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  <title><![CDATA[Kafka Americana: Fiction]]></title>
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  <description><![CDATA[Previously published only in a signed, limited edition, <em>Kafka Americana</em> has achieved cult status. Norton now brings this reimagination of our labyrinthine world to a wider audience. In an act of literary appropriation, Lethem and Scholz seize a helpless Kafka by the lapels and thrust him into the cultural wreckage of twentieth-century America. In the collaboratively written &quot;Receding Horizon,&quot; Hollywood welcomes Kafka as scriptwriter for Frank Capra's <em>It's a Wonderful Life</em>, with appropriately morbid results. Scholz's &quot;The Amount to Carry&quot; transports &quot;the legal secretary of the Workman's Accident Insurance Institute&quot; to a conference with fellow insurance executives Wallace Stevens and Charles Ives, to muse on what can and can't be insured. And Lethem's &quot;K for Fake&quot; brings together Orson Welles, Jerry Lewis, and Rod Serling in a kangaroo trial in which Kafka faces fraudulent charges. Taking modernism's presiding genius for a joyride, the authors portray an absurd, ominous world that Kafka might have invented but could never have survived.]]></description>
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        <name><![CDATA[Jonathan Lethem]]></name>
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  <title>
    <![CDATA[Kafka Americana: Fiction]]>
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  <average_rating>3.18</average_rating>
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    <![CDATA[Previously published only in a signed, limited edition, <em>Kafka Americana</em> has achieved cult status. Norton now brings this reimagination of our labyrinthine world to a wider audience. In an act of literary appropriation, Lethem and Scholz seize a helpless Kafka by the lapels and thrust him into the cultural wreckage of twentieth-century America. In the collaboratively written &quot;Receding Horizon,&quot; Hollywood welcomes Kafka as scriptwriter for Frank Capra's <em>It's a Wonderful Life</em>, with appropriately morbid results. Scholz's &quot;The Amount to Carry&quot; transports &quot;the legal secretary of the Workman's Accident Insurance Institute&quot; to a conference with fellow insurance executives Wallace Stevens and Charles Ives, to muse on what can and can't be insured. And Lethem's &quot;K for Fake&quot; brings together Orson Welles, Jerry Lewis, and Rod Serling in a kangaroo trial in which Kafka faces fraudulent charges. Taking modernism's presiding genius for a joyride, the authors portray an absurd, ominous world that Kafka might have invented but could never have survived.]]>
  </description>
  <published>1999</published>
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    <rating>3</rating>
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  <date_added>Sun Sep 02 16:55:57 -0700 2007</date_added>
  <date_updated>Thu Dec 17 08:27:56 -0800 2009</date_updated>
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    <body><![CDATA[This slender collection of collaborative and individual co-optations of Kafka forms a nice set. Stories range from Lethem's &quot;The Notebooks of Bob K,&quot; which tires me in a way that reminds me that I once had boundless enthusiasm for postmodern experiments, to the co-written &quot;Receding Ho...<a href="http://www.goodreads.com/review/show/5547717">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/5547717]]></url>
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      <review>
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  <title>
    <![CDATA[Kafka Americana: Fiction]]>
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  <average_rating>3.20</average_rating>
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    <![CDATA[Previously published only in a signed, limited edition, <em>Kafka Americana</em> has achieved cult status. Norton now brings this reimagination of our labyrinthine world to a wider audience. In an act of literary appropriation, Lethem and Scholz seize a helpless Kafka by the lapels and thrust him into the cultural wreckage of twentieth-century America. In the collaboratively written &quot;Receding Horizon,&quot; Hollywood welcomes Kafka as scriptwriter for Frank Capra's <em>It's a Wonderful Life</em>, with appropriately morbid results. Scholz's &quot;The Amount to Carry&quot; transports &quot;the legal secretary of the Workman's Accident Insurance Institute&quot; to a conference with fellow insurance executives Wallace Stevens and Charles Ives, to muse on what can and can't be insured. And Lethem's &quot;K for Fake&quot; brings together Orson Welles, Jerry Lewis, and Rod Serling in a kangaroo trial in which Kafka faces fraudulent charges. Taking modernism's presiding genius for a joyride, the authors portray an absurd, ominous world that Kafka might have invented but could never have survived.]]>
  </description>
  <published>1999</published>
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    <rating>2</rating>
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  <read_at>Sat Aug 15 00:00:00 -0700 2009</read_at>
  <date_added>Wed Aug 05 06:01:08 -0700 2009</date_added>
  <date_updated>Sat Aug 15 12:36:59 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I wanted to love it. (I really like the idea of it.) But I just didn't. I probably would have appreciated it a lot more during my school years when I was obsessed with Kafka. Maybe there'll be time for it again in the future. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/66273851]]></url>
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      <review>
  <id>47451943</id>
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    <name><![CDATA[Daniel]]></name>
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  <title>
    <![CDATA[Kafka Americana: Fiction]]>
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  <average_rating>3.20</average_rating>
  <ratings_count>110</ratings_count>
  <description>
    <![CDATA[Previously published only in a signed, limited edition, <em>Kafka Americana</em> has achieved cult status. Norton now brings this reimagination of our labyrinthine world to a wider audience. In an act of literary appropriation, Lethem and Scholz seize a helpless Kafka by the lapels and thrust him into the cultural wreckage of twentieth-century America. In the collaboratively written &quot;Receding Horizon,&quot; Hollywood welcomes Kafka as scriptwriter for Frank Capra's <em>It's a Wonderful Life</em>, with appropriately morbid results. Scholz's &quot;The Amount to Carry&quot; transports &quot;the legal secretary of the Workman's Accident Insurance Institute&quot; to a conference with fellow insurance executives Wallace Stevens and Charles Ives, to muse on what can and can't be insured. And Lethem's &quot;K for Fake&quot; brings together Orson Welles, Jerry Lewis, and Rod Serling in a kangaroo trial in which Kafka faces fraudulent charges. Taking modernism's presiding genius for a joyride, the authors portray an absurd, ominous world that Kafka might have invented but could never have survived.]]>
  </description>
  <published>1999</published>
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    <rating>2</rating>
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  <date_added>Tue Feb 24 21:14:45 -0800 2009</date_added>
  <date_updated>Tue Feb 24 21:14:45 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Kafka Americana: Fiction by Jonathan Lethem (2001)]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/47451943]]></url>
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</review>
      <review>
  <id>1702893</id>
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    <name><![CDATA[Ian]]></name>
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  <title>
    <![CDATA[Kafka Americana: Fiction]]>
  </title>
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  <average_rating>3.20</average_rating>
  <ratings_count>110</ratings_count>
  <description>
    <![CDATA[Previously published only in a signed, limited edition, <em>Kafka Americana</em> has achieved cult status. Norton now brings this reimagination of our labyrinthine world to a wider audience. In an act of literary appropriation, Lethem and Scholz seize a helpless Kafka by the lapels and thrust him into the cultural wreckage of twentieth-century America. In the collaboratively written &quot;Receding Horizon,&quot; Hollywood welcomes Kafka as scriptwriter for Frank Capra's <em>It's a Wonderful Life</em>, with appropriately morbid results. Scholz's &quot;The Amount to Carry&quot; transports &quot;the legal secretary of the Workman's Accident Insurance Institute&quot; to a conference with fellow insurance executives Wallace Stevens and Charles Ives, to muse on what can and can't be insured. And Lethem's &quot;K for Fake&quot; brings together Orson Welles, Jerry Lewis, and Rod Serling in a kangaroo trial in which Kafka faces fraudulent charges. Taking modernism's presiding genius for a joyride, the authors portray an absurd, ominous world that Kafka might have invented but could never have survived.]]>
  </description>
  <published>1999</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[people who like kafka and general weirdness]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Wed Jun 06 01:14:41 -0700 2007</date_added>
  <date_updated>Wed Jun 06 01:18:27 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[This is a short and interesting book. It is a collection of five short stories written by two authors (Jonathan Lethem and Carter Scholz) in Kafka's bleak and straightforward style, complete with his darkness and humor. You do not have to be familiar with Kafka to read this, but it will help as many...<a href="http://www.goodreads.com/review/show/1702893">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/1702893]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/1702893]]></link>
</review>
      <review>
  <id>51210262</id>
    <user>
    <id>1217218</id>
    <name><![CDATA[Heather]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1217218-heather]]></link>
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  <title>
    <![CDATA[Kafka Americana: Fiction]]>
  </title>
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  <average_rating>3.20</average_rating>
  <ratings_count>110</ratings_count>
  <description>
    <![CDATA[Previously published only in a signed, limited edition, <em>Kafka Americana</em> has achieved cult status. Norton now brings this reimagination of our labyrinthine world to a wider audience. In an act of literary appropriation, Lethem and Scholz seize a helpless Kafka by the lapels and thrust him into the cultural wreckage of twentieth-century America. In the collaboratively written &quot;Receding Horizon,&quot; Hollywood welcomes Kafka as scriptwriter for Frank Capra's <em>It's a Wonderful Life</em>, with appropriately morbid results. Scholz's &quot;The Amount to Carry&quot; transports &quot;the legal secretary of the Workman's Accident Insurance Institute&quot; to a conference with fellow insurance executives Wallace Stevens and Charles Ives, to muse on what can and can't be insured. And Lethem's &quot;K for Fake&quot; brings together Orson Welles, Jerry Lewis, and Rod Serling in a kangaroo trial in which Kafka faces fraudulent charges. Taking modernism's presiding genius for a joyride, the authors portray an absurd, ominous world that Kafka might have invented but could never have survived.]]>
  </description>
  <published>1999</published>
</book>

    <rating>2</rating>
  <votes>0</votes>
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  <read_at>Tue Apr 14 00:00:00 -0700 2009</read_at>
  <date_added>Wed Apr 01 18:59:31 -0700 2009</date_added>
  <date_updated>Wed May 13 19:19:44 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This book makes me feel like I am not smart enough to get it.  Painfully postmodern.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/51210262]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/51210262]]></link>
</review>
      <review>
  <id>2970299</id>
    <user>
    <id>184928</id>
    <name><![CDATA[R.]]></name>
    <location><![CDATA[Richland, WA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/184928-r]]></link>
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    <![CDATA[Kafka Americana: Fiction]]>
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  <average_rating>3.20</average_rating>
  <ratings_count>110</ratings_count>
  <description>
    <![CDATA[Previously published only in a signed, limited edition, <em>Kafka Americana</em> has achieved cult status. Norton now brings this reimagination of our labyrinthine world to a wider audience. In an act of literary appropriation, Lethem and Scholz seize a helpless Kafka by the lapels and thrust him into the cultural wreckage of twentieth-century America. In the collaboratively written &quot;Receding Horizon,&quot; Hollywood welcomes Kafka as scriptwriter for Frank Capra's <em>It's a Wonderful Life</em>, with appropriately morbid results. Scholz's &quot;The Amount to Carry&quot; transports &quot;the legal secretary of the Workman's Accident Insurance Institute&quot; to a conference with fellow insurance executives Wallace Stevens and Charles Ives, to muse on what can and can't be insured. And Lethem's &quot;K for Fake&quot; brings together Orson Welles, Jerry Lewis, and Rod Serling in a kangaroo trial in which Kafka faces fraudulent charges. Taking modernism's presiding genius for a joyride, the authors portray an absurd, ominous world that Kafka might have invented but could never have survived.]]>
  </description>
  <published>1999</published>
</book>

    <rating>5</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon Jan 01 00:00:00 -0800 2001</read_at>
  <date_added>Thu Jul 12 01:44:43 -0700 2007</date_added>
  <date_updated>Thu Jul 12 01:46:05 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[Another post-911 book.  Ordered it/bought it from a local &quot;small&quot; book shop in Astoria, after kicking myself for not grabbing a copy whilst at Powell's.  ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/2970299]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/2970299]]></link>
</review>
      <review>
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    <![CDATA[Kafka Americana: Fiction]]>
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