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Gustav Klimt

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4.25 of 5 stars 4.25  ·  rating details  ·  61 ratings  ·  3 reviews
This text discusses Klimt's portraits, allegories and landscapes as separate facets, tracing the development of each through to its culmination. It also explores the reverse parallel between Freud's and Klimt's approach.
Paperback, 80 pages
Published January 1st 1999 by George Braziller (first published September 27th 1975)
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I libri della collana Quadrifolio sono frutto di una scelta radicale che, come tale, non può che incontrare la mia simpatia.
Parte testuale sostanzialmente assente, se non per un paio di pagine introduttive; riproduzioni di ottima qualità; grande formato (circa 25 x 28 cm), a cui si aggiunge la caratteristica peculiare di questa serie: i libri sono impaginati con ante apribili, permettendo di raddoppiare o perfino quadruplicare la superficie disponibile per ogni singola opera. Una sorta di pop-u
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míol mór
I libri della collana Quadrifolio sono frutto di una scelta radicale che, come tale, non pu�� che incontrare la mia simpatia.
Parte testuale sostanzialmente assente, se non per un paio di pagine introduttive; riproduzioni di ottima qualit��; grande formato (circa 25 x 28 cm), a cui si aggiunge la caratteristica peculiare di questa serie: i libri sono impaginati con ante apribili, permettendo di raddoppiare o perfino quadruplicare la superficie disponibile per ogni singola opera. Una sorta di pop
...more
Meen
Sep 12, 2008 Meen marked it as to-read  ·  review of another edition
Recommended to Meen by: Ginnie Jones via Noran's review
Shelves: artsy-fartsy
God, I love Klimt's women.
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95321
Short Biography for Dr. Alessandra Comini
www.alessandracomini.com / / / www.megancrespi.com


Alessandra Comini is University Distinguished Professor of Art History Emerita at Southern Methodist University in Dallas, Texas. She received her B. A. degree from Barnard College, her M. A. from the University of California at Berkeley, and her Ph. D. "with distinction" from Columbia University where she t
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More about Alessandra Comini...
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