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  <title><![CDATA[Grief Lessons: Four Plays by Euripides (New York Review Books Classics)]]></title>
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  <description><![CDATA[Euripides, the last of the three great tragedians of ancient Athens, reached the height of his renown during the disastrous Peloponnesian War, when democratic Athens was brought down by its own outsized ambitions. &#8220;Euripides,&#8221; the classicist Bernard Knox has written, &#8220;was born never to live in peace with himself and to prevent the rest of mankind from doing so.&#8221; His plays were shockers: he unmasked heroes, revealing them as foolish and savage, and he wrote about the powerless&#8212;women and children, slaves and barbarians&#8212;for whom tragedy was not so much exceptional as unending. Euripides&#8217; plays rarely won first prize in the great democratic competitions of ancient Athens, but their combustible mixture of realism and extremism fascinated audiences throughout the Greek world. In the last days of the Peloponnesian War, Athenian prisoners held captive in far-off Sicily were said to have won their freedom by reciting snatches of Euripides&#8217; latest tragedies.<br/> <br/>Four of those tragedies are here presented in new translations by the contemporary poet and classicist Anne Carson. They are <em>Herakles</em>, in which the hero swaggers home to destroy his own family; <em>Hekabe</em>, set after the Trojan War, in which Hektor&#8217;s widow takes vengeance on her Greek captors; <em>Hippolytos</em>, about love and the horror of love; and the strange tragic-comedy fable <em>Alkestis</em>, which tells of a husband who arranges for his wife to die in his place. The volume also contains brief introductions by Carson to each of the plays along with two remarkable framing essays: &#8220;Tragedy: A Curious Art Form&#8221; and &#8220;Why I Wrote Two Plays About Phaidra.&#8221;]]></description>
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    <![CDATA[Grief Lessons: Four Plays by Euripides (New York Review Books Classics)]]>
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    <![CDATA[Euripides, the last of the three great tragedians of ancient Athens, reached the height of his renown during the disastrous Peloponnesian War, when democratic Athens was brought down by its own outsized ambitions. &#8220;Euripides,&#8221; the classicist Bernard Knox has written, &#8220;was born never to live in peace with himself and to prevent the rest of mankind from doing so.&#8221; His plays were shockers: he unmasked heroes, revealing them as foolish and savage, and he wrote about the powerless&#8212;women and children, slaves and barbarians&#8212;for whom tragedy was not so much exceptional as unending. Euripides&#8217; plays rarely won first prize in the great democratic competitions of ancient Athens, but their combustible mixture of realism and extremism fascinated audiences throughout the Greek world. In the last days of the Peloponnesian War, Athenian prisoners held captive in far-off Sicily were said to have won their freedom by reciting snatches of Euripides&#8217; latest tragedies.<br/> <br/>Four of those tragedies are here presented in new translations by the contemporary poet and classicist Anne Carson. They are <em>Herakles</em>, in which the hero swaggers home to destroy his own family; <em>Hekabe</em>, set after the Trojan War, in which Hektor&#8217;s widow takes vengeance on her Greek captors; <em>Hippolytos</em>, about love and the horror of love; and the strange tragic-comedy fable <em>Alkestis</em>, which tells of a husband who arranges for his wife to die in his place. The volume also contains brief introductions by Carson to each of the plays along with two remarkable framing essays: &#8220;Tragedy: A Curious Art Form&#8221; and &#8220;Why I Wrote Two Plays About Phaidra.&#8221;]]>
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    <rating>4</rating>
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  <date_added>Thu Jul 31 10:31:50 -0700 2008</date_added>
  <date_updated>Thu Jul 31 16:37:23 -0700 2008</date_updated>
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    <body><![CDATA[i hear lots of people claim to ‘love the translation’ of a text of which they don't speak the language of the original. am i stupid for wondering, if you don’t speak the original, how you can judge the translation? I mean, you can admit to digging many aspects of the language... but the transl...<a href="http://www.goodreads.com/review/show/28883816">more...</a>]]></body>
    
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    <![CDATA[Grief Lessons: Four Plays by Euripides (New York Review Books Classics)]]>
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  <average_rating>4.40</average_rating>
  <ratings_count>65</ratings_count>
  <description>
    <![CDATA[Euripides, the last of the three great tragedians of ancient Athens, reached the height of his renown during the disastrous Peloponnesian War, when democratic Athens was brought down by its own outsized ambitions. &#8220;Euripides,&#8221; the classicist Bernard Knox has written, &#8220;was born never to live in peace with himself and to prevent the rest of mankind from doing so.&#8221; His plays were shockers: he unmasked heroes, revealing them as foolish and savage, and he wrote about the powerless&#8212;women and children, slaves and barbarians&#8212;for whom tragedy was not so much exceptional as unending. Euripides&#8217; plays rarely won first prize in the great democratic competitions of ancient Athens, but their combustible mixture of realism and extremism fascinated audiences throughout the Greek world. In the last days of the Peloponnesian War, Athenian prisoners held captive in far-off Sicily were said to have won their freedom by reciting snatches of Euripides&#8217; latest tragedies.<br/> <br/>Four of those tragedies are here presented in new translations by the contemporary poet and classicist Anne Carson. They are <em>Herakles</em>, in which the hero swaggers home to destroy his own family; <em>Hekabe</em>, set after the Trojan War, in which Hektor&#8217;s widow takes vengeance on her Greek captors; <em>Hippolytos</em>, about love and the horror of love; and the strange tragic-comedy fable <em>Alkestis</em>, which tells of a husband who arranges for his wife to die in his place. The volume also contains brief introductions by Carson to each of the plays along with two remarkable framing essays: &#8220;Tragedy: A Curious Art Form&#8221; and &#8220;Why I Wrote Two Plays About Phaidra.&#8221;]]>
  </description>
  <published>2006</published>
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    <rating>5</rating>
  <votes>1</votes>
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  <read_at>Wed Aug 01 00:00:00 -0700 2007</read_at>
  <date_added>Wed Aug 15 06:51:03 -0700 2007</date_added>
  <date_updated>Sun Sep 09 08:36:57 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[&quot;Why does tragedy exist?  Because you are full of rage.  Why are you full of rage?  Because you are full of grief.&quot;  <br/><br/>Carson begins her preface to this collection with a seemingly naive question.  But Euripides begs the question; I mean, my god!  Upon returning from HELL, Herakl...<a href="http://www.goodreads.com/review/show/4577863">more...</a>]]></body>
    
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      <review>
  <id>12324028</id>
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    <name><![CDATA[Rick]]></name>
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  <text_reviews_count type="integer">16</text_reviews_count>
  <title>
    <![CDATA[Grief Lessons: Four Plays by Euripides (New York Review Books Classics)]]>
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  <average_rating>4.40</average_rating>
  <ratings_count>65</ratings_count>
  <description>
    <![CDATA[Euripides, the last of the three great tragedians of ancient Athens, reached the height of his renown during the disastrous Peloponnesian War, when democratic Athens was brought down by its own outsized ambitions. &#8220;Euripides,&#8221; the classicist Bernard Knox has written, &#8220;was born never to live in peace with himself and to prevent the rest of mankind from doing so.&#8221; His plays were shockers: he unmasked heroes, revealing them as foolish and savage, and he wrote about the powerless&#8212;women and children, slaves and barbarians&#8212;for whom tragedy was not so much exceptional as unending. Euripides&#8217; plays rarely won first prize in the great democratic competitions of ancient Athens, but their combustible mixture of realism and extremism fascinated audiences throughout the Greek world. In the last days of the Peloponnesian War, Athenian prisoners held captive in far-off Sicily were said to have won their freedom by reciting snatches of Euripides&#8217; latest tragedies.<br/> <br/>Four of those tragedies are here presented in new translations by the contemporary poet and classicist Anne Carson. They are <em>Herakles</em>, in which the hero swaggers home to destroy his own family; <em>Hekabe</em>, set after the Trojan War, in which Hektor&#8217;s widow takes vengeance on her Greek captors; <em>Hippolytos</em>, about love and the horror of love; and the strange tragic-comedy fable <em>Alkestis</em>, which tells of a husband who arranges for his wife to die in his place. The volume also contains brief introductions by Carson to each of the plays along with two remarkable framing essays: &#8220;Tragedy: A Curious Art Form&#8221; and &#8220;Why I Wrote Two Plays About Phaidra.&#8221;]]>
  </description>
  <published>2006</published>
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    <rating>4</rating>
  <votes>0</votes>
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  <read_at>Mon Jan 01 00:00:00 -0800 2007</read_at>
  <date_added>Sat Jan 12 08:46:42 -0800 2008</date_added>
  <date_updated>Sat Jan 12 08:55:44 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[The four plays are “Herakles,” “Hekabe,” “Hippolytos,” and “Alkestis.” I liked the first two a lot and the second too not so much. First, the problem with the latter two is that the main characters are bothersome. Hippolytos is a prig. Admetos, Alkestis’s unworthy husband, is a sch...<a href="http://www.goodreads.com/review/show/12324028">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/12324028]]></url>
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</review>
      <review>
  <id>10364650</id>
    <user>
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  <title>
    <![CDATA[Grief Lessons: Four Plays by Euripides (New York Review Books Classics)]]>
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  <average_rating>4.40</average_rating>
  <ratings_count>65</ratings_count>
  <description>
    <![CDATA[Euripides, the last of the three great tragedians of ancient Athens, reached the height of his renown during the disastrous Peloponnesian War, when democratic Athens was brought down by its own outsized ambitions. &#8220;Euripides,&#8221; the classicist Bernard Knox has written, &#8220;was born never to live in peace with himself and to prevent the rest of mankind from doing so.&#8221; His plays were shockers: he unmasked heroes, revealing them as foolish and savage, and he wrote about the powerless&#8212;women and children, slaves and barbarians&#8212;for whom tragedy was not so much exceptional as unending. Euripides&#8217; plays rarely won first prize in the great democratic competitions of ancient Athens, but their combustible mixture of realism and extremism fascinated audiences throughout the Greek world. In the last days of the Peloponnesian War, Athenian prisoners held captive in far-off Sicily were said to have won their freedom by reciting snatches of Euripides&#8217; latest tragedies.<br/> <br/>Four of those tragedies are here presented in new translations by the contemporary poet and classicist Anne Carson. They are <em>Herakles</em>, in which the hero swaggers home to destroy his own family; <em>Hekabe</em>, set after the Trojan War, in which Hektor&#8217;s widow takes vengeance on her Greek captors; <em>Hippolytos</em>, about love and the horror of love; and the strange tragic-comedy fable <em>Alkestis</em>, which tells of a husband who arranges for his wife to die in his place. The volume also contains brief introductions by Carson to each of the plays along with two remarkable framing essays: &#8220;Tragedy: A Curious Art Form&#8221; and &#8220;Why I Wrote Two Plays About Phaidra.&#8221;]]>
  </description>
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    <rating>5</rating>
  <votes>0</votes>
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  <read_at>Tue Jan 01 00:00:00 -0800 2008</read_at>
  <date_added>Thu Dec 13 07:35:46 -0800 2007</date_added>
  <date_updated>Thu Dec 13 07:36:22 -0800 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[I wish Anne Carson would translate everything there is to be translated in the history of the universe, and write brilliant introductions for them all. The four plays aren't long, but as the case always is for everything Anne Carson writes/translates/sits on, a little goes a long way. Maybe it's my ...<a href="http://www.goodreads.com/review/show/10364650">more...</a>]]></body>
    
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      <review>
  <id>51604443</id>
    <user>
    <id>2184529</id>
    <name><![CDATA[Justin]]></name>
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  <title>
    <![CDATA[Grief Lessons: Four Plays by Euripides (New York Review Books Classics)]]>
  </title>
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  <average_rating>4.40</average_rating>
  <ratings_count>65</ratings_count>
  <description>
    <![CDATA[Euripides, the last of the three great tragedians of ancient Athens, reached the height of his renown during the disastrous Peloponnesian War, when democratic Athens was brought down by its own outsized ambitions. &#8220;Euripides,&#8221; the classicist Bernard Knox has written, &#8220;was born never to live in peace with himself and to prevent the rest of mankind from doing so.&#8221; His plays were shockers: he unmasked heroes, revealing them as foolish and savage, and he wrote about the powerless&#8212;women and children, slaves and barbarians&#8212;for whom tragedy was not so much exceptional as unending. Euripides&#8217; plays rarely won first prize in the great democratic competitions of ancient Athens, but their combustible mixture of realism and extremism fascinated audiences throughout the Greek world. In the last days of the Peloponnesian War, Athenian prisoners held captive in far-off Sicily were said to have won their freedom by reciting snatches of Euripides&#8217; latest tragedies.<br/> <br/>Four of those tragedies are here presented in new translations by the contemporary poet and classicist Anne Carson. They are <em>Herakles</em>, in which the hero swaggers home to destroy his own family; <em>Hekabe</em>, set after the Trojan War, in which Hektor&#8217;s widow takes vengeance on her Greek captors; <em>Hippolytos</em>, about love and the horror of love; and the strange tragic-comedy fable <em>Alkestis</em>, which tells of a husband who arranges for his wife to die in his place. The volume also contains brief introductions by Carson to each of the plays along with two remarkable framing essays: &#8220;Tragedy: A Curious Art Form&#8221; and &#8220;Why I Wrote Two Plays About Phaidra.&#8221;]]>
  </description>
  <published>2006</published>
</book>

    <rating>3</rating>
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  <read_at>Sun Mar 01 00:00:00 -0800 2009</read_at>
  <date_added>Sun Apr 05 14:25:41 -0700 2009</date_added>
  <date_updated>Sun Apr 05 14:27:05 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Euripides is weird. Anne Carson isn't all that normal. But her translations are very readable, and her mini-essays are suggestive. The Hypolitus drags on a bit, but that's probably Euripides' fault, not Carson's. The best is probably Herakles, if you only want to read one. Better of reading Woodruff...<a href="http://www.goodreads.com/review/show/51604443">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/51604443]]></url>
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      <review>
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    <id>1111333</id>
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  <title>
    <![CDATA[Grief Lessons: Four Plays by Euripides (New York Review Books Classics)]]>
  </title>
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  <average_rating>4.40</average_rating>
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    <![CDATA[Euripides, the last of the three great tragedians of ancient Athens, reached the height of his renown during the disastrous Peloponnesian War, when democratic Athens was brought down by its own outsized ambitions. &#8220;Euripides,&#8221; the classicist Bernard Knox has written, &#8220;was born never to live in peace with himself and to prevent the rest of mankind from doing so.&#8221; His plays were shockers: he unmasked heroes, revealing them as foolish and savage, and he wrote about the powerless&#8212;women and children, slaves and barbarians&#8212;for whom tragedy was not so much exceptional as unending. Euripides&#8217; plays rarely won first prize in the great democratic competitions of ancient Athens, but their combustible mixture of realism and extremism fascinated audiences throughout the Greek world. In the last days of the Peloponnesian War, Athenian prisoners held captive in far-off Sicily were said to have won their freedom by reciting snatches of Euripides&#8217; latest tragedies.<br/> <br/>Four of those tragedies are here presented in new translations by the contemporary poet and classicist Anne Carson. They are <em>Herakles</em>, in which the hero swaggers home to destroy his own family; <em>Hekabe</em>, set after the Trojan War, in which Hektor&#8217;s widow takes vengeance on her Greek captors; <em>Hippolytos</em>, about love and the horror of love; and the strange tragic-comedy fable <em>Alkestis</em>, which tells of a husband who arranges for his wife to die in his place. The volume also contains brief introductions by Carson to each of the plays along with two remarkable framing essays: &#8220;Tragedy: A Curious Art Form&#8221; and &#8220;Why I Wrote Two Plays About Phaidra.&#8221;]]>
  </description>
  <published>2006</published>
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    <rating>5</rating>
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  <date_added>Fri Sep 04 17:55:34 -0700 2009</date_added>
  <date_updated>Fri Sep 04 17:59:13 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Why are people not discussing this? Or perhaps they have and I missed it.<br/><br/>&quot;Is all anger sexual?&quot;<br/><br/>What a thought provoking last line! And what a strange, albeit interesting, take on classical reason and foresight.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/70093664]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/70093664]]></link>
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      <review>
  <id>64615416</id>
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    <name><![CDATA[Heidi]]></name>
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  <text_reviews_count type="integer">16</text_reviews_count>
  <title>
    <![CDATA[Grief Lessons: Four Plays by Euripides (New York Review Books Classics)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1158284672m/1466.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1158284672s/1466.jpg</small_image_url>
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  <average_rating>4.40</average_rating>
  <ratings_count>65</ratings_count>
  <description>
    <![CDATA[Euripides, the last of the three great tragedians of ancient Athens, reached the height of his renown during the disastrous Peloponnesian War, when democratic Athens was brought down by its own outsized ambitions. &#8220;Euripides,&#8221; the classicist Bernard Knox has written, &#8220;was born never to live in peace with himself and to prevent the rest of mankind from doing so.&#8221; His plays were shockers: he unmasked heroes, revealing them as foolish and savage, and he wrote about the powerless&#8212;women and children, slaves and barbarians&#8212;for whom tragedy was not so much exceptional as unending. Euripides&#8217; plays rarely won first prize in the great democratic competitions of ancient Athens, but their combustible mixture of realism and extremism fascinated audiences throughout the Greek world. In the last days of the Peloponnesian War, Athenian prisoners held captive in far-off Sicily were said to have won their freedom by reciting snatches of Euripides&#8217; latest tragedies.<br/> <br/>Four of those tragedies are here presented in new translations by the contemporary poet and classicist Anne Carson. They are <em>Herakles</em>, in which the hero swaggers home to destroy his own family; <em>Hekabe</em>, set after the Trojan War, in which Hektor&#8217;s widow takes vengeance on her Greek captors; <em>Hippolytos</em>, about love and the horror of love; and the strange tragic-comedy fable <em>Alkestis</em>, which tells of a husband who arranges for his wife to die in his place. The volume also contains brief introductions by Carson to each of the plays along with two remarkable framing essays: &#8220;Tragedy: A Curious Art Form&#8221; and &#8220;Why I Wrote Two Plays About Phaidra.&#8221;]]>
  </description>
  <published>2006</published>
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    <rating>4</rating>
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  <date_added>Wed Jul 22 22:20:04 -0700 2009</date_added>
  <date_updated>Wed Jul 22 22:22:08 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[The first line of her introductory essay begins, &quot;Why does tragedy exist? Because you are full of rage. Why are you full of rage? Because you are full of grief.&quot; <br/><br/>She had me right there.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/64615416]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/64615416]]></link>
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      <review>
  <id>33705369</id>
    <user>
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  <title>
    <![CDATA[Grief Lessons: Four Plays by Euripides]]>
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  <average_rating>5.00</average_rating>
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  <description>
    <![CDATA[Euripides, the last of the three great tragedians of ancient Athens, reached the height of his renown during the disastrous Peloponnesian War, when democratic Athens was brought down by its own outsized ambitions. &#8220;Euripides,&#8221; the classicist Bernard Knox has written, &#8220;was born never to live in peace with himself and to prevent the rest of mankind from doing so.&#8221; His plays were shockers: he unmasked heroes, revealing them as foolish and savage, and he wrote about the powerless&#8212;women and children, slaves and barbarians&#8212;for whom tragedy was not so much exceptional as unending. Euripides&#8217; plays rarely won first prize in the great democratic competitions of ancient Athens, but their combustible mixture of realism and extremism fascinated audiences throughout the Greek world. In the last days of the Peloponnesian War, Athenian prisoners held captive in far-off Sicily were said to have won their freedom by reciting snatches of Euripides&#8217; latest tragedies.<br/> <br/>Four of those tragedies are here presented in new translations by the contemporary poet and classicist Anne Carson. They are <em>Herakles</em>, in which the hero swaggers home to destroy his own family; <em>Hekabe</em>, set after the Trojan War, in which Hektor&#8217;s widow takes vengeance on her Greek captors; <em>Hippolytos</em>, about love and the horror of love; and the strange tragic-comedy fable <em>Alkestis</em>, which tells of a husband who arranges for his wife to die in his place. The volume also contains brief introductions by Carson to each of the plays along with two remarkable framing essays: &#8220;Tragedy: A Curious Art Form&#8221; and &#8220;Why I Wrote Two Plays About Phaidra.&#8221;]]>
  </description>
  <published>2006</published>
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    <rating>5</rating>
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  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Wed Sep 24 07:23:37 -0700 2008</date_added>
  <date_updated>Wed Dec 17 08:11:05 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Great, as expected. The four plays are Herakles, Hekabe, Hippolytos and Alkestis. Each play has its own preface, which is the reason for buying this book since there are many good translations out there; nevertheless, these plays are worth re-reading for the new uncertainties that Carson reveals in ...<a href="http://www.goodreads.com/review/show/33705369">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/33705369]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/33705369]]></link>
</review>
      <review>
  <id>1367170</id>
    <user>
    <id>80242</id>
    <name><![CDATA[Stefanie]]></name>
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  <text_reviews_count type="integer">16</text_reviews_count>
  <title>
    <![CDATA[Grief Lessons: Four Plays by Euripides (New York Review Books Classics)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1158284672m/1466.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1158284672s/1466.jpg</small_image_url>
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  <average_rating>4.40</average_rating>
  <ratings_count>65</ratings_count>
  <description>
    <![CDATA[Euripides, the last of the three great tragedians of ancient Athens, reached the height of his renown during the disastrous Peloponnesian War, when democratic Athens was brought down by its own outsized ambitions. &#8220;Euripides,&#8221; the classicist Bernard Knox has written, &#8220;was born never to live in peace with himself and to prevent the rest of mankind from doing so.&#8221; His plays were shockers: he unmasked heroes, revealing them as foolish and savage, and he wrote about the powerless&#8212;women and children, slaves and barbarians&#8212;for whom tragedy was not so much exceptional as unending. Euripides&#8217; plays rarely won first prize in the great democratic competitions of ancient Athens, but their combustible mixture of realism and extremism fascinated audiences throughout the Greek world. In the last days of the Peloponnesian War, Athenian prisoners held captive in far-off Sicily were said to have won their freedom by reciting snatches of Euripides&#8217; latest tragedies.<br/> <br/>Four of those tragedies are here presented in new translations by the contemporary poet and classicist Anne Carson. They are <em>Herakles</em>, in which the hero swaggers home to destroy his own family; <em>Hekabe</em>, set after the Trojan War, in which Hektor&#8217;s widow takes vengeance on her Greek captors; <em>Hippolytos</em>, about love and the horror of love; and the strange tragic-comedy fable <em>Alkestis</em>, which tells of a husband who arranges for his wife to die in his place. The volume also contains brief introductions by Carson to each of the plays along with two remarkable framing essays: &#8220;Tragedy: A Curious Art Form&#8221; and &#8220;Why I Wrote Two Plays About Phaidra.&#8221;]]>
  </description>
  <published>2006</published>
</book>

    <rating>3</rating>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Tue May 22 11:06:17 -0700 2007</date_added>
  <date_updated>Wed Dec 16 19:53:26 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I loved Anne Carson's introduction.  She writes something along the lines of, &quot;Why do we need tragedy?  Because you are full of rage.&quot;  I've never really read the classics, and I feel intimidated by them.  Carson approaches them in what seems to be a very unconventional, edgy way that make...<a href="http://www.goodreads.com/review/show/1367170">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/1367170]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/1367170]]></link>
</review>
      <review>
  <id>46877229</id>
    <user>
    <id>1739658</id>
    <name><![CDATA[Walter]]></name>
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  <text_reviews_count type="integer">16</text_reviews_count>
  <title>
    <![CDATA[Grief Lessons: Four Plays by Euripides (New York Review Books Classics)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1158284672m/1466.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1158284672s/1466.jpg</small_image_url>
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  <average_rating>4.40</average_rating>
  <ratings_count>65</ratings_count>
  <description>
    <![CDATA[Euripides, the last of the three great tragedians of ancient Athens, reached the height of his renown during the disastrous Peloponnesian War, when democratic Athens was brought down by its own outsized ambitions. &#8220;Euripides,&#8221; the classicist Bernard Knox has written, &#8220;was born never to live in peace with himself and to prevent the rest of mankind from doing so.&#8221; His plays were shockers: he unmasked heroes, revealing them as foolish and savage, and he wrote about the powerless&#8212;women and children, slaves and barbarians&#8212;for whom tragedy was not so much exceptional as unending. Euripides&#8217; plays rarely won first prize in the great democratic competitions of ancient Athens, but their combustible mixture of realism and extremism fascinated audiences throughout the Greek world. In the last days of the Peloponnesian War, Athenian prisoners held captive in far-off Sicily were said to have won their freedom by reciting snatches of Euripides&#8217; latest tragedies.<br/> <br/>Four of those tragedies are here presented in new translations by the contemporary poet and classicist Anne Carson. They are <em>Herakles</em>, in which the hero swaggers home to destroy his own family; <em>Hekabe</em>, set after the Trojan War, in which Hektor&#8217;s widow takes vengeance on her Greek captors; <em>Hippolytos</em>, about love and the horror of love; and the strange tragic-comedy fable <em>Alkestis</em>, which tells of a husband who arranges for his wife to die in his place. The volume also contains brief introductions by Carson to each of the plays along with two remarkable framing essays: &#8220;Tragedy: A Curious Art Form&#8221; and &#8220;Why I Wrote Two Plays About Phaidra.&#8221;]]>
  </description>
  <published>2006</published>
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    <rating>4</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at></read_at>
  <date_added>Thu Feb 19 12:11:39 -0800 2009</date_added>
  <date_updated>Thu Feb 19 12:12:15 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[<br/>Honors the original text by not patronizing it.<br/>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/46877229]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/46877229]]></link>
</review>
      <review>
  <id>52947716</id>
    <user>
    <id>131364</id>
    <name><![CDATA[Andrew]]></name>
    <location><![CDATA[Brooklyn, NY]]></location>
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  <title>
    <![CDATA[Grief Lessons: Four Plays by Euripides (New York Review Books Classics)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1158284672m/1466.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1158284672s/1466.jpg</small_image_url>
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  <average_rating>4.40</average_rating>
  <ratings_count>65</ratings_count>
  <description>
    <![CDATA[Euripides, the last of the three great tragedians of ancient Athens, reached the height of his renown during the disastrous Peloponnesian War, when democratic Athens was brought down by its own outsized ambitions. &#8220;Euripides,&#8221; the classicist Bernard Knox has written, &#8220;was born never to live in peace with himself and to prevent the rest of mankind from doing so.&#8221; His plays were shockers: he unmasked heroes, revealing them as foolish and savage, and he wrote about the powerless&#8212;women and children, slaves and barbarians&#8212;for whom tragedy was not so much exceptional as unending. Euripides&#8217; plays rarely won first prize in the great democratic competitions of ancient Athens, but their combustible mixture of realism and extremism fascinated audiences throughout the Greek world. In the last days of the Peloponnesian War, Athenian prisoners held captive in far-off Sicily were said to have won their freedom by reciting snatches of Euripides&#8217; latest tragedies.<br/> <br/>Four of those tragedies are here presented in new translations by the contemporary poet and classicist Anne Carson. They are <em>Herakles</em>, in which the hero swaggers home to destroy his own family; <em>Hekabe</em>, set after the Trojan War, in which Hektor&#8217;s widow takes vengeance on her Greek captors; <em>Hippolytos</em>, about love and the horror of love; and the strange tragic-comedy fable <em>Alkestis</em>, which tells of a husband who arranges for his wife to die in his place. The volume also contains brief introductions by Carson to each of the plays along with two remarkable framing essays: &#8220;Tragedy: A Curious Art Form&#8221; and &#8220;Why I Wrote Two Plays About Phaidra.&#8221;]]>
  </description>
  <published>2006</published>
</book>

    <rating>3</rating>
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  <date_added>Thu Apr 16 16:05:07 -0700 2009</date_added>
  <date_updated>Thu Apr 16 16:05:34 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Pretty fun, in a classically tragic way.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/52947716]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/52947716]]></link>
</review>
      <review>
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  <title>
    <![CDATA[Grief Lessons: Four Plays by Euripides]]>
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  <ratings_count>2</ratings_count>
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    <![CDATA[Now in paperback.<br/><br/>Euripides, the last of the three great tragedians of ancient Athens, reached the height of his renown during the disastrous Peloponnesian War, when democratic Athens was brought down by its own outsized ambitions. &#8220;Euripides,&#8221; the classicist Bernard Knox has written, &#8220;was born never to live in peace with himself and to prevent the rest of mankind from doing so.&#8221; His plays were shockers: he unmasked heroes, revealing them as foolish and savage, and he wrote about the powerless&#8211;women and children, slaves and barbarians&#8211;for whom tragedy was not so much exceptional as unending. Euripides&#8217; plays rarely won first prize in the great democratic competitions of ancient Athens, but their combustible mixture of realism and extremism fascinated audiences throughout the Greek world. In the last days of the Peloponnesian War, Athenian prisoners held captive in far-off Sicily were said to have won their freedom by reciting snatches of Euripides&#8217; latest tragedies.<br/><br/>Four of those tragedies are presented here in new translations by the contemporary poet and classicist Anne Carson. They are <em>Herakles</em>, in which the hero swaggers home to destroy his own family; <em>Hekabe</em>, set after the Trojan War, in which Hektor&#8217;s widow takes vengeance on her Greek captors; <em>Hippolytos</em>, about love and the horror of love; and the strange tragic-comedy fable <em>Alkestis</em>, which tells of a husband who arranges for his wife to die in his place. The volume also contains brief introductions by Carson to each of the plays along with two remarkable framing essays: &#8220;Tragedy: A Curious Art Form&#8221; and &#8220;Why I Wrote Two Plays About Phaidra.&#8221;]]>
  </description>
  <published>2006</published>
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    <rating>3</rating>
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  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Wed Apr 01 00:00:00 -0700 2009</read_at>
  <date_added>Mon Feb 23 20:31:07 -0800 2009</date_added>
  <date_updated>Wed Apr 01 19:18:30 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I don't read ancient Greek so I don't know to what extent Carson, a Greek scholar, may have 'messed' with the texts--certainly these versions seem quite short, even by the standards of the ancient plays. Interesting and swiftly moving. Carson's intro essays are maybe a little too 'hip' and edgy for ...<a href="http://www.goodreads.com/review/show/47333973">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/47333973]]></url>
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</review>
      <review>
  <id>15072017</id>
    <user>
    <id>119588</id>
    <name><![CDATA[Nora]]></name>
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  <isbn>1590171802</isbn>
  <isbn13>9781590171806</isbn13>
  <text_reviews_count type="integer">16</text_reviews_count>
  <title>
    <![CDATA[Grief Lessons: Four Plays by Euripides (New York Review Books Classics)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1158284672m/1466.jpg</image_url>
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  <average_rating>4.40</average_rating>
  <ratings_count>65</ratings_count>
  <description>
    <![CDATA[Euripides, the last of the three great tragedians of ancient Athens, reached the height of his renown during the disastrous Peloponnesian War, when democratic Athens was brought down by its own outsized ambitions. &#8220;Euripides,&#8221; the classicist Bernard Knox has written, &#8220;was born never to live in peace with himself and to prevent the rest of mankind from doing so.&#8221; His plays were shockers: he unmasked heroes, revealing them as foolish and savage, and he wrote about the powerless&#8212;women and children, slaves and barbarians&#8212;for whom tragedy was not so much exceptional as unending. Euripides&#8217; plays rarely won first prize in the great democratic competitions of ancient Athens, but their combustible mixture of realism and extremism fascinated audiences throughout the Greek world. In the last days of the Peloponnesian War, Athenian prisoners held captive in far-off Sicily were said to have won their freedom by reciting snatches of Euripides&#8217; latest tragedies.<br/> <br/>Four of those tragedies are here presented in new translations by the contemporary poet and classicist Anne Carson. They are <em>Herakles</em>, in which the hero swaggers home to destroy his own family; <em>Hekabe</em>, set after the Trojan War, in which Hektor&#8217;s widow takes vengeance on her Greek captors; <em>Hippolytos</em>, about love and the horror of love; and the strange tragic-comedy fable <em>Alkestis</em>, which tells of a husband who arranges for his wife to die in his place. The volume also contains brief introductions by Carson to each of the plays along with two remarkable framing essays: &#8220;Tragedy: A Curious Art Form&#8221; and &#8220;Why I Wrote Two Plays About Phaidra.&#8221;]]>
  </description>
  <published>2006</published>
</book>

    <rating>3</rating>
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  <read_at>Sat Mar 01 00:00:00 -0800 2008</read_at>
  <date_added>Sun Feb 10 13:16:31 -0800 2008</date_added>
  <date_updated>Tue Mar 04 18:07:24 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[This translation of four plays by Euripides is brilliant, fresh and clear, without pretension. It offers the direct gaze of an Athenian at human emotion and human fate, which is considered a matter of luck more than character. For the Athenians everything is rooted in the family. His cynicism of the...<a href="http://www.goodreads.com/review/show/15072017">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/15072017]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/15072017]]></link>
</review>
      <review>
  <id>20435468</id>
    <user>
    <id>365504</id>
    <name><![CDATA[Jennifer]]></name>
    <location><![CDATA[New York, NY]]></location>
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  <text_reviews_count type="integer">16</text_reviews_count>
  <title>
    <![CDATA[Grief Lessons: Four Plays by Euripides (New York Review Books Classics)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1158284672m/1466.jpg</image_url>
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  <average_rating>4.40</average_rating>
  <ratings_count>65</ratings_count>
  <description>
    <![CDATA[Euripides, the last of the three great tragedians of ancient Athens, reached the height of his renown during the disastrous Peloponnesian War, when democratic Athens was brought down by its own outsized ambitions. &#8220;Euripides,&#8221; the classicist Bernard Knox has written, &#8220;was born never to live in peace with himself and to prevent the rest of mankind from doing so.&#8221; His plays were shockers: he unmasked heroes, revealing them as foolish and savage, and he wrote about the powerless&#8212;women and children, slaves and barbarians&#8212;for whom tragedy was not so much exceptional as unending. Euripides&#8217; plays rarely won first prize in the great democratic competitions of ancient Athens, but their combustible mixture of realism and extremism fascinated audiences throughout the Greek world. In the last days of the Peloponnesian War, Athenian prisoners held captive in far-off Sicily were said to have won their freedom by reciting snatches of Euripides&#8217; latest tragedies.<br/> <br/>Four of those tragedies are here presented in new translations by the contemporary poet and classicist Anne Carson. They are <em>Herakles</em>, in which the hero swaggers home to destroy his own family; <em>Hekabe</em>, set after the Trojan War, in which Hektor&#8217;s widow takes vengeance on her Greek captors; <em>Hippolytos</em>, about love and the horror of love; and the strange tragic-comedy fable <em>Alkestis</em>, which tells of a husband who arranges for his wife to die in his place. The volume also contains brief introductions by Carson to each of the plays along with two remarkable framing essays: &#8220;Tragedy: A Curious Art Form&#8221; and &#8220;Why I Wrote Two Plays About Phaidra.&#8221;]]>
  </description>
  <published>2006</published>
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    <rating>5</rating>
  <votes>0</votes>
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  <read_at>Tue Jan 20 00:00:00 -0800 2009</read_at>
  <date_added>Thu Apr 17 22:20:59 -0700 2008</date_added>
  <date_updated>Tue Jan 20 01:53:57 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Anne Carson's trademark drollness and ironic sarcasm give a new perspective on the human condition. Love the epilogue/essay on the 2 versions of Hippolytus (aka sexual anger). One of the most refreshing explorations of femininity and violence. Best read late at night, when the gods start coming out ...<a href="http://www.goodreads.com/review/show/20435468">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/20435468]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/20435468]]></link>
</review>
      <review>
  <id>40566583</id>
    <user>
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    <name><![CDATA[Matt]]></name>
    <location><![CDATA[Princeton, NJ]]></location>
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  <text_reviews_count type="integer">16</text_reviews_count>
  <title>
    <![CDATA[Grief Lessons: Four Plays by Euripides (New York Review Books Classics)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1158284672m/1466.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1158284672s/1466.jpg</small_image_url>
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  <average_rating>4.40</average_rating>
  <ratings_count>65</ratings_count>
  <description>
    <![CDATA[Euripides, the last of the three great tragedians of ancient Athens, reached the height of his renown during the disastrous Peloponnesian War, when democratic Athens was brought down by its own outsized ambitions. &#8220;Euripides,&#8221; the classicist Bernard Knox has written, &#8220;was born never to live in peace with himself and to prevent the rest of mankind from doing so.&#8221; His plays were shockers: he unmasked heroes, revealing them as foolish and savage, and he wrote about the powerless&#8212;women and children, slaves and barbarians&#8212;for whom tragedy was not so much exceptional as unending. Euripides&#8217; plays rarely won first prize in the great democratic competitions of ancient Athens, but their combustible mixture of realism and extremism fascinated audiences throughout the Greek world. In the last days of the Peloponnesian War, Athenian prisoners held captive in far-off Sicily were said to have won their freedom by reciting snatches of Euripides&#8217; latest tragedies.<br/> <br/>Four of those tragedies are here presented in new translations by the contemporary poet and classicist Anne Carson. They are <em>Herakles</em>, in which the hero swaggers home to destroy his own family; <em>Hekabe</em>, set after the Trojan War, in which Hektor&#8217;s widow takes vengeance on her Greek captors; <em>Hippolytos</em>, about love and the horror of love; and the strange tragic-comedy fable <em>Alkestis</em>, which tells of a husband who arranges for his wife to die in his place. The volume also contains brief introductions by Carson to each of the plays along with two remarkable framing essays: &#8220;Tragedy: A Curious Art Form&#8221; and &#8220;Why I Wrote Two Plays About Phaidra.&#8221;]]>
  </description>
  <published>2006</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
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  <read_at></read_at>
  <date_added>Sat Dec 20 20:37:58 -0800 2008</date_added>
  <date_updated>Sun Dec 21 00:11:33 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[Quite an enjoyable edition. I recall reading bits of the original Greek version, my Greek has since markedly diminished. A terrible shame, I know. I'm sadly unfamiliar with the poetry of Anne Carson, however I shall certainly look in to it. She did a splendid job with the the translation.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/40566583]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/40566583]]></link>
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      <review>
  <id>7079602</id>
    <user>
    <id>423027</id>
    <name><![CDATA[Jgilon41]]></name>
    <location><![CDATA[New York, NY]]></location>
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  <isbn>1590171802</isbn>
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  <text_reviews_count type="integer">16</text_reviews_count>
  <title>
    <![CDATA[Grief Lessons: Four Plays by Euripides (New York Review Books Classics)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1158284672m/1466.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1158284672s/1466.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1466.Grief_Lessons_Four_Plays_by_Euripides</link>
  <average_rating>4.40</average_rating>
  <ratings_count>65</ratings_count>
  <description>
    <![CDATA[Euripides, the last of the three great tragedians of ancient Athens, reached the height of his renown during the disastrous Peloponnesian War, when democratic Athens was brought down by its own outsized ambitions. &#8220;Euripides,&#8221; the classicist Bernard Knox has written, &#8220;was born never to live in peace with himself and to prevent the rest of mankind from doing so.&#8221; His plays were shockers: he unmasked heroes, revealing them as foolish and savage, and he wrote about the powerless&#8212;women and children, slaves and barbarians&#8212;for whom tragedy was not so much exceptional as unending. Euripides&#8217; plays rarely won first prize in the great democratic competitions of ancient Athens, but their combustible mixture of realism and extremism fascinated audiences throughout the Greek world. In the last days of the Peloponnesian War, Athenian prisoners held captive in far-off Sicily were said to have won their freedom by reciting snatches of Euripides&#8217; latest tragedies.<br/> <br/>Four of those tragedies are here presented in new translations by the contemporary poet and classicist Anne Carson. They are <em>Herakles</em>, in which the hero swaggers home to destroy his own family; <em>Hekabe</em>, set after the Trojan War, in which Hektor&#8217;s widow takes vengeance on her Greek captors; <em>Hippolytos</em>, about love and the horror of love; and the strange tragic-comedy fable <em>Alkestis</em>, which tells of a husband who arranges for his wife to die in his place. The volume also contains brief introductions by Carson to each of the plays along with two remarkable framing essays: &#8220;Tragedy: A Curious Art Form&#8221; and &#8220;Why I Wrote Two Plays About Phaidra.&#8221;]]>
  </description>
  <published>2006</published>
</book>

    <rating>4</rating>
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  <date_added>Mon Oct 01 07:53:42 -0700 2007</date_added>
  <date_updated>Mon Oct 01 07:56:26 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[I just read Herakles.  A poetic translation.  The grief can be heard in the language.  Most important, it presents the gods as fickle, emotional beings.  ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/7079602]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/7079602]]></link>
</review>
      <review>
  <id>28444983</id>
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    <name><![CDATA[Tully]]></name>
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  <title>
    <![CDATA[Grief Lessons: Four Plays by Euripides (New York Review Books Classics)]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1158284672m/1466.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1158284672s/1466.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/1466.Grief_Lessons_Four_Plays_by_Euripides</link>
  <average_rating>4.40</average_rating>
  <ratings_count>65</ratings_count>
  <description>
    <![CDATA[Euripides, the last of the three great tragedians of ancient Athens, reached the height of his renown during the disastrous Peloponnesian War, when democratic Athens was brought down by its own outsized ambitions. &#8220;Euripides,&#8221; the classicist Bernard Knox has written, &#8220;was born never to live in peace with himself and to prevent the rest of mankind from doing so.&#8221; His plays were shockers: he unmasked heroes, revealing them as foolish and savage, and he wrote about the powerless&#8212;women and children, slaves and barbarians&#8212;for whom tragedy was not so much exceptional as unending. Euripides&#8217; plays rarely won first prize in the great democratic competitions of ancient Athens, but their combustible mixture of realism and extremism fascinated audiences throughout the Greek world. In the last days of the Peloponnesian War, Athenian prisoners held captive in far-off Sicily were said to have won their freedom by reciting snatches of Euripides&#8217; latest tragedies.<br/> <br/>Four of those tragedies are here presented in new translations by the contemporary poet and classicist Anne Carson. They are <em>Herakles</em>, in which the hero swaggers home to destroy his own family; <em>Hekabe</em>, set after the Trojan War, in which Hektor&#8217;s widow takes vengeance on her Greek captors; <em>Hippolytos</em>, about love and the horror of love; and the strange tragic-comedy fable <em>Alkestis</em>, which tells of a husband who arranges for his wife to die in his place. The volume also contains brief introductions by Carson to each of the plays along with two remarkable framing essays: &#8220;Tragedy: A Curious Art Form&#8221; and &#8220;Why I Wrote Two Plays About Phaidra.&#8221;]]>
  </description>
  <published>2006</published>
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    <rating>5</rating>
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  <date_added>Sun Jul 27 14:36:35 -0700 2008</date_added>
  <date_updated>Sun Jul 27 14:41:19 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[rendered in an austere and minimalist English. Carson chooses to leave the screams transliterated, making them all the more harrowing. ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/28444983]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/28444983]]></link>
</review>
      <review>
  <id>7320810</id>
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    <id>478400</id>
    <name><![CDATA[Greaterzog]]></name>
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  <title>
    <![CDATA[Grief Lessons: Four Plays by Euripides (New York Review Books Classics)]]>
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  <average_rating>4.40</average_rating>
  <ratings_count>65</ratings_count>
  <description>
    <![CDATA[Euripides, the last of the three great tragedians of ancient Athens, reached the height of his renown during the disastrous Peloponnesian War, when democratic Athens was brought down by its own outsized ambitions. &#8220;Euripides,&#8221; the classicist Bernard Knox has written, &#8220;was born never to live in peace with himself and to prevent the rest of mankind from doing so.&#8221; His plays were shockers: he unmasked heroes, revealing them as foolish and savage, and he wrote about the powerless&#8212;women and children, slaves and barbarians&#8212;for whom tragedy was not so much exceptional as unending. Euripides&#8217; plays rarely won first prize in the great democratic competitions of ancient Athens, but their combustible mixture of realism and extremism fascinated audiences throughout the Greek world. In the last days of the Peloponnesian War, Athenian prisoners held captive in far-off Sicily were said to have won their freedom by reciting snatches of Euripides&#8217; latest tragedies.<br/> <br/>Four of those tragedies are here presented in new translations by the contemporary poet and classicist Anne Carson. They are <em>Herakles</em>, in which the hero swaggers home to destroy his own family; <em>Hekabe</em>, set after the Trojan War, in which Hektor&#8217;s widow takes vengeance on her Greek captors; <em>Hippolytos</em>, about love and the horror of love; and the strange tragic-comedy fable <em>Alkestis</em>, which tells of a husband who arranges for his wife to die in his place. The volume also contains brief introductions by Carson to each of the plays along with two remarkable framing essays: &#8220;Tragedy: A Curious Art Form&#8221; and &#8220;Why I Wrote Two Plays About Phaidra.&#8221;]]>
  </description>
  <published>2006</published>
</book>

    <rating>5</rating>
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  <date_added>Fri Oct 05 15:21:02 -0700 2007</date_added>
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    <body><![CDATA[Euripides isn't for everyone, as she makes abundantly clear in her introductions, but her translations are wonderful and her essays even better]]></body>
    
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    <![CDATA[Grief Lessons: Four Plays by Euripides (New York Review Books Classics)]]>
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    <![CDATA[Euripides, the last of the three great tragedians of ancient Athens, reached the height of his renown during the disastrous Peloponnesian War, when democratic Athens was brought down by its own outsized ambitions. &#8220;Euripides,&#8221; the classicist Bernard Knox has written, &#8220;was born never to live in peace with himself and to prevent the rest of mankind from doing so.&#8221; His plays were shockers: he unmasked heroes, revealing them as foolish and savage, and he wrote about the powerless&#8212;women and children, slaves and barbarians&#8212;for whom tragedy was not so much exceptional as unending. Euripides&#8217; plays rarely won first prize in the great democratic competitions of ancient Athens, but their combustible mixture of realism and extremism fascinated audiences throughout the Greek world. In the last days of the Peloponnesian War, Athenian prisoners held captive in far-off Sicily were said to have won their freedom by reciting snatches of Euripides&#8217; latest tragedies.<br/> <br/>Four of those tragedies are here presented in new translations by the contemporary poet and classicist Anne Carson. They are <em>Herakles</em>, in which the hero swaggers home to destroy his own family; <em>Hekabe</em>, set after the Trojan War, in which Hektor&#8217;s widow takes vengeance on her Greek captors; <em>Hippolytos</em>, about love and the horror of love; and the strange tragic-comedy fable <em>Alkestis</em>, which tells of a husband who arranges for his wife to die in his place. The volume also contains brief introductions by Carson to each of the plays along with two remarkable framing essays: &#8220;Tragedy: A Curious Art Form&#8221; and &#8220;Why I Wrote Two Plays About Phaidra.&#8221;]]>
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    <![CDATA[Grief Lessons: Four Plays by Euripides]]>
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    <![CDATA[Now in paperback.<br/><br/>Euripides, the last of the three great tragedians of ancient Athens, reached the height of his renown during the disastrous Peloponnesian War, when democratic Athens was brought down by its own outsized ambitions. &#8220;Euripides,&#8221; the classicist Bernard Knox has written, &#8220;was born never to live in peace with himself and to prevent the rest of mankind from doing so.&#8221; His plays were shockers: he unmasked heroes, revealing them as foolish and savage, and he wrote about the powerless&#8211;women and children, slaves and barbarians&#8211;for whom tragedy was not so much exceptional as unending. Euripides&#8217; plays rarely won first prize in the great democratic competitions of ancient Athens, but their combustible mixture of realism and extremism fascinated audiences throughout the Greek world. In the last days of the Peloponnesian War, Athenian prisoners held captive in far-off Sicily were said to have won their freedom by reciting snatches of Euripides&#8217; latest tragedies.<br/><br/>Four of those tragedies are presented here in new translations by the contemporary poet and classicist Anne Carson. They are <em>Herakles</em>, in which the hero swaggers home to destroy his own family; <em>Hekabe</em>, set after the Trojan War, in which Hektor&#8217;s widow takes vengeance on her Greek captors; <em>Hippolytos</em>, about love and the horror of love; and the strange tragic-comedy fable <em>Alkestis</em>, which tells of a husband who arranges for his wife to die in his place. The volume also contains brief introductions by Carson to each of the plays along with two remarkable framing essays: &#8220;Tragedy: A Curious Art Form&#8221; and &#8220;Why I Wrote Two Plays About Phaidra.&#8221;]]>
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