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  <title><![CDATA[Auden: Poems (Everyman's Library Pocket Poets)]]></title>
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  <description><![CDATA[&quot;You can never step in the same Auden twice,&quot; wrote the critic Randall Jarrell, alluding both to the etymology of Auden's name--which comes from <em>river</em>--and the rapid transformations of his poetic style.  Wystan Hugh Auden began as a cryptic voice of the Thirties, with alluring yet mysterious creations like &quot;The Secret Agent.&quot; Next he made himself into the very model of an <em>engagé</em> artist with &quot;Refugee Blues&quot; or &quot;Spain&quot;--explicitly political utterances that the poet later renounced. Finally, Auden shocked his public by moving from England to the United States, where he fulfilled his ambition to become a &quot;minor Atlantic Goethe&quot; (although many would insist on calling him a major one). Early or late, however, the music of Auden's verse is instantly recognizable, and fantastically memorable. Readers need only hear &quot;In Praise of Limestone&quot; or &quot;The Fall of Rome&quot; or &quot;O Tell Me the Truth About Love&quot; a single time to have selected lines imprinted on their brains. Nor did Auden ever lose his touch as one of the sublime love poets of our age, which was evident from the moment he published his celebrated &quot;Lullaby&quot;: &quot;Lay your sleeping head, my love, / Human on my faithless arm; / Time and fevers burn away / Individual beauty from / Thoughtful children, and the grave / Proves the child ephemeral: / But in my arms till break of day / Let the living creature lie / Mortal, guilty, but to me / The entirely beautiful.&quot; So what if his face got all wrinkled?]]></description>
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    <![CDATA[Auden: Poems]]>
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    <![CDATA[&quot;You can never step in the same Auden twice,&quot; wrote the critic Randall Jarrell, alluding both to the etymology of Auden's name--which comes from <em>river</em>--and the rapid transformations of his poetic style.  Wystan Hugh Auden began as a cryptic voice of the Thirties, with alluring yet mysterious creations like &quot;The Secret Agent.&quot; Next he made himself into the very model of an <em>engagé</em> artist with &quot;Refugee Blues&quot; or &quot;Spain&quot;--explicitly political utterances that the poet later renounced. Finally, Auden shocked his public by moving from England to the United States, where he fulfilled his ambition to become a &quot;minor Atlantic Goethe&quot; (although many would insist on calling him a major one). Early or late, however, the music of Auden's verse is instantly recognizable, and fantastically memorable. Readers need only hear &quot;In Praise of Limestone&quot; or &quot;The Fall of Rome&quot; or &quot;O Tell Me the Truth About Love&quot; a single time to have selected lines imprinted on their brains. Nor did Auden ever lose his touch as one of the sublime love poets of our age, which was evident from the moment he published his celebrated &quot;Lullaby&quot;: &quot;Lay your sleeping head, my love, / Human on my faithless arm; / Time and fevers burn away / Individual beauty from / Thoughtful children, and the grave / Proves the child ephemeral: / But in my arms till break of day / Let the living creature lie / Mortal, guilty, but to me / The entirely beautiful.&quot; So what if his face got all wrinkled?]]>
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  <date_added>Tue Jun 24 13:36:53 -0700 2008</date_added>
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    <body><![CDATA[A slice of Auden:<br/><br/>Vintage<br/>I<br/>Stop all the clocks, cut off the telephone,<br/>Prevent the dog from barking with a juicy bone,<br/>Silence the pianos and with muffled drum<br/>Bring out the coffin, let the mourners come.<br/><br/>Let aeroplanes circle moaning overhead<br/>Scr...<a href="http://www.goodreads.com/review/show/25337926">more...</a>]]></body>
    
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    <![CDATA[Auden: Poems]]>
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  <average_rating>4.24</average_rating>
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    <![CDATA[&quot;You can never step in the same Auden twice,&quot; wrote the critic Randall Jarrell, alluding both to the etymology of Auden's name--which comes from <em>river</em>--and the rapid transformations of his poetic style.  Wystan Hugh Auden began as a cryptic voice of the Thirties, with alluring yet mysterious creations like &quot;The Secret Agent.&quot; Next he made himself into the very model of an <em>engagé</em> artist with &quot;Refugee Blues&quot; or &quot;Spain&quot;--explicitly political utterances that the poet later renounced. Finally, Auden shocked his public by moving from England to the United States, where he fulfilled his ambition to become a &quot;minor Atlantic Goethe&quot; (although many would insist on calling him a major one). Early or late, however, the music of Auden's verse is instantly recognizable, and fantastically memorable. Readers need only hear &quot;In Praise of Limestone&quot; or &quot;The Fall of Rome&quot; or &quot;O Tell Me the Truth About Love&quot; a single time to have selected lines imprinted on their brains. Nor did Auden ever lose his touch as one of the sublime love poets of our age, which was evident from the moment he published his celebrated &quot;Lullaby&quot;: &quot;Lay your sleeping head, my love, / Human on my faithless arm; / Time and fevers burn away / Individual beauty from / Thoughtful children, and the grave / Proves the child ephemeral: / But in my arms till break of day / Let the living creature lie / Mortal, guilty, but to me / The entirely beautiful.&quot; So what if his face got all wrinkled?]]>
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  <date_added>Sat Nov 17 20:59:24 -0800 2007</date_added>
  <date_updated>Sat Nov 17 21:10:12 -0800 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[One of my favorites:<br/><br/>AUTUMN SONG<br/><br/>Now the leaves are falling fast,<br/>Nurse's flowers will not last,<br/>Nurses to their graves are gone,<br/>But the prams go rolling on.<br/><br/>Whispering neighbors left and right<br/>Daunt us from our true delight,<br/>Able hands are ...<a href="http://www.goodreads.com/review/show/9256108">more...</a>]]></body>
    
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      <review>
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    <![CDATA[Auden: Poems]]>
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    <![CDATA[&quot;You can never step in the same Auden twice,&quot; wrote the critic Randall Jarrell, alluding both to the etymology of Auden's name--which comes from <em>river</em>--and the rapid transformations of his poetic style.  Wystan Hugh Auden began as a cryptic voice of the Thirties, with alluring yet mysterious creations like &quot;The Secret Agent.&quot; Next he made himself into the very model of an <em>engagé</em> artist with &quot;Refugee Blues&quot; or &quot;Spain&quot;--explicitly political utterances that the poet later renounced. Finally, Auden shocked his public by moving from England to the United States, where he fulfilled his ambition to become a &quot;minor Atlantic Goethe&quot; (although many would insist on calling him a major one). Early or late, however, the music of Auden's verse is instantly recognizable, and fantastically memorable. Readers need only hear &quot;In Praise of Limestone&quot; or &quot;The Fall of Rome&quot; or &quot;O Tell Me the Truth About Love&quot; a single time to have selected lines imprinted on their brains. Nor did Auden ever lose his touch as one of the sublime love poets of our age, which was evident from the moment he published his celebrated &quot;Lullaby&quot;: &quot;Lay your sleeping head, my love, / Human on my faithless arm; / Time and fevers burn away / Individual beauty from / Thoughtful children, and the grave / Proves the child ephemeral: / But in my arms till break of day / Let the living creature lie / Mortal, guilty, but to me / The entirely beautiful.&quot; So what if his face got all wrinkled?]]>
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  <date_added>Tue Nov 17 14:24:41 -0800 2009</date_added>
  <date_updated>Tue Nov 17 14:25:30 -0800 2009</date_updated>
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    <body><![CDATA[What can I say? A little Auden brightens one's day.]]></body>
    
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    <![CDATA[Auden: Poems]]>
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    <![CDATA[&quot;You can never step in the same Auden twice,&quot; wrote the critic Randall Jarrell, alluding both to the etymology of Auden's name--which comes from <em>river</em>--and the rapid transformations of his poetic style.  Wystan Hugh Auden began as a cryptic voice of the Thirties, with alluring yet mysterious creations like &quot;The Secret Agent.&quot; Next he made himself into the very model of an <em>engagé</em> artist with &quot;Refugee Blues&quot; or &quot;Spain&quot;--explicitly political utterances that the poet later renounced. Finally, Auden shocked his public by moving from England to the United States, where he fulfilled his ambition to become a &quot;minor Atlantic Goethe&quot; (although many would insist on calling him a major one). Early or late, however, the music of Auden's verse is instantly recognizable, and fantastically memorable. Readers need only hear &quot;In Praise of Limestone&quot; or &quot;The Fall of Rome&quot; or &quot;O Tell Me the Truth About Love&quot; a single time to have selected lines imprinted on their brains. Nor did Auden ever lose his touch as one of the sublime love poets of our age, which was evident from the moment he published his celebrated &quot;Lullaby&quot;: &quot;Lay your sleeping head, my love, / Human on my faithless arm; / Time and fevers burn away / Individual beauty from / Thoughtful children, and the grave / Proves the child ephemeral: / But in my arms till break of day / Let the living creature lie / Mortal, guilty, but to me / The entirely beautiful.&quot; So what if his face got all wrinkled?]]>
  </description>
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</book>

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  <date_added>Wed Nov 04 11:30:05 -0800 2009</date_added>
  <date_updated>Wed Nov 04 11:30:05 -0800 2009</date_updated>
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    <body><![CDATA[poetry]]></body>
    
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  <title>
    <![CDATA[Auden: Poems]]>
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  <average_rating>4.24</average_rating>
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  <description>
    <![CDATA[&quot;You can never step in the same Auden twice,&quot; wrote the critic Randall Jarrell, alluding both to the etymology of Auden's name--which comes from <em>river</em>--and the rapid transformations of his poetic style.  Wystan Hugh Auden began as a cryptic voice of the Thirties, with alluring yet mysterious creations like &quot;The Secret Agent.&quot; Next he made himself into the very model of an <em>engagé</em> artist with &quot;Refugee Blues&quot; or &quot;Spain&quot;--explicitly political utterances that the poet later renounced. Finally, Auden shocked his public by moving from England to the United States, where he fulfilled his ambition to become a &quot;minor Atlantic Goethe&quot; (although many would insist on calling him a major one). Early or late, however, the music of Auden's verse is instantly recognizable, and fantastically memorable. Readers need only hear &quot;In Praise of Limestone&quot; or &quot;The Fall of Rome&quot; or &quot;O Tell Me the Truth About Love&quot; a single time to have selected lines imprinted on their brains. Nor did Auden ever lose his touch as one of the sublime love poets of our age, which was evident from the moment he published his celebrated &quot;Lullaby&quot;: &quot;Lay your sleeping head, my love, / Human on my faithless arm; / Time and fevers burn away / Individual beauty from / Thoughtful children, and the grave / Proves the child ephemeral: / But in my arms till break of day / Let the living creature lie / Mortal, guilty, but to me / The entirely beautiful.&quot; So what if his face got all wrinkled?]]>
  </description>
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  <date_added>Fri Jul 25 11:48:01 -0700 2008</date_added>
  <date_updated>Fri Jul 25 11:48:31 -0700 2008</date_updated>
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    <body><![CDATA[Love love love!  Hilarious, touching, great poetry!  Auden is amazing.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/28275778]]></url>
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      <review>
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    <![CDATA[Auden: Poems]]>
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  <average_rating>4.24</average_rating>
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    <![CDATA[&quot;You can never step in the same Auden twice,&quot; wrote the critic Randall Jarrell, alluding both to the etymology of Auden's name--which comes from <em>river</em>--and the rapid transformations of his poetic style.  Wystan Hugh Auden began as a cryptic voice of the Thirties, with alluring yet mysterious creations like &quot;The Secret Agent.&quot; Next he made himself into the very model of an <em>engagé</em> artist with &quot;Refugee Blues&quot; or &quot;Spain&quot;--explicitly political utterances that the poet later renounced. Finally, Auden shocked his public by moving from England to the United States, where he fulfilled his ambition to become a &quot;minor Atlantic Goethe&quot; (although many would insist on calling him a major one). Early or late, however, the music of Auden's verse is instantly recognizable, and fantastically memorable. Readers need only hear &quot;In Praise of Limestone&quot; or &quot;The Fall of Rome&quot; or &quot;O Tell Me the Truth About Love&quot; a single time to have selected lines imprinted on their brains. Nor did Auden ever lose his touch as one of the sublime love poets of our age, which was evident from the moment he published his celebrated &quot;Lullaby&quot;: &quot;Lay your sleeping head, my love, / Human on my faithless arm; / Time and fevers burn away / Individual beauty from / Thoughtful children, and the grave / Proves the child ephemeral: / But in my arms till break of day / Let the living creature lie / Mortal, guilty, but to me / The entirely beautiful.&quot; So what if his face got all wrinkled?]]>
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    <body><![CDATA[Great poetry. I enjoyed it!]]></body>
    
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