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Maldoror and the Complete Works

by Comte de Lautréamont, Alexis Lykiard (Translator)

4.29 of 5 stars 4.29 · rating details · 1,422 ratings · 67 reviews

Andre Breton described "Maldoror "as "the expression of a revelation so complete it seems to exceed human potential." Little is known about its pseudonymous author, aside from his real name (Isidore Ducasse), birth in Uruguay (1846) and early death in Paris (1870). Lautreamont bewildered his contemporaries, but the Surrealists modeled their efforts after his black humor an...more

Paperback, 352 pages

Published April 30th 2010 by Exact Change (first published June 28th 1869)

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Maldoror and the Complete Works by Comte de Lautréamont

The Hearing Trumpet by Leonora Carrington

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Nov 11, 2007 D. J. rated it 5 of 5 stars

Probably one of the most experimental, strange and horrifically beautiful books on the planet. A dream-like monument to man's imagination. One part 'Frankenstein' and one part 'Faust'. Epic in scope. Poetic in form. Gothic in style. Completely surreal.

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May 26, 2012 كريم راهي rated it 5 of 5 stars · review of another edition

روعة السرد النثري في أناشيد مالدورور لايستطيع المرءُ منها فِكاكاً
من أمتع ما قرأت وما وقعتُ تحتَ تأثيره
كتبت بعد الفراغ منهُ نصّا شعرياً بعنوان هاراكيري

هاراكيري

ما يعجَزُ الكركيُّ عن تردادِهِ
هُنا وهُناك
يُغَنّيهِ في سَهمِ طيرانِهِ الطويل.

أوَدُّ أن أبوحَ بِسرّيَ للبئرِ
أو أدوّنَهُ على لَحاءِ الشَجر
لقد كنتُ كطائِرٍ مقتنص
يحومُ حولَ الشِراكِ ذاتِها
في كلِّ مرّة.
أتوقُ الآن
لإنعتاقي من إغواء الأمكنة
أتوقُ لجثوةٍ على الأرضِ، أخيرة
لنصلٍ ينفذُ في الخاصرة
وللحُبور في صيحةِ الروح المحلّقة.

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Mar 27, 2013 Emre Aydemir rated it 5 of 5 stars

bir gün annem, donuk gözlerle bakarak, bana şöyle demişti: “yatağında yatarken, kırlarda köpek havlamaları duyacak olursan, yorganının altına gizlen, yaptıklarını alaya alma: sonsuzluğun o tutkusu yatışmaz hasretini çekmektedir onlar, tıpkı senin gibi, benim gibi, tıpkı soluk, zayıf yüzlü öteki insanlar gibi. dahası, bu oldukça yüce görünümü pencereden seyretmene de izin veriyorum.” o gün bu gün, ölü anacığımın öğüdüne uyarım. ben de tıpkı köpekler gibi sonsuzluk gereksinimi duyuyorum.. ama, çar...more bir gün annem, donuk gözlerle bakarak, bana şöyle demişti: “yatağında yatarken, kırlarda köpek havlamaları duyacak olursan, yorganının altına gizlen, yaptıklarını alaya alma: sonsuzluğun o tutkusu yatışmaz hasretini çekmektedir onlar, tıpkı senin gibi, benim gibi, tıpkı soluk, zayıf yüzlü öteki insanlar gibi. dahası, bu oldukça yüce görünümü pencereden seyretmene de izin veriyorum.” o gün bu gün, ölü anacığımın öğüdüne uyarım. ben de tıpkı köpekler gibi sonsuzluk gereksinimi duyuyorum.. ama, çaresizim, doyuramıyorum bu açlığı! bana söylediklerine göre, bir erkekle bir kadının oğluymuşum. bu hayrete düşürüyor beni.. daha üst düzeyde olduğumu sanırdım! hem zaten, bence bir önemi yok nereden geldiğimin? ben, kendi payıma, kendi istencime bağlı olsaydı, açlığı fırtınalarla dost olan dişi köpekbalığı ile yırtıcılığıyla ünlü kaplanın oğlu olmak isterdim: bunca kötü olmazdım.siz, beni seyredenler, uzaklaşın yanımdan, çünkü ağuludur benim soluğum. daha henüz hiç kimse görmedi alnımdaki yeşil kırışıklıkları; ne de zayıf yüzümdeki, bazı büyük balıkların kılçıklarına, ya da deniz kıyılarını kucaklayan kayalara ya da başımdaki saçlar başka renkken sık sık aştığım sarp alp dağları’na benzeyen çıkık kemiklerimi gören oldu. ve, fırtınalı gecelerde, gözlerim çakmak çakmak, saçlarım fırtınada kamçı gibi savrulurken, ben, tıpkı yol ortasında yapayalnız bir taş gibi, insan konutlarının çevresinde dolaştığım sırada, bacaların içine sıvanan kurum gibi kapkara bir kadife parçasıyla örterim yıpranmış yüzümü: yüce yaratıcı’nın güçlü bir kin gülümsemesiyle bana bağışladığı çirkinliği kimsenin görmesi gerekmez. her sabah, güneş, bütün doğaya sağaltıcı sevinç ve sıcaklık yayarak başkaları için doğarken, ben, beni şarap gibi estiren bir umutsuzluk içinde, sevgili inimin taa dibinde çömelmiş, karanlıklarla yüklü boşluğa gözlerini dikerek, yüzümün tek çizgisi kımıldamadan, güçlü ellerimle paramparça ederim göğsümü.(less)

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Feb 16, 2013 Henry Martin rated it 5 of 5 stars

Shelves: permanent-collection

What to say about Maldoror that hasn't been said yet? What to say about the mysterious son of a diplomat who appeared in France, wrote this book and died, vanishing from the world, yet leaving his mark for decades and centuries yet to come?

The first time I had the pleasure of reading this exceptional work, I was taken aback. Barely seventeen, I hungrily swallowed the disturbing images leaping at me from the pages, not to fully comprehend them until years later. This work, over a century old, is...more

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Mar 24, 2012 Jericha added it

Shelves: novels-i-have-loved

I'm not sure I can give this a number of stars. Would it be five for the total apocalyptic brilliance of the language or 0 for the deeply, astonishingly sick & twisted content? I'm not one to keep reading horrifying things; I don't watch horror movies and I avoid the worst of the news. But Maldoror is something special, a book about evil that is perversely about poetry. If it had been written now I might feel less inclined to love it, but with Rimbaud and Baudelaire for contemporaries it's a...more I'm not sure I can give this a number of stars. Would it be five for the total apocalyptic brilliance of the language or 0 for the deeply, astonishingly sick & twisted content? I'm not one to keep reading horrifying things; I don't watch horror movies and I avoid the worst of the news. But Maldoror is something special, a book about evil that is perversely about poetry. If it had been written now I might feel less inclined to love it, but with Rimbaud and Baudelaire for contemporaries it's a different sort of matter. It's peculiar and nonsensical in places, sure, but less in the way of a poor piece of prose and more in the manner of, say, My Life in the Bush of Ghosts: perfectly appropriate for a story about the hallucinatory meanderings of the most evil man in the world.

Some of the pleasure of the book lies in its pure invention: the entire scene, for example, in which one of God's hairs is wondering a round a whorehouse. It's like Naked Lunch in kid gloves, just archaic enough to be fascinatingly horrible instead of sickening, a sort of taxidermied cabinet of monstrosities. For me, however, the real gems of the book are certain of its similes, marvelous and bizarre pairings of images dropped casually in among the sentences, which are, indeed, "as beautiful as the chance encounter of a sewing machine and an umbrella on an operating table."

My lasting affection for the book, however, comes from something my father did a few years back. A friend of his was getting married, and so my dad brought along his trusty copy of Lautréamont to the bachelor party. They all hop into the hot tub, and my dad proceeds to inform his soon-to-be-wedded buddy that he has a few choice words to share with him on the topic of love. And then he reads him the best scene in the book: the chapter in which a lonely Maldoror sits on a cliff watching the sharks pick off the survivors of a shipwreck, occasionally helping them out with a few shots fired off from above, and becomes enamored of the biggest and most vicious shark of all. My father reads the whole scene, culminating in a fabulously explicit clinch between man and shark amidst the bloody waves. His buddy looks at him for a while. Eventually (and I like to imagine him looking up vaguely into the clouds for this) he just says quietly, "Everything okay in your home life, Josh?"

And that, ladies & germs, is just what YOU should do with Maldoror, too.

(less)

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Apr 30, 2012 Magdelanye rated it 1 of 5 stars

Shelves: culture-conflict, disappointing, existential-crises, for-the-bin

Back in the day, when I was young and passionate, I decided I had to read this book, and so I ordered it from our local bookshp and waited 7 weeks until I finally was summoned to come and get it.
That evening when the house was finally quiet,I built up a nice fire and poured myself a glass of wine. Cosy and prepared for an exquisite read,I was surprised to read first the authors note: reader, if you love this life, do not read this book. But I am brave, I thought, continuing.
A few more pages,the...more

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Feb 15, 2013 Cam'Ron Asgari'an rated it 3 of 5 stars

The Count wrote this despicable (and I mean that as a compliment) poetic novel when he was 22 and it shows. It burns with the passion of someone who still believes in absolutes, believes he is cursed forever, has given up trying to reclaim what is already lost (innocence, faith), renounces the world and refuses to repent. In this sense it is both a nice reminder and a grim memory of that turbulent time in life.

Many of the sections read like black metal lyrics, which is cool, but also means they...more

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Mar 23, 2012 Neil77 rated it 5 of 5 stars

Les chants de Maldoror is a book I first tried to read almost a decade ago. Back then, I had found the first canto unreasonably hard going and gave it up for another day (the folly of youth). That day has now arrived.

This time I blazed through the book rather quickly.

The first canto was once again slightly hard to follow at times. I am not sure if it was poor writing or translation (I read the Lykiard) or my poor brain - quite possibly. I stuck with it, and to my suprise found the second canto...more

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Jul 09, 2012 Ilsa rated it 4 of 5 stars

Shelves: prose-poetry, surrealism, queer, decadence

This is only a four because it would be a five if I'd read it in French. Which I didn't because I can't.

The bonusdelight of this edition is Alexis Lykiard's eloquent and well-researched disgust of previous translators. From "Note on the Text & Translation":

"The first English translation, Rodker's in 1924 (see Bibliography) is, unfortunately, an archaic travesty, full of elementary errors and misreadings, not to mention misprints ("Satan" for "Sultan," and other gems), while Wernham's 1943 gu...more

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Sep 10, 2009 kirkesque rated it 3 of 5 stars

This is a book that would have been more favorable to my tastes at a different time in my life. By the time I read it, my interest in this darker subject matter hadn't waned, really, but was like a magnet on a different polarity than what Ducasse (Lautréamont) was writing.

This book would be well-placed on the same shelf with Morrison's Lords and the New Creatures, Rimbaud's A Season in Hell, and Gentry/Bugliosi's Helter Skelter, to be read when you're 13-14. I would have probably liked it more a...more

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Feb 03, 2013 Simon Johansen rated it 4 of 5 stars

Shelves: 19th-century, romanticism, symbolism, mad-frenchmen, satire, america-south

Comte de Lautréamont has to be the single most perplexing yet obviously talented author I've discovered since Louis-Ferdinand Céline. (why are these types almost always French?) Since he died at the age of 24, his complete works fit into less than 400 pages the bulk of which is taken up by a bizarre gothic novel titled "The Songs of Maldoror".

The title character is an Antichrist-like figure who does not just oppose the Judeo-Christian god, depicted here as a cross between the less moral gods of...more

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May 06, 2013 Ian Drew Forsyth rated it 2 of 5 stars

Shelves: dark, burning-desires, fairytale-like, madness

Quotes from Intro:
Contains its own built in criticism
Mixes genres, deal in paradox and parody and make abrupt transitions whether thematic or stylistic, ensures a stimulating and multifaceted, rather than an easy or easily classifiable, read.
Opposes the Deity and indeed all authority that cramps the spirit.
Mixed genres of prose-poetry, poetic prose, the Gothic fantasy, the serial novel, horror and humor, authorial interventions, disruptions of space and time, stories-within-stories, plagiarisms...more

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Aug 09, 2012 David Spencer rated it 5 of 5 stars

Shelves: best

This might be the best book I've read all year. Alexis Lykiard's translation of Isidore-Lucien Ducasse and his Comte de Lautréamont (or is it Lautréamont and his Ducasse, for all that the figures of Lautréamont and Maldoror possess and know possession) is both charming and hilarious, as well as a much appreciated does of enlightenment to an Anglophone without a franc to their linguistic name (or any euro worth less than a pound these days, as it happens). If I were to raise a child, I'd raise th...more

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Mar 27, 2011 Matt DeCostanza rated it 4 of 5 stars

Shelves: favorites, horror, fantasy, symbolism

It is interesting to think that around 1870, when Arthur Rimbaud's celebrity was international and at its peak, there was another young man writing sick prose of a similar quality. He was Isidore Ducasse and he died in the gutter, never to gain the adoration Rimbaud enjoyed.

Perhaps there's a reason for this. Les Chants are uneven and sometimes of suspect quality: this is especially seen in the second section of Canto II, where, after giving a typically Ducassian, abandon-all-hope warning diatrib...more It is interesting to think that around 1870, when Arthur Rimbaud's celebrity was international and at its peak, there was another young man writing sick prose of a similar quality. He was Isidore Ducasse and he died in the gutter, never to gain the adoration Rimbaud enjoyed.

Perhaps there's a reason for this. Les Chants are uneven and sometimes of suspect quality: this is especially seen in the second section of Canto II, where, after giving a typically Ducassian, abandon-all-hope warning diatribe, Ducasse devotes a few pages to the horrors of... writer's block. These are the "poison-filled pages" I've been warned about? A horrific description of Lautreamont's stalled creative process? Later in Canto III a lay is devoted to the supreme evils of... mathematics. And it's about as interesting as a high school Algebra class. Hoo boy.

On the other hand, there are times when Ducasse makes good on his promise of debauchery and some truly disturbing prose is presented. Ducasse has the most success here with his Sade-like depictions of sexual perversion, rape and body horror. To witness the cool nonchalance with which Maldoror cuts a bloody grin from ear to ear on his own face, just to see himself smile, is a revelatory moment.

Ducasse also finds success on a technical level. His successful elimination of an established narrative perspective anticipates Joyce's by 50 years. A simple look at the title of the work reveals how twisted his web is: the book is in praise of Maldoror, a fictional demon, and is supposedly written by a man named Lautreamont, who is never mentioned in the work itself. The name-game web is further complicated upon learning that the real author's birth name is Isidore Ducasse- or "I.D.".

Les Chants also anticipate a very 20th century phenomena among novelists: the obsessive and morbid cataloging of arcane myths and old prophecies from various sources. The same subjects that fascinated Ducasse (Biblical accounts of demons, gothic poetry, existential ruminations on birth and death) would inspire H.P. Lovecraft, Dylan Thomas, Jorge Luis Borges, William S. Burroughs and Philip K. Dick a century later.

Les Chants de Maldoror, despite its warts, is a highly entertaining and nourishing work.(less)

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Feb 19, 2010 Patrick marked it as to-read

Man, where to start? First off, admittedly superficially, I hate the edition of the book: I hate its stupid awkward size, I hate the sleep-inducing font, I hate the snotty and obscure introductions, I hate the David Lynch ripoff cover.

I'll read an entire page and totally forget what I just read completely. Nothing is holding my interest! Very rarely can I not simply ABSORB what I'm reading; here it just washed over me without sinking in. The only other time I can remember this happening is with...more

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Sep 28, 2010 Hatebeams rated it 5 of 5 stars

Lautreamont is an aesthete of the highest order - the most grotesque, sadistic or revolting images will as often as not serve to counter some prior helping of the innocent or exquisite. The result is always something incisive, revelatory, profound. Maldoror's devotion to evil and continuous violations of the good seem to answer an underlying amorality in the universe at large - his philosophy is one of impious disgust at the hypocrisy of a God (represented as a guilt-ridden incontinent syphiliti...more

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Jun 26, 2008 Marcus Mennes rated it 5 of 5 stars

My favorite line from Maldoror is, "...laugh but weep at the same time. If you cannot weep with your eyes, weep with your mouth. If this is still impossible, urinate. But I warn you, some sort of liquid is needed here..." which pretty much sums up the book's thesis. This book is (for lack of a better adjective) dark. It is also weird and funny. The laughter released is based in the gut, a coarse, foolish, belly laugh. It is distinct from the throaty chuckling made in response to some polite quip...more

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Feb 13, 2012 Indigo rated it 5 of 5 stars

Shelves: classique, fantasy, fav

To be bluntly honest this is one of my favourite French classic author.

The rating is for the FRENCH EDITION, as I will NOT EVER try a translation of such beautiful work into another language than my mother tongue.

A bit like Wilde or Byron translated into French : not the same.

The only exception to this rule of mine is Poe, but I read the translation into French by Beaudelaire...

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Jan 08, 2012 Lio Proeliator rated it 5 of 5 stars · review of another edition

في رحلة لاكتشاف الذات، أبحث أنا أيضاً عن كائنات تشبهني، لوتريامون ليس كئيباً للحد الذي يدعون، ليس قبيحاً للحدّ الذي يصفون.. لوتريامون يصف معشار القبح الذي يزيّن وجه هذه اﻷرض لوتريامون يكتب عن أولئك الذي يبحثون بمشقّة عن النوم في سنيّ عمرهم الطوال ولا يجدونه!.. في النشيد الخامس - المقطع الثالث لا أبحث عن شيء أجدني هناك مباشرة.. فقط أجدني هناك.. أجِدُّ السير أصل إلى فقط أنه لا يلزمني شيء إلا كائنات تشبهني..
كلما أحسست بالوحدة جلسته معه!.. توحّدتُ معه..

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May 14, 2013 Josef rated it 5 of 5 stars

Shelves: re-reading

folks keep trying to explain this book.
GOOD LUCK!

My 13 year old daughter gave this to me as a birthday present. I gave away my last copy. This is by far the best english translation. I believe the translator Alexis Lykiard belong to my "Art" club in London: The Horse Hospital I met him there about 15 years ago.

This is one of those unbelievable books where you find yourself asking..."someone actually wrote the" many times.
Read it...you'll never forget it.

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Feb 17, 2009 Jimmy Frohman rated it 4 of 5 stars

The best book on surrealism I have read yet. Lautreamont has always been considered the authority on surrealist thought and writing, but I have yet to read a translation as good as this. Highly recommended for anybody interested in the topic. Fantastic.

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Jan 21, 2013 aykut rated it 2 of 5 stars

ilk paragrafını okuyunca işte hayatımın kitabı deyip ben doymadan kimseye bu kitabı önermem sorduklarında diye planlar yaptığım ama sonra ilerledikçe ve sonlara yaklaştıkça beklentimle ters düşen bir kitap. ah be lautréamont..

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Feb 15, 2012 Eamon Loingsigh rated it 5 of 5 stars

Isidore Ducasse was and still is belittled by the literary establishment, though nothing can compare to his anti-heroic grandiose horrors. Rimbaud must have read him.

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Apr 05, 2012 Douglas added it

Brilliant BOOK!! I still love having it around to look through. It is so inspiring that I almost always start writing when I read from this book.

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Jan 24, 2013 Patrick rated it 5 of 5 stars

Shelves: poetry

Something wonderfully and horribly unique... A work of genius! I really wonder what sophisticated pleasure one can get in reading the original. I should have studied French more diligently!

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Apr 01, 2011 aboxofcereal rated it 5 of 5 stars

This book is at war with itself in every way conceivable to the imagination. Supreme dissatisfaction pushing onward into euphoria.

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Feb 18, 2012 Marina rated it 1 of 5 stars · review of another edition

Shelves: fiction, incredibly-bad-books

Uno dei libri più brutti che io abbia mai letto. Ne parlo qui: http://sonnenbarke.wordpress.com/2006...

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Feb 17, 2009 slaveofone rated it 4 of 5 stars

The Chants of Maldoror: epic, grandiose, ludicrous, blasphemous, and foul. This book launched the Surrealist Movement.

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Mar 08, 2011 Stuart Estell rated it 5 of 5 stars

Absolutely life-changing. One of those books after which most others don't seem quite so exciting any more.

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Mar 07, 2013 Ramón Vázquez-gómez rated it 5 of 5 stars

THIS IS SOME COMPLETELY FUCKIN CRAZY SHIT!!! I LOVE THE PURE HEARTLESSNESS!!!!!!!!!

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What's The Name o...: The Antichrist, and a shipwreck? [s]	5	21	May 12, 2013 11:01am
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About Comte de Lautréamont

Comte de Lautréamont (French pronunciation: [lotʁeaˈmɔ̃]) was the pseudonym of Isidore Lucien Ducasse, an Uruguayan-born French poet.

His only works, Les Chants de Maldoror and Poésies, had a major influence on modern literature, particularly on the Surrealists and the Situationists. Les Chants de Maldoror is often described as the first surrealist book. He died at the young age of 24 years old.

More about Comte de Lautréamont...

Books by Comte de Lautréamont

The Book of Masks: An Anthology of French Symbolist & Decadent Writing (Atlas Arkhive, #2)

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Quotes from Maldoror and the Compl...

“I sought a soul that might resemble mine, and I could not find it. I scanned all the crannies of the earth: my perseverance was useless. Yet I could not remain alone. There had to be someone who would approve of my character; there had to be someone with the same ideas as myself. It was morning. The sun in all his magnificence rose on the horizon, and behold, there also appeared before my eyes a young man whose presence made flowers grow as he passed. He approached me and held out his hand: “I have come to you, you who seek me. Let us give thanks for this happy day.” But I replied: “Go! I did not summon you. I do not need your friendship… .” It was evening. Night was beginning to spread the blackness of her veil over nature. A beautiful woman whom I could scarcely discern also exerted her bewitching sway upon me and looked at me with compassion. She did not, however, dare speak to me. I said: “Come closer that I may discern your features clearly, for at this distance the starlight is not strong enough to illumine them.” Then, with modest demeanour, eyes lowered, she crossed the greensward and reached my side. I said as soon as I saw her: “I perceive that goodness and justice have dwelt in your heart: we could not live together. Now you are admiring my good looks which have bowled over more than one woman. But sooner or later you would regret having consecrated your love to me, for you do not know my soul. Not that I shall be unfaithful to you: she who devotes herself to me with so much abandon and trust — with the same trust and abandon do I devote myself to her. But get this into your head and never forget it: wolves and lambs look not on one another with gentle eyes.” What then did I need, I who rejected with disgust what was most beautiful in humanity!” — 14 people liked it

“Although according to certain philosophers it is quite difficult to distinguish the jester from the melancholic, life itself being a comic drama or a dramatic comedy.” — 5 people liked it

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