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The Knife Thrower and Other Stories
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The Knife Thrower and Other Stories

4.02  ·  Rating Details ·  879 Ratings  ·  82 Reviews
The Knife Thrower introduces a series of distinctively Millhauserian worlds: tiny, fabulous, self-enclosed, like Fabergé eggs or like the short-story genre itself. Flying carpets; subterranean amusement parks; a band of teenage girls who meet secretly in the night in order to do "nothing at all"; a store with departments of Moorish courtyards, volcanoes, and Aztec temples: ...more
Paperback, 208 pages
Published November 30th 1999 by Random House Inc (first published 1998)
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Aun los que nos rendimos ante estas obras sentimos cierto desasosiego, pues nos perturban como placeres prohibidos, como crímenes secretos.

Steven Millhauser es todo un ilusionista. Te muestra una historia que no ha sido pero que pudo haber sido, y lo sabes, aunque al leerla estás más que satisfecho de que te engañe durante lo que dura uno de sus cuentos. Sus historias hablan de hechos, lugares y personajes que nunca existieron, con ciertos elementos de realismo mágico, o directamente elementos
Oct 08, 2014 Maureen is currently reading it  ·  review of another edition
review to come but for now:

i am in love with the story, "a visit". extended passage transcribed below, in spoiler tags -- i'm not ruining the story here, but by sharing the passage i give away what the story is about.

(view spoiler)
Jun 23, 2007 Sam rated it liked it
Shelves: shortfiction
If ever one writer had pet obsessions that he recycles, story after story, that writer is Steven Millhauser. The progression of artists towards stranger and stranger forms and obsessions or children growing up through psuedo-magical means form the basis of almost every story in this collection, and while the prose, as always, is quite strong, there's an equally strong sense of treading water. In "The Dream of the Consortium" we get a picture of an enormous department store selling the world's ...more
Sep 12, 2016 Pantelis rated it it was amazing
If Kafka had survived his illness, emigrated to America and adopted the local language, like Nabokov did, he would have written "The Sisterhood of Night" in his late seventies, probably his last unpublished masterpiece...
Evan Leach
I learned about Steven Millhauser after the New York Times selected Dangerous Laughter as one of the best books of 2008. I loved that book so much that I scooped up The Knife Thrower the second I saw it at the used bookstore. The Knife Thrower is a bit more uneven than Dangerous Laughter, which had at least one novel concept that really engaged me in each story. However, I think that the best stories in The Knife Thrower actually surpass Dangerous Laughter: two of the short stories in this colle ...more
Tim Storm
Nov 07, 2010 Tim Storm rated it it was amazing  ·  review of another edition
About half of theses stories are kind of plotless; the other half are quite gripping plot-wise. His plotless stories are Borgesian philosophical fictions that end up being allegories for our postmodern world. "The Dream of the Consortium," for instance, is about an impossibly large department store that sells just about anything you could want, including full size replicas of ancient ruins. "The consortium was determined to satisfy the buyer's secret desire: to appropriate the world, to possess ...more
Nov 08, 2012 Bandit rated it really liked it  ·  review of another edition
I picked this one up because I couldn't resist the cover art and the fact that it might have something to do with circus. This book lived up to my expectations and then wildly exceeded them. Not all of the stories sung to me, but the ones that did were absolutely amazing. The author creates a magical array of worlds within worlds, dark and mysterious and stunning to explore. In 3 of the stories (which ended up being my favorite) he literally built from the ground up these absolutely incredible ...more
Mar 17, 2009 Melanie rated it really liked it
I'm reading this very slowly - a story or two every few weeks - and I'm finding that I'm enjoying it that way much more than if I sat down for one long read of it. This way, the fact that the voice of the stories is always so similar isn't bothering me at all, because I am reading them as completely separate entities. I always say I'm not a short story reader, but I'm wondering if that's because I've been reading them wrong all this time, and I should have been approaching them more like I'm ...more
Rhiannon Frater
Dec 15, 2008 Rhiannon Frater rated it it was amazing
People may disagree with me, but a lot of these tales came across as subtle horror. In fact, a few really unsettled me and haunted me well after I finished the novel. I really loved this book of short stories and highly recommend it.
Amy (Other Amy)
My father had taught me not to believe in stories about Martians and spaceships, and these tales were like those stories: even as you refused to believe them, you saw them, as if the sheer effort of not believing them made them glow in your mind.
-The Flying Carpets

In a world dense with understanding, oppressive with explanation and insight and love, the members of the silent sisterhood long to evade definition, to remain mysterious and ungraspable. Tell us! we cry, our voices shrill with love. T
Zoe Brooks
Dec 22, 2012 Zoe Brooks rated it really liked it
Shelves: magic-realism
Millhauser's short stories fall in to two types: the dreamlike more poetic stories focused on individuals and often written in the first person and the more formal almost objective accounts of subtle alternative history. The stories often start out in an apparently normal mundane world before moving into the magical alternative realities, drawing the reader with them.

There are certain themes that run through the stories. His characters seem to be trying to escape the world, flying above it on a
Aug 06, 2011 Phil rated it really liked it
This is the first book by Millhauser that I've read, and I really enjoyed it. As others have mentioned, there are recurring themes in many of these stories - flight, underground passages and chambers, mysterious stage shows, scale models - most of which take place in small towns. Both "The New Automaton Theater" and "Paradise Park" seem like they could be, at least in part, allegories of cultural or art history.

Millhauser is often compared to Borges, and indeed both deal frequently with the nat
Oct 02, 2009 craige rated it really liked it
Shelves: fiction
So, I really had not read this book, or if I had, I utterly had forgotten it. I thought the stories all went on a bit too long and the 2nd and 3rd one were a bit rambly. The imagery was great, though. And I do tend to enjoy a new story that builds upon a legend, as the 2nd and 3rd stories do. But I have to wonder how come the first story was included with these two. I have to guess that it fits with them because of the house imagery as all three stories had interesting structures as part of ...more
Jun 29, 2007 Shawn rated it it was amazing  ·  review of another edition
I particularly love Millhauser's work with the plural, communal narrator here -- I don't think I've ever seen it done with such skill, and the result is often creepy and insidious in the way that groupthink really is. Title story is amazing, and I feel like I can actually see the unbelievable worlds he created in Dream of the Consortium and Paradise Park. The stories are also fascinating for their approach to form and structure -- they frequently don't follow a traditional narrative built on ...more
Jeff Plewniak
Jan 24, 2015 Jeff Plewniak rated it liked it
I loved the title story but really everything else seemed rather pointless. He's a good writer but most of the stories didn't feel like stories they were like brochures for wierd places and events. The title story was definitely fantastic though
♥Van'Nesia Scott Aka♥ J.K.`s Bitch♥
Apr 05, 2012 Alta added it
I discovered Steven Millhauser several years ago, when I found his collection of short stories, The Knife Thrower, at a library sale. Milhauser’s technique is very particular in that it uses a realist-psychological approach only to better thwart it by infusing it with elements of fantastic fiction. For example, in “A Visit,” the narrator is introduced to his friend’s wife, who happens to be a gigantic, ugly frog. A different writer would have described the scene in a surrealist style, but ...more
Adam Rodenberger
This review has been hidden because it contains spoilers. To view it, click here.
Sep 20, 2016 Michael rated it it was amazing  ·  review of another edition
Stephen Millhauser is a genius, writing perfect allegories of late capitalism and art that reach depths that very few writers achieve. A must for fans of Kafka, Calvino, Saunders. These stories are sneakily hilarious as well.
tom bomp
Aug 11, 2013 tom bomp rated it it was amazing
An amazing collection of surreal short stories that tread the border between normal and supernatural, generally on the topic of what's real and our desires. Only one or two have explicitly supernatural elements but they all have something that feels close to it - you're never sure if it's something that could actually happen or if it's fantasy. I shelved it as "horror" even though it's not really because it comes close a lot - it reminds me a bit of someone like Ligotti, with far fewer horror ...more
May 07, 2008 Robert rated it really liked it
As soon as I read a few of Steven Millhauser's stories in The New Yorker (and Harpers? I think...) I knew that he would be one of my favorite writers. There are certain writers whose voices pierce right into you, and Millhauser is one of them for me. But then I waited a long time before reading a full book by him. In the meantime, one of his stories was adapted into the film "The Illusionist." Despite the fact that Millhauser has won a Pulitzer, every time I looked for one of his books at a ...more
Apr 05, 2015 Chris rated it liked it
Rating this one was tough, but that may be true of all short story collections. Some stories in this particular collection packed a punch for me (four stars), while there were others that seemed repetitive variations on a theme (for instance, the stories about an increasingly impossible marionette theater, an increasingly impossible department store, an increasingly impossible theme park, an increasingly impossible construction of underground tunnels in a small town). These I would rate as two ...more
Anthony Tao
Oct 30, 2011 Anthony Tao rated it really liked it  ·  review of another edition
No one re-imagines the imagination quite like Millhauser. "The New Automaton Theater" is, quite undisguisedly, about the creative process. "Clair de Lune" is about the confluence of childlike daydreams and adulthood nostalgia. "The Dream of the Consortium" is an inversion of reality, in which creativity is commodified. There are, of course, dangers involved with a mind taking flight, as outlined in "Balloon Flight, 1870," and "Paradise Park" (where there are thoughts of suicide, symbolized by a ...more
What I love about this collection is the expert use of dark elements and a vague but pervasive sense of something sinister just around every corner. This is present in every story here, but struck me as most successful and walking the finest line in the title story. His details are also carefully chosen and placed with awesome precision. In several stories here in particular, Millhauser exhibits an uncanny knack for singling out the one exactly right detail that will sum up the scene for us, ...more
Dec 21, 2013 Graham rated it liked it
Shelves: short-stories
I regret giving this book a three but I think that's what it deserves. Another reviewer called it uneven - I think that's the best description. Some of these stories are simply amazing. If I could rate individual stories, half of them would get 5 stars. But some of the others get repetitive and drag on, and ultimately I ended up not even finishing one of them - "Paradise Park." "Dream of the Consortium" and "Paradise Park" are very similar, but the first is more succinct and better overall. "The ...more
Apr 29, 2008 Michael rated it really liked it  ·  review of another edition
This collection of Steven Millhauser's cumulatively feels like one story, the main character a first person plural voice the reader knows as "we." From story to story, We insists on a set of "firmly" established cultural values that are challenged--by a knife thrower, a consortium that develops an extravagant department store, an amusement park developer, etc.--and ultimately proved tenuous. We cannot resist amusement that pushes previously assumed ethical boundaries for the sake of ...more
May 15, 2015 Yasmeen rated it really liked it  ·  review of another edition
I'm slightly unsettled. Actually, probably more than slightly. Which is meant, obviously, as a compliment.

Some of these point you towards those random things in your subconscious, the things you avoid looking at cause wow they're weird and generally unpleasant to ponder. And then Millhauser paints them with such screaming colours that you can't avoid looking. At the story, at yourself, at humans/society generally (I think I might have been actually squirming with discomfort as I read "A Visit"-
I stumbled upon this collection because I watched the fantastic movie adaption of The Sisterhood of Night and got curious about the original story. To be fair, short stories are not my thing and I usually stay away from them… so I pretty much ended up liking half the stories and hating the rest. Apart from four stories which stand out a bit, the others all seem linked or at least all existing in the same fantastical world and make you want to visit places like the Consortium or Paradise Park. ...more
Leah Lucci
Mar 01, 2012 Leah Lucci rated it really liked it
As with all collections of short stories, it's a mix of hit and miss. I'm giving it four stars, just for the exceptional stories contained.

The theme of this collection is the thin line between fantasy, art, and reality.

Most of the stories are about magical worlds that people create and then fall into.

Two of the most notable stories feature a department store that begins selling replicas of things that are better than the originals, and an amusement park that the owner becomes obsessed with, a
Blake Baguley
It's a mistake to make a book comprised solely of this one man's stories. They start of seeming incredibly off-beat and unworldly, sucking you into their own bizarre world. BUT after a while the "sameness" of the stories gets to you. Sure, the setting and the actual happenings are different, but the mysterious "we", the circuitous and obsessive internal monologue, the acceptance of bizarreness and the total apathetic nature of everyone and everything, plus the incredibly over-the-top-ness of all ...more
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“To be Kaspar Hauser is to long, at every moment of your dubious existence, with every fiber of your questionable being, not to be Kaspar Hauser. It’s to long to leave yourself completely behind, to vanish from your own sight. Does this surprise you? It is of course what you have taught me to desire. And I am a diligent student. With your help I have furnished myself inside and out. My thoughts are yours. These words are yours. Even my black and bitter tears are yours, for I shed them at the thought of the life I never had, which is to say, your life, ladies and gentlemen of Nuremberg. My deepest wish is not to be an exception. My deepest wish is not to be a curiosity, an object of wonder. It is to be unremarkable. To become you—to sink into you—to merge with you until you cannot tell me from yourselves; to be uninteresting; to be nothing at all; to experience the ecstasy of mediocrity—is it so much to ask? You who have helped me to advance so far, won’t you lead me to the promised land, the tranquil land of the ordinary, the banal, the boring? Not to be Kaspar Hauser, not to be the enigma of Europe, not to be the wild boy in the tower, the man without a childhood, the young man without a youth, the monster born in the middle of his life, but to be you, to be you, to be nothing but you! This is my vision of paradise. And although the very existence of such a vision reveals nothing so much as my distance, which widens into an abyss even as I try to fling myself across, still I am not without hope.” 3 likes
“As we hurry along the sidewalk, we have the absurd sensation that we have entered still another department, composed of ingeniously lifelike streets with artful shadows and reflections--that our destinations lie in a far corner of the same department--that we are condemned to hurry forever through these artificial halls, bright with late afternoon light, in search of the way out.” 0 likes
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