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Mona Lisa Overdrive (Sprawl #3)

3.88 of 5 stars 3.88 · rating details · 13,893 ratings · 319 reviews

William Gibson, author of the extraordinary multiaward-winning novel Neuromancer, has written his most brilliant and thrilling work to date . . .The Mona Lisa Overdrive.Enter Gibson's unique world--lyric and mechanical, erotic and violent, sobering and exciting--where multinational corporations and high tech outlaws vie for power, traveling into the computer-generated univ...more

Mass Market Paperback, 308 pages

Published December 1989 by Spectra (first published 1988)

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Jan 09, 2009 Brooke rated it 4 of 5 stars

Shelves: 2009, science-fiction

Mona Lisa Overdrive is the third book in Gibson's Sprawl trilogy, and it's the most fully-realized of the three. The plots of Neuromancer and Count Zero followed the same pattern, and Count Zero really only served as a bridge between the first and third books. Mona Lisa Overdrive flips back and forth between four subplots which weave together nicely, both with each other and with the previous two books. The characters start to matter a little more and feel more like real people than 2D plot-pupp...more

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Oct 19, 2011 Kat Hooper rated it 4 of 5 stars

Shelves: audiobook

ORIGINALLY POSTED AT Fantasy Literature.

In Mona Lisa Overdrive, the third and final novel in William Gibson’s Sprawl trilogy, it’s been seven years since Angie Mitchell (from Count Zero) was taken out of Maas Biolabs and now she’s a famous simstim star who’s trying to break her designer drug habit. But a jealous Lady 3Jane plans to kidnap Angie and replace her with a cheap prostitute named Mona Lisa who’s addicted to stimulants and happens to look like Angie.

In a dilapidated section of New Jerse...more ORIGINALLY POSTED AT Fantasy Literature.

In Mona Lisa Overdrive, the third and final novel in William Gibson’s Sprawl trilogy, it’s been seven years since Angie Mitchell (from Count Zero) was taken out of Maas Biolabs and now she’s a famous simstim star who’s trying to break her designer drug habit. But a jealous Lady 3Jane plans to kidnap Angie and replace her with a cheap prostitute named Mona Lisa who’s addicted to stimulants and happens to look like Angie.

In a dilapidated section of New Jersey, Slick Henry makes large animated robotic sculptures out of scrap metal. He owes Kid Afrika a favor, so now he has to hide the comatose body of Bobby Newmark (aka “Count Zero”). Bobby is jacked into an Aleph where he’s got some secret project going on. A Cleveland girl named Cherry Chesterfield is Bobby’s nurse.

Kumiko is the daughter of a Japanese Yakuza crime boss. Her father has sent her to live in London while the Yakuza war is going on. There she meets Gibson’s most iconic character, Molly Millions, who’s going by the name Sally Shears. Molly is being blackmailed by Lady 3Jane, so Kumiko inadvertently gets dragged into the kidnapping plot.

Mona Lisa Overdrive contains several exciting action scenes which feature kidnappings, shoot-outs, helicopter escapes, remote-controlled robot warriors, collapsing catwalks, and falling refrigerators. These are loosely connected by the continuation and conclusion of the AI plot which began in Neuromancer. I wasn’t completely satisfied with the sketchy ending or the wacky reveal on the last page, but that’s okay. I was mainly reading Mona Lisa Overdrive for the style, anyway.

So much of Gibson’s style and success stems from the mesmerizing world he’s built — a future Earth in which national governments have been replaced by large biotech companies. Japan is modern and glitzy and much of the former United States has fallen into decay. By the time you get to Mona Lisa Overdrive (don’t even attempt to read it before reading both Neuromancer and Count Zero), you’re feeling rather comfortable (or as comfortable as is possible to feel) in this world, so the setting lacks the force it had in the previous novels. In Mona Lisa Overdrive, you’ll visit London, but it seems to be stuck in the 20th century, so it feels instantly (and a little disappointingly) familiar.

But Gibson manages to keep things fresh and highlight his unique style by introducing new characters and delving deep into their psyches. Even minor characters are works of art, such as Eddy, Mona’s low-class scheming pimp, and Little Bird, who earned that moniker because of his weird hairdo. Even when the plots don’t satisfy, it’s entertaining enough just to hang out with Gibson’s unforgettable characters. The exception is Kumiko, who has little personality and seems to exist mainly to remind us that Japan has surpassed America, and for an excuse to show us a new bit of cool technology (Colin, the chip-ghost).

In 1989, Mona Lisa Overdrive was nominated for, but did not win, the Nebula Award, the Hugo Award, and the Locus Award. It lacks the impact of its prequels, but it’s still a stylish piece of work and not to be missed if you’re a fan of William Gibson. I listened to the audio version narrated by Jonathan Davis. He is excellent, as always, and I recommend this version to audio readers. You may have to work at Neuromancer on audio if you’re not familiar with this world and its slang, but by the time you get to Mona Lisa Overdrive, that problem is long gone.(less)

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Aug 28, 2008 Dale rated it 3 of 5 stars

So my friend John commented that, given the fact that I was "currently reading" Mona Lisa Overdrive and had Count Zero marked as "to read", it seemed like I was reading the trilogy backwards. To which my only response is "Trilo-what-now?"

The edition of MLO that I read is the exact same one as the cover scan in the GoodReads database. Yes, I know, it's too small to make out any small details. So you'll have to trust me when I say that there is no indication on either the front cover, back cover,...more So my friend John commented that, given the fact that I was "currently reading" Mona Lisa Overdrive and had Count Zero marked as "to read", it seemed like I was reading the trilogy backwards. To which my only response is "Trilo-what-now?"

The edition of MLO that I read is the exact same one as the cover scan in the GoodReads database. Yes, I know, it's too small to make out any small details. So you'll have to trust me when I say that there is no indication on either the front cover, back cover, or spine that this book is any kind of sequel or part of any overarching series. None. There's a tiny blurb about how Gibson is "the award-winning author of Neuromancer" but that doesn't imply any connection between the two books thematically, at least in my mind. So I had no idea. I think the fact that I've been referencing all the series I do read, and commenting on the fact that I really shouldn't start any new ones, backs that out.

Funny enough, this book belongs to my wife. I was running low on reading material, and she was culling her collection of books as part of an overall process of reorganizing our house, and she grabbed about eight books and handed them to me with a heartfelt "I think you'd enjoy these." In her defense, many of them she hadn't read in years, so it's understandable she might have forgotten that MLO and Count Zero were part of a trilogy, intended to be read in a certain order, and maybe I should check Neuromancer out of the library first.

Also funny enough, before John's comment I *still* had no idea that this was vol. 3 of a trilogy. Don't get me wrong, I felt like I was coming in cold on the middle of a story, and I was frequently a little bit lost ... but I thought that was the point. Gibson is a pioneer of the cyberpunk genre and I figured that he was trying to convey the sense of alienation and detachment people living in that dark, gritty future would feel. The chapters are all written from single-character perspectives, so it would be very clunky for those characters to define terms or reflect on how the world got the way it is - to them, it's just the world and in fact most of them don't understand how the technology of it works at all, and that is a large part of the point. It's yet another example of worldbuilding, albeit a brutal one.

Would it have made more sense to me if I had read the first two books before the third? Maybe. I wasn't blown away by Mona Lisa Overdrive, but as I've indicated, I have Count Zero waiting for me at home and I'll probably read that, too. If that ends up making more sense, I'll be sure to make a note of it.

And finally, in the interest of padding my shelves and in honor of sci-fi and trilogies, I'll add a few more worldbuilding epics to my "read" shelf soon ...(less)

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Nov 29, 2008 Kate rated it 5 of 5 stars

Shelves: sf

The Count returns! It’s a fantastic ending to the trilogy. Angie – the girl with the ability to mentally connect to the internet – is back. As is Sally or Molly as she’s known in Neuromancer. New characters come in – Kukimo – a young, Japanese girl; and Mona – a young American junkie. There’s the damaged Slick Henry who builds fabulous, huge automatons to exorcise his demons. The plot is fun – 3Jane is jealous of Angie – now an international simstim star – and plans to kill her and replace her w...more

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Apr 18, 2013 Michael rated it 2 of 5 stars

only for Neuromancer fanatics, the hazy sunday afternoon tone-piece to neuromancer's absolutist frenetic friday night. set in a somewhat cloudy london after ww3, the speed, tempo, and temperature of the prose is cool/calm rather than cool/hyper and low-key compared to the hyper-velocity and intensity of the originating work. author plays with some of the characters established in neuromancer (and famously lost artistic control over the name 'molly millions' so character goes by 'sally shears') s...more

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Jan 27, 2013 Ben rated it 5 of 5 stars

The sum total and conclusion of the Sprawl Trilogy. If you've read one, I would say read to the end. My original understanding, before reading, was that the Sprawl Trilogy was more loosely connected and had more to do with certain themes and the occasional crossover of characters. This is a gross over-simplification at best and a flat out lie at the least. This final chapter in the trilogy manages to bring all the stories together as hinted at the end of Count Zero. In a fine fashion Gibson demo...more

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Nov 19, 2012 Alexander McNabb rated it 5 of 5 stars

If Neuromancer was debut brilliance, Count Zero was a continuation that lacked the punch of the first in the Sprawl trilogy, yet still packed enough crowd pleasing swagger to make it a top class read (with, perhaps, the lack of purpose that greatness demands).

In hindsight, this is perhaps the way a great trilogy should go, because one's expectations are set perhaps a tad lower by the time you get to Mona Lisa Overdrive. So you're nicely set up for the rabbit punch when it comes.

Gibson has broug...more

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Nov 11, 2012 Kevin Rubin rated it 3 of 5 stars

I guess I wasn't fully prepared for this book. "Mona Lisa Overdrive" is the third in Gibson's "Sprawl" trilogy, but it's been over 15 years since I read the first two and I didn't remember all the details that would help to get through this.

I'm not sure I understood all of it, definitely not much about the combination of voodoo and high tech as it was in Angie's head or the Aleph device.

This continues Gibson's futuristic, fairly dirty, gritty dystopian sort of future with drugs and a global high...more

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Feb 08, 2012 Donovan rated it 5 of 5 stars · review of another edition

Shelves: sci-fi, thriller

If you have read the first two books of The Sprawl series (Neuromancer, Count Zero) then you must read this as it wraps everything up nicely. I feel it is necessary to read the first two novels for this to make sense as Mona Lisa Overdrive references these and the book is already full of Gibson's well known multiple plot lines without throwing in references outside of the book - it ould just do your head in. I feel this is the best of the three books due to the way it wraps things up. It is full...more If you have read the first two books of The Sprawl series (Neuromancer, Count Zero) then you must read this as it wraps everything up nicely. I feel it is necessary to read the first two novels for this to make sense as Mona Lisa Overdrive references these and the book is already full of Gibson's well known multiple plot lines without throwing in references outside of the book - it ould just do your head in. I feel this is the best of the three books due to the way it wraps things up. It is full of all the cyber-punk glory and after reading the first two, I am now used to Gibson's writing style and vocabulary.

Plot ***Spoilers***
Taking place eight years after the events of Count Zero and fifteen years after Neuromancer, the story is formed from several interconnecting plot threads, and also features characters from Gibson's previous works (such as Molly).

One of the plot threads concerns Mona, an innocent young prostitute who has a more-than-passing resemblance to famed Simstim superstar Angie Mitchell. Mona is hired by shady individuals for a "gig" which later turns out to be part of a plot to abduct Angie.

The second story focuses on a young Japanese girl named Kumiko, daughter of a Yakuza boss sent to London to keep her safe while her father engages in a gang war with other top Yakuza leaders. In London she is cared for by one of her father's retainers, who is also a powerful member of the London Mob. She meets Molly Millions (having altered her appearance and now calling herself "Sally Shears", in order to conceal her identity from hostile parties who are implied to be pursuing her), who takes the girl under her wing.

The third story thread follows a reclusive artist named Slick Henry, who lives in a place named Factory in the Dog Solitude; a large, poisoned expanse of deserted factories and dumps, perhaps in New Jersey. Slick Henry is a convicted (and punished) car thief. As a result of the repetitive brainwashing nature of his punishment, he spends his days creating large robotic sculptures and periodically suffers episodes of time loss, returning to consciousness afterward with no memory of what he did during the blackout. He is hired by an acquaintance to look after the comatose "Count" (Bobby Newmark from the second novel, Count Zero, who has hooked himself into a super-capacity cyber-harddrive called an Aleph). A theoretical "Aleph" would have the RAM capacity to literally contain all of reality, enough that a memory construct of a person would contain the complete personality of the individual and allow it to learn, grow and act independently.

The final plot line follows Angela Mitchell, famous simstim star and the girl from the second Sprawl novel Count Zero. Angie, thanks to brain manipulations by her father when she was a child, has always had the ability to access cyberspace directly (without a cyberspace deck), but drugs provided by her production company Sense/Net have severely impeded this ability.(less)

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Feb 05, 2012 John E. Branch Jr. rated it 3 of 5 stars · review of another edition

Shelves: sf

A real-world allusion in this novel akin to the Joseph-Cornell-like boxes in Count Zero is the artist who builds mechanized sculptures, who was inspired by the founder of Survival Research Laboratories…

William Gibson's lesser achievements are still better than the best work of many other authors. But, regarding this novel and its predecessor--that is, volumes two and three of what came to be called the Sprawl trilogy--I more or less agree with the Science Fiction Encyclopedia entry on Gibson: th...more

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Mar 27, 2011 Andreas rated it 5 of 5 stars

The Sprawl Trilogy consists of:

* Neuromancer
* Count Zero
* Mona Lisa Overdrive

Gibson invented the cyberpunk subgenre with this plot-wise loosely connected series of books and he revitalized SciFi in the process. His sparse, cool prose and his approach to characterization mark the writing of many of his successors, probably chief among those Neal Stephenson.

His descriptions of cyberculture have aged well, since he was wise enough not to be too specific about hardware and software. He himself at...more

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Feb 26, 2011 Mike rated it 5 of 5 stars Recommends it for: Everyone

Yes, that's not a mistake, I gave "Mona Lisa Overdrive" a full "5.0" when I left "Count Zero" at a theoretical smidge below (but used the "4" in goodreads stars). That's not because (as I explained in the "CZ" review) "Count Zero" was not good, it just didn't surpass "Neuromancer". Subjective as charged, but that's my version and my review :-)

I remember being surprised at how Gibson extended the "world" of his world with this book and being impressed by that. The writing stayed crisp, precise an...more

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Feb 11, 2011 Douglas rated it 5 of 5 stars

I am re-reading my old paperbacks. So I am either in my dotage or I just managed to get them out of the box and onto some new bookshelves. It is almost embarrassing to admit the impact that the Sprawl series had on me when they came out. My early college years. These were the definition of smart cool for me. Smart, because it was SF, and the dumb cool couldn't grasp it. Cool, because it was cool. Drugs, leather jackets, mirrored shades, European or Japanese branded everything. Plus, my friend Ka...more

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Feb 05, 2011 Paul rated it 4 of 5 stars

Shelves: science-fiction, four-star-plus-reads

When I started reading William Gibson's novels and short stories, I did not realize that they were component parts of larger stories. When I read Count Zero, for example, I did not realize it was part of the Sprawl trilogy, along with Neuromancer and Mona Lisa Overdrive, or that All Tomorrow's Parties was part of the Bridge trilogy, along with Virtual Light and Idoru. So I read them all out of order, and when I'd see references to the Sprawl (the domed concentration of Eastern Seaboard cities) o...more

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Jan 04, 2010 Rebekah rated it 4 of 5 stars

Really this is not new for him, but it has been a while since I read some of his work. This time I experienced Mona Lisa Overdrive. The story jumps between about 4 or 5 folks and they slowly coalesce to a single plot. A plot that mirrors the drug induced state of some of his characters. The future ideal of sensory immersion was interesting. I don’t know if I ever really understood some of the biosoft and microsoft technologies, but then again I think some of it was meant to just be understood as...more

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Jul 11, 2010 Rickswan rated it 3 of 5 stars Recommends it for: Sci-fi enthusiasts

Recommended to Rickswan by: the Matrix: Reloaded

At first I wasn't digging the writing style of Mr. Gibson. I had tried to read Neuromancer and some perverted bits conjoining with his scatterbrain form of writing turned me off. However, I had downloaded the coolest song from one of the best scenes in the Matrix: Reloaded entitled, "Mona Lisa Overdrive" by Juno Reactor. I thought it was a totally B.A. title, and upon looking up the title of the song on the internet one day, I discovered the title originated from this cyberpunk book. So basicall...more

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Jun 22, 2010 Matt rated it 4 of 5 stars Recommends it for: Cyberpunk fans, people interested in strong female chars in sci-fi

Shelves: science-fiction, cyberpunk

"Mona Lisa Overdrive," the third novel in William Gibson's critically acclaimed Sprawl trilogy, is a compelling and thought-provoking read full of great action and the typical trippy cyberspace romps that readers became accustomed to in Gibson's first two novels.

Set seven years after "Count Zero," the second book in the trilogy, "Mona Lisa Overdrive" follows four different story lines that, much like is the case in "Count Zero" interlock towards the end. A handful of characters from the first tw...more "Mona Lisa Overdrive," the third novel in William Gibson's critically acclaimed Sprawl trilogy, is a compelling and thought-provoking read full of great action and the typical trippy cyberspace romps that readers became accustomed to in Gibson's first two novels.

Set seven years after "Count Zero," the second book in the trilogy, "Mona Lisa Overdrive" follows four different story lines that, much like is the case in "Count Zero" interlock towards the end. A handful of characters from the first two books re-appear, including the street mercenary Molly Millions, who had previously been featured in the Gibson short story "Johnny Mneumonic" as well as the Hugo and Nebula award winning first novel in the trilogy, "Neuromancer."

Following the stories of a Yakuza daughter hiding away in London while her father's gang is at war, a prostitute forced into a kidnapping scheme, a celebrity actress Angie Mitchell (previously featured in "Count Zero") who has the ability to jack into cyberspace without any equipment, and a sculptor forced to pay back a huge favor to someone who previously saved his life.

Although it lacks a bit of the scope of the previous entries in the series, I still feel like "Mona Lisa Overdrive" does a good job of wrapping up the series. With no characters (aside from one minor appearance) carrying over from the first to the second books in the series, I was surprised to see characters from both books reappearing in "Mona Lisa Overdrive." It was interesting to see where their lives had gone in the years passed since their previous appearances, and it was the biggest appeal of the novel for me.

The plot didn't feel as epic as the previous two books, but it was action packed and managed to hold my interest. It tied up some loose ends from the previous books and gave really good closer to the series; it manages to accomplish everything that it had to while maintaining interest and being a fun read. The mercenary known by several names (including Molly, and Sally) is easily my favorite sci-fi heroine, total bad-assery personified.(less)

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May 23, 2012 Darrin Hawe rated it 4 of 5 stars

I really wanted to love this book. I didn't love it (5 stars), and I think I barely "really liked it" (4 stars). In all honesty, this book would be a solid 3.75. For that reason, I'm not giving it 3 stars.

First, anybody that picked this book up without reading Neuromancer and Count Zero first would be likely completely lost both in terms of plot and writing style. I also remember thinking that the conclusion of the threaded tales was a bit anti-climatic, a somewhat disappointing finish to an int...more

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Mar 09, 2013 David rated it 4 of 5 stars

This is the final book in Gibson's "Sprawl Trilogy," taking place fifteen years after "Neuromancer" and eight years after "Count Zero." As with the other books in the trilogy, it features three interconnected plot lines and sets of characters that join up near the end. "Mona Lisa Overdrive" includes characters from its two predecessors and nicely ties up the trilogy, while leaving a lot up to interpretation.

By the time I read this book, I felt familiar with Gibson's prose. His style can be a bit...more

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Jun 22, 2012 Brigg Sabol rated it 2 of 5 stars

This one was a roller coaster a bit.

I got a box of books from a friend of mine who was moving, and this book was in it. Recently I've been hearing what a great book Neuromancer is supposed to be so I thought I'd give this one a go. No where printed anywhere on this book does it say it is part 3 of a trilogy. As a matter of fact, on the back it says "William Gibson, author of the extraordinary multiaward-winning novel Neuromancer, has written his most brilliant and thrilling work to date...". Th...more

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Mar 05, 2013 Fuzzy Cow rated it 3 of 5 stars

Shelves: entertainment

Kimiko is a young Japanese girl, whose father is a high ranking member in the Yakuza. He is expecting a war, so he sent his only daughter to London, so she will be safe. This move only allowed a power hungry flunkie better accuss. Mona is ghost in the system, and as such she has almost no rights. She is being pimped out by a man with a plan, named Eddie. Will her uncanny appearance to simstim super star, Angie Mitchell, lead her to problems? Angie Mitchell is back from a hiatus. After being add...more

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May 19, 2009 Chris rated it 2 of 5 stars

Shelves: abandoned, disapointing, speculativefiction, weird-fiction

I loved Neuromancer, liked Count Zero, and didn't finish Mona Lisa Overdrive.

I gave up on this about 75 pages in. It wasn't bad, per se, I was just bored and uninterested, and my "To Read" shelf is too long to spend time on a book I'm not into. Besides, I've got a stack of library books to get to, and those things have due dates, you know?

Perhaps its a bit unfair, like loving the bands first album and then not liking their second because it isn't enough like the first, when no band wants to just...more

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Feb 13, 2012 Raj rated it 4 of 5 stars · review of another edition

Shelves: cyberpunk, sci-fi

The third of William Gibson's Sprawl trilogy, this book spins three separate threads deftly creating (and reintroducing) characters, weaving them into the mythology of the Sprawl and then winding them together in a (slightly messy, it has to be said) big conclusion.

I found this book much easier to get into than Count Zero, although perhaps I just give it the time and attention that it deserves, which I didn't necessarily do with Count Zero. This book also starts weaving together storylines soone...more

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Jan 02, 2013 Sean rated it 5 of 5 stars

Better reviewers can find more to say about The Sprawl than I can here, so I'll put up my only two gripes about Mona Lisa Overdrive: the two protagonists of the first two novels, Case and Turner, are absent here. Sure, it could be said that the books are really about Molly and the Count and their respective journeys, but Case and Turner with their flaws and solid grounding in meatspace were our familiar guides through the new and weird. I was slightly saddened that Gibson stuck true to his desir...more

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Jan 07, 2011 Victoria Mixon rated it 3 of 5 stars

I read this one because a client suggested it for the book I'm writing on analysis of plot, and boy, was he right. This is a plot to be analyzed. It's also one of the very few books I've read that was published in the last thirty years that actually deserves its reputation for strong writing.

Now, the multiple plot threads are convoluted enough that the Climax doesn't quite explode the way it should---there's simply too much to explain---and the arch-villain doesn't come across as quite pivotal e...more

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Feb 29, 2012 Chris rated it 4 of 5 stars

I get the impression that his editor/publicist/friend put a little nugget into Gibson's head one day: "Hey, what if you came up with a story that would drive both the Neuromancer and Count Zero storylines together and tie the whole thing up!" and Gibson had a little brainworm inching along from that day, until Mona Lisa Overdrive was delivered.

The plot itself, stepping back, seems more forced than the other two. The overarching idea wasn't as organic (in the colloquial sense) as the first two. W...more

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Nov 21, 2011 Kurt rated it 2 of 5 stars

This review has been hidden because it contains spoilers. To view it, click here.

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Apr 04, 2011 Corey Dutson rated it 2 of 5 stars

Shelves: kindle, sci-fi

Well This is certainly a way to finish off the Sprawl series. It's a bit of a shame that more of the first book wasn't really tied into it. Other than the fact that story of the first book happened, little else really comes of it. I'm not to sure I like how everything went overly spiritual. I knew that's how things were going to go down by the end of Book 2, but I don't think it played out as well as it could have.

Also, the ending of this one felt a bit thrown together. The other two books were...more

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Feb 14, 2013 Eric rated it 2 of 5 stars

After thoroughly enjoying Gibson's "Neuromancer", I picked this up off at Half Price Books. Gibson writes solid Sci Fi. His imagination soars and doesn't fail to disappoint: robots, ninjas, junkies, gunfire, and yakuza abound. The narrative is told through several characters who alternate chapters. It is rewarding when it all comes together at the end but it can feel disjointed at times. Gibson makes no excuses and throws you right into the mix -- he doesn't baby you with extemporaneous explanat...more

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Jan 07, 2012 Isabel rated it 4 of 5 stars · review of another edition

Angie called pause again, rose from the bed, went to the window. She felt an elation, an unexpected sense of strength and inner unity. She'd felt this way seven years earlier, in New Jersey, learning that others knew the ones who came to her in dreams, called them the loa, Divine Horsemen, named them and summoned them and bargained with them for favor.
. . .
Bobby had told her about a general consensus among the old cowboys that there had been a day when things had changed, although there was di...more

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About William Gibson

Librarian Note: There is more than one author in the Goodreads database with this name. See this thread for more information.

William Ford Gibson is an American-Canadian writer who has been called the father of the cyberpunk subgenre of science fiction, having coined the term cyberspace in 1982 and popularized it in his first novel, Neuromancer(1984), which has sold more than 6.5 million copies wor...more

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