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Drawing upon Henri Bergson's thesis on perception and C. S. Peirce's classification of images and signs, Deleuze is able to put forth a new theory and taxonomy of the image, which he then applies to concrete examples from the work of a diverse group of filmmakers—Griffith, Eisenstein, Pasolini, Rohmer, Bresson, Dreyer, Stroheim, Buñuel, and many others. Because he finds movement to be the primary characteristic of cinema in the first half of the twentieth century, he devotes this first volume to that aspect of film. In the years since World War II, time has come to dominate film; that shift, and the signs and images associated with it, are addressed in Cinema 2: The Time-Image.]]> 150558 7 2121286 8 1986 Cinema 1: The Movement-Image total:151|5:53|4:54|3:36|2:6|1:2| 151 603 261 14 13009 4.19 2856 289 1321022 84260 150558 0816614008 9780816614004 14 http://photo.goodreads.com/books/1172216429m/150558.jpg http://photo.goodreads.com/books/1172216429s/150558.jpg http://www.goodreads.com/book/show/150558.Cinema_1_The_Movement_Image 4.01 144
Drawing upon Henri Bergson's thesis on perception and C. S. Peirce's classification of images and signs, Deleuze is able to put forth a new theory and taxonomy of the image, which he then applies to concrete examples from the work of a diverse group of filmmakers—Griffith, Eisenstein, Pasolini, Rohmer, Bresson, Dreyer, Stroheim, Buñuel, and many others. Because he finds movement to be the primary characteristic of cinema in the first half of the twentieth century, he devotes this first volume to that aspect of film. In the years since World War II, time has come to dominate film; that shift, and the signs and images associated with it, are addressed in Cinema 2: The Time-Image.]]> 1986 3 1 false Sun May 20 05:52:00 -0700 2007 Sun May 20 06:11:20 -0700 2007 more...]]> 33950327 1345097 150558 0816614008 9780816614004 14 http://photo.goodreads.com/books/1172216429m/150558.jpg http://photo.goodreads.com/books/1172216429s/150558.jpg http://www.goodreads.com/book/show/150558.Cinema_1_The_Movement_Image 3.99 151
Drawing upon Henri Bergson's thesis on perception and C. S. Peirce's classification of images and signs, Deleuze is able to put forth a new theory and taxonomy of the image, which he then applies to concrete examples from the work of a diverse group of filmmakers—Griffith, Eisenstein, Pasolini, Rohmer, Bresson, Dreyer, Stroheim, Buñuel, and many others. Because he finds movement to be the primary characteristic of cinema in the first half of the twentieth century, he devotes this first volume to that aspect of film. In the years since World War II, time has come to dominate film; that shift, and the signs and images associated with it, are addressed in Cinema 2: The Time-Image.]]> 1986 5 1 false Tue Sep 30 00:00:00 -0700 2008 Fri Sep 26 23:14:47 -0700 2008 Tue Sep 30 07:19:50 -0700 2008 more...]]> 40492547 1817967 150558 0816614008 9780816614004 14 http://photo.goodreads.com/books/1172216429m/150558.jpg http://photo.goodreads.com/books/1172216429s/150558.jpg http://www.goodreads.com/book/show/150558.Cinema_1_The_Movement_Image 3.99 151
Drawing upon Henri Bergson's thesis on perception and C. S. Peirce's classification of images and signs, Deleuze is able to put forth a new theory and taxonomy of the image, which he then applies to concrete examples from the work of a diverse group of filmmakers—Griffith, Eisenstein, Pasolini, Rohmer, Bresson, Dreyer, Stroheim, Buñuel, and many others. Because he finds movement to be the primary characteristic of cinema in the first half of the twentieth century, he devotes this first volume to that aspect of film. In the years since World War II, time has come to dominate film; that shift, and the signs and images associated with it, are addressed in Cinema 2: The Time-Image.]]> 1986 0 0 false Fri Dec 19 17:02:47 -0800 2008 Fri Dec 19 17:03:22 -0800 2008 4450486 272876 150558 0816614008 9780816614004 14 http://photo.goodreads.com/books/1172216429m/150558.jpg http://photo.goodreads.com/books/1172216429s/150558.jpg http://www.goodreads.com/book/show/150558.Cinema_1_The_Movement_Image 3.99 151
Drawing upon Henri Bergson's thesis on perception and C. S. Peirce's classification of images and signs, Deleuze is able to put forth a new theory and taxonomy of the image, which he then applies to concrete examples from the work of a diverse group of filmmakers—Griffith, Eisenstein, Pasolini, Rohmer, Bresson, Dreyer, Stroheim, Buñuel, and many others. Because he finds movement to be the primary characteristic of cinema in the first half of the twentieth century, he devotes this first volume to that aspect of film. In the years since World War II, time has come to dominate film; that shift, and the signs and images associated with it, are addressed in Cinema 2: The Time-Image.]]> 1986 3 0 false Tue May 01 00:00:00 -0700 2007 Sun Aug 12 18:49:24 -0700 2007 Sun Aug 12 18:50:03 -0700 2007 more...]]> 17373955 961290 150558 0816614008 9780816614004 14 http://photo.goodreads.com/books/1172216429m/150558.jpg http://photo.goodreads.com/books/1172216429s/150558.jpg http://www.goodreads.com/book/show/150558.Cinema_1_The_Movement_Image 3.99 151
Drawing upon Henri Bergson's thesis on perception and C. S. Peirce's classification of images and signs, Deleuze is able to put forth a new theory and taxonomy of the image, which he then applies to concrete examples from the work of a diverse group of filmmakers—Griffith, Eisenstein, Pasolini, Rohmer, Bresson, Dreyer, Stroheim, Buñuel, and many others. Because he finds movement to be the primary characteristic of cinema in the first half of the twentieth century, he devotes this first volume to that aspect of film. In the years since World War II, time has come to dominate film; that shift, and the signs and images associated with it, are addressed in Cinema 2: The Time-Image.]]> 1986 5 0 false Sun Mar 09 10:52:02 -0700 2008 Sun Mar 09 10:53:47 -0700 2008 more...]]> 10722448 660113 150558 0816614008 9780816614004 14 http://photo.goodreads.com/books/1172216429m/150558.jpg http://photo.goodreads.com/books/1172216429s/150558.jpg http://www.goodreads.com/book/show/150558.Cinema_1_The_Movement_Image 3.99 151
Drawing upon Henri Bergson's thesis on perception and C. S. Peirce's classification of images and signs, Deleuze is able to put forth a new theory and taxonomy of the image, which he then applies to concrete examples from the work of a diverse group of filmmakers—Griffith, Eisenstein, Pasolini, Rohmer, Bresson, Dreyer, Stroheim, Buñuel, and many others. Because he finds movement to be the primary characteristic of cinema in the first half of the twentieth century, he devotes this first volume to that aspect of film. In the years since World War II, time has come to dominate film; that shift, and the signs and images associated with it, are addressed in Cinema 2: The Time-Image.]]> 1986 4 0 false Wed Dec 19 18:48:03 -0800 2007 Wed Dec 19 18:53:23 -0800 2007
Cinema 1 is essential reading. I really like the first chapter, his theses on movement. Of course, Deleuze relates everything to Henri Bergson. So, you'll need to be familiar with Matter and Memory and Creative Evolution.more...]]> 4241552 251063 150558 0816614008 9780816614004 14 http://photo.goodreads.com/books/1172216429m/150558.jpg http://photo.goodreads.com/books/1172216429s/150558.jpg http://www.goodreads.com/book/show/150558.Cinema_1_The_Movement_Image 3.99 151
Drawing upon Henri Bergson's thesis on perception and C. S. Peirce's classification of images and signs, Deleuze is able to put forth a new theory and taxonomy of the image, which he then applies to concrete examples from the work of a diverse group of filmmakers—Griffith, Eisenstein, Pasolini, Rohmer, Bresson, Dreyer, Stroheim, Buñuel, and many others. Because he finds movement to be the primary characteristic of cinema in the first half of the twentieth century, he devotes this first volume to that aspect of film. In the years since World War II, time has come to dominate film; that shift, and the signs and images associated with it, are addressed in Cinema 2: The Time-Image.]]> 1986 5 0 false Mon Jan 12 03:00:17 -0800 2009 Tue Aug 07 21:29:46 -0700 2007 Mon Jan 12 03:00:17 -0800 2009 19924811 230085 150558 0816614008 9780816614004 14 http://photo.goodreads.com/books/1172216429m/150558.jpg http://photo.goodreads.com/books/1172216429s/150558.jpg http://www.goodreads.com/book/show/150558.Cinema_1_The_Movement_Image 3.99 151
Drawing upon Henri Bergson's thesis on perception and C. S. Peirce's classification of images and signs, Deleuze is able to put forth a new theory and taxonomy of the image, which he then applies to concrete examples from the work of a diverse group of filmmakers—Griffith, Eisenstein, Pasolini, Rohmer, Bresson, Dreyer, Stroheim, Buñuel, and many others. Because he finds movement to be the primary characteristic of cinema in the first half of the twentieth century, he devotes this first volume to that aspect of film. In the years since World War II, time has come to dominate film; that shift, and the signs and images associated with it, are addressed in Cinema 2: The Time-Image.]]> 1986 3 0 false Tue Jan 01 00:00:00 -0800 2008 Fri Apr 11 06:03:17 -0700 2008 Fri Apr 11 06:08:31 -0700 2008 19998983 1073109 150558 0816614008 9780816614004 14 http://photo.goodreads.com/books/1172216429m/150558.jpg http://photo.goodreads.com/books/1172216429s/150558.jpg http://www.goodreads.com/book/show/150558.Cinema_1_The_Movement_Image 3.99 151
Drawing upon Henri Bergson's thesis on perception and C. S. Peirce's classification of images and signs, Deleuze is able to put forth a new theory and taxonomy of the image, which he then applies to concrete examples from the work of a diverse group of filmmakers—Griffith, Eisenstein, Pasolini, Rohmer, Bresson, Dreyer, Stroheim, Buñuel, and many others. Because he finds movement to be the primary characteristic of cinema in the first half of the twentieth century, he devotes this first volume to that aspect of film. In the years since World War II, time has come to dominate film; that shift, and the signs and images associated with it, are addressed in Cinema 2: The Time-Image.]]> 1986 0 0 false Sat Apr 12 08:29:53 -0700 2008 Sat Apr 12 08:33:31 -0700 2008 523312 37381 150558 0816614008 9780816614004 14 http://photo.goodreads.com/books/1172216429m/150558.jpg http://photo.goodreads.com/books/1172216429s/150558.jpg http://www.goodreads.com/book/show/150558.Cinema_1_The_Movement_Image 3.99 151
Drawing upon Henri Bergson's thesis on perception and C. S. Peirce's classification of images and signs, Deleuze is able to put forth a new theory and taxonomy of the image, which he then applies to concrete examples from the work of a diverse group of filmmakers—Griffith, Eisenstein, Pasolini, Rohmer, Bresson, Dreyer, Stroheim, Buñuel, and many others. Because he finds movement to be the primary characteristic of cinema in the first half of the twentieth century, he devotes this first volume to that aspect of film. In the years since World War II, time has come to dominate film; that shift, and the signs and images associated with it, are addressed in Cinema 2: The Time-Image.]]> 1986 2 0 false Sun Apr 01 15:29:42 -0700 2007 Wed Dec 16 17:23:11 -0800 2009 552226 48297 150558 0816614008 9780816614004 14 http://photo.goodreads.com/books/1172216429m/150558.jpg http://photo.goodreads.com/books/1172216429s/150558.jpg http://www.goodreads.com/book/show/150558.Cinema_1_The_Movement_Image 3.99 151
Drawing upon Henri Bergson's thesis on perception and C. S. Peirce's classification of images and signs, Deleuze is able to put forth a new theory and taxonomy of the image, which he then applies to concrete examples from the work of a diverse group of filmmakers—Griffith, Eisenstein, Pasolini, Rohmer, Bresson, Dreyer, Stroheim, Buñuel, and many others. Because he finds movement to be the primary characteristic of cinema in the first half of the twentieth century, he devotes this first volume to that aspect of film. In the years since World War II, time has come to dominate film; that shift, and the signs and images associated with it, are addressed in Cinema 2: The Time-Image.]]> 1986 5 0 false Thu Mar 01 00:00:00 -0800 2007 Tue Apr 03 12:45:06 -0700 2007 Tue Apr 03 12:45:56 -0700 2007 13532882 798330 150558 0816614008 9780816614004 14 http://photo.goodreads.com/books/1172216429m/150558.jpg http://photo.goodreads.com/books/1172216429s/150558.jpg http://www.goodreads.com/book/show/150558.Cinema_1_The_Movement_Image 3.99 151
Drawing upon Henri Bergson's thesis on perception and C. S. Peirce's classification of images and signs, Deleuze is able to put forth a new theory and taxonomy of the image, which he then applies to concrete examples from the work of a diverse group of filmmakers—Griffith, Eisenstein, Pasolini, Rohmer, Bresson, Dreyer, Stroheim, Buñuel, and many others. Because he finds movement to be the primary characteristic of cinema in the first half of the twentieth century, he devotes this first volume to that aspect of film. In the years since World War II, time has come to dominate film; that shift, and the signs and images associated with it, are addressed in Cinema 2: The Time-Image.]]> 1986 3 0 false Fri Jan 25 11:56:29 -0800 2008 Fri Jan 25 11:57:14 -0800 2008 2136771 140508 150558 0816614008 9780816614004 14 http://photo.goodreads.com/books/1172216429m/150558.jpg http://photo.goodreads.com/books/1172216429s/150558.jpg http://www.goodreads.com/book/show/150558.Cinema_1_The_Movement_Image 3.99 151
Drawing upon Henri Bergson's thesis on perception and C. S. Peirce's classification of images and signs, Deleuze is able to put forth a new theory and taxonomy of the image, which he then applies to concrete examples from the work of a diverse group of filmmakers—Griffith, Eisenstein, Pasolini, Rohmer, Bresson, Dreyer, Stroheim, Buñuel, and many others. Because he finds movement to be the primary characteristic of cinema in the first half of the twentieth century, he devotes this first volume to that aspect of film. In the years since World War II, time has come to dominate film; that shift, and the signs and images associated with it, are addressed in Cinema 2: The Time-Image.]]> 1986 0 0 false Tue Jun 19 17:02:06 -0700 2007 Wed Dec 16 22:01:30 -0800 2009 these reviews are bland.
i should spice them up sometime.
]]> 5565427 323768 150558 0816614008 9780816614004 14 http://photo.goodreads.com/books/1172216429m/150558.jpg http://photo.goodreads.com/books/1172216429s/150558.jpg http://www.goodreads.com/book/show/150558.Cinema_1_The_Movement_Image 3.99 151
Drawing upon Henri Bergson's thesis on perception and C. S. Peirce's classification of images and signs, Deleuze is able to put forth a new theory and taxonomy of the image, which he then applies to concrete examples from the work of a diverse group of filmmakers—Griffith, Eisenstein, Pasolini, Rohmer, Bresson, Dreyer, Stroheim, Buñuel, and many others. Because he finds movement to be the primary characteristic of cinema in the first half of the twentieth century, he devotes this first volume to that aspect of film. In the years since World War II, time has come to dominate film; that shift, and the signs and images associated with it, are addressed in Cinema 2: The Time-Image.]]> 1986 5 0 false Sat Sep 01 00:00:00 -0700 2007 Mon Sep 03 02:17:50 -0700 2007 Thu Dec 17 08:31:28 -0800 2009 82151614 80430 150558 0816614008 9780816614004 14 http://photo.goodreads.com/books/1172216429m/150558.jpg http://photo.goodreads.com/books/1172216429s/150558.jpg http://www.goodreads.com/book/show/150558.Cinema_1_The_Movement_Image 3.99 151
Drawing upon Henri Bergson's thesis on perception and C. S. Peirce's classification of images and signs, Deleuze is able to put forth a new theory and taxonomy of the image, which he then applies to concrete examples from the work of a diverse group of filmmakers—Griffith, Eisenstein, Pasolini, Rohmer, Bresson, Dreyer, Stroheim, Buñuel, and many others. Because he finds movement to be the primary characteristic of cinema in the first half of the twentieth century, he devotes this first volume to that aspect of film. In the years since World War II, time has come to dominate film; that shift, and the signs and images associated with it, are addressed in Cinema 2: The Time-Image.]]> 1986 0 0 false Sat Dec 26 23:43:38 -0800 2009 Sat Dec 26 23:43:38 -0800 2009 81967985 2542312 150558 0816614008 9780816614004 14 http://photo.goodreads.com/books/1172216429m/150558.jpg http://photo.goodreads.com/books/1172216429s/150558.jpg http://www.goodreads.com/book/show/150558.Cinema_1_The_Movement_Image 3.99 151
Drawing upon Henri Bergson's thesis on perception and C. S. Peirce's classification of images and signs, Deleuze is able to put forth a new theory and taxonomy of the image, which he then applies to concrete examples from the work of a diverse group of filmmakers—Griffith, Eisenstein, Pasolini, Rohmer, Bresson, Dreyer, Stroheim, Buñuel, and many others. Because he finds movement to be the primary characteristic of cinema in the first half of the twentieth century, he devotes this first volume to that aspect of film. In the years since World War II, time has come to dominate film; that shift, and the signs and images associated with it, are addressed in Cinema 2: The Time-Image.]]> 1986 0 0 false Thu Dec 24 14:30:01 -0800 2009 Thu Dec 24 14:30:01 -0800 2009 81494144 684940 150558 0816614008 9780816614004 14 http://photo.goodreads.com/books/1172216429m/150558.jpg http://photo.goodreads.com/books/1172216429s/150558.jpg http://www.goodreads.com/book/show/150558.Cinema_1_The_Movement_Image 3.99 151
Drawing upon Henri Bergson's thesis on perception and C. S. Peirce's classification of images and signs, Deleuze is able to put forth a new theory and taxonomy of the image, which he then applies to concrete examples from the work of a diverse group of filmmakers—Griffith, Eisenstein, Pasolini, Rohmer, Bresson, Dreyer, Stroheim, Buñuel, and many others. Because he finds movement to be the primary characteristic of cinema in the first half of the twentieth century, he devotes this first volume to that aspect of film. In the years since World War II, time has come to dominate film; that shift, and the signs and images associated with it, are addressed in Cinema 2: The Time-Image.]]> 1986 0 0 false Sat Dec 19 12:09:31 -0800 2009 Sat Dec 19 12:09:31 -0800 2009 81428209 1137874 150558 0816614008 9780816614004 14 http://photo.goodreads.com/books/1172216429m/150558.jpg http://photo.goodreads.com/books/1172216429s/150558.jpg http://www.goodreads.com/book/show/150558.Cinema_1_The_Movement_Image 3.99 151
Drawing upon Henri Bergson's thesis on perception and C. S. Peirce's classification of images and signs, Deleuze is able to put forth a new theory and taxonomy of the image, which he then applies to concrete examples from the work of a diverse group of filmmakers—Griffith, Eisenstein, Pasolini, Rohmer, Bresson, Dreyer, Stroheim, Buñuel, and many others. Because he finds movement to be the primary characteristic of cinema in the first half of the twentieth century, he devotes this first volume to that aspect of film. In the years since World War II, time has come to dominate film; that shift, and the signs and images associated with it, are addressed in Cinema 2: The Time-Image.]]> 1986 0 0 false Fri Dec 18 14:59:56 -0800 2009 Fri Dec 18 14:59:56 -0800 2009 80335234 2508620 150558 0816614008 9780816614004 14 http://photo.goodreads.com/books/1172216429m/150558.jpg http://photo.goodreads.com/books/1172216429s/150558.jpg http://www.goodreads.com/book/show/150558.Cinema_1_The_Movement_Image 3.99 151
Drawing upon Henri Bergson's thesis on perception and C. S. Peirce's classification of images and signs, Deleuze is able to put forth a new theory and taxonomy of the image, which he then applies to concrete examples from the work of a diverse group of filmmakers—Griffith, Eisenstein, Pasolini, Rohmer, Bresson, Dreyer, Stroheim, Buñuel, and many others. Because he finds movement to be the primary characteristic of cinema in the first half of the twentieth century, he devotes this first volume to that aspect of film. In the years since World War II, time has come to dominate film; that shift, and the signs and images associated with it, are addressed in Cinema 2: The Time-Image.]]> 1986 0 0 false Tue Dec 08 14:55:01 -0800 2009 Tue Dec 08 14:55:01 -0800 2009 79688918 1585587 150558 0816614008 9780816614004 14 http://photo.goodreads.com/books/1172216429m/150558.jpg http://photo.goodreads.com/books/1172216429s/150558.jpg http://www.goodreads.com/book/show/150558.Cinema_1_The_Movement_Image 3.99 151
Drawing upon Henri Bergson's thesis on perception and C. S. Peirce's classification of images and signs, Deleuze is able to put forth a new theory and taxonomy of the image, which he then applies to concrete examples from the work of a diverse group of filmmakers—Griffith, Eisenstein, Pasolini, Rohmer, Bresson, Dreyer, Stroheim, Buñuel, and many others. Because he finds movement to be the primary characteristic of cinema in the first half of the twentieth century, he devotes this first volume to that aspect of film. In the years since World War II, time has come to dominate film; that shift, and the signs and images associated with it, are addressed in Cinema 2: The Time-Image.]]> 1986 0 0 false Wed Dec 02 16:30:24 -0800 2009 Wed Dec 02 16:30:24 -0800 2009 8 http://www.goodreads.com/book_link/follow/8?book_id=150558