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  <title><![CDATA[The Man Who Was Thursday]]></title>
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  <description><![CDATA[Can you trust yourself when you don't know who you are? Syme uses his new acquaintance to go undercover in Europe's Central Anarchist Council and infiltrate their deadly mission, even managing to have himself voted to the position of 'Thursday'. In a park in London, secret policeman Gabriel Syme strikes up a conversation with an anarchist. Sworn to do his duty, when Syme discovers another undercover policeman on the Council, however, he starts to question his role in their operations. And as a desperate chase across Europe begins, his confusion grows, as well as his confidence in his ability to outwit his enemies. But he has still to face the greatest terror that the Council has - its leader: a man named Sunday, whose true nature is worse than Syme could ever have imagined...]]></description>
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        <name><![CDATA[G.K. Chesterton]]></name>
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    <![CDATA[The Man Who Was Thursday: A Nightmare]]>
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    <![CDATA[In an article published the day before his death, G.K. Chesterton called <em>The Man Who Was Thursday</em> &quot;a very melodramatic sort of moonshine.&quot; Set in a phantasmagoric London where policemen are poets and anarchists camouflage themselves as, well, anarchists, his 1907 novel offers up one highly colored enigma after another. If that weren't enough, the author also throws in an elephant chase and a hot-air-balloon pursuit in which the pursuers suffer from &quot;the persistent refusal of the balloon to follow the roads, and the still more persistent refusal of the cabmen to follow the balloon.&quot; <p>  But Chesterton is also concerned with more serious questions of honor and truth (and less serious ones, perhaps, of duels and dualism). Our hero is Gabriel Syme, a policeman who cannot reveal that his fellow poet Lucian Gregory is an anarchist. In Chesterton's agile, antic hands, Syme is the virtual embodiment of paradox: <blockquote> He came of a family of cranks, in which all the oldest people had all the newest notions. One of his uncles always walked about without a hat, and another had made an unsuccessful attempt to walk about with a hat and nothing else. His father cultivated art and self-realization; his mother went in for simplicity and hygiene. Hence the child, during his tenderer years, was wholly unacquainted with any drink between the extremes of absinthe and cocoa, of both of which he had a healthy dislike.... Being surrounded with every conceivable kind of revolt from infancy, Gabriel had to revolt into something, so he revolted into the only thing left--sanity.  </blockquote> Elected undercover into the Central European Council of anarchists, Syme must avoid discovery <em>and</em> save the world from any bombings in the offing. As Thursday (each anarchist takes the name of a weekday--the only quotidian thing about this fantasia) does his best to undo his new colleagues, the masks multiply. The question then becomes: Do they reveal or conceal? And who, not to mention what, can be believed? As <em>The Man Who Was Thursday</em> proceeds, it becomes a hilarious numbers game with a more serious undertone--what happens if most members of the council actually turn out to be on the side of right? Chesterton's tour de force is a thriller that is best read slowly, so as to savor his highly anarchic take on anarchy. <em>--Kerry Fried</em></p>]]>
  </description>
  <published>1907</published>
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  <read_at>Fri Aug 29 00:00:00 -0700 2008</read_at>
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    <body><![CDATA[I lost my backpack thanks to this book.<br/><br/>It was years and years ago, probably my first winter in Japan, and I'd picked up this book at Maruzen.  I had heard about Chesterton, mainly from the dedication page of Pratchett and Gamian's <em>Good Omens</em> (&quot;The authors would like to join the demo...<a href="http://www.goodreads.com/review/show/14145250">more...</a>]]></body>
    
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  <title>
    <![CDATA[The Man Who Was Thursday: A Nightmare]]>
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    <![CDATA[G. K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory. As Jonathan Lethem remarks in his Introduction,  The real characters are the ideas. Chesterton's nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldn't be interesting at all, though, if he didn't also show such passion for giving the devil his due. He animates the forces of chaos and anarchy with every ounce of imaginative verve and rhetorical force in his body.<br/>]]>
  </description>
  <published>1907</published>
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    <rating>3</rating>
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    <body><![CDATA[This short novel is intriguing, humorous, clever, and spotted with stunning descriptions.  Ostensibly, it is a tale of an undercover police man (Syme) seeking to infiltrate an organization of anarchists, controlled by the &quot;Council of Seven Days&quot; under the leadership of a man named Sunday. ...<a href="http://www.goodreads.com/review/show/10915299">more...</a>]]></body>
    
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      <review>
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    <name><![CDATA[Nancy]]></name>
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  <title>
    <![CDATA[The Man Who Was Thursday]]>
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  <average_rating>3.88</average_rating>
  <ratings_count>16</ratings_count>
  <description>
    <![CDATA[Can you trust yourself when you don't know who you are? Syme uses his new acquaintance to go undercover in Europe's Central Anarchist Council and infiltrate their deadly mission, even managing to have himself voted to the position of 'Thursday'. In a park in London, secret policeman Gabriel Syme strikes up a conversation with an anarchist. Sworn to do his duty, when Syme discovers another undercover policeman on the Council, however, he starts to question his role in their operations. And as a desperate chase across Europe begins, his confusion grows, as well as his confidence in his ability to outwit his enemies. But he has still to face the greatest terror that the Council has - its leader: a man named Sunday, whose true nature is worse than Syme could ever have imagined...]]>
  </description>
  <published>1907</published>
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    <rating>4</rating>
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  <read_at>Thu Oct 02 00:00:00 -0700 2003</read_at>
  <date_added>Fri Oct 24 11:26:38 -0700 2008</date_added>
  <date_updated>Fri Oct 24 11:35:03 -0700 2008</date_updated>
  <read_count>1</read_count>
    <body><![CDATA[A very original, wonderfully quirky, thought-provoking little book about an English detective who infiltrates a group of anarchists. Part fantasy, part mystery, part philosophical, lots of Christian symbolism that is not apparent until later in the book, but you don't have to be a Christian to enjoy...<a href="http://www.goodreads.com/review/show/36110744">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/36110744]]></url>
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</review>
      <review>
  <id>41648229</id>
    <user>
    <id>1019174</id>
    <name><![CDATA[Terence]]></name>
    <location><![CDATA[Covina, CA]]></location>
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    <![CDATA[The Man Who Was Thursday: A Nightmare]]>
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  <average_rating>3.94</average_rating>
  <ratings_count>2372</ratings_count>
  <description>
    <![CDATA[G. K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory. As Jonathan Lethem remarks in his Introduction,  The real characters are the ideas. Chesterton's nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldn't be interesting at all, though, if he didn't also show such passion for giving the devil his due. He animates the forces of chaos and anarchy with every ounce of imaginative verve and rhetorical force in his body.<br/>]]>
  </description>
  <published>1907</published>
</book>

    <rating>3</rating>
  <votes>3</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[Maevisvintage, Michael Dirda]]></recommended_by>
  <read_at>Fri Jan 30 00:00:00 -0800 2009</read_at>
  <date_added>Fri Jan 02 15:47:49 -0800 2009</date_added>
  <date_updated>Sat Jan 31 11:02:31 -0800 2009</date_updated>
  <read_count>1</read_count>
    <body><![CDATA[To be honest, I'm still trying to get my head around the book's ending, where the wheels-within-wheels machinations of the anarchists and the special police squad dedicated to eradicating them come to an earth-shattering finale.<br/><br/>Or does it...<br/><br/>The subtitle of the novel &quot;A N...<a href="http://www.goodreads.com/review/show/41648229">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/41648229]]></url>
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</review>
      <review>
  <id>23614581</id>
    <user>
    <id>413286</id>
    <name><![CDATA[Laura]]></name>
    <location><![CDATA[West Lebanon, NH]]></location>
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    <![CDATA[The Man Who Was Thursday: A Nightmare]]>
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  <average_rating>3.94</average_rating>
  <ratings_count>2372</ratings_count>
  <description>
    <![CDATA[G. K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory. As Jonathan Lethem remarks in his Introduction,  The real characters are the ideas. Chesterton's nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldn't be interesting at all, though, if he didn't also show such passion for giving the devil his due. He animates the forces of chaos and anarchy with every ounce of imaginative verve and rhetorical force in his body.<br/>]]>
  </description>
  <published>1907</published>
</book>

    <rating>5</rating>
  <votes>3</votes>
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  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Fri Jun 13 00:00:00 -0700 2008</read_at>
  <date_added>Tue Jun 03 11:46:34 -0700 2008</date_added>
  <date_updated>Fri Jun 13 18:08:35 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[The question &quot;What is your favorite book?&quot; has always been impossible for me to answer, but this is the only book I have ever felt comfortable defaulting to.  I've read it at least a half a dozen times since I discovered a copy of it in a used bookstore when I was in middle school; I will ...<a href="http://www.goodreads.com/review/show/23614581">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/23614581]]></url>
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</review>
      <review>
  <id>14930810</id>
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    <name><![CDATA[Jason]]></name>
    <location><![CDATA[Chicago, IL]]></location>
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    <![CDATA[The Man Who Was Thursday: A Nightmare]]>
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  <average_rating>3.94</average_rating>
  <ratings_count>2372</ratings_count>
  <description>
    <![CDATA[G. K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory. As Jonathan Lethem remarks in his Introduction,  The real characters are the ideas. Chesterton's nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldn't be interesting at all, though, if he didn't also show such passion for giving the devil his due. He animates the forces of chaos and anarchy with every ounce of imaginative verve and rhetorical force in his body.<br/>]]>
  </description>
  <published>1907</published>
</book>

    <rating>4</rating>
  <votes>6</votes>
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  <read_at>Fri Feb 01 00:00:00 -0800 2008</read_at>
  <date_added>Fri Feb 08 14:11:55 -0800 2008</date_added>
  <date_updated>Fri Feb 08 15:03:30 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[(Reprinted from the Chicago Center for Literature and Photography [cclapcenter.com].)<br/><br/><strong>The CCLaP 100:</strong> In which I read for the first time a hundred so-called &quot;classics,&quot; then write reports on whether or not they deserve the label<br/><br/>This week: <em>The Man Who Was Thursday</em> (190...<a href="http://www.goodreads.com/review/show/14930810">more...</a>]]></body>
    
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</review>
      <review>
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    <![CDATA[The Man Who Was Thursday: A Nightmare]]>
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  <ratings_count>2372</ratings_count>
  <description>
    <![CDATA[G. K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory. As Jonathan Lethem remarks in his Introduction,  The real characters are the ideas. Chesterton's nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldn't be interesting at all, though, if he didn't also show such passion for giving the devil his due. He animates the forces of chaos and anarchy with every ounce of imaginative verve and rhetorical force in his body.<br/>]]>
  </description>
  <published>1907</published>
</book>

    <rating>4</rating>
  <votes>3</votes>
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  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon Apr 14 00:00:00 -0700 2008</read_at>
  <date_added>Sun Apr 13 21:58:57 -0700 2008</date_added>
  <date_updated>Sun Apr 13 21:58:57 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Kingsley Amis tells us it is &quot;not quite a political bad dream, nor a metaphysical thriller, nor a cosmic joke in the form of a spy novel, but it has something of all three&quot;. However you describe it, it's hilarious. It gives &quot;The Third Policeman&quot; a run for its money, both for how ...<a href="http://www.goodreads.com/review/show/20105639">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/20105639]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/20105639]]></link>
</review>
      <review>
  <id>7001998</id>
    <user>
    <id>74277</id>
    <name><![CDATA[matthew]]></name>
    <location><![CDATA[Berkeley, CA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/74277-matthew]]></link>
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  <isbn>0375757910</isbn>
  <isbn13>9780375757914</isbn13>
  <text_reviews_count type="integer">298</text_reviews_count>
  <title>
    <![CDATA[The Man Who Was Thursday: A Nightmare]]>
  </title>
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  <average_rating>3.94</average_rating>
  <ratings_count>2372</ratings_count>
  <description>
    <![CDATA[G. K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory. As Jonathan Lethem remarks in his Introduction,  The real characters are the ideas. Chesterton's nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldn't be interesting at all, though, if he didn't also show such passion for giving the devil his due. He animates the forces of chaos and anarchy with every ounce of imaginative verve and rhetorical force in his body.<br/>]]>
  </description>
  <published>1907</published>
</book>

    <rating>5</rating>
  <votes>2</votes>
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  <recommended_for><![CDATA[i want to say &quot;everyone&quot;, but it would be dishonest]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon Jan 01 00:00:00 -0800 2001</read_at>
  <date_added>Sat Sep 29 13:37:32 -0700 2007</date_added>
  <date_updated>Thu Sep 18 03:17:13 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[nobody reads chesterton but me, it seems, but they should! not so much the father brown stuff, though. this piece of work is just that, and, yet, so much more. i just can't explain it. yes, christianity's mixed up in it, but you'd hardly know if they didn't write it all over the cover. gah! read it!<a href="http://www.goodreads.com/review/show/7001998">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/7001998]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/7001998]]></link>
</review>
      <review>
  <id>18425963</id>
    <user>
    <id>635936</id>
    <name><![CDATA[jeremy]]></name>
    <location><![CDATA[Portland, OR]]></location>
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  <isbn>0375757910</isbn>
  <isbn13>9780375757914</isbn13>
  <text_reviews_count type="integer">298</text_reviews_count>
  <title>
    <![CDATA[The Man Who Was Thursday: A Nightmare]]>
  </title>
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  <small_image_url>http://photo.goodreads.com/books/1172522672s/184419.jpg</small_image_url>
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  <average_rating>3.94</average_rating>
  <ratings_count>2372</ratings_count>
  <description>
    <![CDATA[G. K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory. As Jonathan Lethem remarks in his Introduction,  The real characters are the ideas. Chesterton's nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldn't be interesting at all, though, if he didn't also show such passion for giving the devil his due. He animates the forces of chaos and anarchy with every ounce of imaginative verve and rhetorical force in his body.<br/>]]>
  </description>
  <published>1907</published>
</book>

    <rating>4</rating>
  <votes>2</votes>
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  <read_at>Sat Mar 01 00:00:00 -0800 2008</read_at>
  <date_added>Sun Mar 23 00:12:47 -0700 2008</date_added>
  <date_updated>Thu Mar 27 00:47:34 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[  this book is enjoyable on many levels: as a compelling mystery, as a humorous and well-crafted yarn, as classic british literature (1908), and as penetrating allegory.  chesterton's novel excels at each count, and was composed without a trace of sanctimony.<br/><br/>  more aptly, writing about <em>t...</em><a href="http://www.goodreads.com/review/show/18425963">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/18425963]]></url>
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</review>
      <review>
  <id>8402303</id>
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    <id>565854</id>
    <name><![CDATA[Leah]]></name>
    <location><![CDATA[Madison, NJ]]></location>
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  <id type="integer">1882921</id>
  <isbn>014000095X</isbn>
  <isbn13>9780140000955</isbn13>
  <text_reviews_count type="integer">5</text_reviews_count>
  <title>
    <![CDATA[The Man Who Was Thursday: A Nightmare]]>
  </title>
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  <small_image_url>http://photo.goodreads.com/books/1208821738s/1882921.jpg</small_image_url>
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  <average_rating>4.00</average_rating>
  <ratings_count>11</ratings_count>
  <description>
    <![CDATA[Back Matter: &quot;<em>The Man Who was Thursday</em> is not quite a political bad dream, nor a metaphysical thriller, nor a cosmic joke in the form of a spy novel, but it has something of all three...it remains the most thrilling book I have ever read&quot;--Kingsley Amis<br/> This hilarious extravaganza presumes the existence of a secret society of revolutionaries sworn to destroy the world. There are seven members of the Central Anarchist Council, who, for reasons of security, call themselves by the days of the week: Sunday, Monday &amp; so on. But events soon cast a doubt upon their real identities, for Thursday is not the passionate young poet he appears to be but a Scotland Yard detective. Who &amp; what are the others? Chesterton unravels the fantasy in his own inventive &amp; exuberant way and then uses this nightmare of paradox &amp; surprise to probe the mysteries of human behavior &amp; belief.]]>
  </description>
  <published>1907</published>
</book>

    <rating>3</rating>
  <votes>2</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon Oct 01 00:00:00 -0700 2007</read_at>
  <date_added>Mon Oct 29 14:52:15 -0700 2007</date_added>
  <date_updated>Mon Oct 29 15:23:44 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[<br/>The Man Who Was Thursday is not an allegory.  It is called an allegory for want of a better word, but there is absolutely no symbolism or metaphor. It is completely literal in every way, and the reader who feels the need to say 'allegory' is simply thinking too hard.  The ending, especially, i...<a href="http://www.goodreads.com/review/show/8402303">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/8402303]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/8402303]]></link>
</review>
      <review>
  <id>48866604</id>
    <user>
    <id>426277</id>
    <name><![CDATA[James]]></name>
    <location><![CDATA[Chicago, IL]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/426277-james]]></link>
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  <id type="integer">259053</id>
  <isbn>0140183884</isbn>
  <isbn13>9780140183887</isbn13>
  <text_reviews_count type="integer">28</text_reviews_count>
  <title>
    <![CDATA[The Man Who Was Thursday: A Nightmare]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1173214697m/259053.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1173214697s/259053.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/259053.The_Man_Who_Was_Thursday_A_Nightmare</link>
  <average_rating>3.94</average_rating>
  <ratings_count>2372</ratings_count>
  <description>
    <![CDATA[In an article published the day before his death, G.K. Chesterton called <em>The Man Who Was Thursday</em> &quot;a very melodramatic sort of moonshine.&quot; Set in a phantasmagoric London where policemen are poets and anarchists camouflage themselves as, well, anarchists, his 1907 novel offers up one highly colored enigma after another. If that weren't enough, the author also throws in an elephant chase and a hot-air-balloon pursuit in which the pursuers suffer from &quot;the persistent refusal of the balloon to follow the roads, and the still more persistent refusal of the cabmen to follow the balloon.&quot; <p>  But Chesterton is also concerned with more serious questions of honor and truth (and less serious ones, perhaps, of duels and dualism). Our hero is Gabriel Syme, a policeman who cannot reveal that his fellow poet Lucian Gregory is an anarchist. In Chesterton's agile, antic hands, Syme is the virtual embodiment of paradox: <blockquote> He came of a family of cranks, in which all the oldest people had all the newest notions. One of his uncles always walked about without a hat, and another had made an unsuccessful attempt to walk about with a hat and nothing else. His father cultivated art and self-realization; his mother went in for simplicity and hygiene. Hence the child, during his tenderer years, was wholly unacquainted with any drink between the extremes of absinthe and cocoa, of both of which he had a healthy dislike.... Being surrounded with every conceivable kind of revolt from infancy, Gabriel had to revolt into something, so he revolted into the only thing left--sanity.  </blockquote> Elected undercover into the Central European Council of anarchists, Syme must avoid discovery <em>and</em> save the world from any bombings in the offing. As Thursday (each anarchist takes the name of a weekday--the only quotidian thing about this fantasia) does his best to undo his new colleagues, the masks multiply. The question then becomes: Do they reveal or conceal? And who, not to mention what, can be believed? As <em>The Man Who Was Thursday</em> proceeds, it becomes a hilarious numbers game with a more serious undertone--what happens if most members of the council actually turn out to be on the side of right? Chesterton's tour de force is a thriller that is best read slowly, so as to savor his highly anarchic take on anarchy. <em>--Kerry Fried</em></p>]]>
  </description>
  <published>1907</published>
</book>

    <rating>5</rating>
  <votes>1</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Jun 14 00:00:00 -0700 2007</read_at>
  <date_added>Tue Mar 10 18:50:00 -0700 2009</date_added>
  <date_updated>Tue Mar 10 18:52:12 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[More than one hundred years ago in 1908 Gilbert Keith Chesterton wrote a mysterious fantasy called The Man Who Was Thursday. Sixty years later while I was a student at The University of Wisconsin in Madison, Wisconsin I discovered this wonderful book.<br/>Part metaphysical, part philosophical, Ches...<a href="http://www.goodreads.com/review/show/48866604">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/48866604]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/48866604]]></link>
</review>
      <review>
  <id>8730080</id>
    <user>
    <id>191788</id>
    <name><![CDATA[Jeni]]></name>
    <location><![CDATA[Salt Lake City, UT]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/191788-jeni]]></link>
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  <isbn>0375757910</isbn>
  <isbn13>9780375757914</isbn13>
  <text_reviews_count type="integer">298</text_reviews_count>
  <title>
    <![CDATA[The Man Who Was Thursday: A Nightmare]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1172522672m/184419.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1172522672s/184419.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/184419.The_Man_Who_Was_Thursday_A_Nightmare</link>
  <average_rating>3.94</average_rating>
  <ratings_count>2372</ratings_count>
  <description>
    <![CDATA[G. K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory. As Jonathan Lethem remarks in his Introduction,  The real characters are the ideas. Chesterton's nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldn't be interesting at all, though, if he didn't also show such passion for giving the devil his due. He animates the forces of chaos and anarchy with every ounce of imaginative verve and rhetorical force in his body.<br/>]]>
  </description>
  <published>1907</published>
</book>

    <rating>3</rating>
  <votes>2</votes>
  <spoiler_flag>false</spoiler_flag>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Jul 01 00:00:00 -0700 2007</read_at>
  <date_added>Mon Nov 05 21:17:46 -0800 2007</date_added>
  <date_updated>Wed Nov 21 22:05:58 -0800 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[Whoa.. most of this book was like any other British literature of its time, but then when you get to the end, the author goes way out on a limb and makes you STREEETCH your imagination, and comprehension. The whole thing kept me waiting and wondering what would happen at the end, and then when I got...<a href="http://www.goodreads.com/review/show/8730080">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/8730080]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/8730080]]></link>
</review>
      <review>
  <id>68352097</id>
    <user>
    <id>1794887</id>
    <name><![CDATA[Cwn_annwn_13]]></name>
    <location><![CDATA[Denmark]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1794887-cwn-annwn-13]]></link>
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  <isbn>0140183884</isbn>
  <isbn13>9780140183887</isbn13>
  <text_reviews_count type="integer">28</text_reviews_count>
  <title>
    <![CDATA[The Man Who Was Thursday: A Nightmare]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1173214697m/259053.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1173214697s/259053.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/259053.The_Man_Who_Was_Thursday_A_Nightmare</link>
  <average_rating>3.94</average_rating>
  <ratings_count>2372</ratings_count>
  <description>
    <![CDATA[In an article published the day before his death, G.K. Chesterton called <em>The Man Who Was Thursday</em> &quot;a very melodramatic sort of moonshine.&quot; Set in a phantasmagoric London where policemen are poets and anarchists camouflage themselves as, well, anarchists, his 1907 novel offers up one highly colored enigma after another. If that weren't enough, the author also throws in an elephant chase and a hot-air-balloon pursuit in which the pursuers suffer from &quot;the persistent refusal of the balloon to follow the roads, and the still more persistent refusal of the cabmen to follow the balloon.&quot; <p>  But Chesterton is also concerned with more serious questions of honor and truth (and less serious ones, perhaps, of duels and dualism). Our hero is Gabriel Syme, a policeman who cannot reveal that his fellow poet Lucian Gregory is an anarchist. In Chesterton's agile, antic hands, Syme is the virtual embodiment of paradox: <blockquote> He came of a family of cranks, in which all the oldest people had all the newest notions. One of his uncles always walked about without a hat, and another had made an unsuccessful attempt to walk about with a hat and nothing else. His father cultivated art and self-realization; his mother went in for simplicity and hygiene. Hence the child, during his tenderer years, was wholly unacquainted with any drink between the extremes of absinthe and cocoa, of both of which he had a healthy dislike.... Being surrounded with every conceivable kind of revolt from infancy, Gabriel had to revolt into something, so he revolted into the only thing left--sanity.  </blockquote> Elected undercover into the Central European Council of anarchists, Syme must avoid discovery <em>and</em> save the world from any bombings in the offing. As Thursday (each anarchist takes the name of a weekday--the only quotidian thing about this fantasia) does his best to undo his new colleagues, the masks multiply. The question then becomes: Do they reveal or conceal? And who, not to mention what, can be believed? As <em>The Man Who Was Thursday</em> proceeds, it becomes a hilarious numbers game with a more serious undertone--what happens if most members of the council actually turn out to be on the side of right? Chesterton's tour de force is a thriller that is best read slowly, so as to savor his highly anarchic take on anarchy. <em>--Kerry Fried</em></p>]]>
  </description>
  <published>1907</published>
</book>

    <rating>2</rating>
  <votes>1</votes>
  <spoiler_flag>false</spoiler_flag>
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      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Thu Aug 27 00:00:00 -0700 2009</read_at>
  <date_added>Fri Aug 21 11:10:22 -0700 2009</date_added>
  <date_updated>Thu Aug 27 06:28:56 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This book which was written in the early 1900s is about a Policeman/Poet that infiltrates a group of anarchists who are bent on breaking down society. There is some witty dialogue and satire in this but for the most part I couldn't get into it.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/68352097]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/68352097]]></link>
</review>
      <review>
  <id>50535277</id>
    <user>
    <id>2164858</id>
    <name><![CDATA[Steve Aga B'Stard]]></name>
    <location><![CDATA[Oxford, The United Kingdom]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/2164858-steve-aga-b-stard]]></link>
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  <isbn>0141031255</isbn>
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  <text_reviews_count type="integer">6</text_reviews_count>
  <title>
    <![CDATA[The Man Who Was Thursday: A Nightmare]]>
  </title>
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  <average_rating>3.45</average_rating>
  <ratings_count>29</ratings_count>
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    <![CDATA[In a park in London, secret policeman Gabriel Syme strikes up a conversation with an anarchist. Sworn to do his duty, Syme uses his new acquaintance to go undercover in Europe's Central <br/>Anarchist Council and infiltrate their deadly mission, even managing to have himself voted to the position of 'Thursday.'<br/>When Syme discovers another undercover policeman on the Council, however, he starts to question his role in their operations. And as a desperate chase across Europe begins, his confusion grows, as well as his confidence in his ability to outwit his enemies.<br/>But he still has to face the greatest terror that the Council has - its leader: a man named Sunday, whose true nature is worse Syme could ever have imagined...]]>
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    <body><![CDATA[The Man Who Was Thursday: A Nightmare.  This novel is a satire on religious anarchy with bubbling undertones of politics, espionage, human loyalty and Edwardian gentlemanly behaviour.  Not for the feint hearted, readers should consider a reread when they finish the final chapter; I immediately went ...<a href="http://www.goodreads.com/review/show/50535277">more...</a>]]></body>
    
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    <![CDATA[The Man Who Was Thursday: A Nightmare]]>
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    <![CDATA[G. K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory. As Jonathan Lethem remarks in his Introduction,  The real characters are the ideas. Chesterton's nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldn't be interesting at all, though, if he didn't also show such passion for giving the devil his due. He animates the forces of chaos and anarchy with every ounce of imaginative verve and rhetorical force in his body.<br/>]]>
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    <body><![CDATA[This book seems at first to be a detective novel. The story begins in a London suburb at the turn of the twentieth century, where an undercover policeman and an anarchist poet debate the merits of order and anarchy. Before the night is through, the policeman, Gabriel Syme, has almost by accident inf...<a href="http://www.goodreads.com/review/show/50179027">more...</a>]]></body>
    
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      <review>
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  <title>
    <![CDATA[The Man Who Was Thursday]]>
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    <![CDATA[In an article published the day before his death, G.K. Chesterton called <em>The Man Who Was Thursday</em> &quot;a very melodramatic sort of moonshine.&quot; Set in a phantasmagoric London where policemen are poets and anarchists camouflage themselves as, well, anarchists, his 1907 novel offers up one highly colored enigma after another. If that weren't enough, the author also throws in an elephant chase and a hot-air-balloon pursuit in which the pursuers suffer from &quot;the persistent refusal of the balloon to follow the roads, and the still more persistent refusal of the cabmen to follow the balloon.&quot;<br/><br/>But Chesterton is also concerned with more serious questions of honor and truth (and less serious ones, perhaps, of duels and dualism). Our hero is Gabriel Syme, a policeman who cannot reveal that his fellow poet Lucian Gregory is an anarchist. In Chesterton's agile, antic hands, Syme is the virtual embodiment of paradox: <br/><br/><em>He came of a family of cranks, in which all the oldest people had all the newest notions. One of his uncles always walked about without a hat, and another had made an unsuccessful attempt to walk about with a hat and nothing else. His father cultivated art and self-realization; his mother went in for simplicity and hygiene. Hence the child, during his tenderer years, was wholly unacquainted with any drink between the extremes of absinthe and cocoa, of both of which he had a healthy dislike.... Being surrounded with every conceivable kind of revolt from infancy, Gabriel had to revolt into something, so he revolted into the only thing left &#8211; sanity.</em><br/><br/>Elected undercover into the Central European Council of anarchists, Syme must avoid discovery <em>and</em> save the world from any bombings in the offing. As Thursday (each anarchist takes the name of a weekday &#8211; the only quotidian thing about this fantasia) does his best to undo his new colleagues, the masks multiply. The question then becomes: Do they reveal or conceal? And who, not to mention what, can be believed? As <em>The Man Who Was Thursday</em> proceeds, it becomes a hilarious numbers game with a more serious undertone &#8211; what happens if most members of the council actually turn out to be on the side of right? Chesterton's tour de force is a thriller that is best read slowly, so as to savor his highly anarchic take on anarchy. <em> &#8211; Kerry Fried</em>]]>
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    <body><![CDATA[I heard good things about this book, so I read it. It was ok, but it was not the great masterpiece I was expecting. If this book was a person, it would be a young modern artist who has been told that he is a genius. The writing is too self-aware.<br/>Here's an example - 'Syme, who had sat down once...<a href="http://www.goodreads.com/review/show/47173534">more...</a>]]></body>
    
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    <![CDATA[The Man Who Was Thursday: A Nightmare]]>
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    <![CDATA[G. K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory. As Jonathan Lethem remarks in his Introduction,  The real characters are the ideas. Chesterton's nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldn't be interesting at all, though, if he didn't also show such passion for giving the devil his due. He animates the forces of chaos and anarchy with every ounce of imaginative verve and rhetorical force in his body.<br/>]]>
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    <body><![CDATA[Whether you like this book or not will probably have a lot to do with whether you can swallow Chesterton's eventual swing into Christian allegory, and I think that's a shame, because there's so much good going on in the Man Who Was Thursday - and so much tolerance for doubt, confusion, and paradox -...<a href="http://www.goodreads.com/review/show/41092450">more...</a>]]></body>
    
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    <![CDATA[The Man Who Was Thursday: A Nightmare]]>
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    <![CDATA[G. K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory. As Jonathan Lethem remarks in his Introduction,  The real characters are the ideas. Chesterton's nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldn't be interesting at all, though, if he didn't also show such passion for giving the devil his due. He animates the forces of chaos and anarchy with every ounce of imaginative verve and rhetorical force in his body.<br/>]]>
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    <body><![CDATA[Witty, wonderfully written and endlessly surprising, The Man who was Thursday is a novel which defies categories. It is hard to believe it was first published a whole century ago and that its protagonists scamper about in tails and top hats 'like black chimney pots'. On one level, it is a breathless...<a href="http://www.goodreads.com/review/show/76309705">more...</a>]]></body>
    
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    <body><![CDATA[Anarchists in Drag<br/><br/> 	<br/>7 of 26 people found the following review helpful:<br/>3.0 out of 5 stars Anarchists in Drag, July 14, 2006<br/>	<br/>I've read several turn-of-the-century books recently that shed a curious light on the naive attitude of intellectuals toward communism prior to the...<a href="http://www.goodreads.com/review/show/64136786">more...</a>]]></body>
    
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    <![CDATA[G. K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory. As Jonathan Lethem remarks in his Introduction,  The real characters are the ideas. Chesterton's nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldn't be interesting at all, though, if he didn't also show such passion for giving the devil his due. He animates the forces of chaos and anarchy with every ounce of imaginative verve and rhetorical force in his body.<br/>]]>
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    <body><![CDATA[Very strange book. The &quot;Nightmare&quot; part of the title should have clued me in, but it didn't. It just got weirder and weirder, which made sense by the end, but didn't in the present. The part just before the end was still a very kaleidescopic--if I didn't know better I would have wondered i...<a href="http://www.goodreads.com/review/show/58775277">more...</a>]]></body>
    
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