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Let's Talk about Love: A Journey to the End of Taste
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Let's Talk about Love: A Journey to the End of Taste (33⅓ #52)

4.18 of 5 stars 4.18  ·  rating details  ·  1,764 ratings  ·  296 reviews
Non-fans regard Céline Dion as ersatz and plastic, yet to those who love her, no one could be more real, with her impoverished childhood, her (creepy) manager-husband’s struggle with cancer, her knack for howling out raw emotion. There’s nothing cool about Céline Dion, and nothing clever. That’s part of her appeal as an object of love or hatred — with most critics and comm ...more
ebook, 176 pages
Published November 23rd 2007 by Continuum
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In Let’s Talk About Love, Carl Wilson does something brave and—alright, I’ll say it—noble. He takes Céline Dion seriously. Yeah, that’s right, Céline Dion: for many of us, the biggest block of cheese in the pop culture fromagerie. If this book doesn’t make you feel thoroughly ashamed of yourself for ever having put down Céline—and you know you have, you heartless snobs—then you’re beyond help and deserve to die under a huge pile of John Cage records.

Wilson’s bracing little pamphlet is part of th
Have you ever laughed at someone who claimed to actually enjoy Celine Dion's music? Have you ever felt like you were better than those people who love The Kite Runner or Mitch Albom's books? Have you ever forced all of your friends and family to watch a movie you loved because you were convinced that they needed to see it for their own good? My answers a few weeks ago would have been absolutely, of course, and who hasn't? but after reading this book, I would most likely nod sheepishly.

Wilson de
Paul Bryant
This is a beautiful meditation on art, one of the best I’ve ever read. Why do people like this kind of stuff and not that kind of stuff? Why do they then go further and say “My kind of stuff [be it novels, movies or pop music] is actually better than your kind of stuff – because I, you see, have really good taste, and you, well, now, I’m never going to tell you to your face, you understand, but your taste is... not the best, shall I say. I mean, you think The Shawshank Redemption is the best mov ...more
Paul Austin
The 33 1/3 series would seem to be pretty much bulletproof in terms of hipster cred. In the Aeroplane Over The Sea, OK Computer, Pink Moon, Rid of Me, Paul’s Boutique, Loveless, Meat is Murder… even if your own choices for an “essential/seminal albums” list are different, these titles all have a lot going for them. Older albums covered — Music From Big Pink, Forever Changes, Court and Spark, Dusty in Memphis — have for years been hailed by the new kids on the indie block as favorites. If Conor O ...more
Holy Crap. Have I really just spent the last 3 days convincing my friends, loved ones and neighborhood shop keepers how misunderstood and really amazing Celine Dion is?.Thanks to this fantastic book, I have. I have touched those things and they felt so good! This may be my favorite book ever written about music, at least one of my favorites. Carl Wilson manages to drop Fanon and Kant all over the place and not be remotely pretentious! His writing style and perspective about taste and perception ...more
I'm sorry, but no. Please please please leave this book on the shelf and instead seek out the 33-1/3 volume on ABBA Gold, one of my all-time favorite books. THAT is where you will find a whip-smart hipster critic using schmaltzy pop as the springboard for funny, impeccably argued, stunning intellectual flights of fancy about aesthetics, music, and society, all wrapped up with a bow of unapologetic love for all things pop culture (high and low).

What you will find here is the opposite -- an utter
John Moran
“Let's Talk About Love” is a studious, A-plus paper on the topic of “taste,” but it's also very dry, very quote-heavy, and very resistant (to use one of the author's, Carl Wilson's, own key words) to its own innate charms -- those charms being its personal touches: the book sparks to life in moments (like when Wilson flashes back to his ex-wife's performance of Buddy Holly's “Oh Boy” to express her feelings for her then-beau while in the throes of their infatuation; or when the author is besides ...more
I don’t like talking about my taste in music very much. Not in conversation, anyway. The same goes for books and video games. I always feel as though I’ve been given a brief moment in which to explain myself, to justify my own choices in a kind of secret language which ends up revealing far more about my personality than I might wish other people to know. And perhaps I do want to reveal something, from time to time, but for the most part I want to express an opinion peculiar to the person to who ...more
Turkey Leg Sam Quixote
Celine Dion.

What’s your response? Like me, it’s probably: ick. Right?

Well, you’re not alone as nearly everyone seems to have this response to Dion mostly thanks to her obnoxious monster hit, My Heart Will Go On, from James Cameron’s Titanic that won an Oscar and sold bazillions of copies worldwide. But chances are you won’t have heard much of her music beyond that song, or know much about her as a person, and yet the response to Dion is still: ick. Why?

That’s what Carl Wilson sets out to disco
ATTENTION EVERYONE THIS IS NOT A JOKE: Please read this book. It is completely excellent in every way, and is possibly the best thing I have read since "Dave Barry's Book of Bad Songs" and "Anna Karenina." (That was also not a joke.) Everything I believe about what it means to have musical opinions is talked about in here, with great intelligence, humor, and heart. DO IT! BUY IT! It makes an excellent holiday gift for hipster d-bags and also normal people.
Not merely a great 33 1/3 book, but a great and delightfully original work of criticism, period.

How can we actually come to grips with this; the schmaltziest of albums from the most generally perceived tackiest of singers? Why do we hate music like this? What does that hatred say bout us? About our own insecurities of class, status and coolness?

Wilson is brilliantly self-aware, ably explaining not merely his own aversion to Dion's music but also why her global appeal (she has sold 100,000,000
I haven't read any of the other selections in the 33 1/3 series, but have picked them up occasionally while browsing at bookstores. And from what I have glanced through generally seem like close readings of various canonical (or at least critic-approved) albums, some taking a more serious and scholarly approach, others with a bit more whimsy, but they always seem brimming with much enthusiasm, passion and love. Which is why Carl Wilson's entry on Let's Talk About Love, Céline Dion's massive, "My ...more
Feb 14, 2008 Tosh rated it 5 of 5 stars  ·  review of another edition
Recommends it for: those who are obsessed with pop culture and somehow have a heart to like Celine Dion
It can be but not really tailored made for the Celine Dion fan, but this book is really about the nature of taste in pop(ular) music and it's a fascinating read because of it. Basically Wilson hates this particular album, but he wants to know why. So with that in thought and with an open mind he goes into the world of Dion as well as the fans and of course fellow music lovers who hate her music.

The big moment for him was the Oscars where she won an award for the Titanic theme song. The author is
A remarkable book. At times even a beautiful book, with none of the cynicism that the premise (a non-Celine Dion fan writing about Celine Dion) or series (known for in-depth looks at respected albums, with varying levels of quality and pretension) would suggest.

Wilson talks more around Celine than about her, using the topic as springboard for earnest, well-researched explorations of taste, subtlety, class, criticism, sentimentality and even some uncomfortable truths about his own life.

He's a won
Jack Wolfe
Of the 33 1/3 books I've read, this one is far and away the best: smarter, funnier, more humane, and more challenging than the rest. Instead of asking, a la the tomes on "Bee Thousand," "Radio City," and "Daydream Nation," "what makes this cool album so cool?," Mr. Wilson does a 180 and asks what makes Celine Dion so damn lame. He approaches this query from many angles, looking at the singer's background, exploring the lives of her fans, and fabricating a fake review for the "10th anniversary" o ...more
Vladimir Garay
Hay muchos buenos libros sobre música y no es secreto que Let's talk about love es uno de los mejores. Alguien dijo que el amor y el arte eran el proceso de verse a uno mismo en un otro; en este ejercicio de crítica inmersiva, Wilson se propone averiguar por qué tanta gente ama a Céline Dion, qué es lo que sus millones de fans ven en ella y por qué él mismo es incapaz de verlo.

El título del libro nos promete un viaje al final del gusto y es eso precisamente lo que obtenemos: desde Kant a un ref
Dec 06, 2010 Iris rated it 5 of 5 stars  ·  review of another edition
Recommends it for: lovers of music-art- culture, sufferers of winter boredom
Shelves: philosophy, music
This is a phenomenal little volume that packs a punch. If grad schools were worth $20,000 a year, they would demand not a dissertation, but a thesis like this to be produced by each student: a structured, concise scrutiny of an idea that's tossed around in philosophy ("Where does taste come from, and what do our opinions say about us?") and in everyday life ("I like all music except country, rap and Celine Dion"). The Canadian Mr. Wilson is a blast to read as he engages the reader in contemplati ...more
Jun 19, 2015 Taylor rated it 5 of 5 stars  ·  review of another edition
Recommends it for: anyone who's passionate about any form of cultural expression (books, movies, art, music, etc.)
Using Celine Dion as a case study, Wilson examines that old devil: taste. What's good taste? What's bad taste? What shapes our tastes? Why is taste important? Is taste important? This might sound boring removed from the context, but it's positively fascinating.

He talks about Celine Dion's history. He talks about the demographic of her fans. He talks about particular fans. Driven by his extreme dislike of Dion, he probes into why the hell does anyone like her music? There's plenty of respite for
I saw this book on the internet somewhere and decided it looked intriguing enough to request from the library. I think it had more to do with the pleasing cover design than anything else. This ended up being a highly readable exploration of the history of popular music, the meaning of taste, and Celine Dion's particular place in the scheme of those things. Personally, I'm pretty much indifferent to Celine. I would skip over her songs on the radio, but I don't have any of the massive Celine-hate ...more
Tedious tripe. I had my doubts about this book, initially because of the presence of halfwit Hornby. I should have trusted my doubts.

It's one of those texts that spends inordinate amounts of time and agonising to reach dazzlingly trite conclusions.

In this case, that just because you don't like Celine Dion it doesn't make her a bad person or her fans contemptible.

Give the boy a medal!
One of the most interesting from the 33 1/3 series. At the beginning of the book, Wilson hates Celine Dion. He uses the book to investigate why he and others hate Dion and why millions love her. What is taste and where does it come from? In addressing questions of aesthetics and taste, Wilson also touches on race and ethnicity in Canada, Canadian culture, Quebec culture, Elliott Smith, cultural capital, social capital, punk covers of Celine Dion, the las vegas show, marketing music in the age of ...more
Ian Coutts
It seems pretty unpromising -- a book about Celine Dion. In fact, it is one of the best books I have ever read on taste, aesthetics, and what we want from music. Particularly as these pertain to that rock music bugaboo "authenticity." I guarantee you'll never look at Celine Dion the same way again -- although you probably won't like her more than now. Wilson is brilliant.
I wish I could have read this book before I wrote a bunch of snarky music reviews for college newspapers, webzines and other publications. I could have saved a lot of time. I also might have gotten more sleep in my 20s, instead of wasting hours in bars and run-down apartments arguing about the merits of musician A vs. band B.
This book is a brilliant treatise on the nature of art and particularly art criticism. But really it is an extended argument against music criticism, and a defense of allow
Tamsin Barlow
I thought this might be a light examination into cultural tastes. Au contraire. After slogging through pages of Kant, Nietzsche, and various French philosophers I've come to realize the blistering truth: I'm a self-serving; a segregationist; an undemocratic macho rationalist; a person who is uncomfortable with representations of vulnerability and tenderness; who finds sentimentality threatening, catharsis embarrassing and am possibly paralyzingly repressed. I had no idea I was this sadly messed- ...more
I initially read this with an interest to learn more about the relationship between Celine Dion and Elliot Smith ( and yes there is one). But I also had another question...what is it about an artist who is loved world-wide but makes me want to shove a hot poker through my ears? I gained some insight into this question as some of my own pretensions were challenged.

This is a good book to read for music lovers, the overly critical, and fans of Quebec ( at least two of those are me at times).
The first 33 1/3 book that I've read that didn't actually make me want to listen to the album...

Every friend to whom I mentioned this book was certain that there was no way Céline Dion could have a critical reassessment. Gawd, my friends and I are such snobs!

But I really admire Wilson's candor and willingness to examine his own cultural snobbishness and the social germination of all our feelings of cultural superiority and need to belong to certain "tribes".

Maybe I should go crank some Céline on
Using Celine Dion’s 1997 album of the same name as the focal point, Wilson dissects the concept of taste including its class, social, and ethnogeographic influences. Specifically, Wilson attempts to answer the question of how one of the top ten highest grossing musicians of all time can be universally hated by music critics and aficionados alike. Dion’s titanic single “My Heart Will Go On” serves as the quintessential litmus by which taste is judged. It his through his analysis of that song and ...more
Jeremy Preacher
It's been a while since I read any music criticism or musical biography, but this was a fascinating book to dive back in with. Wilson, a self-avowed Celine Dion hater, examines her as a musician and a phenomenon in painstaking detail. The result is a comprehensive analysis of the phenomenon of "taste" from Kant to class to commerce.

I, personally, don't care for Dion at all, and "My Heart Will Go On" was the bane of my existence for its entire interminable reign. So it was particularly interestin
I've read a few books in the 33 1/3 series. They're all slightly different, but they're all sort of the same -- except for this one.

Carl Wilson writes about Celine Dion's career, from early age to now. He writes about fans that love her music, self-consciously or otherwise. He writes about what it means to like or dislike music, something that can be utterly personal or a mass-market commodity -- something that can connect you to huge masses or people, or set you apart from the crowd. And, Carl
Este libro tiene un tono excelente, el autor es culto, inteligente, cita a los autores precisos, pero también vulnerable, pero vulnerable-vulnerable no cool-vulnerable.
Usando un disco de Céline Dion analizado desde muchas perspectivas, este texto es una constante interpelación al lector y sus gustos, también hay un permanente análisis de lo socialmente aceptable e inaceptable dependiendo de sus contextos. Por ejemplo se identifica al crítico que decide reivindicar productos culturales repudiados
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My top 10 books on music and aesthetics 1 3 Jul 01, 2015 09:36AM  
  • The Pixies' Doolittle
  • Master of Reality
  • It Takes a Nation of Millions to Hold Us Back
  • In the Aeroplane Over the Sea
  • Live at the Apollo
  • Unknown Pleasures
  • Paul's Boutique
  • Pet Sounds
  • Exile on Main St.
  • Low
  • Swordfishtrombones
  • Loveless
  • The Kinks are the Village Green Preservation Society
  • Bee Thousand
  • Ramones
  • Meat is Murder
  • Music from Big Pink
  • Trout Mask Replica
Librarian Note: There is more than one author in the GoodReads database with this name. See this thread for more information.

Carl Wilson is Slate's music critic.
More about Carl Wilson...

Other Books in the Series

33⅓ (1 - 10 of 103 books)
  • Dusty in Memphis
  • Forever Changes
  • Harvest
  • The Kinks are the Village Green Preservation Society
  • Meat is Murder
  • The Piper at the Gates of Dawn
  • Abba Gold
  • Electric Ladyland
  • Unknown Pleasures
  • Sign o' the Times

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“And the places she turns up in Jamaica are all the more curious. I remember being at sound-system dances and hearing everyone from Bob Marley Kenny Rogers (yes, Kenny Rogers) to Sade to Yellowman to Beenie Man being blasted at top volume while the crowd danced and drank up a storm. But once the selector (DJ in American parlance) began to play a Celine Dion song, the crowd went buck wild and some people started firing shots in the air.... I also remember always hearing Celine Dion blasting at high volume whenever I passed through volatile and dangerous neighborhoods, so much that it became a cue to me to walk, run or drive faster if I was ever in a neighborhood I didn't know and heard Celine Dion mawking over the airwaves.” 14 likes
“Bourdieu's interpretation was that tastes were serving as strategic tools. While working-class tastes seemed mainly a default (serving at best to express group belongingness and solidarity), for everyone else taste was not only a product of economic and educational background but, as it developed through life, a force mobilized as part of their quest for social status (or what Bourdieu called symbolic power). What we have agreed to call tastes, he said, is an array of symbolic associations we use to set ourselves apart from those whose social ranking is beneath us, and to take aim at the status we think we deserve. Taste is a means of distinguishing ourselves from others, the pursuit of distinction. And its end product is to perpetuate and reproduce the class structure.” 3 likes
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