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  <id>1565751</id>
  <title><![CDATA[Dixie Lullaby: A Story of Music, Race, And New Beginnings in a New South]]></title>
  <isbn><![CDATA[0820328723]]></isbn>
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  <description><![CDATA[In Dixie Lullaby, a veteran music journalist ponders the transformative effects of rock and roll on the generation of white southerners who came of age in the 1970s-the heyday of disco, Jimmy Carter, and Saturday Night Live. Growing up in North Carolina, Mark Kemp burned with shame and anger at the attitudes of many white southerners-some in his own family-toward the recently won victories of the civil rights movement. &quot;I loved the land that surrounded me but hated the history that haunted that land,&quot; he writes.  <p>Then the down-home, bluesy rock of the Deep South began taking the nation by storm, and Kemp had a new way of relating to the region that allowed him to see beyond its legacy of racism and stereotypes of backwardness. Although Kemp would always struggle with an ambivalence familiar to many white southerners, the seeds of redemption were planted in adolescence when he first heard Duane Allman and Ronnie Van Zant pour their feelings into their songs.   <p>In the tradition of Nick Tosches, Peter Guralnick, and other music historians, Kemp maps his own southern odyssey onto the stories of such iconic bands as the Allman Brothers, Lynyrd Skynyrd, and R.E.M., as well as influential indies like the Drive-By Truckers. In dozens of interviews with quintessential southern rockers and some of their most diehard fans, Kemp charts the course of the music that both liberated him and united him with countless others who came of age under its spell. This is a thought-provoking, searingly intimate, and utterly original journey through the South and its music from the 1960s through the 1990s.</p></p>]]></description>
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  <original_title>Dixie Lullaby: A Story of Music, Race, And New Beginnings in a New South</original_title>
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    <author>
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        <name><![CDATA[Mark Kemp]]></name>
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    <name><![CDATA[Chris]]></name>
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  <title>
    <![CDATA[Dixie Lullaby: A Story of Music, Race, And New Beginnings in a New South]]>
  </title>
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  <average_rating>4.44</average_rating>
  <ratings_count>16</ratings_count>
  <description>
    <![CDATA[In Dixie Lullaby, a veteran music journalist ponders the transformative effects of rock and roll on the generation of white southerners who came of age in the 1970s-the heyday of disco, Jimmy Carter, and Saturday Night Live. Growing up in North Carolina, Mark Kemp burned with shame and anger at the attitudes of many white southerners-some in his own family-toward the recently won victories of the civil rights movement. &quot;I loved the land that surrounded me but hated the history that haunted that land,&quot; he writes.  <p>Then the down-home, bluesy rock of the Deep South began taking the nation by storm, and Kemp had a new way of relating to the region that allowed him to see beyond its legacy of racism and stereotypes of backwardness. Although Kemp would always struggle with an ambivalence familiar to many white southerners, the seeds of redemption were planted in adolescence when he first heard Duane Allman and Ronnie Van Zant pour their feelings into their songs.   <p>In the tradition of Nick Tosches, Peter Guralnick, and other music historians, Kemp maps his own southern odyssey onto the stories of such iconic bands as the Allman Brothers, Lynyrd Skynyrd, and R.E.M., as well as influential indies like the Drive-By Truckers. In dozens of interviews with quintessential southern rockers and some of their most diehard fans, Kemp charts the course of the music that both liberated him and united him with countless others who came of age under its spell. This is a thought-provoking, searingly intimate, and utterly original journey through the South and its music from the 1960s through the 1990s.</p></p>]]>
  </description>
  <published>2004</published>
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    <rating>3</rating>
  <votes>0</votes>
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  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Tue Apr 21 00:00:00 -0700 2009</read_at>
  <date_added>Tue Apr 21 19:41:08 -0700 2009</date_added>
  <date_updated>Tue Apr 21 19:43:28 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Some stuff in this book is just wrong (Steve Dubner did not go to Western Carolina University), but too be fair--no one else would care about that detail.  Some really good stuff here about the role of southern music, but it gets a little too preachy at points about the angst of the white southerner...<a href="http://www.goodreads.com/review/show/53537210">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/53537210]]></url>
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      <review>
  <id>20089579</id>
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    <name><![CDATA[A.]]></name>
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  <text_reviews_count type="integer">5</text_reviews_count>
  <title>
    <![CDATA[Dixie Lullaby: A Story of Music, Race, And New Beginnings in a New South]]>
  </title>
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  <average_rating>4.35</average_rating>
  <ratings_count>20</ratings_count>
  <description>
    <![CDATA[In Dixie Lullaby, a veteran music journalist ponders the transformative effects of rock and roll on the generation of white southerners who came of age in the 1970s-the heyday of disco, Jimmy Carter, and Saturday Night Live. Growing up in North Carolina, Mark Kemp burned with shame and anger at the attitudes of many white southerners-some in his own family-toward the recently won victories of the civil rights movement. &quot;I loved the land that surrounded me but hated the history that haunted that land,&quot; he writes.  <p>Then the down-home, bluesy rock of the Deep South began taking the nation by storm, and Kemp had a new way of relating to the region that allowed him to see beyond its legacy of racism and stereotypes of backwardness. Although Kemp would always struggle with an ambivalence familiar to many white southerners, the seeds of redemption were planted in adolescence when he first heard Duane Allman and Ronnie Van Zant pour their feelings into their songs.   <p>In the tradition of Nick Tosches, Peter Guralnick, and other music historians, Kemp maps his own southern odyssey onto the stories of such iconic bands as the Allman Brothers, Lynyrd Skynyrd, and R.E.M., as well as influential indies like the Drive-By Truckers. In dozens of interviews with quintessential southern rockers and some of their most diehard fans, Kemp charts the course of the music that both liberated him and united him with countless others who came of age under its spell. This is a thought-provoking, searingly intimate, and utterly original journey through the South and its music from the 1960s through the 1990s.</p></p>]]>
  </description>
  <published>2004</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sat Apr 12 00:00:00 -0700 2008</read_at>
  <date_added>Sun Apr 13 18:09:50 -0700 2008</date_added>
  <date_updated>Sun Apr 13 18:15:29 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Seriously phenomenal book, at least for me, right now -- part history of (white) music in the South (Kemp notes that he focuses there because much has been well-written about black music in the South), part memoir of Kemp's journey as a music fan.  It's a book about Southern music and racial issues ...<a href="http://www.goodreads.com/review/show/20089579">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/20089579]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/20089579]]></link>
</review>
      <review>
  <id>71098232</id>
    <user>
    <id>2716076</id>
    <name><![CDATA[Brad]]></name>
    <location><![CDATA[Orlando, FL]]></location>
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  <isbn13>9780820328720</isbn13>
  <text_reviews_count type="integer">5</text_reviews_count>
  <title>
    <![CDATA[Dixie Lullaby: A Story of Music, Race, And New Beginnings in a New South]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1185288529m/1565751.jpg</image_url>
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  <link>http://www.goodreads.com/book/show/1565751.Dixie_Lullaby_A_Story_of_Music_Race_And_New_Beginnings_in_a_New_South</link>
  <average_rating>4.35</average_rating>
  <ratings_count>20</ratings_count>
  <description>
    <![CDATA[In Dixie Lullaby, a veteran music journalist ponders the transformative effects of rock and roll on the generation of white southerners who came of age in the 1970s-the heyday of disco, Jimmy Carter, and Saturday Night Live. Growing up in North Carolina, Mark Kemp burned with shame and anger at the attitudes of many white southerners-some in his own family-toward the recently won victories of the civil rights movement. &quot;I loved the land that surrounded me but hated the history that haunted that land,&quot; he writes.  <p>Then the down-home, bluesy rock of the Deep South began taking the nation by storm, and Kemp had a new way of relating to the region that allowed him to see beyond its legacy of racism and stereotypes of backwardness. Although Kemp would always struggle with an ambivalence familiar to many white southerners, the seeds of redemption were planted in adolescence when he first heard Duane Allman and Ronnie Van Zant pour their feelings into their songs.   <p>In the tradition of Nick Tosches, Peter Guralnick, and other music historians, Kemp maps his own southern odyssey onto the stories of such iconic bands as the Allman Brothers, Lynyrd Skynyrd, and R.E.M., as well as influential indies like the Drive-By Truckers. In dozens of interviews with quintessential southern rockers and some of their most diehard fans, Kemp charts the course of the music that both liberated him and united him with countless others who came of age under its spell. This is a thought-provoking, searingly intimate, and utterly original journey through the South and its music from the 1960s through the 1990s.</p></p>]]>
  </description>
  <published>2004</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at>Sun Dec 06 00:00:00 -0800 2009</read_at>
  <date_added>Sun Sep 13 15:40:18 -0700 2009</date_added>
  <date_updated>Sun Dec 06 16:08:07 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[really good book that covers all the bases of southern rock from the beginning to current day....i could really identify with the mk's rebelliousness against his southern upbringing, then his coming to appreciate it later..like him, i associate a lot of whats happened in my life with the music i was...<a href="http://www.goodreads.com/review/show/71098232">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/71098232]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/71098232]]></link>
</review>
      <review>
  <id>17858853</id>
    <user>
    <id>901921</id>
    <name><![CDATA[Quick]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/901921-quick]]></link>
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  <text_reviews_count type="integer">5</text_reviews_count>
  <title>
    <![CDATA[Dixie Lullaby: A Story of Music, Race, And New Beginnings in a New South]]>
  </title>
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  <average_rating>4.35</average_rating>
  <ratings_count>20</ratings_count>
  <description>
    <![CDATA[In Dixie Lullaby, a veteran music journalist ponders the transformative effects of rock and roll on the generation of white southerners who came of age in the 1970s-the heyday of disco, Jimmy Carter, and Saturday Night Live. Growing up in North Carolina, Mark Kemp burned with shame and anger at the attitudes of many white southerners-some in his own family-toward the recently won victories of the civil rights movement. &quot;I loved the land that surrounded me but hated the history that haunted that land,&quot; he writes.  <p>Then the down-home, bluesy rock of the Deep South began taking the nation by storm, and Kemp had a new way of relating to the region that allowed him to see beyond its legacy of racism and stereotypes of backwardness. Although Kemp would always struggle with an ambivalence familiar to many white southerners, the seeds of redemption were planted in adolescence when he first heard Duane Allman and Ronnie Van Zant pour their feelings into their songs.   <p>In the tradition of Nick Tosches, Peter Guralnick, and other music historians, Kemp maps his own southern odyssey onto the stories of such iconic bands as the Allman Brothers, Lynyrd Skynyrd, and R.E.M., as well as influential indies like the Drive-By Truckers. In dozens of interviews with quintessential southern rockers and some of their most diehard fans, Kemp charts the course of the music that both liberated him and united him with countless others who came of age under its spell. This is a thought-provoking, searingly intimate, and utterly original journey through the South and its music from the 1960s through the 1990s.</p></p>]]>
  </description>
  <published>2004</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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        <shelf name="southernstories" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Jun 01 00:00:00 -0700 2008</read_at>
  <date_added>Sun Mar 16 09:29:40 -0700 2008</date_added>
  <date_updated>Sun Jun 01 18:03:27 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[This book is the 41st book I've read this year, and many of them have been excellent, but this book is my favorite so far this year. There is a honesty to Kemp's writing that really hit home for me. I grew up in the South a decade after Kemp but his writing certainly translates well to my life. I fe...<a href="http://www.goodreads.com/review/show/17858853">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/17858853]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/17858853]]></link>
</review>
      <review>
  <id>18029595</id>
    <user>
    <id>580292</id>
    <name><![CDATA[Al]]></name>
    <location><![CDATA[Raleigh, NC]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/580292-al]]></link>
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  <isbn>0743237943</isbn>
  <isbn13>9780743237949</isbn13>
  <text_reviews_count type="integer">1</text_reviews_count>
  <title>
    <![CDATA[Dixie Lullaby]]>
  </title>
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  <small_image_url>http://photo.goodreads.com/books/1185288528s/1565750.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1565750.Dixie_Lullaby</link>
  <average_rating>4.00</average_rating>
  <ratings_count>4</ratings_count>
  <description>
    <![CDATA[<p> Rock &amp; roll has transformed American culture more profoundly than any other art form. During the 1960s, it defined a generation of young people as political and social idealists, helped end the Vietnam War, and ushered in the sexual revolution. In <em>Dixie Lullaby,</em> veteran music journalist Mark Kemp shows that rock also renewed the identity of a generation of white southerners who came of age in the decade after segregation -- the heyday of disco, Jimmy Carter, and <em>Saturday Night Live.</em> <p> Growing up in North Carolina in the 1970s, Kemp experienced pain, confusion, and shame as a result of the South's residual civil rights battles. His elementary school was integrated in 1968, the year Kemp reached third grade; his aunts, uncles, and grandparents held outdated racist views that were typical of the time; his parents, however, believed blacks should be extended the same treatment as whites, but also counseled their children to respect their elder relatives. &quot;I loved the land that surrounded me but hated the history that haunted that land,&quot; Kemp writes. When rock music, specifically southern rock, entered his life, he began to see a new way to identify himself, beyond the legacy of racism and stereotypes of southern small-mindedness that had marked his early childhood. Well into adulthood Kemp struggled with the self-loathing familiar to many white southerners. But the seeds of forgiveness were planted in adolescence when he first heard Duane Allman and Ronnie Van Zant pour their feelings into their songs.  <p> In the tradition of music historians such as Nick Tosches and Peter Guralnick, Kemp masterfully blends into his narrative the stories of southern rock bands --from heavy hitters such as the Allman Brothers Band, Lynyrd Skynyrd, and R.E.M. to influential but less-known groups such as Drive-By Truckers -- as well as the personal experiences of their fans. In dozens of interviews, he charts the course of southern rock &amp; roll. Before civil rights, the popular music of the South was a small, often racially integrated world, but after Martin Luther King Jr.'s assassination, black musicians struck out on their own. Their white counterparts were left to their own devices, and thus southern rock was born: a mix of popular southern styles that arose when predominantly white rockers combined rural folk, country, and rockabilly with the blues and jazz of African-American culture. This down-home, flannel-wearing, ass-kicking brand of rock took the nation by storm in the 1970s. The music gave southern kids who emulated these musicians a newfound voice. Kemp and his peers now had something they could be proud of: southern rock united them and gave them a new identity that went beyond outside perceptions of the South as one big racist backwater. <p> Kemp offers a lyrical, thought-provoking, searingly intimate, and utterly original journey through the South of the 1960s, '70s, '80s, and '90s, viewed through the prism of rock &amp; roll. With brilliant insight, he reveals the curative and unifying impact of rock on southerners who came of age under its influence in the chaotic years following desegregation. <em>Dixie Lullaby</em> fairly resonates with redemption.</p></p></p></p>]]>
  </description>
  <published>2004</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at></read_at>
  <date_added>Tue Mar 18 12:54:04 -0700 2008</date_added>
  <date_updated>Tue Mar 18 13:15:42 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[One of my old roommates from college hits the nail on the head searching for the crossroads where music, race and personal memoir come together. If you listened to southern rock in the 70s or to punk in the 80s or to alternative rock in the 90s, and/or you grew up in the south, you want to read this...<a href="http://www.goodreads.com/review/show/18029595">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/18029595]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/18029595]]></link>
</review>
      <review>
  <id>56359632</id>
    <user>
    <id>879420</id>
    <name><![CDATA[Jonathan]]></name>
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    <![CDATA[Dixie Lullaby: A Story of Music, Race, And New Beginnings in a New South]]>
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    <![CDATA[In Dixie Lullaby, a veteran music journalist ponders the transformative effects of rock and roll on the generation of white southerners who came of age in the 1970s-the heyday of disco, Jimmy Carter, and Saturday Night Live. Growing up in North Carolina, Mark Kemp burned with shame and anger at the attitudes of many white southerners-some in his own family-toward the recently won victories of the civil rights movement. &quot;I loved the land that surrounded me but hated the history that haunted that land,&quot; he writes.  <p>Then the down-home, bluesy rock of the Deep South began taking the nation by storm, and Kemp had a new way of relating to the region that allowed him to see beyond its legacy of racism and stereotypes of backwardness. Although Kemp would always struggle with an ambivalence familiar to many white southerners, the seeds of redemption were planted in adolescence when he first heard Duane Allman and Ronnie Van Zant pour their feelings into their songs.   <p>In the tradition of Nick Tosches, Peter Guralnick, and other music historians, Kemp maps his own southern odyssey onto the stories of such iconic bands as the Allman Brothers, Lynyrd Skynyrd, and R.E.M., as well as influential indies like the Drive-By Truckers. In dozens of interviews with quintessential southern rockers and some of their most diehard fans, Kemp charts the course of the music that both liberated him and united him with countless others who came of age under its spell. This is a thought-provoking, searingly intimate, and utterly original journey through the South and its music from the 1960s through the 1990s.</p></p>]]>
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    <body><![CDATA[Laura!  I think you would like this book.  Frankly I don't care about southern rock enough to be THAT interested in it.  His take is certainly not radical or left, but it seems like a good liberal sincere take on southern rock and what it meant to white southerners.]]></body>
    
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  <isbn13>9780820328720</isbn13>
  <text_reviews_count type="integer">5</text_reviews_count>
  <title>
    <![CDATA[Dixie Lullaby: A Story of Music, Race, And New Beginnings in a New South]]>
  </title>
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  <average_rating>4.35</average_rating>
  <ratings_count>20</ratings_count>
  <description>
    <![CDATA[In Dixie Lullaby, a veteran music journalist ponders the transformative effects of rock and roll on the generation of white southerners who came of age in the 1970s-the heyday of disco, Jimmy Carter, and Saturday Night Live. Growing up in North Carolina, Mark Kemp burned with shame and anger at the attitudes of many white southerners-some in his own family-toward the recently won victories of the civil rights movement. &quot;I loved the land that surrounded me but hated the history that haunted that land,&quot; he writes.  <p>Then the down-home, bluesy rock of the Deep South began taking the nation by storm, and Kemp had a new way of relating to the region that allowed him to see beyond its legacy of racism and stereotypes of backwardness. Although Kemp would always struggle with an ambivalence familiar to many white southerners, the seeds of redemption were planted in adolescence when he first heard Duane Allman and Ronnie Van Zant pour their feelings into their songs.   <p>In the tradition of Nick Tosches, Peter Guralnick, and other music historians, Kemp maps his own southern odyssey onto the stories of such iconic bands as the Allman Brothers, Lynyrd Skynyrd, and R.E.M., as well as influential indies like the Drive-By Truckers. In dozens of interviews with quintessential southern rockers and some of their most diehard fans, Kemp charts the course of the music that both liberated him and united him with countless others who came of age under its spell. This is a thought-provoking, searingly intimate, and utterly original journey through the South and its music from the 1960s through the 1990s.</p></p>]]>
  </description>
  <published>2004</published>
</book>

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  <read_at>Fri Dec 19 00:00:00 -0800 2008</read_at>
  <date_added>Fri Dec 19 08:26:19 -0800 2008</date_added>
  <date_updated>Fri Dec 19 08:27:15 -0800 2008</date_updated>
  <read_count></read_count>
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  <url><![CDATA[http://www.goodreads.com/review/show/40455693]]></url>
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