Nova Swing
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Nova Swing (Kefahuchi Tract #2)

3.56 of 5 stars 3.56  ·  rating details  ·  989 ratings  ·  118 reviews
Years after Ed Chianese’s fateful trip into the Kefahuchi Tract, the tract has begun to expand and change in ways we never could have predicted—and, even more terrifying, parts of it have actually begun to fall to Earth, transforming the landscapes they encounter.

Not far from Moneytown, in a neighborhood of underground clubs, body-modification chop shops, adolescent contra...more
Paperback, 252 pages
Published September 25th 2007 by Spectra (first published 2006)
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Neuromancer by William GibsonThe Anubis Gates by Tim PowersThe Strange Affair of Spring Heeled Jack by Mark HodderAltered Carbon by Richard K. MorganSoftware by Rudy Rucker
Philip K. Dick Award Winners
18th out of 36 books — 17 voters
Altered Carbon by Richard K. MorganThe Prefect by Alastair ReynoldsHouse of Suns by Alastair ReynoldsKOP by Warren HammondLeviathan Wakes by James S.A. Corey
Sci-fi Noir
11th out of 62 books — 11 voters

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Community Reviews

(showing 1-30 of 1,814)
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The whole debate, which is mostly due to the 20th century publishing industries insidious pollution of our intellectual market, of whether or not Sci-Fi is trash or literature is best summed up by the Ted Sturgeon quote, “Yes 95% of it is trash, but 95% of everything is trash.” But what dyed in the wool science fiction books of recent times match masterpieces of contemporary literature for tone, symbolism, meaning, intelligence, and ferocity? On this short shelf I would place Gene Wolfe’s Fifth...more
Jason Pettus
(My review of this book is much longer than Goodreads' word-count limitations. Find the entire essay at the Chicago Center for Literature and Photography [].)

Regular readers know that I've been in a bit of a special situation for the last month, in that by random luck I was able to track down at my local library five of the ten twelve(!) science-fiction books nominated this year for either the Philip K Dick Award or the Hugo Award; added to my review of Charles Stross' Halting Sta...more
I love the science fiction of M. John Harrison, which he writes in burnished steel, elegantly and smoothly detailing heartbreak and loss, perversion and excess, etching rapid, brutal violence with the same casual ease he tosses off bar-stool patter between mean-street acquaintances and gene-spliced miscreants. I have yet to come across another writer who can so vividly—yet matter-of-factly—describe the interplay between multidimensional mathematics and quantum exoticness in ultra-technology, whi...more
I read this for three reasons:

1. I figured it would be best to read it after Light, seeing as they occupy the same universe;
2. To move it from the traveling library into the Massachusetts semi-permanent library; and
3. So that I could have three books in a row on my Read shelf with cats on the cover.

The third reason was actually the deciding point, and if I knew where it was I'd consider rereading The Schrödinger's Cat Trilogy for a try at four books featuring cats on the cover. (Or maybe Tailcha...more
Two stars means 'It was OK' according to goodreads which really sums up 95% of this novel. I'm not going to go to town on this review. In fact, it's more of a personal reminder or a general overview of why I didn't quite dislike it, but certainly didn't rate it at all. So here it is then. This is the story of an anomaly or part of it anyway that basically drops off the main anomaly and causes a kind of rent or tear through to somewhere else. Predictably, things come through from that side and pe...more
I don't know how this won the Arthur C. Clark Award and the Phillip K. Dick Award and was a finalist for the John W. Campbell Award. I really don't. The narrative jumps around without much warning, to the point where you're not sure what character's being talked about or whether it's the past, present, or future. It uses a terse pseudo noir narration that makes all that worse by cutting out words that would help the reader figure that kind of thing out. Characters react to things in ways that of...more
Tudor Ciocarlie
Marvelous novel which is set in a sea/space-port intersected by the Kefahuchi Tract. Now, that I've reread Light and read Nova Swing, it's, finally, the time for Empty Space, the conclusion of Kefahuchi Tract trilogy.
’Nova Swing’ puede considerarse como una extraña secuela de ‘Luz’, ambas ambientadas en el universo del Canal Kefahuchi. La novela transcurre en Saudade, zona en la que cayó parte de dicho canal, y que ha dado lugar a una singularidad espacio-temporal donde las leyes de la física se han visto alteradas, y en cuyo interior pueden encontrarse artefactos, tecnologías y organismos de origen extraterrestre (aunque esto se supone). Es aquí donde entra en juego Vic Serotonina, una especie de recuperado...more

Notevoli passi indietro rispetto al precedente Luce dell'universo.
Harrison sembra essersi un po' perso, e in Nova Swing si limita a incollare in maniera ondivaga e confusa varie scene senza andare a parare quasi da nessuna parte, senza riuscire a riprodurre l'intensità emotiva e poetica del romanzo precedente.
Ne risulta un manierismo molto molto scialbo.
Soprattutto, l'ambientazione comune con Luce dell'universo è alquanto pretestuosa: tolti alcuni riferimenti in termini di personaggi...more
I'm not sure how to describe or review this book and do it justice.

Set in the same timeline as Light, Nova Swing follows an assortment of characters who have come to settle in Saudade (still not sure if this is the planet or the city or the Event Site...): Fat Antoyne and Liv Hula used to fly spaceships, Edith and Emil used to be part of a traveling show, Irene the Mona came from farther up the tract. Now they live in on a backwater world where they can hop in a tank and be whoever or wherever t...more
Jan 14, 2013 Joff added it


Any trendy genre is doomed to become desperately uncool in time. Take cyberpunk, bless it. That self-consciously wired sci-fi stepchild ended up making the journey from envelope-pushing early-80s edginess to nothing more than fodder for mid-90s straight-to-video stodge. But hey, it's not cyberpunk's fault. It heralded the age of information overload, but now that we're sliding down the infolanche for real, it can seem as naive as a 1950's World's Fair. A lot of its concerns - styl...more
Nick Tramdack
Since this book is a sequel to Light, one of my favorite novels, I wanted to love it. Sadly, I only really like it. It lacks the strong plot coherence of Light; very often while reading one Harrison's brilliant lines I was like "That's cool, that's cool, but why here and now? Why is he focusing on THIS?"

There's really something to be said for a more discursive style of novel writing, especially in genres like space opera that have historically been given over to plot at the expense of everythin...more
This book won 2007 Arthur C. Clarke Award and the 2008 Philip K. Dick Award, and was a finalist for a few others as well. It is a follow-on to Harrison's earlier novel Light, which I have not read.

From the onset, this reminded me more of a tone poem than a composition. The writing included lots of descriptive narration and depth of character that seemed more concerned with how it felt than where it went. Harrison uses the word 'noir' often enough that I think it's clear that's the tone what he w...more
The whole debate, which is mostly due to the 20th century publishing industries insidious pollution of our intellectual market, of whether or not SciFi is trash or literature is best summed up by the Ted Sturgeon quote, “Yes 95% of it is trash, but 95% of everything is trash.” But what dyed in the wool science fiction books of recent times match masterpieces of contemporary literature for tone, symbolism, meaning, intelligence, and ferocity? On this short shelf I would place Gene Wolfe’s Fifth H...more
Gina Durst
So little to say about this book. While I've heard some good things about Harrison, I didn't gain any enjoyment or pleasure from reading this. While, yes, there were many times when my mind wandered and was curious about certain phrases he used or ideas he spouted, but....
Actual pleasure from this book? I think not. There was no point to it, no real life. I enjoyed the story of the Monas and most especially the too-few pages on the Saudade Event Site, but other than that:
Nada. Nothing. A comple...more
Nova Swing takes part in the same future setting as Light, though without the alternate worlds/times that made that book complex but interesting. Here we have a typical noir story superposed with the peculiar world that Harrison created in the previous book. And in doing that the book lacks originality, nor does it really present much new. The oniric, surrealist setting becomes tired and wearisome, while the few new ideas are not really explored, sacrificed to the noir plot.

Only recommended for...more
Guy Salvidge
It's been a looooooooooong time since I read Light, the first book in this series. Like 12 years. And the only thing I've (re)read of Harrison's in that time is his novel, Climbers. Why? Because I hated Light so much when I read it at age 20. I bought a copy of Nova Swing when in came out in 2007, partly because I liked the cover so much (not this cover, a more colourful one), but I lost my copy before I read it. I finally bought a second copy in about 2012 and it's taken me another two or more...more
I found this in parts compelling and baffling. It's a kind of SF noir that picks up on the same universe delineated in Light, one in which unimaginably old and intelligent civilisations have messed with the quantum fabric of the universe and caused uncontrollable ruptures in space-time. Impacted on this are various members of a decadent and scattered human race, scratching out a living by stealing unimaginable arefacts from the discontinuity.
I nearly gave up on this one. It's hard to read over 1/4 of a novel before any hint of a plot shows up. I accepted that as evidence that plot was not the point, and soldiered on. Now that I've read all the way through, I'm still unsure of the point.

The low-brow genre reader side of me is tempted to dismiss this as an exercise by Harrison to demonstrate how his style is so cool that he can make a novel-length piece out of a short-story plot. He can expand it into aerogel with descriptions of sen...more
Peter Dunn
Science fiction has a real problem delivering well rounded intriguing characters. However in this book M John Harrison not only achieves that with the main cast, he even makes you engaged and interested in at least one character who could perhaps be best described as doubly unreal and insubstantial. A bonus for me in that cast list is that, unlike the other M John Harrison books I have read so far, a fair number of the protagonists are actually fairly sympathetic characters and are not simply a...more
Welcome to Saudade, found on a distant planet in a galaxy light years away, somewhere beneath the Kefahuchi Tract. A far future city awash with retro bars, genetic chop-shops and eager tourists. At it’s heart lies the mysterious ‘event zone’ where physics and reality are altered in inexplicable ways. The zone exists as a result of a piece of the Kefahuchi Tract (a space-time anomaly), falling to the planet and is a nexus of sorts for the events of the novel, much like the Zone from Arkady and Bo...more
started this last night. I love it already. The book that comes before this one, 'Light', which Neil Gaiman said was- "easily my favourite SF novel in the last decade, maybe longer" was excellent with a kinda Noir aspect to it. Nova Swing has an even more deliberate Noiry Pulp feel, yet is still deeply thoughtful and literary. Beautiful!
I did not like this book. It was an audible book. I normally like strange science fiction books but this just made no sense.

It was a slow buildup of story and then one thing happened and the rest of the book was just what happened to the characters afterwards. Not a very good story line.
David Spencer
M. John Harrison has a knack, in this trilogy, for writing a bunch of characters I identify with hardcore, and exploring issues of ontology and epistemology through his speculative relativistic metaphysics that gives me a metaboner (postboner? postmetaboner?). I think Light's contemporary thread really highlighted and underpinned so much of the novel that this one's lack of a contemporary set of characters struck me as a lack, but that's just my flavour, you know? I understand completely how som...more
When reading this series I felt that

#1 Light was amazing and one of the best SF books I have read. Regarding ideas, style and structure, world-building as well as characters.

#2 Nova Swing while still high quality with excellent style and ideas, was much weaker regarding plot, characters and it's general idea. In fact, I found it annoying in parts: I just could not understand where the various plot lines or characters were going, and generally what the entire point of all of it was. It felt as if...more
The second part of the Kefahuchi Tract trilogy, Nova Swing, didn't quite find that same special place in my body as its predecessor light did. The same wonderful language in all its mysteries, amusements and twists is still here and the Tract still gives that intriguing glow. However, perhaps due to this familiarity or perhaps due to the slightly less interesting characters, the novel doesn't catch fire in quite the same way for me.

This time Harrison takes the reader fully to the Tract, or to be...more
Darran Mclaughlin
Pretty disappointing. I had heard that M John Harrison was very good for years before I got around to reading him. He's a cult writer with a lot of cache. The first book I read by him was Light, which was really good. Then I read the Viriconium sequence which was a massive let down. It had been really built up for me so my expectations were high, but I thought it was a very dull work of fantasy with Fin de Siecle undertones, and did not live live up to it's reputation. Nova Swing is a not very i...more
Jacob Greenburg
As a continuation of the universe from M. John Harrison's novel "Light", this is a pretty decent read. It becomes apparent from the beginning that it is free of the chains from the previous novel using only the universe and a few characters from it.

The story unfolds in an interesting twist on the sci-fi genre by creating a city that is on the edge of a "rift" of sorts. This rift acts as a gradual interface into another dimension where things become a little "strange" .

Although it is outlawed by...more
David Manns
Harrison is one of my favourite authors and this is his sequel to the Science Fiction novel Light. Here he fuses Science Fiction with Noir, all wrapped in his usual surreal poetic style. Pieces of the Kefahuchi Tract have fallen to earth, creating a strange, dangerous zone of shifting landscapes within the city. Vic Seratonin, a 'travel agent' will, for a price, take people into the zone. But things have started escaping too. New artefacts bringing with them the dangerous daughter code that lead...more
Rita Monticelli
Scroll down for the English version.

Una piacevole sorpresa

Ho iniziato a leggere questo romanzo con aspettative bassissime dettate dall'aver letto le recensioni di altri lettori e devo ammettere che invece ne sono rimasta piacevolmente sorpresa, a dimostrazione come ancora una volta leggere le opinioni altrui possa essere fuorviante.
Ammetto che all'inizio della lettura mi sono sentita disorientata, con tutte quelle descrizioni di situazioni e personaggi difficili da immaginare e soprattutto c...more
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Ed Chianese vs. Chinese Ed 1 14 Mar 20, 2013 03:49PM  
  • Fools
  • Song of Time
  • The Troika
  • Take Back Plenty (Tabitha Jute, #1)
  • The Separation
  • Elvissey
  • Spin Control
  • Drowning Towers
  • Unquenchable Fire (Unquenchable Fire, #1)
  • Fairyland
  • Life
  • The Child Garden
  • Distraction
  • Headcrash
  • Emissaries from the Dead (Andrea Cort #1)
  • On Wings of Song
  • Veniss Underground
  • End of the World Blues
aka Gabriel King (with Jane Johnson)

Michael John Harrison was born in Rugby, Warwickshire in 1945 and now lives in London.
Harrison is stylistically an Imagist and his early work relies heavily on the use of strange juxtapositions characteristic of absurdism.

More about M. John Harrison...
Light Viriconium The Centauri Device The Pastel City Empty Space

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“Perception of a state is not the state.” 4 likes
“When I was little, she thought, I wanted nothing except to stop travelling. I wanted time for each new thing, each new feeling, to be held properly in suspension until it could be joined by the next. Given the chance I could easily hold all those beautiful things together. I could be like a box in which they would be held new forever. Instead, everything aged and changed. People too.” 2 likes
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