shore set out with a friend for Amarillo, Texas and--like Robert Frank and Walker Evans before him--discovered a hitherto unarticulated vision of America via highway and camera.<br/><br/>Shore approaches his subjects with cool objectivity, the photographs seemingly devoid of drama or commentary. Yet each image has been distilled, retaining precise internal systems of gestures in composition and light through which a parking lot emptied of people, a hotel bedroom, or a building on a side street assumes both an archetypal aura and an ambiguously personal importance. In contrast to Shore's signature landscape images, this new, expanded survey of the original series reveals equally substantial collections of interiors and portraits.  <br/>Shore's broad influence can be seen today in the work of countless contemporary photographers--Thomas Struth, Andreas Gursky and Catherine Opie among them.  <em>Uncommon Places</em>: <em>The Complete Works</em> provides an opportunity to reexamine the diverse implications of Shore's groundbreaking project and offers a fundamental primer for the last thirty years of large-format color photography.<br/>&lt;/div&gt;]]></description>
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    <![CDATA[Stephen Shore: Uncommon Places - The Complete Works]]>
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    <![CDATA[&lt;div&gt;Originally published by Aperture in 1982 and long unavailable, Stephen Shore's now legendary book <em>Uncommon Places </em>has influenced a generation of photographers. Shore was among the first artists to take color beyond the domain of advertising and fashion photography. <em>Uncommon Places</em>--his visionary series of images of the American vernacular landscape of the seventies and early eighties--stands at the root of what has become a vital photographic tradition over the past three decades.<br/><br/><em>Uncommon Places</em>: <em>The Complete Works</em> presents an expanded, definitive collection of the early work of this major artist, much of which has never before been published or exhibited. In 1972 Shore set out with a friend for Amarillo, Texas and--like Robert Frank and Walker Evans before him--discovered a hitherto unarticulated vision of America via highway and camera.<br/><br/>Shore approaches his subjects with cool objectivity, the photographs seemingly devoid of drama or commentary. Yet each image has been distilled, retaining precise internal systems of gestures in composition and light through which a parking lot emptied of people, a hotel bedroom, or a building on a side street assumes both an archetypal aura and an ambiguously personal importance. In contrast to Shore's signature landscape images, this new, expanded survey of the original series reveals equally substantial collections of interiors and portraits.  <br/>Shore's broad influence can be seen today in the work of countless contemporary photographers--Thomas Struth, Andreas Gursky and Catherine Opie among them.  <em>Uncommon Places</em>: <em>The Complete Works</em> provides an opportunity to reexamine the diverse implications of Shore's groundbreaking project and offers a fundamental primer for the last thirty years of large-format color photography.<br/>&lt;/div&gt;]]>
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  <date_added>Fri Nov 06 18:44:54 -0800 2009</date_added>
  <date_updated>Fri Nov 06 18:45:40 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[There's an aesthetic I like to call &quot;the good ugly.&quot; Clunky old cars, crumbling signage, mid-century architectural flourishes that once were cutting-edge but now just seem bizarre: this is where the fugly becomes fabulous, and I love it all. Chances are, you know some slightly offbeat pers...<a href="http://www.goodreads.com/review/show/76967603">more...</a>]]></body>
    
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    <![CDATA[Stephen Shore: Uncommon Places - The Complete Works]]>
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  <average_rating>4.54</average_rating>
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  <description>
    <![CDATA[&lt;div&gt;Originally published by Aperture in 1982 and long unavailable, Stephen Shore's now legendary book <em>Uncommon Places </em>has influenced a generation of photographers. Shore was among the first artists to take color beyond the domain of advertising and fashion photography. <em>Uncommon Places</em>--his visionary series of images of the American vernacular landscape of the seventies and early eighties--stands at the root of what has become a vital photographic tradition over the past three decades.<br/><br/><em>Uncommon Places</em>: <em>The Complete Works</em> presents an expanded, definitive collection of the early work of this major artist, much of which has never before been published or exhibited. In 1972 Shore set out with a friend for Amarillo, Texas and--like Robert Frank and Walker Evans before him--discovered a hitherto unarticulated vision of America via highway and camera.<br/><br/>Shore approaches his subjects with cool objectivity, the photographs seemingly devoid of drama or commentary. Yet each image has been distilled, retaining precise internal systems of gestures in composition and light through which a parking lot emptied of people, a hotel bedroom, or a building on a side street assumes both an archetypal aura and an ambiguously personal importance. In contrast to Shore's signature landscape images, this new, expanded survey of the original series reveals equally substantial collections of interiors and portraits.  <br/>Shore's broad influence can be seen today in the work of countless contemporary photographers--Thomas Struth, Andreas Gursky and Catherine Opie among them.  <em>Uncommon Places</em>: <em>The Complete Works</em> provides an opportunity to reexamine the diverse implications of Shore's groundbreaking project and offers a fundamental primer for the last thirty years of large-format color photography.<br/>&lt;/div&gt;]]>
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  <read_at>Mon Aug 01 00:00:00 -0700 2005</read_at>
  <date_added>Tue Jan 15 10:09:55 -0800 2008</date_added>
  <date_updated>Tue Jan 15 10:09:55 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Stephen Shore, Uncommon Places (Aperture, 1982)<br/><br/>Uncommon Places is a book of photography, and pretty good photography at that. The only real problem to be had with it is that, well, the places actually aren't all that uncommon. I can see how they'd look that way to someone born and raised...<a href="http://www.goodreads.com/review/show/12581544">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/12581544]]></url>
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      <review>
  <id>52454211</id>
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    <name><![CDATA[Megan]]></name>
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  <title>
    <![CDATA[Stephen Shore: Uncommon Places - The Complete Works]]>
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  <average_rating>4.54</average_rating>
  <ratings_count>52</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;Originally published by Aperture in 1982 and long unavailable, Stephen Shore's now legendary book <em>Uncommon Places </em>has influenced a generation of photographers. Shore was among the first artists to take color beyond the domain of advertising and fashion photography. <em>Uncommon Places</em>--his visionary series of images of the American vernacular landscape of the seventies and early eighties--stands at the root of what has become a vital photographic tradition over the past three decades.<br/><br/><em>Uncommon Places</em>: <em>The Complete Works</em> presents an expanded, definitive collection of the early work of this major artist, much of which has never before been published or exhibited. In 1972 Shore set out with a friend for Amarillo, Texas and--like Robert Frank and Walker Evans before him--discovered a hitherto unarticulated vision of America via highway and camera.<br/><br/>Shore approaches his subjects with cool objectivity, the photographs seemingly devoid of drama or commentary. Yet each image has been distilled, retaining precise internal systems of gestures in composition and light through which a parking lot emptied of people, a hotel bedroom, or a building on a side street assumes both an archetypal aura and an ambiguously personal importance. In contrast to Shore's signature landscape images, this new, expanded survey of the original series reveals equally substantial collections of interiors and portraits.  <br/>Shore's broad influence can be seen today in the work of countless contemporary photographers--Thomas Struth, Andreas Gursky and Catherine Opie among them.  <em>Uncommon Places</em>: <em>The Complete Works</em> provides an opportunity to reexamine the diverse implications of Shore's groundbreaking project and offers a fundamental primer for the last thirty years of large-format color photography.<br/>&lt;/div&gt;]]>
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</book>

    <rating>4</rating>
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  <read_at>Wed Apr 01 00:00:00 -0700 2009</read_at>
  <date_added>Sun Apr 12 20:37:12 -0700 2009</date_added>
  <date_updated>Sun Apr 12 20:38:03 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Interesting pictures. Some are very beautiful, others are very interesting, some have a nice sense of humor, and a couple are really depressing. Oh, and there are some pictures of a hotel in medicine hat which is neat! <br/>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/52454211]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/52454211]]></link>
</review>
      <review>
  <id>42745582</id>
    <user>
    <id>1896960</id>
    <name><![CDATA[Brennan]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1896960-brennan]]></link>
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  <title>
    <![CDATA[Stephen Shore: Uncommon Places - The Complete Works]]>
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  <small_image_url>http://photo.goodreads.com/books/1235898614s/1754639.jpg</small_image_url>
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  <average_rating>4.54</average_rating>
  <ratings_count>52</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;Originally published by Aperture in 1982 and long unavailable, Stephen Shore's now legendary book <em>Uncommon Places </em>has influenced a generation of photographers. Shore was among the first artists to take color beyond the domain of advertising and fashion photography. <em>Uncommon Places</em>--his visionary series of images of the American vernacular landscape of the seventies and early eighties--stands at the root of what has become a vital photographic tradition over the past three decades.<br/><br/><em>Uncommon Places</em>: <em>The Complete Works</em> presents an expanded, definitive collection of the early work of this major artist, much of which has never before been published or exhibited. In 1972 Shore set out with a friend for Amarillo, Texas and--like Robert Frank and Walker Evans before him--discovered a hitherto unarticulated vision of America via highway and camera.<br/><br/>Shore approaches his subjects with cool objectivity, the photographs seemingly devoid of drama or commentary. Yet each image has been distilled, retaining precise internal systems of gestures in composition and light through which a parking lot emptied of people, a hotel bedroom, or a building on a side street assumes both an archetypal aura and an ambiguously personal importance. In contrast to Shore's signature landscape images, this new, expanded survey of the original series reveals equally substantial collections of interiors and portraits.  <br/>Shore's broad influence can be seen today in the work of countless contemporary photographers--Thomas Struth, Andreas Gursky and Catherine Opie among them.  <em>Uncommon Places</em>: <em>The Complete Works</em> provides an opportunity to reexamine the diverse implications of Shore's groundbreaking project and offers a fundamental primer for the last thirty years of large-format color photography.<br/>&lt;/div&gt;]]>
  </description>
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</book>

    <rating>5</rating>
  <votes>0</votes>
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  <date_added>Sun Jan 11 20:03:31 -0800 2009</date_added>
  <date_updated>Sun Jan 11 20:04:33 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I got this book for my boyfriend.  It is difficult to find, and has some interesting images from bizarre, abandoned American places.  ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/42745582]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/42745582]]></link>
</review>
      <review>
  <id>4938049</id>
    <user>
    <id>297947</id>
    <name><![CDATA[Cat]]></name>
    <location><![CDATA[San Diego, CA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/297947-cat]]></link>
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  <title>
    <![CDATA[Stephen Shore: Uncommon Places - The Complete Works]]>
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  <average_rating>4.54</average_rating>
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  <description>
    <![CDATA[&lt;div&gt;Originally published by Aperture in 1982 and long unavailable, Stephen Shore's now legendary book <em>Uncommon Places </em>has influenced a generation of photographers. Shore was among the first artists to take color beyond the domain of advertising and fashion photography. <em>Uncommon Places</em>--his visionary series of images of the American vernacular landscape of the seventies and early eighties--stands at the root of what has become a vital photographic tradition over the past three decades.<br/><br/><em>Uncommon Places</em>: <em>The Complete Works</em> presents an expanded, definitive collection of the early work of this major artist, much of which has never before been published or exhibited. In 1972 Shore set out with a friend for Amarillo, Texas and--like Robert Frank and Walker Evans before him--discovered a hitherto unarticulated vision of America via highway and camera.<br/><br/>Shore approaches his subjects with cool objectivity, the photographs seemingly devoid of drama or commentary. Yet each image has been distilled, retaining precise internal systems of gestures in composition and light through which a parking lot emptied of people, a hotel bedroom, or a building on a side street assumes both an archetypal aura and an ambiguously personal importance. In contrast to Shore's signature landscape images, this new, expanded survey of the original series reveals equally substantial collections of interiors and portraits.  <br/>Shore's broad influence can be seen today in the work of countless contemporary photographers--Thomas Struth, Andreas Gursky and Catherine Opie among them.  <em>Uncommon Places</em>: <em>The Complete Works</em> provides an opportunity to reexamine the diverse implications of Shore's groundbreaking project and offers a fundamental primer for the last thirty years of large-format color photography.<br/>&lt;/div&gt;]]>
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    <rating>4</rating>
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  <read_at>Thu Sep 01 00:00:00 -0700 2005</read_at>
  <date_added>Wed Aug 22 09:03:40 -0700 2007</date_added>
  <date_updated>Thu Dec 17 06:30:14 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I am not a photography buff. Saw the exhibit in L.A. at the Hammer museum. I read magazines like &quot;Vice&quot;, which feature alot of photogs who seem to be influenced by this guy. I thought his stuff was awesome- very contemporary, like someone travelled back in time and shot 70s landscapes etc....<a href="http://www.goodreads.com/review/show/4938049">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/4938049]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/4938049]]></link>
</review>
      <review>
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    <name><![CDATA[Sam]]></name>
    <location><![CDATA[Seattle, WA]]></location>
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    <![CDATA[Stephen Shore: Uncommon Places - The Complete Works]]>
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    <![CDATA[&lt;div&gt;Originally published by Aperture in 1982 and long unavailable, Stephen Shore's now legendary book <em>Uncommon Places </em>has influenced a generation of photographers. Shore was among the first artists to take color beyond the domain of advertising and fashion photography. <em>Uncommon Places</em>--his visionary series of images of the American vernacular landscape of the seventies and early eighties--stands at the root of what has become a vital photographic tradition over the past three decades.<br/><br/><em>Uncommon Places</em>: <em>The Complete Works</em> presents an expanded, definitive collection of the early work of this major artist, much of which has never before been published or exhibited. In 1972 Shore set out with a friend for Amarillo, Texas and--like Robert Frank and Walker Evans before him--discovered a hitherto unarticulated vision of America via highway and camera.<br/><br/>Shore approaches his subjects with cool objectivity, the photographs seemingly devoid of drama or commentary. Yet each image has been distilled, retaining precise internal systems of gestures in composition and light through which a parking lot emptied of people, a hotel bedroom, or a building on a side street assumes both an archetypal aura and an ambiguously personal importance. In contrast to Shore's signature landscape images, this new, expanded survey of the original series reveals equally substantial collections of interiors and portraits.  <br/>Shore's broad influence can be seen today in the work of countless contemporary photographers--Thomas Struth, Andreas Gursky and Catherine Opie among them.  <em>Uncommon Places</em>: <em>The Complete Works</em> provides an opportunity to reexamine the diverse implications of Shore's groundbreaking project and offers a fundamental primer for the last thirty years of large-format color photography.<br/>&lt;/div&gt;]]>
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    <body><![CDATA[This collection, like American Surfaces, represents neither Shore's better work nor precisely why he's important as he is. It's terrifically underwhelming, I'm saying, though one shouldn't give up on him. ]]></body>
    
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    <![CDATA[&lt;div&gt;Originally published by Aperture in 1982 and long unavailable, Stephen Shore's now legendary book <em>Uncommon Places </em>has influenced a generation of photographers. Shore was among the first artists to take color beyond the domain of advertising and fashion photography. <em>Uncommon Places</em>--his visionary series of images of the American vernacular landscape of the seventies and early eighties--stands at the root of what has become a vital photographic tradition over the past three decades.<br/><br/><em>Uncommon Places</em>: <em>The Complete Works</em> presents an expanded, definitive collection of the early work of this major artist, much of which has never before been published or exhibited. In 1972 Shore set out with a friend for Amarillo, Texas and--like Robert Frank and Walker Evans before him--discovered a hitherto unarticulated vision of America via highway and camera.<br/><br/>Shore approaches his subjects with cool objectivity, the photographs seemingly devoid of drama or commentary. Yet each image has been distilled, retaining precise internal systems of gestures in composition and light through which a parking lot emptied of people, a hotel bedroom, or a building on a side street assumes both an archetypal aura and an ambiguously personal importance. In contrast to Shore's signature landscape images, this new, expanded survey of the original series reveals equally substantial collections of interiors and portraits.  <br/>Shore's broad influence can be seen today in the work of countless contemporary photographers--Thomas Struth, Andreas Gursky and Catherine Opie among them.  <em>Uncommon Places</em>: <em>The Complete Works</em> provides an opportunity to reexamine the diverse implications of Shore's groundbreaking project and offers a fundamental primer for the last thirty years of large-format color photography.<br/>&lt;/div&gt;]]>
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    <body><![CDATA[amazing photographer]]></body>
    
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    <![CDATA[&lt;div&gt;Originally published by Aperture in 1982 and long unavailable, Stephen Shore's now legendary book <em>Uncommon Places </em>has influenced a generation of photographers. Shore was among the first artists to take color beyond the domain of advertising and fashion photography. <em>Uncommon Places</em>--his visionary series of images of the American vernacular landscape of the seventies and early eighties--stands at the root of what has become a vital photographic tradition over the past three decades.<br/><br/><em>Uncommon Places</em>: <em>The Complete Works</em> presents an expanded, definitive collection of the early work of this major artist, much of which has never before been published or exhibited. In 1972 Shore set out with a friend for Amarillo, Texas and--like Robert Frank and Walker Evans before him--discovered a hitherto unarticulated vision of America via highway and camera.<br/><br/>Shore approaches his subjects with cool objectivity, the photographs seemingly devoid of drama or commentary. Yet each image has been distilled, retaining precise internal systems of gestures in composition and light through which a parking lot emptied of people, a hotel bedroom, or a building on a side street assumes both an archetypal aura and an ambiguously personal importance. In contrast to Shore's signature landscape images, this new, expanded survey of the original series reveals equally substantial collections of interiors and portraits.  <br/>Shore's broad influence can be seen today in the work of countless contemporary photographers--Thomas Struth, Andreas Gursky and Catherine Opie among them.  <em>Uncommon Places</em>: <em>The Complete Works</em> provides an opportunity to reexamine the diverse implications of Shore's groundbreaking project and offers a fundamental primer for the last thirty years of large-format color photography.<br/>&lt;/div&gt;]]>
  </description>
  <published>2004</published>
</book>

    <rating>4</rating>
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  <date_added>Mon May 18 07:31:07 -0700 2009</date_added>
  <date_updated>Mon May 18 07:31:07 -0700 2009</date_updated>
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