She's Come Undone (Oprah's Book Club)
by Wally Lamb
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Update: I found an old review I wrote about this book for an online book club I used to be in. I clearly hated it. Here it is, more or less in its entirety.
To be blunt, I didn't like it. It's hard to know where to begin when explaining my dislike for 'She's Come Undone.' Wally Lamb, to be sure, wrote very...believably. I felt like it was a girl writing. However, the fact of the matter is that I'm a man, and I have no idea how a woman thinks. Therefore, I'm clearly not the best judge of this.
My first problem was the paper-thin development of male characters in the story. Perhaps I'm being picky, but I thought all the male characters. In the best cases they had no depth. In the worst cases their actions didn't even make sense.
Let's first explore the "Daddy" character. He is a stock deadbeat dad. Not all that attentive or a good parent when he was around, and then he disappears. And when he does so, we are left to fill in the blanks with vague details of his life. He is remarried. He is divorced again. He is remarried again. He doesn't write. He makes empty promises. Blah blah blah. We can understand why Dolores is so angry with him, but we are given only a cursory glimpse to his emotions, what drives him. Towards the end of the novel his wife writes Dolores and tells her that he was "a good man." And it leaves Dolores to wonder, 'was he a good man?' This was a good device, because we are left to wonder as Dolores did. However, the fact remains that we were given very little of the character. He was a tool, a means to make Dolores what she grew into (quite literally). But "Daddy" is probably one of the better male characters. (A side note, and to answer Megan's question, I think it was a blatant device used by Lamb in having Dolores refer to her deadbeat father as "daddy" constantly. He was clearly, in my mind anyway, attempting to connect Dolores's father's leaving as the end of Dolores's innocence, the end of her childhood, as shortly after she was violated by Jack. And maybe that is truly how such a thing would happen. But, as useful a device as that may have been, I find it trite, because I cannot bring myself to believe that a young woman with so much hate towards her father that she would cuss him out at her mother's funeral and cut off all contact with him for her entire life would continue to refer to him as "daddy" throughout the course of her tormented life. But that's just my opinion.)
Thayer. A stock nice guy meant to contrast Jack and Dante. Beyond that, he really serves no purpose aside from offering Dolores a type of redemption.
Jack and Dante. Now, I feel that they were basically the same character. Which was appropriate, because they both did complete 180's in their personality. Someone in an earlier post mentioned that there were "clues" as to their true nature. With Jack, I disagree. It was complete bullshit.
First of all, all we were given of Jack was how wonderful he was. In fact, at the end the chapter in which we are introduced to Jack and his generically cute wife Dolores says the whole family fell in love with a couple. Which is true in a sense, in that Jack won the family over. But what of his wife? No one seemed to like her. Dolores's mother was fucking Jack, so clearly she didn't love his wife. And Dolores complains that his wife isn't good enough for Jack, that she is not pretty enough or some such nonsense. No, no, it was Jack they fell in love with. And initially you can see why. He is handsome and fun, very likable. But then he is completely different, and we are given no good reason why. He starts out like an all-American neighbor who suddenly devolves into a degenerate because, why, because he is giving Dolores rides home after school? Because his wife wanted to get pregnant? It didn't make sense. There were no hints at all until he started giving Dolores rides home after school and swearing and acting like a generally rude asshole. And to me that felt contrived, as if Lamb was saying, "see, it shouldn't be surprising that he is raping her. He swore and yelled at her in the car a few times! He's not the guy we all thought he was!"
But that's just it! Lamb sets Jack up as this great guy and then artificially tears him down. Jack didn't even feel like the caricature he was purported to be. It was like two different people, and the only common thread was that Dolores had a crush on him and he was called Jack.
Let us just take a moment to review Dante. We are clearly meant to draw parallels from Jack to Dante. Both were introduced to us as good men. Then they were arbitrarily turned into child molesters when the situation fit (i.e. when it would ruin Dolores's life). To be honest, the only thing that even hinted at what Dante would become when he was religious and vulnerable is the letter where he says he does not want to become a womanizer. But, in brief, he is a religious, vulnerable virgin as a young man and a verbally (and on one occasion, physically) abusive, arrogant, sex-obsessed adult.
And he decides that Dolores is the one from the get-go. Why? Mr. Wing (the landlord) mentions that he is quite the womanizer. The teacher at the dance alludes to the exotic women he used to date. He clearly gets off on young girls (as we see at the dance and his relationship with Sheila). But Dolores steps into his life, he beds her immediately and then, just as quickly gives up on all other women. Moves in with Dolores and eventually marries her. I realise that there are arguments for why this could happen (she's easy to live with as she just considers herself lucky to have him; but I find that bullshit because he clearly isn't intellectually stimulated by her, and I doubt he is intellectually stimulated by hot high school girls), in short, I'm not really buying them. They are not logical in life or the story. So, essentially, Dante is simply there to be the adult Jack--physically and emotionally raping Dolores until she is able to defend herself and leave. But he is not believable.
And finally, Dolores. I have so many questions. She gets fat and depressed for good reasons. Fine, all very well. I sympathize. College breaks her and she goes nuts, has a brief lesbian encounter (but, come on, what young girl doesn't experiment with that sort of thing in college? Am I right ladies?) and freaks out about it and, generally, her life. So she runs away, swims with a beached whale, goes crazy and ends up in a mental institute. And boy, does she go crazy. Biting her tongue til it bleeds? Mutalating herself in various ways? Why? I read that sort of thing and I was fucking shocked. I mean, she was depressed, sure, but why did she start mutalating herself? Because she was in a mental hospital? I don't buy it at all. I feel like it was simply stereotypical bullshit thrown out by Lamb for shock value, as if to say to the reader, "look....look what her life has done to her!" Ridiculous. In fact, I found the entire mental hospital to be a load of bullshit, from the "therapy" she alternately accepts and rejects (which she should have just outright rejected, because, maverick or no maverick, Dr. Shaw belonged in that hospital as a patient, not a doctor. That scene where he is talking to Dolores in the "womb" (pool) was just creepy. It made me uncomfortable.) to the way she leaves. Completely contrived. Why did she leave? Everything was going well, so she started "etch-a-sketching" (a clear connection to her mother and her painting, specifically the flying leg painting. Both are left of what you would expect, even in creative outlets) and then decided to abruptly abandon the therapy before completion due to some psychic. That was completely out of character, at least out of the character Lamb had fleshed out for us in the mental hospital. She was just starting to come around and be a functioning human being again, and she suddenly throws it all away because of some psychic? It didn't make sense, felt contrived, a plot device to keep the story moving and avoid it getting bogged down in the mental hospital.
So I feel like this is getting a little long, so I will skip ahead to what I consider the third part of Dolores's life, when she leaves Dante and moves back into her Grandmother's house. And I will skip most of that, because it was dull and uneventful (she puts her life back together, grand) and go to the part that stuck out for me the most. That was the contrived fight she has with Rita, where Rita falls down the stairs and ends up in the hospital. What the fuck was that all about? I mean, seriously, where did that come from? Everything is going great. Rita tells Dolores she should buy a car with her money, Dolores is leaning towards a satellite and big television. So she gets it. Fair enough? Apparently not. Apparently Lamb is angry that not enough people read these days (rightfully so, I would say, but that is beside the point) and continued his quest to make television out to be one of the main villains in Dolores life, by having the television lead her into another depression (which he lazily tries to attribute to sudden recurrent sad feelings about Dante, but it doesn't fly. We are basically left to assume that the TV just plain makes her lazy. Period.). And so Rita comes over and, apparently, yells that Dolores should have bought a car instead of a big TV, which leads Dolores to freak out and scream at her and Rita falls, and Dolores gets more depressed and starts walking around in 3-D glasses all the time. I mean, are you serious? Did I miss something? Just bullshit. Plain and simple. It's as if Lamb felt there wasn't enough heartache, that things were going too well and he didn't want to end the story just yet. (Which also explains the return of Mr. Pucci, because, after all, what story set in the mid 80's is complete without a personal reference to the AIDS epidemic?).
In summation, I felt the book was trite and contrived....more
To be blunt, I didn't like it. It's hard to know where to begin when explaining my dislike for 'She's Come Undone.' Wally Lamb, to be sure, wrote very...believably. I felt like it was a girl writing. However, the fact of the matter is that I'm a man, and I have no idea how a woman thinks. Therefore, I'm clearly not the best judge of this.
My first problem was the paper-thin development of male characters in the story. Perhaps I'm being picky, but I thought all the male characters. In the best cases they had no depth. In the worst cases their actions didn't even make sense.
Let's first explore the "Daddy" character. He is a stock deadbeat dad. Not all that attentive or a good parent when he was around, and then he disappears. And when he does so, we are left to fill in the blanks with vague details of his life. He is remarried. He is divorced again. He is remarried again. He doesn't write. He makes empty promises. Blah blah blah. We can understand why Dolores is so angry with him, but we are given only a cursory glimpse to his emotions, what drives him. Towards the end of the novel his wife writes Dolores and tells her that he was "a good man." And it leaves Dolores to wonder, 'was he a good man?' This was a good device, because we are left to wonder as Dolores did. However, the fact remains that we were given very little of the character. He was a tool, a means to make Dolores what she grew into (quite literally). But "Daddy" is probably one of the better male characters. (A side note, and to answer Megan's question, I think it was a blatant device used by Lamb in having Dolores refer to her deadbeat father as "daddy" constantly. He was clearly, in my mind anyway, attempting to connect Dolores's father's leaving as the end of Dolores's innocence, the end of her childhood, as shortly after she was violated by Jack. And maybe that is truly how such a thing would happen. But, as useful a device as that may have been, I find it trite, because I cannot bring myself to believe that a young woman with so much hate towards her father that she would cuss him out at her mother's funeral and cut off all contact with him for her entire life would continue to refer to him as "daddy" throughout the course of her tormented life. But that's just my opinion.)
Thayer. A stock nice guy meant to contrast Jack and Dante. Beyond that, he really serves no purpose aside from offering Dolores a type of redemption.
Jack and Dante. Now, I feel that they were basically the same character. Which was appropriate, because they both did complete 180's in their personality. Someone in an earlier post mentioned that there were "clues" as to their true nature. With Jack, I disagree. It was complete bullshit.
First of all, all we were given of Jack was how wonderful he was. In fact, at the end the chapter in which we are introduced to Jack and his generically cute wife Dolores says the whole family fell in love with a couple. Which is true in a sense, in that Jack won the family over. But what of his wife? No one seemed to like her. Dolores's mother was fucking Jack, so clearly she didn't love his wife. And Dolores complains that his wife isn't good enough for Jack, that she is not pretty enough or some such nonsense. No, no, it was Jack they fell in love with. And initially you can see why. He is handsome and fun, very likable. But then he is completely different, and we are given no good reason why. He starts out like an all-American neighbor who suddenly devolves into a degenerate because, why, because he is giving Dolores rides home after school? Because his wife wanted to get pregnant? It didn't make sense. There were no hints at all until he started giving Dolores rides home after school and swearing and acting like a generally rude asshole. And to me that felt contrived, as if Lamb was saying, "see, it shouldn't be surprising that he is raping her. He swore and yelled at her in the car a few times! He's not the guy we all thought he was!"
But that's just it! Lamb sets Jack up as this great guy and then artificially tears him down. Jack didn't even feel like the caricature he was purported to be. It was like two different people, and the only common thread was that Dolores had a crush on him and he was called Jack.
Let us just take a moment to review Dante. We are clearly meant to draw parallels from Jack to Dante. Both were introduced to us as good men. Then they were arbitrarily turned into child molesters when the situation fit (i.e. when it would ruin Dolores's life). To be honest, the only thing that even hinted at what Dante would become when he was religious and vulnerable is the letter where he says he does not want to become a womanizer. But, in brief, he is a religious, vulnerable virgin as a young man and a verbally (and on one occasion, physically) abusive, arrogant, sex-obsessed adult.
And he decides that Dolores is the one from the get-go. Why? Mr. Wing (the landlord) mentions that he is quite the womanizer. The teacher at the dance alludes to the exotic women he used to date. He clearly gets off on young girls (as we see at the dance and his relationship with Sheila). But Dolores steps into his life, he beds her immediately and then, just as quickly gives up on all other women. Moves in with Dolores and eventually marries her. I realise that there are arguments for why this could happen (she's easy to live with as she just considers herself lucky to have him; but I find that bullshit because he clearly isn't intellectually stimulated by her, and I doubt he is intellectually stimulated by hot high school girls), in short, I'm not really buying them. They are not logical in life or the story. So, essentially, Dante is simply there to be the adult Jack--physically and emotionally raping Dolores until she is able to defend herself and leave. But he is not believable.
And finally, Dolores. I have so many questions. She gets fat and depressed for good reasons. Fine, all very well. I sympathize. College breaks her and she goes nuts, has a brief lesbian encounter (but, come on, what young girl doesn't experiment with that sort of thing in college? Am I right ladies?) and freaks out about it and, generally, her life. So she runs away, swims with a beached whale, goes crazy and ends up in a mental institute. And boy, does she go crazy. Biting her tongue til it bleeds? Mutalating herself in various ways? Why? I read that sort of thing and I was fucking shocked. I mean, she was depressed, sure, but why did she start mutalating herself? Because she was in a mental hospital? I don't buy it at all. I feel like it was simply stereotypical bullshit thrown out by Lamb for shock value, as if to say to the reader, "look....look what her life has done to her!" Ridiculous. In fact, I found the entire mental hospital to be a load of bullshit, from the "therapy" she alternately accepts and rejects (which she should have just outright rejected, because, maverick or no maverick, Dr. Shaw belonged in that hospital as a patient, not a doctor. That scene where he is talking to Dolores in the "womb" (pool) was just creepy. It made me uncomfortable.) to the way she leaves. Completely contrived. Why did she leave? Everything was going well, so she started "etch-a-sketching" (a clear connection to her mother and her painting, specifically the flying leg painting. Both are left of what you would expect, even in creative outlets) and then decided to abruptly abandon the therapy before completion due to some psychic. That was completely out of character, at least out of the character Lamb had fleshed out for us in the mental hospital. She was just starting to come around and be a functioning human being again, and she suddenly throws it all away because of some psychic? It didn't make sense, felt contrived, a plot device to keep the story moving and avoid it getting bogged down in the mental hospital.
So I feel like this is getting a little long, so I will skip ahead to what I consider the third part of Dolores's life, when she leaves Dante and moves back into her Grandmother's house. And I will skip most of that, because it was dull and uneventful (she puts her life back together, grand) and go to the part that stuck out for me the most. That was the contrived fight she has with Rita, where Rita falls down the stairs and ends up in the hospital. What the fuck was that all about? I mean, seriously, where did that come from? Everything is going great. Rita tells Dolores she should buy a car with her money, Dolores is leaning towards a satellite and big television. So she gets it. Fair enough? Apparently not. Apparently Lamb is angry that not enough people read these days (rightfully so, I would say, but that is beside the point) and continued his quest to make television out to be one of the main villains in Dolores life, by having the television lead her into another depression (which he lazily tries to attribute to sudden recurrent sad feelings about Dante, but it doesn't fly. We are basically left to assume that the TV just plain makes her lazy. Period.). And so Rita comes over and, apparently, yells that Dolores should have bought a car instead of a big TV, which leads Dolores to freak out and scream at her and Rita falls, and Dolores gets more depressed and starts walking around in 3-D glasses all the time. I mean, are you serious? Did I miss something? Just bullshit. Plain and simple. It's as if Lamb felt there wasn't enough heartache, that things were going too well and he didn't want to end the story just yet. (Which also explains the return of Mr. Pucci, because, after all, what story set in the mid 80's is complete without a personal reference to the AIDS epidemic?).
In summation, I felt the book was trite and contrived....more
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Read in September, 2007
recommends it for:
People who like derivative fiction
I want to start out by saying that I read *I know this much is true* by Wally Lamb and would rate it in my top 5 favorite books of all time, so this review shouldn't deter anyone from reading his work.
I read some of the other reviews before writing this and I was surprised at how many women were shocked that a man could write such a convincing woman's perspective.
I know MANY insightful, perceptive men who understand women, so I don't find it a stretch that a man can write with a woman's voic...more
I read some of the other reviews before writing this and I was surprised at how many women were shocked that a man could write such a convincing woman's perspective.
I know MANY insightful, perceptive men who understand women, so I don't find it a stretch that a man can write with a woman's voic...more
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Read in February, 2008
recommends it for:
Fans of the book of Job
She’s Come Undone (Wally Lamb)
A week after finishing this book, I still have conflicting opinions. It’s hard to synthesize them into a coherent review, so I’m just going to summarize what I liked and disliked.
On the plus side:
Easy to read: The story is told as a first-person narrative by the main protagonist, Dolores. Though her actions can be exasperating to the point where you want to shake some sense into her, she is always engaging, keeping a sense of (sometimes gallows)...more
A week after finishing this book, I still have conflicting opinions. It’s hard to synthesize them into a coherent review, so I’m just going to summarize what I liked and disliked.
On the plus side:
Easy to read: The story is told as a first-person narrative by the main protagonist, Dolores. Though her actions can be exasperating to the point where you want to shake some sense into her, she is always engaging, keeping a sense of (sometimes gallows)...more
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3 comments
Read in January, 1999
recommends it for:
no one
I hate this book. Let me just get that out of the way first!
I also have to admit to having personal knowledge of the author - which in no way colors my opinion of this book. Mr. Lamb was a writing teacher at my high school in CT and actually helped me quite a bit in writing my college application essays. I got in to every school I applied for - even my reach school - and I am positive that the essay I wrote was the biggest tipping point. My essay was really good and it was wholly because...more
I also have to admit to having personal knowledge of the author - which in no way colors my opinion of this book. Mr. Lamb was a writing teacher at my high school in CT and actually helped me quite a bit in writing my college application essays. I got in to every school I applied for - even my reach school - and I am positive that the essay I wrote was the biggest tipping point. My essay was really good and it was wholly because...more
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Read in January, 1997
Yes. I hated this book. I read it about ten years ago, and it pissed me off. To this day I refer to it as "that goddamn whale book." What repelled me then is that the main character, a fat girl, bonds with a real fucking whale and it's supposed to be Deep and Meaningful. "Yes, Mr. Whale. I am a fat girl. I, too, am a whale. We understand one another." Please. Try harder, Wally. Also, the fat girl hates herself so has a creepily awkward lesbian hookup with a janitor and subseq...more
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This is one of my all time favorite books. I just recently reread the book and fell in love all over again. It had been some time since I read the book and felt I should refresh my memory since I recommend it to so many.
She’s Come Undone is the story of a troubled teenage girl growing into a woman, her struggles and the ways in which she decides to cope with them. She puts on a tough exterior but inside is as soft as the marshmallows she finds comfort in.
Dolores is plagued with hearta...more
She’s Come Undone is the story of a troubled teenage girl growing into a woman, her struggles and the ways in which she decides to cope with them. She puts on a tough exterior but inside is as soft as the marshmallows she finds comfort in.
Dolores is plagued with hearta...more
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Read in January, 2008
If this book were a color it would be the yellow-green of a half healed bruise, if it were a woman she would be covered in such bruises. The story follows the traumatic life Dolores Price from childhood into her thirties. The author is unrelenting in the abuse he hurls at his protagonist, never giving her a moment to regain her footing before he knocks her down again. Though much has been made of the gender of the author - a man writing a female protagonist - I did not find his voice convincing....more
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Read in September, 2007
Dear Bob, please deliver me from anymore sanctimonious books about the struggles of forging an independent identity and moving on from traumatic events. They were really good and really touching the first, ummmm, 20-30 times I read them, but at this point it just feels like I'm reading retreads of the same old tired story. I've seen this movie. They gave Angelina the Oscar for it even though Winona deserved it more. But that is neither here nor there. Is the book well-written? Yes, it most...more
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Read in August, 2008
recommended to Naomi by:
Oprahrecommends it for: people who find humor in situations that are not humorous, people who hate happy-go-lucky stories
This review has been hidden because it contains spoilers. To view it, click here.
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Read in January, 1997
recommends it for:
Masochists
I really, truly, honest-to-god am not exaggerating when I say this is one of the worst books I ever read while I was an adult. Lamb hasn't written an actual story so much as he's bound together a series of advice columns and chat show episodes dressed up in vague narrative form. The girl's father leaves! Then she gets raped by her mother's boyfriend! Then she gains weight! Then she loses weight! Then she hooks up with a bad boyfriend! Then she thinks she may be a lesbian! And on and on, ad nause...more
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Read in August, 2008
recommended to Kara by:
book club This review has been hidden because it contains spoilers. To view it, click here.
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Read in June, 2007
I have to wonder if any of Lamb's children were teenage girls while he was writing this novel. If not, then I'm sure his wife had her brain picked apart to help him write this novel. Why? Lamb so captures the teenage girl spirit in this book (or at least the spirit of a crushed and ruined teenage girl) that it's hard to believe this wasn't written by a woman.
Delores's story is moving and has something we can all relate to, especially those of us who have ever gone through a trauma or depr...more
Delores's story is moving and has something we can all relate to, especially those of us who have ever gone through a trauma or depr...more
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recommends it for:
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I really didn't like this book. It was recommended to me as an example of a man that could write with a womens voice. Nope. I didn't buy it. I also didn't buy his understanding of growing up as a fat girl. So Poo on you Mr. Lamb.
Here is a review by someone named Colin who I don't know but I completely agree with:
"Yes. I hated this book. I read it about ten years ago, and it pissed me off. To this day I refer to it as "that goddamn whale book." What repelled me then is that th...more
Here is a review by someone named Colin who I don't know but I completely agree with:
"Yes. I hated this book. I read it about ten years ago, and it pissed me off. To this day I refer to it as "that goddamn whale book." What repelled me then is that th...more
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This is a novel written in the first person, from the point of view of a 12-year old girl (at the start of the book, anyway). I'm pretty sure Wally Lamb isn't a 12-year-old girl, and part of the enjoyment of reading She's Come Undone is how astonishingly well he pulls it off. It is written so well, the details and feelings in it are so painfully personal, that I spent a lot of time wondering how the hell a middle-aged man managed to channel a depressed, disadvantaged, fat, miserable, funn...more
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Read in June, 2008
My reading time in India was not as fruitful as I thought. I only completed one book, but She's Come Undone was a wonderful read. I had seen Wally Lamb speak at the Tennessee Williams literary festival in New Orleans; he had a wonderful spark and I liked hearing how the plots for this novel and his other book developed. I enjoyed his other book, I Know This Much is True, so I had high hopes for this read.
The book is a memoir of Dolores Price whose intense emotional journey includes gainin...more
The book is a memoir of Dolores Price whose intense emotional journey includes gainin...more
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