[close] Just as there are sculptors who insist they liberate forms imprisoned within marble and granite, Eve Duncan, the strong-willed heroine of Body of Lies, is a forensic sculptor driven by a need to liberate innocence from the shroud of death. Tops in her field, Eve obsesses over recreating the likenesses of faceless, decomposed murder victims, using only their bare skulls as a guide. It's a spooky career that began when Eve's own daughter, Bonnie, vanished and was later discovered, the girl's remains unrecognizable.

In Body of Lies, a killer uncovers a shocking truth about Bonnie, driving a rattled Eve to take a dangerous assignment in the darkest heart of bayou country. There, at the weird behest of a shady senator, Eve rebuilds the visage of the politician's late rival, a challenge that nearly results in her murder, strains her romance with a hard-bitten detective, and uncovers a fantastic global conspiracy over energy profits and much else. Wildly ambitious, Iris Johansen's Body of Lies inspires paranoia about the rich and powerful, though it gets unwieldy when Johansen's action writing and characters don't plausibly sustain the image of a secret society hell-bent on world domination. More effective are her bright supporting characters (especially Eve's Liverpudlian protector, Galen), bursts of descriptive wit, and insights into her wounded but dogged heroine. --Tom Keogh [close]