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In the Cut

3.18 of 5 stars 3.18 · rating details · 983 ratings · 154 reviews

Soon to be a major motion picture directed by Jane Campion and starring Meg Ryan
In theaters this fall
By day, Frannie teaches her writing students about irony and language in all its nuance and unspoken meaning. By night, she compiles a secret dictionary of street slang. One night in the basement of a bar she walks in on an intimate moment between a man and a woman. The...more

Hardcover, 180 pages

Published by Macmillan _ (first published 1995)

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Jun 13, 2007 Ken rated it 1 of 5 stars

In The Cut was a quick read. It kept me turning the pages, wanting to know what would happen. The main character intrigued me at first. And that's about as close as I can get to praise for this book.

If you can stomach gruesome, twisted violence and enjoy analyzing it on a symbolic or literary level, then you may appreciate this book more than I. I don't think this book had anywhere near enough to say, however, to justify its sickening level of brutality.

At its heart, this is a mediocre whodunit....more

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Feb 16, 2008 Lisa Greer rated it 5 of 5 stars

Shelves: thriller

this book is amazing and one that many probably haven't read. I stumbled upon it in the library one day. It haunted me for days. Things aren't always as they seem in matters of love, sexuality, etc. The ending is haunting.

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Mar 24, 2008 Stacey rated it 3 of 5 stars Recommends it for: People who like reading good sex...

This review has been hidden because it contains spoilers. To view it, click here.

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Dec 06, 2012 Travis rated it 3 of 5 stars

I can imagine just how the process for dreaming up this story must have started, and Susanna Moore deserves kudos and praise for following her imagination down that particular rabbit hole.

(The rabbit hole in question, by the way, goes something like this: Author is kind of lying around her airy, light-filled NYC brownstone one afternoon, and a thought occurs to her--I wonder if anyone has died while having sex--and this causes her to consider the way they would be most likely to die, and that i...more I can imagine just how the process for dreaming up this story must have started, and Susanna Moore deserves kudos and praise for following her imagination down that particular rabbit hole.

(The rabbit hole in question, by the way, goes something like this: Author is kind of lying around her airy, light-filled NYC brownstone one afternoon, and a thought occurs to her--I wonder if anyone has died while having sex--and this causes her to consider the way they would be most likely to die, and that it takes two for this particular death to happen, and what if the other party was a kind of unsavory character who thought of himself as above the law, and what if the author herself was there to witness the crime, and what if, instead of repulsing her it turned her on? Etc., etc. etc.)

The first thing to say about this one is that the sex stuff really is quite, ahem, graphic. I'm not sure how far the recent 50 Shades goes, but I can't imagine it going any further then this. This stuff makes Mary Gaitskill's short stories seem only mildly suggestive. (I am thinking of one scene in particular, in Detective Malloy's commanding officer's office. My reaction to that scene sums up my reaction to the book as a whole fairly well. Moore has the ability to make this material both shocking and relatable, as in, 'I am somewhat appalled, but I am entertained and compelled to keep reading', and 'Ah yes, that must be a concern in that situation.')

The second thing to say is that it functions pretty well as a whodunnit. The writing is good, the plotting is smooth, and it keeps you guessing until the end (although it's pretty clear early on that you can cross and A and B off the list, and so it must be C.)

That said, there's quite a bit of filler here. I didn't need the long lists of entries into the Frannie's "urban slang" dictionary.

For some reason, I was on board with Frannie's character and ready to follow her, although I wouldn't always be. She's young, rich, pretty, white, urban, etc. etc., which to me usually means boring. Maybe I was willing to follow because she presents herself as someone who can't quite actually exist in the real world--Moore manages to suggest, without actually suggesting it, that there's more to Frannie than first meets the eye, and there is (for example, her willingness to engage in deviant and dangerous sex, haha).

I was torn between three and four stars here, but three seems right. I just don't feel comfortable saying I "really" like this one. Still, if you're looking for a quick, sexy read, check it out.
(less)

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Nov 22, 2012 Jerod Scott rated it 4 of 5 stars · review of another edition

I read this book in one sitting (just now, actually) so that must mean I liked it. It's strange though. That's not a bad thing, really, it just isn't quite like anything I've ever read before, and I can't quite figure out what to think of it yet.

What impressed me most, probably, was the writer's ability to convey a protagonist who was searching for something without seeming to consciously realize that anything was even missing. Interesting, that... and well done.

To me, this is a story about trus...more

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Oct 14, 2012 Jessica rated it 3 of 5 stars · review of another edition

Some books while a good read lack a certain something I couldn't even begin to say what it is that In The Cut is missing but it in my opinion lacks a je ne sais qua.

Having said that I still enjoyed this book. It's sad lonely and despite the protagonists brains and all she had going for her she seemed so lonely. Lost trying to fill a void that she didn't even know was there.

I skipped a couple pages and it didn't make any difference. For a short read it packs a lot in and while there is a lot of...more

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Apr 18, 2011 Tim Niland rated it 4 of 5 stars · review of another edition

Shelves: 2011-reads

This book was on Ethan Iverson's list of the ten most shocking thrillers and it lives up to its billing as a very satisfying mystery/thriller. The protagonist is a female literature professor at an unnamed New York City college. When she meets one of her students at a bar, and inadvertently sees something she shouldn't, and sets off a chain of events that lead to a shocking conclusion. This was a well written book with nice elements of dark, dry wit, at least in the beginning before things start...more

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Feb 27, 2011 switterbug (Betsey) rated it 3 of 5 stars

The ethereal writing of Moore reminds me of a female James Salter--a purposeful detachment that conveys the protagonist's (Frannie's) detachment from her own life. Startling ironies hint at Frannie's personal tragedies--accumulated and melancholied--heaped in a corner of her heart and cresting to bleed out onto the pages. It is this prose that creates a vivid depth of feeling and a taut, fresh, exciting rigor of momentum.
Frannie is a scholarly woman--a linguist and a Creative Writing professor...more The ethereal writing of Moore reminds me of a female James Salter--a purposeful detachment that conveys the protagonist's (Frannie's) detachment from her own life. Startling ironies hint at Frannie's personal tragedies--accumulated and melancholied--heaped in a corner of her heart and cresting to bleed out onto the pages. It is this prose that creates a vivid depth of feeling and a taut, fresh, exciting rigor of momentum.
Frannie is a scholarly woman--a linguist and a Creative Writing professor for intelligent students with low motivation. Frannie's personal despair and emptiness are well illustrated in the first few paragraphs. It is as if she is a shadow of herself or a mirror of the dereliction that she lives within--both in her soul and in the city. After she witnesses an erotic act between a wrist-tattooed man and a young woman, she becomes involved with the tattooed man--who she learns is a detective--although she thinks he may have killed the woman. She is turned on by the dangerous masculinity of the detective and the power of seedy erotica.

The murder/suspense thriller is, to me, the vehicle for a larger but more subtle story of personal isolation. The story serves as a medium for inner desolation and the loss of the soul. Most of the characters, whether they live or die, seem to have lost a chunk of their soul to the already embittered and fringed.

I love Moore's style of writing more than the story. At under 200 pages, it was quite short and therefore more brief in certain characterizations and relationships than a reader might desire. However, it may have been intentional to keep all the characters in shadow. I suppose Moore could be considered a nihilist (based solely on this book)---when you finish the book, the reaction you have is more a response to the concept of dreary insulation/isolation and the failure of human connections than it is an empathy for any particular character. If you are eagerly awaiting the arrival of hope, you will not be fulfilled in that quest. However, the author does give a layer of searing suspense, buoyancy, and liveliness to the mordant theme. It is piquant in sensuality and freshness, much like the ripe slicing of a juicy pomegranate.

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Feb 15, 2011 Haley rated it 5 of 5 stars

Shelves: gift, own

"In The Cut" begins as Frannie, a creative writing teacher in New York City, becomes entranced watching a brawny man receive a blowjob in the back of a bar. Frannie is stubborn and well-intentioned - in her free time she works on a book of slang and colloquialisms. She also gives her students her home address. Suddenly her desolate existence heats up when her student Cornelius consistently and inappropriately follows her around New York, and a detective visits to investigate local murders. Detec...more

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Aug 17, 2010 Lowrha rated it 4 of 5 stars

It took a long, frustrating Chinatown bus ride for the first few chapters of this book to grasp my attention, but I'm glad it was the one I had with me. Moore suspends a dreamy, transitional mood that mesmerizes me. Her comments on the similarity between memories and dreams stick with me and help define what I mean--I feel parts of the story could have been from a book I read or a dream I had. I'm partial to books with writer protagonists, and the scattered notes on words throughout the book are...more

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Oct 21, 2009 Lori rated it 4 of 5 stars

Susanna Moore's book is an edgy, taut, fast paced thriller. The story begins with Franny an NYU professor working with students from the projects in a writing class. This is a convenient relationship for her as she is able to work on her own book and fufill her obsessions with language forms, particularly slang usage in this area of NYC. Some professors comment on her inappropriately close relationship with her students as she often sees them outside of class to discuss their projects as well as...more

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Oct 13, 2009 Nicola rated it 5 of 5 stars

Shelves: crime, favourites, fiction, recommended

When I first read In the Cut, I was swept up in its surface pleasures: the protagonist, Franny moves through seedy parts of New York City, but there’s a dark wonder to every scene; the poetry posted on the subway forms the backdrop to her story, as if it were placed there especially for her. As a teacher and writer, she rolls words on her tongue, obsessing over etymology, even dividing words into ‘good’ and ‘bad’. It’s a wonderful world in which to immerse yourself. All of Franny’s experiences –...more

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Dec 12, 2011 Mitch Duckworth rated it 4 of 5 stars · review of another edition

I've heard it called porn; I disagree.

If you've seen the movie, you know quite a lot about the book, but not enough. The film is fairly faithful to the novel (dare I say it?) right up to the end; there the film detours into the prescribed Hollywood ending. The movement of Ms. Moore's tale is not hindered by a sudden and violent path into cliche, but rushes on to its inevitable and powerful conclusion with satisfying drama and an oddly self-realized central character who remains true to her self...more

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Dec 16, 2011 Vanessa rated it 4 of 5 stars

Shelves: read-in-2011

I picked this book up out of sheer perversity. Since this is billed as an erotic thriller, I should probably elaborate. Come closer, won't you?

So, the movie they made of this book. It has a good pedigree: interesting actors like Mark Ruffalo and Jennifer Jason Leigh star (also starring but not very interesting is Meg Ryan) and Jane Campion directs. It's terrible. It's ludicrous. It is compellingly watchable in its awfulness like a grittily rendered "Showgirls." It's been airing on the cable late...more I picked this book up out of sheer perversity. Since this is billed as an erotic thriller, I should probably elaborate. Come closer, won't you?

So, the movie they made of this book. It has a good pedigree: interesting actors like Mark Ruffalo and Jennifer Jason Leigh star (also starring but not very interesting is Meg Ryan) and Jane Campion directs. It's terrible. It's ludicrous. It is compellingly watchable in its awfulness like a grittily rendered "Showgirls." It's been airing on the cable lately and I got curious. Was the source material equally awful or did it explain all the dead ends and nonsense in the movie?

Imagine my surprise then at how much I liked Moore's novel. It's the short but focused story of an English professor and language enthusiast who lives in the Washington Square area of Greenwich Village. She is writing a book on American slang and is obsessed with words. She lives a tidy, largely intellectual and emotionally-detached life, preferring to scrutinize and categorize feelings rather than experience them. She is divorced and has only one close friend and it soon becomes apparent that she has an unusual number of mentally unwell people in her personal orbit. Into the midst of which falls a neighborhood serial killer and a homicide detective whom she finds irresistibly charming, leading her to pursue him with a sort of relentless bewilderment. He's also a racist, homophobe and a sociopathic liar who may or may not be the killer although Moore makes it both hazy and realistic enough that for the most part you don't question her (nameless) protagonist's lack of serious suspicion. And as crazy and intense as her attraction to him is, I completely bought it.

The language and love of language in this book was so vivid I was bound to love it. Add to that Moore's ability to reveal so much about a character with a single sentence, gesture or anecdote. Despite a few times when I cocked my head and said, "Really?" I'm going to give it four stars because I sat at my well-lit desk on my lunch hour reading the final pages and felt such a wave of cold wash over me that I had to get up and walk it off only to find that I couldn't. (less)

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Jan 04, 2012 Christina Marie Rau rated it 3 of 5 stars

I thought that In The Cut was going to be about boxing.

In The Cut by Susanna Moore is an erotic thriller. It does not involve a boxer of any kind, not even canine.

I was not expecting the main character to be a Creative Writing college professor who has an affinity for street slang. I was not expecting a very detailed description of a blow job in the first few pages. I was not expecting a very detailed description of bloody dismemberment anywhere in the book. Between sex and violence came storyli...more

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Oct 28, 2007 Sabrina Robinson rated it 1 of 5 stars

Shelves: fiction-suspense

I liked the raw sex scenes. That pretty much was the whole appeal for me.

Update- I just reread this and even the sex scenes weren't that good. I think the author was trying to hard to be artsy. In my reread I got the impression the author was trying to make the main character seem cerebral and deep but it just made for disjointed dialogue and forced interactions. I couldn't finish it the second time.

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Jul 24, 2007 Jennifer rated it 4 of 5 stars Recommends it for: Lokiec

Shelves: literaryfiction, mystery

Very strange book. Moore seems to hate her characters as much as Scott Smith hates his...she has no compassion for any of them and, as such, anything goes. The end is easily the most disturbing ending of any book I've ever read (Hollywood ditched the ending for the movie), sorta reminiscent of Blair Witch (in terms of making you say "holy crap, did that just happen?" vs supernatural). Not for the faint of heart.

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Jan 19, 2013 Catalina rated it 4 of 5 stars

The only pages i considered getting close to a thriller were the last 10-15. Reading others talking about hard images, violence...i got worried: is my sensibility compromised?! :))
Reading other reviews is an interesting action as you get an insight of people personality and psychology! I've seen ppl saying Frannie's character is to be hated, the author hated her character, sex is bad and so on.
I had none of those impressions, I actually found Frannie a strong character: a women that knows her va...more

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Dec 07, 2009 Trish rated it 1 of 5 stars · review of another edition

Shelves: books-i-hated

This review has been hidden because it contains spoilers. To view it, click here.

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Dec 03, 2007 Jessica rated it 2 of 5 stars

Shelves: mysteries

This is a sort of Looking For Mr. Goodbar-come-lately story about an ostensibly tough, sexually confident woman who likes to Sleep With Danger and becomes entangled with a sadistic murderer. Although atmospheric and sexually provocative, at heart this is really a damsel-in-distress-meets-serial-killer story that isn't particularly innovative or surprising.

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Sep 04, 2012 Max Sebastian rated it 5 of 5 stars · review of another edition

I read this having seen the movie, and while I can see that for some people neither would appeal, I enjoyed both of them very much. I think the movie had mixed reviews, so would the book. It's troubling, disturbing, not massively long, and the message is as bleak as the ending (which was changed for the movie). But ultimately for me, this was beautifully written and a joy to read (other than the heart-wrenching resolution, perhaps).

This is all billed as an erotic thriller, but it's not particul...more

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Feb 12, 2011 Evan rated it 2 of 5 stars · review of another edition

Shelves: _lfpl-library, _less-than-200-pages, crime-fiction, sexuality, ny-ny, 2011-reads

In the Cut was made into a movie just a scant few years ago by artsy feminist director Jane Campion, with Meg Ryan the all-American girl trying to pull the mid-life star comeback and the sexy image-changing turn (with Oscar-bait glum acting chops and the requisite nudity) in the role of the language scholar and teacher who succumbs to the pull of the seamy side of NYC. Shades of Looking for Mr. Goodbar, perhaps.

The book, in a nutshell, is about a divorced English teacher in New York, (Frannie in...more In the Cut was made into a movie just a scant few years ago by artsy feminist director Jane Campion, with Meg Ryan the all-American girl trying to pull the mid-life star comeback and the sexy image-changing turn (with Oscar-bait glum acting chops and the requisite nudity) in the role of the language scholar and teacher who succumbs to the pull of the seamy side of NYC. Shades of Looking for Mr. Goodbar, perhaps.

The book, in a nutshell, is about a divorced English teacher in New York, (Frannie in the film but unnamed in the book; I'll stick with Frannie for ID purposes), whose days involve contending with half-illiterate students and whose nights seem a bit dowdy until she sees a sexual act in a bar that ends up making her a potential witness in a murder case. She finds herself being visited rather too frequently by a rough-hewn police detective, Malloy, whose crudity fascinates her, but who also may be leading her into greater danger.

After reading this, I think the material actually works better in film form. I like the film, but it, like this book, suffers from a kind of schizophrenia. It seems that half the time author Susanna Moore is more interested in exploring arcana such as linguistics (her character is contantly pondering and musing over various types of argot), student-teacher relations, school politics, social class distinctions and the place of the intelligent working gal and her conflicting sexual feelings in the milieu of postmodern urban alienation. Blah blah. In the doing so, the crime story of the book gets elongated almost to the point of nonexistence for most of the narrative. (Frannie as narrator--ergo Susanna Moore--admits more than once that she can't stick to the point.)

The book is filled with interminable tangents and digressions that sap the gravitas from a shocking (though not entirely unexpected) ending that should be powerful, but isn't due to reader lack of interest by that point. The dialogues between Frannie and her friend John are incredibly boring (and sometimes nonsensical, or just badly written) and the doings in the police precinct HQ are listless. And I don't understand all the broohaha here among reviewers about the allegedly saucy sex scenes. They don't seem particularly unique to me. Maybe I'm jaded.

The upshot is that readers who dig crime fiction are not going to like this very much as a crime thriller, and also means that readers interested in philosophical character studies are going to be annoyed that there is any crime plot at all, especially as it gains momentum again near the finale.

Watching the film, I liked all the stuff about the milieu of dark New York and the sensuous urges of the heroine, but was put out when the cheesy crime-plot elements intruded (in fact, the movie radically changes the ending to an unlikely happy one, but that's Hollywood, folks). Reading the book, I appreciated its consideration of issues of female control and sexuality, and a woman's observations about male sexual behavior (even when they were sometimes stereotypical).

Given the thematic ambitions of the book, I'm not sure if Moore really wanted to write a crime book, or felt that doing so would give it commercial legs. The only really useful thing about the crime plot is that it introduces an element of risk and danger that plays on the conflicting urges of the heroine to be safe and bookish versus daring and sensual.

The book has moments of bravura writing, but seems at times also to need tighter editing. I sometimes felt that Moore had written lots of notes about people's speech patterns with the intention of shoe-horning them into a novel narrative, which at times is how the thing feels while reading it. (Yes, I realize Frannie is supposed to be writing a dictionary about contemporary slang, but the asides in which she shares some of its contents feel like an intrusion. You just want her to get on with the story already.)

The book was interesting enough to continue reading, and there were passages where I was thinking, "Why can't she write the rest of this book this well?" Perhaps I was put off somewhat by Frannie's air of condescension throughout; it often made it hard for me to take her and the issues in the book seriously.

There's a really good novel hiding in this mess. It strives, but fails, to find the Platonic form it seeks.

I'd recommend the movie but advise passing on this book, with so many other good reads out there.(less)

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Jan 20, 2012 Eve rated it 5 of 5 stars

To start from the beginning: saw the movie first. Campion is one of my favorite directors and this movie was something...something that haunted me for days and weeks and months, I actually watched it more than 20 times. It was by mistake that I came across the book at a shop. I bought it right away and felt that it will be if not more, than at least as good as the movie. Of course it goes onto a different ending, but .. BUT... The book is more haunting than the film. Saw many negative reviews re...more

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Jun 12, 2007 Adam rated it 4 of 5 stars · review of another edition

Shelves: fiction, mystery

I tore through this really quickly. It's probably not for everyone, but the combination of spare prose, precise language, graphic sex, and cooly observed violence really worked for me. Definitely worth reading, even if you've already seen the movie.

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May 21, 2012 Kerri Turner rated it 3 of 5 stars

My feelings about this book are a little bit complicated. While I didn't really love it, I didn't hate it either. And it certainly kept me turing the pages, wanting to know what happened next.

There is some exceptional writing (in my humble opinion) in the book, which I thought was great to read. There were also a fair few passages - mainly in the dialogue - where I had no idea what the writer or characters were on about.

But the biggest problem for me was that the whole idea of the book, the 'who...more

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Oct 26, 2007 Vinessa rated it 5 of 5 stars

Dark, disturbing, tight edgy writing. Have reread it at least four times. Great opening...tells the whole story without giving anything away...unexpected ending.

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Nov 26, 2009 Anne rated it 4 of 5 stars

I liked her voice. A lot. But I'm still trying to figure out how this story is different from all the crap that lets rip with a strong female character, who has a dark sense of humor/fantasy that can't quite fight loneliness, a wide circle of friends across all kinds of tracks, and Lucite heels. And ends up dead after using "bad judgement," aka too much (intellectual) curiosity. This one @ the hands of a particularly fetishised Puerto Rican cop. "Mr. Goodbar" comes to mind, tho it was more since...more

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Aug 16, 2008 Deborah Edwards rated it 4 of 5 stars Recommends it for: Maureen

A book as gorgeously crafted as it is tremendously disturbing. This teacher with a dark side tells us right from the start that she is doing something she knows she should not do and that her story will deal with irony and realism. Knowing that, we let her lead us into a brutal but tempting world of ironic twists and realistic hard edges that surround every new encounter or ominous remark, and every strangely erotic act or brush with kink. And through it all she expounds so brilliantly on litera...more

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Sep 11, 2010 Stacy rated it 3 of 5 stars

If I had had time to rate this yesterday when I finished it, it would have been one star...zero stars, if goodreads allowed such things. However, I had time to think about it and realized that while it really was a quite terrible book, I've never read anything like it.

Frannie is a teacher of literature in New York City who runs a fairly unorthodox class...she holds no office hours, but allows students to come to her home or goes with them to bars to discuss their work. For a teacher and a city...more

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Dec 18, 2012 Angela rated it 4 of 5 stars

This is an easy book to dislike; the graphic depictions of sex and graphic violence can be off-putting. But it is a satisfying and page-turning thriller with a poignant end that justifies the narrator's extreme drop down the rabbit hole. And it's rich with lit crit fodder, just looking at the narrator's relationship to language alone. I can understand why readers are so divided in their opinions on this book, but for me, I fall on the 'I thought it was good' side of the fence.

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About Susanna Moore

Susanna Moore is the author of the novels One Last Look, In the Cut, The Whiteness of Bones, Sleeping Beauties, and My Old Sweetheart, which won the Ernest Hemingway Foundation/PEN Award for First Fiction, and the Sue Kaufman Prize for First Fiction from the American Academy of Arts and Letters. Her nonfiction travel book, I Myself Have Seen It, was published by the National Geographic Society in...more

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