Like all great writers, Richard Wright never failed to create works of breathtaking originality, depth, and beauty. With Native Son he gave us Bigger Thomas, still one of the most provocative and controversial characters in fiction. With Black Boy he offered a candid and searing depiction of racism and poverty in America. And now, forty years after his death, he has bestowed us with one of the finest collections of haiku in American literature.
Wright became enamored of haiku at the end of his life, and in this strict, seventeen-syllable form he discovered another way of looking at the world. He rendered images of nature and humanity that raised questions and revealed strikingly fresh perspectives. The publication of this collection is not only one of the greatest posthumous triumphs of American letters but also a final testament to the noble spirit and enduring artistry of Richard Wright.]]>1561922307461998Haikutotal:53|5:21|4:18|3:12|2:1|1:1|5321695896573.881583314207861684654425415619038572024697803857202437
<![CDATA[Haiku]]>
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4.0447
Seattle Weekly
Like all great writers, Richard Wright never failed to create works of breathtaking originality, depth, and beauty. With Native Son he gave us Bigger Thomas, still one of the most provocative and controversial characters in fiction. With Black Boy he offered a candid and searing depiction of racism and poverty in America. And now, forty years after his death, he has bestowed us with one of the finest collections of haiku in American literature.
Wright became enamored of haiku at the end of his life, and in this strict, seventeen-syllable form he discovered another way of looking at the world. He rendered images of nature and humanity that raised questions and revealed strikingly fresh perspectives. The publication of this collection is not only one of the greatest posthumous triumphs of American letters but also a final testament to the noble spirit and enduring artistry of Richard Wright.]]>
199850falseSat Nov 07 00:00:00 -0800 2009Sun Nov 22 06:19:05 -0800 2009Sun Nov 22 06:23:42 -0800 2009
Now I'm a huge fan. The images are beautiful and Richard (as we call him in my haiku circle) strictly follows the 5-7-5 form. I rer...more...]]>
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<![CDATA[Haiku]]>
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http://www.goodreads.com/book/show/15619.Haiku
4.0853
Seattle Weekly
Like all great writers, Richard Wright never failed to create works of breathtaking originality, depth, and beauty. With Native Son he gave us Bigger Thomas, still one of the most provocative and controversial characters in fiction. With Black Boy he offered a candid and searing depiction of racism and poverty in America. And now, forty years after his death, he has bestowed us with one of the finest collections of haiku in American literature.
Wright became enamored of haiku at the end of his life, and in this strict, seventeen-syllable form he discovered another way of looking at the world. He rendered images of nature and humanity that raised questions and revealed strikingly fresh perspectives. The publication of this collection is not only one of the greatest posthumous triumphs of American letters but also a final testament to the noble spirit and enduring artistry of Richard Wright.]]>
199850falseMon Jan 01 00:00:00 -0800 2007Wed Mar 11 15:05:52 -0700 2009Wed Mar 11 15:05:52 -0700 20094993176289983115619038572024697803857202437
<![CDATA[Haiku]]>
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http://www.goodreads.com/book/show/15619.Haiku
4.0853
Seattle Weekly
Like all great writers, Richard Wright never failed to create works of breathtaking originality, depth, and beauty. With Native Son he gave us Bigger Thomas, still one of the most provocative and controversial characters in fiction. With Black Boy he offered a candid and searing depiction of racism and poverty in America. And now, forty years after his death, he has bestowed us with one of the finest collections of haiku in American literature.
Wright became enamored of haiku at the end of his life, and in this strict, seventeen-syllable form he discovered another way of looking at the world. He rendered images of nature and humanity that raised questions and revealed strikingly fresh perspectives. The publication of this collection is not only one of the greatest posthumous triumphs of American letters but also a final testament to the noble spirit and enduring artistry of Richard Wright.]]>
199830falseFri Mar 20 22:44:42 -0700 2009Fri Mar 20 22:45:44 -0700 20097421429374609715619038572024697803857202437
<![CDATA[Haiku]]>
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http://www.goodreads.com/book/show/15619.Haiku
4.0853
Seattle Weekly
Like all great writers, Richard Wright never failed to create works of breathtaking originality, depth, and beauty. With Native Son he gave us Bigger Thomas, still one of the most provocative and controversial characters in fiction. With Black Boy he offered a candid and searing depiction of racism and poverty in America. And now, forty years after his death, he has bestowed us with one of the finest collections of haiku in American literature.
Wright became enamored of haiku at the end of his life, and in this strict, seventeen-syllable form he discovered another way of looking at the world. He rendered images of nature and humanity that raised questions and revealed strikingly fresh perspectives. The publication of this collection is not only one of the greatest posthumous triumphs of American letters but also a final testament to the noble spirit and enduring artistry of Richard Wright.]]>
199850falseFri Jun 15 00:00:00 -0700 2007Sun Oct 11 18:13:17 -0700 2009Sun Oct 11 18:14:39 -0700 2009264037515552415619038572024697803857202437
<![CDATA[Haiku]]>
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http://www.goodreads.com/book/show/15619.Haiku
4.0853
Seattle Weekly
Like all great writers, Richard Wright never failed to create works of breathtaking originality, depth, and beauty. With Native Son he gave us Bigger Thomas, still one of the most provocative and controversial characters in fiction. With Black Boy he offered a candid and searing depiction of racism and poverty in America. And now, forty years after his death, he has bestowed us with one of the finest collections of haiku in American literature.
Wright became enamored of haiku at the end of his life, and in this strict, seventeen-syllable form he discovered another way of looking at the world. He rendered images of nature and humanity that raised questions and revealed strikingly fresh perspectives. The publication of this collection is not only one of the greatest posthumous triumphs of American letters but also a final testament to the noble spirit and enduring artistry of Richard Wright.]]>
199840falseMon Jul 02 14:21:19 -0700 2007Wed Dec 16 23:25:43 -0800 2009
more...]]>
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<![CDATA[Haiku: This Other World]]>
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http://www.goodreads.com/book/show/238215.Haiku_This_Other_World
4.336
Seattle Weekly
Like all great writers, Richard Wright never failed to create works of breathtaking originality, depth, and beauty. With Native Son he gave us Bigger Thomas, still one of the most provocative and controversial characters in fiction. With Black Boy he offered a candid and searing depiction of racism and poverty in America. And now, forty years after his death, he has bestowed us with one of the finest collections of haiku in American literature.
Wright became enamored of haiku at the end of his life, and in this strict, seventeen-syllable form he discovered another way of looking at the world. He rendered images of nature and humanity that raised questions and revealed strikingly fresh perspectives. The publication of this collection is not only one of the greatest posthumous triumphs of American letters but also a final testament to the noble spirit and enduring artistry of Richard Wright.]]>
199840falseMon Jan 01 00:00:00 -0800 2001Sun Mar 04 04:18:00 -0800 2007Wed Dec 16 16:18:23 -0800 2009
more...]]>
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<![CDATA[Haiku]]>
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http://www.goodreads.com/book/show/15619.Haiku
4.0853
Seattle Weekly
Like all great writers, Richard Wright never failed to create works of breathtaking originality, depth, and beauty. With Native Son he gave us Bigger Thomas, still one of the most provocative and controversial characters in fiction. With Black Boy he offered a candid and searing depiction of racism and poverty in America. And now, forty years after his death, he has bestowed us with one of the finest collections of haiku in American literature.
Wright became enamored of haiku at the end of his life, and in this strict, seventeen-syllable form he discovered another way of looking at the world. He rendered images of nature and humanity that raised questions and revealed strikingly fresh perspectives. The publication of this collection is not only one of the greatest posthumous triumphs of American letters but also a final testament to the noble spirit and enduring artistry of Richard Wright.]]>
199840falseTue Aug 07 12:45:05 -0700 2007Thu Dec 17 04:10:42 -0800 2009838103934919815619038572024697803857202437
<![CDATA[Haiku]]>
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http://www.goodreads.com/book/show/15619.Haiku
4.0853
Seattle Weekly
Like all great writers, Richard Wright never failed to create works of breathtaking originality, depth, and beauty. With Native Son he gave us Bigger Thomas, still one of the most provocative and controversial characters in fiction. With Black Boy he offered a candid and searing depiction of racism and poverty in America. And now, forty years after his death, he has bestowed us with one of the finest collections of haiku in American literature.
Wright became enamored of haiku at the end of his life, and in this strict, seventeen-syllable form he discovered another way of looking at the world. He rendered images of nature and humanity that raised questions and revealed strikingly fresh perspectives. The publication of this collection is not only one of the greatest posthumous triumphs of American letters but also a final testament to the noble spirit and enduring artistry of Richard Wright.]]>
199850falseMon Oct 29 07:54:24 -0700 2007Mon Oct 29 07:55:37 -0700 200781768481209500915619038572024697803857202437
<![CDATA[Haiku]]>
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http://www.goodreads.com/book/show/15619.Haiku
4.0853
Seattle Weekly
Like all great writers, Richard Wright never failed to create works of breathtaking originality, depth, and beauty. With Native Son he gave us Bigger Thomas, still one of the most provocative and controversial characters in fiction. With Black Boy he offered a candid and searing depiction of racism and poverty in America. And now, forty years after his death, he has bestowed us with one of the finest collections of haiku in American literature.
Wright became enamored of haiku at the end of his life, and in this strict, seventeen-syllable form he discovered another way of looking at the world. He rendered images of nature and humanity that raised questions and revealed strikingly fresh perspectives. The publication of this collection is not only one of the greatest posthumous triumphs of American letters but also a final testament to the noble spirit and enduring artistry of Richard Wright.]]>
199800falseTue Dec 22 11:06:11 -0800 2009Tue Dec 22 11:06:11 -0800 200981636208306251615619038572024697803857202437
<![CDATA[Haiku]]>
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http://www.goodreads.com/book/show/15619.Haiku
4.0853
Seattle Weekly
Like all great writers, Richard Wright never failed to create works of breathtaking originality, depth, and beauty. With Native Son he gave us Bigger Thomas, still one of the most provocative and controversial characters in fiction. With Black Boy he offered a candid and searing depiction of racism and poverty in America. And now, forty years after his death, he has bestowed us with one of the finest collections of haiku in American literature.
Wright became enamored of haiku at the end of his life, and in this strict, seventeen-syllable form he discovered another way of looking at the world. He rendered images of nature and humanity that raised questions and revealed strikingly fresh perspectives. The publication of this collection is not only one of the greatest posthumous triumphs of American letters but also a final testament to the noble spirit and enduring artistry of Richard Wright.]]>
199800falseMon Dec 21 02:46:02 -0800 2009Mon Dec 21 02:46:02 -0800 200981040552294702515619038572024697803857202437
<![CDATA[Haiku]]>
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http://www.goodreads.com/book/show/15619.Haiku
4.0853
Seattle Weekly
Like all great writers, Richard Wright never failed to create works of breathtaking originality, depth, and beauty. With Native Son he gave us Bigger Thomas, still one of the most provocative and controversial characters in fiction. With Black Boy he offered a candid and searing depiction of racism and poverty in America. And now, forty years after his death, he has bestowed us with one of the finest collections of haiku in American literature.
Wright became enamored of haiku at the end of his life, and in this strict, seventeen-syllable form he discovered another way of looking at the world. He rendered images of nature and humanity that raised questions and revealed strikingly fresh perspectives. The publication of this collection is not only one of the greatest posthumous triumphs of American letters but also a final testament to the noble spirit and enduring artistry of Richard Wright.]]>
199840falseMon Dec 21 19:13:58 -0800 2009Mon Dec 14 19:51:36 -0800 2009Mon Dec 21 19:14:10 -0800 20097965638519989515619038572024697803857202437
<![CDATA[Haiku]]>
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http://www.goodreads.com/book/show/15619.Haiku
4.0853
Seattle Weekly
Like all great writers, Richard Wright never failed to create works of breathtaking originality, depth, and beauty. With Native Son he gave us Bigger Thomas, still one of the most provocative and controversial characters in fiction. With Black Boy he offered a candid and searing depiction of racism and poverty in America. And now, forty years after his death, he has bestowed us with one of the finest collections of haiku in American literature.
Wright became enamored of haiku at the end of his life, and in this strict, seventeen-syllable form he discovered another way of looking at the world. He rendered images of nature and humanity that raised questions and revealed strikingly fresh perspectives. The publication of this collection is not only one of the greatest posthumous triumphs of American letters but also a final testament to the noble spirit and enduring artistry of Richard Wright.]]>
199800falseWed Dec 02 11:20:25 -0800 2009Wed Dec 02 11:34:26 -0800 200979482707125558115619038572024697803857202437
<![CDATA[Haiku]]>
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http://www.goodreads.com/book/show/15619.Haiku
4.0853
Seattle Weekly
Like all great writers, Richard Wright never failed to create works of breathtaking originality, depth, and beauty. With Native Son he gave us Bigger Thomas, still one of the most provocative and controversial characters in fiction. With Black Boy he offered a candid and searing depiction of racism and poverty in America. And now, forty years after his death, he has bestowed us with one of the finest collections of haiku in American literature.
Wright became enamored of haiku at the end of his life, and in this strict, seventeen-syllable form he discovered another way of looking at the world. He rendered images of nature and humanity that raised questions and revealed strikingly fresh perspectives. The publication of this collection is not only one of the greatest posthumous triumphs of American letters but also a final testament to the noble spirit and enduring artistry of Richard Wright.]]>
199840falseWed Dec 16 18:54:52 -0800 2009Mon Nov 30 20:02:33 -0800 2009Wed Dec 16 18:54:52 -0800 200979224177298483415619038572024697803857202437
<![CDATA[Haiku]]>
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http://www.goodreads.com/book/show/15619.Haiku
4.0853
Seattle Weekly
Like all great writers, Richard Wright never failed to create works of breathtaking originality, depth, and beauty. With Native Son he gave us Bigger Thomas, still one of the most provocative and controversial characters in fiction. With Black Boy he offered a candid and searing depiction of racism and poverty in America. And now, forty years after his death, he has bestowed us with one of the finest collections of haiku in American literature.
Wright became enamored of haiku at the end of his life, and in this strict, seventeen-syllable form he discovered another way of looking at the world. He rendered images of nature and humanity that raised questions and revealed strikingly fresh perspectives. The publication of this collection is not only one of the greatest posthumous triumphs of American letters but also a final testament to the noble spirit and enduring artistry of Richard Wright.]]>
199800falseSat Nov 28 14:10:49 -0800 2009Sat Nov 28 14:10:49 -0800 200977048735292063915619038572024697803857202437
<![CDATA[Haiku]]>
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http://www.goodreads.com/book/show/15619.Haiku
4.0853
Seattle Weekly
Like all great writers, Richard Wright never failed to create works of breathtaking originality, depth, and beauty. With Native Son he gave us Bigger Thomas, still one of the most provocative and controversial characters in fiction. With Black Boy he offered a candid and searing depiction of racism and poverty in America. And now, forty years after his death, he has bestowed us with one of the finest collections of haiku in American literature.
Wright became enamored of haiku at the end of his life, and in this strict, seventeen-syllable form he discovered another way of looking at the world. He rendered images of nature and humanity that raised questions and revealed strikingly fresh perspectives. The publication of this collection is not only one of the greatest posthumous triumphs of American letters but also a final testament to the noble spirit and enduring artistry of Richard Wright.]]>
199820falseTue Jul 17 00:00:00 -0700 1990Sat Nov 07 17:13:41 -0800 2009Sat Nov 07 17:13:41 -0800 200975802186116751115619038572024697803857202437
<![CDATA[Haiku]]>
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http://www.goodreads.com/book/show/15619.Haiku
4.0853
Seattle Weekly
Like all great writers, Richard Wright never failed to create works of breathtaking originality, depth, and beauty. With Native Son he gave us Bigger Thomas, still one of the most provocative and controversial characters in fiction. With Black Boy he offered a candid and searing depiction of racism and poverty in America. And now, forty years after his death, he has bestowed us with one of the finest collections of haiku in American literature.
Wright became enamored of haiku at the end of his life, and in this strict, seventeen-syllable form he discovered another way of looking at the world. He rendered images of nature and humanity that raised questions and revealed strikingly fresh perspectives. The publication of this collection is not only one of the greatest posthumous triumphs of American letters but also a final testament to the noble spirit and enduring artistry of Richard Wright.]]>
199830falseWed Nov 04 13:46:45 -0800 2009Mon Oct 26 13:28:52 -0700 2009Wed Nov 04 13:46:48 -0800 200974806649279509915619038572024697803857202437
<![CDATA[Haiku]]>
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http://www.goodreads.com/book/show/15619.Haiku
4.0853
Seattle Weekly
Like all great writers, Richard Wright never failed to create works of breathtaking originality, depth, and beauty. With Native Son he gave us Bigger Thomas, still one of the most provocative and controversial characters in fiction. With Black Boy he offered a candid and searing depiction of racism and poverty in America. And now, forty years after his death, he has bestowed us with one of the finest collections of haiku in American literature.
Wright became enamored of haiku at the end of his life, and in this strict, seventeen-syllable form he discovered another way of looking at the world. He rendered images of nature and humanity that raised questions and revealed strikingly fresh perspectives. The publication of this collection is not only one of the greatest posthumous triumphs of American letters but also a final testament to the noble spirit and enduring artistry of Richard Wright.]]>
199800falseSat Oct 17 04:40:44 -0700 2009Sat Oct 17 04:40:44 -0700 2009745359252840220238215155970445497815597044581
<![CDATA[Haiku: This Other World]]>
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http://www.goodreads.com/book/show/238215.Haiku_This_Other_World
4.0853
Seattle Weekly
Like all great writers, Richard Wright never failed to create works of breathtaking originality, depth, and beauty. With Native Son he gave us Bigger Thomas, still one of the most provocative and controversial characters in fiction. With Black Boy he offered a candid and searing depiction of racism and poverty in America. And now, forty years after his death, he has bestowed us with one of the finest collections of haiku in American literature.
Wright became enamored of haiku at the end of his life, and in this strict, seventeen-syllable form he discovered another way of looking at the world. He rendered images of nature and humanity that raised questions and revealed strikingly fresh perspectives. The publication of this collection is not only one of the greatest posthumous triumphs of American letters but also a final testament to the noble spirit and enduring artistry of Richard Wright.]]>
199800falseWed Oct 14 13:38:02 -0700 2009Wed Oct 14 13:38:02 -0700 200970994543273216715619038572024697803857202437
<![CDATA[Haiku]]>
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http://www.goodreads.com/book/show/15619.Haiku
4.0853
Seattle Weekly
Like all great writers, Richard Wright never failed to create works of breathtaking originality, depth, and beauty. With Native Son he gave us Bigger Thomas, still one of the most provocative and controversial characters in fiction. With Black Boy he offered a candid and searing depiction of racism and poverty in America. And now, forty years after his death, he has bestowed us with one of the finest collections of haiku in American literature.
Wright became enamored of haiku at the end of his life, and in this strict, seventeen-syllable form he discovered another way of looking at the world. He rendered images of nature and humanity that raised questions and revealed strikingly fresh perspectives. The publication of this collection is not only one of the greatest posthumous triumphs of American letters but also a final testament to the noble spirit and enduring artistry of Richard Wright.]]>
199830falseSat Sep 12 16:33:30 -0700 2009Sat Sep 12 16:33:30 -0700 200969405450131515515619038572024697803857202437
<![CDATA[Haiku]]>
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http://www.goodreads.com/book/show/15619.Haiku
4.0853
Seattle Weekly
Like all great writers, Richard Wright never failed to create works of breathtaking originality, depth, and beauty. With Native Son he gave us Bigger Thomas, still one of the most provocative and controversial characters in fiction. With Black Boy he offered a candid and searing depiction of racism and poverty in America. And now, forty years after his death, he has bestowed us with one of the finest collections of haiku in American literature.
Wright became enamored of haiku at the end of his life, and in this strict, seventeen-syllable form he discovered another way of looking at the world. He rendered images of nature and humanity that raised questions and revealed strikingly fresh perspectives. The publication of this collection is not only one of the greatest posthumous triumphs of American letters but also a final testament to the noble spirit and enduring artistry of Richard Wright.]]>
199800falseSat Aug 29 22:14:10 -0700 2009Sat Aug 29 22:14:10 -0700 20098
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