Goodreads helps you keep track of books you want to read.
Start by marking “Paddy Clarke ah ah ah!” as Want to Read:
Paddy Clarke ah ah ah!
Enlarge cover
Rate this book
Clear rating
Open Preview

Paddy Clarke ah ah ah!

3.74 of 5 stars 3.74  ·  rating details  ·  14,095 ratings  ·  560 reviews
Barrytown 1968. Paddy Clarke ha dieci anni, ama Geronimo, adora accendere fuochi, odia gli zoo, i baci, la scuola e non sopporta il suo fratellino. Paddy e Kevin, il suo migliore amico, costruiscono capanne, suonano i campanelli per scherzo, ma sanno che con una buona confessione il posto in Paradiso è assicurato. Ma Paddy è confuso: vorrebbe che la mamma e il papà smettes ...more
Paperback, 285 pages
Published 2005 by Guanda (first published 1993)
more details... edit details

Friend Reviews

To see what your friends thought of this book, please sign up.

Reader Q&A

To ask other readers questions about Paddy Clarke ah ah ah!, please sign up.

Be the first to ask a question about Paddy Clarke ah ah ah!

This book is not yet featured on Listopia. Add this book to your favorite list »

Community Reviews

(showing 1-30 of 3,000)
filter  |  sort: default (?)  |  rating details
I hate to think that I’m susceptible to some merchandiser’s power of suggestion, but as soon as hearts and Cupids give way to shamrocks and leprechauns (typically Feb. 15), my thoughts often turn towards the Emerald Isle. Of course, when the lovely lass I married accompanied me there last year to celebrate a round-number anniversary, I can be forgiven for thinking about it even more, right? Beyond the history, scenery, culture, silver-tongued locals and tasty libations, there’s the draw of their ...more
Paddy Clarke Ha Ha Ha reminded me of another famous Irish novel, Patrick McCabe's The Butcher Boy. Both are narrated by a young boys who grow up in Ireland during the 1960's, and both make use of vernacular and local folklore. The Butcher Boy was shortlisted for the Booker in 1992, and Paddy Clarke Ha Ha Ha won it in 1993.

But don't be dissuaded from reading Paddy Clarke... by thinking that it's more of the same - both books are novels of childhood in the same country at roughly the same time, bu
Patrick "Paddy" Clarke is a 10-year-old boy growing up in 1960s Ireland who has good and bad times with his friends, loves and hates his little brother (and has no use for his baby sisters because they don't do anything worthwhile yet), tells lies to his friends and his teachers in order to gain their appreciation and respect, and who wants nothing more than to understand (and fix) the problems that begin to erupt between his parents. As an oldest child he feels it his position to protect his yo ...more
Se qualcuno, come me, pensasse che “Paddy Clarke ah ah ah” sia un libro divertente, grazie al quale sorridere e svagarsi dai problemi che ci rincorrono, come volevo fare io leggendolo, si sbaglia. “Paddy Clarke ah ah ah” è un libro molto triste, che rilascia sofferenza, una sofferenza che per noi adulti è la peggiore, quella dei bambini a causa del comportamento degli adulti.
Il libro racconta le avventure di una banda di ragazzini dublinesi negli anni ’60, raccontata in prima persona da Paddy Cl
How much the point of view changes with age! I read the italian translation the year it was published, and I loved it. Moreover, it was a present from a friend of mine and I also loved the time and effort she put into looking for a book that could meet my taste.
23 years later (oh my god!) I really want to give Paddy and his gang a good spanking. I don't think it is just me, though: a lot of things he could have got away with in 1993 fall today under the category of bullying. But when you realize
I'm very glad I found Roddy Doyle. (Thanx Nick Hornby and Speaking to the Angels.) Cause Paddy Clarke HaHaHa is just like I like a book. It reminds me a lot of Frank McCourt's Angela's Ashes, one of my favorite books. One of the books I truly love. They've got more in common than the comic style. They're both about Irish childhoods. Frankie McCourt's in the late 30s and early 40s. Paddy Clarke's in the late 60s. "It is 1968. Paddy Clarke is 10 years old, breathless with discovery." Writes Irish ...more
Richard Reviles Censorship Always in All Ways
Rating: An irritable 3* of five


Books written in the voice of a child had best use that technique for a reason...the child's perspective becomes wearing unless there is some very, very compelling narrative reason to make us follow a kid around without wanting to scream blue murder after a while.

I don't find any such compelling reason in this book. I don't find anything compelling at all in this book, as a matter of fact.

Ireland sounds damned good and dreary, and I am rethinking my desire to v
Linda Lipko
If anyone can answer my question, I'd love to know the answer. Why is it that books written by Irish authors or told about the Irish seem to consistently focus on a) drinking b) abuse c) poverty d) dysfunction???? Is there joy in Ireland?

While reviews are primarily positive about this book, for many reasons, I simply reacted to the fact that it was yet another angst filled tale of an Irish child witnessing cruelty, and acting out with cruelty, harming those around him, including his younger sibl
Sep 09, 2014 Lisa rated it 3 of 5 stars  ·  review of another edition
Recommended to Lisa by: Booker Prize Yahoo group
Shelves: ireland, 20thcentury
It took me much longer than it should have to finish this slight, inconsequential novel. It won the Booker in 1993, but it's a bit of a mystery why that was so. I would have given the prize to Remembering Babylon by David Malouf, a much better and more significant book in every way.

Paddy Clark Ha Ha Ha is written in the voice of Paddy, nine years old in the 1960s, watching The Man From UNCLE on TV and observing his parents' marriage break up. It's impressionistic, with (paraphrasing Jung here, t
Ola Cader
This is one of the very few books I've read twice, and the only one I liked even more when reading it for the second time. I kept following my husband, reading every other paragraph to him. I would like to force everyone to admit how brilliant the book is but at the same time I would like to keep it to myself.
When I was reading Paula Spencer I was thinking that Roddy Doyle must have spent hours talking to women, or rather listening to them. Reading Paddy Clarke... made me think he must have spe
Dec 28, 2011 Brad rated it 5 of 5 stars  ·  review of another edition
Recommends it for: Marci Simkulet
This review was written in the late nineties (just for myself), and it was buried in amongst my things until today, when I uncovered the journal it was written in. I have transcribed it verbatim (although square brackets indicate some additional information for readability) from all those years ago. It is one of my lost reviews.

When I tell others about this novel I talk about Roddy Doyle's voice and how he captures the thought patterns of children so well; I mention certain tales Patrick tells,
«Ma il tango è un ballo che si balla in due.»

Alla fine con quest'affermazione Patrick Clarke, anni dieci, Paddy per gli amici, Roddy Doyle per i lettori, mi è venuto in aiuto e mi ha fatto sentire meno in colpa.

Sarà che io non sono mai stata un bambino, piuttosto una "piccola donna".
Sarà che i giochi di strada non li ho mai fatti.
Sarà che di Irlanda, alla fine, in questo romanzo ce n'è pochissima.
Sarà che io sono una seguace entusiasta di Agnes Browne e della dolce melanconironia di Brendan O'Ca
This book won the 1993 Booker Prize. I tend to love Irish authors and books like this one, in which I can hear the brogue in the dialog. This book did a wonderful job of putting the reader in the reality of boys ages 8 to 10 and their relationships. The reader is fully immersed in their neighborhood and given a strong sense of place throughout the novel. The reader gets insight into the bullying (even toward beloved pals and siblings), petty crimes, and other stunts pulled by the main characters ...more
Portia S
This was okay.

I haven't been feeling well lately, and every-time I neared the end (95%, 98%) I fell asleep on myself, but finally I've finished.

Now, if you look back on my progress, I took roughly a million years to complete this (an entire month). And it wasn't because of all the school work and stuff, cause I got that done. I just feel overwhelmingly lazy and disenchanted with reading right now I think. It's not length or anything, it's just me.


Starting the book was great
T. Edmund
Few books successfully capture the experience of a child, fewer still manage to both capture the perspective of a child with a thorough comment on 'adult' issues. In Paddy Clarke Doyle comments on religion, politics, Ireland, family dynamics (and probably more stuff I didn't pick up on)

The story is light-hearted in prose, but deep in content which creates a somewhat awkward but fulfilling story. A good length too, leaving one satiated without gagging for more (or bored throughout)
I read Justin Torres' We the Animals and was struck by the magic of his depiction of boyhood. In fact, speaking of Boyhood, I'm reminded of the recent Richard Linklater movie that pulls off a similar feat: bringing to life the manifold joys and frustrations of being young, dumb, and curious.

In reading Paddy Clarke Ha Ha Ha, I realized there is a precedent for these stories. While We the Animals takes place in a half-Puerto Rican household in upstate New York, and Boyhood takes place in Texas, R
Ali Nazifpour
One of the most compelling novels I have ever read. Certainly no other book I've seen captures the voice of a child narrator so faithfully, and so strikingly. The book doesn't censor the ugly realities of childhood, and it doesn't shade over the innocence of Patrick, a young boy at the same time cruel and sweet, in a world much bigger than him and with life happening while he comprehends almost nothing.
Paddy is proud to have the same name as his dad. He is 10. It is 1968. Paddy is mostly outside, playing with his friends. They terrorize the neighborhood, frighten other children, build small forts from what they find and test each others strength and bravery. Just what boys do at this age. Though, Paddy is a bit different. He is not inferior compared to the others and always the first trying something new. That’s why he always comes back home with wounded knees and torn clothes. Paddy is differ ...more
Jenny (Reading Envy)
Started this for a book speed date and wasn't gripped 50 pages in. Will donate to local literacy sale.
Paddy Clarke Ha Ha Ha, the 1993 Booker Prize Winner, is no Ha Ha Ha story even though there is no lack of Ha Ha Ha moments, as you cannot help but be entertained by the antics of a bunch of 10-year-old boys. Roddy Doyle brilliantly captured the psychology of children and created a credible world of childhood play and dialogue that rang true and real. Paddy and his little brother, Sinbad, spent their school day enduring the tyranny of less than inspiring teachers who could all but “kill” them. Th ...more
Irish writers will break your heart. Not in a sweet, tender or bitter way. The effect is much more brutal for its ordinariness and inevitability. (I am also thinking of Colm Toibin's 'Brooklyn' here, I guess). They lure you in with the quick and often hilarious wit of their protagonists, and Roddy Doyle's Paddy Clarke Ha Ha Ha is delivered with a lilting melody of local terms and accents that pick you up and carry you along at a cracking and often rhythmic pace. And then, when you least expect i ...more
Patrick Clarke Ha Ha Ha by Roddy Doyle is an unusual, highly original account of life in a Northern Ireland Catholic household. Written from the point of view of Paddy, the eldest son, aged ten, of the Clarke family, it draws the reader through a particular experience of childhood.

There is a child’s wonder at the new. There are strange facts about the world to be unearthed and challenges to face like a man. But when you are ten, there is also always the rock of parents, ma and pa, ma and da, mum
Mi piacciono i libri sull’Irlanda, mi piacciono lo stile e le tematiche di Roddy Doyle, e mi è piaciuto moltissimo Paddy Clarke.
A volte tenero e delizioso, a volte terribile e spietato come lo sanno essere i bambini, questo personaggio ci fa rivivere momenti appartenuti anche della nostra infanzia, nei giochi con i compagni, nella vita scolastica, in famiglia…
Il senso dell’amicizia con i suoi riti segreti, le gioie e le delusioni; il rapporto con gli adulti, con la scuola e con la religione, l
“Paddy Clarke Ha Ha Ha” Roddy Doyle. 6/30/12

I hate to be facetious about this, but it’s true: I love to read good books as much as I love to discover which ones are actual impostors—that is, which ones are overrated past the norm, books like “On the Road,” “Catcher in the Rye,” and anything by Ayn Rand. Yuck. Well, this one won the Booker, which I can only guess is a HUGE deal. But I guess the year this book was published there were a few other, if any, contenders for the top prize.

It’s certainl
I had a hard time focusing on this book for the first 1/2ish. The style (no chapter breaks, stream of conscious) doesn't lend itself to tidy leaving off points between readings but when I was able to sit for longer stretches and not be distracted by homework and work work I LOVED it!

What stands out to me most is Doyle's ability to bring back his 10 year old voice. I underlined the hell out of this book because I kept being amazed at how he could call up that voice for a word or a sentence so con
Kids' world in a kid's words.

Kids do naughty antics, kids go to schools, kids form gangs, kids play football, kids fight with each other and kids grow. Barrytown is going through changes in a year, just like any other town. 10-year-old Patrick Clarke's family is going through changes, like many families.

In a way, this novel is a memoir of mundane things. What makes this novel an extraordinary one is, the narration by young Patrick. There is no chronological order in the plot, still you won't mi
I would have given this book zero quite happily. Was forced to read this for my two GCSE years and hated every second. For some reason the author expects us to like the lead character who likes doing nothing more than bullying and physically torturing his friends and brother. The language is basic which is supposed to reflect the child narrator but was actually just incredibly irritating. Despite having missed reading several chunks of the book I recieved an A* in my GCSE indicating just how pre ...more
I would rarely rate a book under 3 stars because I really respect the hard work and dedication authors put into a novel. And I can almost always see how the book would really appeal to some people, even if I didn't like it myself. But maybe I need to start being a little tougher with my ratings. Yes, I can definitely see how any boy who grew up in Ireland in the 1960s might love this book -- the details are amazing, the characters will likely remind you of kids you knew and played with back then ...more
Christian Schwoerke
This is an exuberantly narrated novel, the rambling vibrant words of 10-year-old Patrick (Paddy) Clarke, with long stretches of dialogue and conversation perfectly set down. Roddy Doyle uses the voice of young Paddy Clarke, and his sensibility, to tell a story that is full of life and innocence and wonder and discovery. But at the same time he has Paddy Clarke see and divulge more and more about things that come to trouble him and that he can’t understand or control. This technique of using a na ...more
Martin Boyle
After Possession I needed something a little more down to earth, shorter and easier to read. Following A.S. Byatt's 1990 Booker winner, the contrast could hardly be greater with Roddy Doyle's 1993 prize.

Earthy it is: the world seen through the eyes of Paddy, behaving as he thinks he ought to (even when his heart really isn't in it) and his interaction with his "friends," neighbours, teachers and family. A world of casual violence, of thoughtlessness to neighbours, is also filled with inquisitive
« previous 1 3 4 5 6 7 8 9 99 100 next »
There are no discussion topics on this book yet. Be the first to start one »
  • Saville
  • Something to Answer For
  • Holiday
  • How Late It Was, How Late
  • The Old Devils
  • The Elected Member
  • The Conservationist
  • G.
  • Rites of Passage (To the Ends of the Earth, #1)
  • Offshore
  • In a Free State
  • Staying On
  • Last Orders
  • Moon Tiger
  • The Siege of Krishnapur (Empire Trilogy, #2)
  • Heat and Dust
  • Sacred Hunger
  • Hotel du Lac
Roddy Doyle (Irish: Ruaidhrí Ó Dúill) is an Irish novelist, dramatist and screenwriter. Several of his books have been made into successful films, beginning with The Commitments in 1991. He won the Booker Prize in 1993.

Doyle grew up in Kilbarrack, Dublin. He graduated with a Bachelor of Arts from University College, Dublin. He spent several years as an English and geography teacher before becoming
More about Roddy Doyle...
The Commitments The Woman Who Walked Into Doors A Star Called Henry The Snapper (The Barrytown Trilogy, #2) The Van (The Barrytown Trilogy, #3)

Share This Book

“It was a sign of growing up, when the dark made no more difference to you than the day.” 26 likes
“Fuck was the best word. The most dangerous word. You couldn't whisper it. Fuck was always too loud, too late to stop it, it burst in the air above you and fell slowly right over your head. There was total silence, nothing but Fuck floating down. For a few seconds you were dead, waiting for Henno to look up and see Fuck landing on top of you. They were thrilling seconds-when he didn't look up. It was a word you couldn't say anywhere. It wouldn't come out unless you pushed it. It made you feel caught and grabbed you the minute you said it. When it escaped it was like an electric laugh, a soundless gasp followed by the kind of laughing only forbidden things could make, an inside tickle that became a brilliant pain, bashing at your mouth to be let out. It was agony. We didn't waste it.” 21 likes
More quotes…