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  <title><![CDATA[Tintin and the Secret of Literature]]></title>
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  <description><![CDATA[&lt;div&gt;Hergé's Tintin cartoon adventures have been translated into more than 50 languages and read by tens of millions of children ages&#8212;as their publishers like to say&#8212;&quot;from 7 to 77.&quot; Arguing that their characters are as strong and their plots as complex as any dreamt up by the great novelists, Tom McCarthy asks a simple question: <em>Is Tintin literature?</em> Taking a cue from Tintin himself, who spends much of his time tracking down illicit radio signals, entering crypts, and decoding puzzles, this work suggests that readers also need to tune in and decode in order to capture what's going on in the work. What emerges is a remarkable story of hushed-up royal descent, in both Hergé's work and his own family history. McCarthy shows how the themes this story generates&#8212;expulsion from home, violation of the sacred, the host&#8211;guest relationship turned sour, and anxieties around questions of forgery and fakeness&#8212;are the same that have fueled and troubled writers from the classical era to the present day. His startling conclusion is that Tintin's ultimate secret is that of literature itself.<br/><br/>&lt;/div&gt;]]></description>
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    <![CDATA[Tintin and the Secret of Literature]]>
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    <![CDATA[&lt;div&gt;Arguing that the Tintin books' characters are as strong and their plots as complex as any dreamed up by the great novelists, Tom McCarthy asks a simple question: Is Tintin literature? Taking a cue from Tintin himself &#8212; who spends much of his time tracking down illicit radio signals, entering crypts, and decoding puzzles &#8212; McCarthy suggests that we too need to &#8220;tune in&#8221; and decode if we want to capture what's going on in Hergé's extraordinarily popular work. What emerges from McCarthy's examination of Tintin is a remarkable story of illegitimacy and deceit, in both Hergé's work and his own family history. McCarthy's irresistibly clever, tightly constructed book shows how the themes Tintin generates &#8212; expulsion from home, violation of the sacred, the host-guest relationship turned sour, and anxieties around questions of forgery and fakes &#8212; are the same that have fueled and troubled writers from the classical era to the present day.&lt;/div&gt;]]>
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    <body><![CDATA[I admit I couldn't finish McCarthy's <em>Remainder</em> but I'm enjoying this book like a hot fudge sundae. In this little book of lit crit he reminds me of Adam Thirlwell (<em>Delighted States</em> was my favorites in 2008) in his ability to take something as &quot;childish&quot; as Herge's Tintin books as his subje...<a href="http://www.goodreads.com/review/show/46244903">more...</a>]]></body>
    
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    <![CDATA[&lt;div&gt;Arguing that the Tintin books' characters are as strong and their plots as complex as any dreamed up by the great novelists, Tom McCarthy asks a simple question: Is Tintin literature? Taking a cue from Tintin himself &#8212; who spends much of his time tracking down illicit radio signals, entering crypts, and decoding puzzles &#8212; McCarthy suggests that we too need to &#8220;tune in&#8221; and decode if we want to capture what's going on in Hergé's extraordinarily popular work. What emerges from McCarthy's examination of Tintin is a remarkable story of illegitimacy and deceit, in both Hergé's work and his own family history. McCarthy's irresistibly clever, tightly constructed book shows how the themes Tintin generates &#8212; expulsion from home, violation of the sacred, the host-guest relationship turned sour, and anxieties around questions of forgery and fakes &#8212; are the same that have fueled and troubled writers from the classical era to the present day.&lt;/div&gt;]]>
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  <read_at>Sun Jul 05 00:00:00 -0700 2009</read_at>
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  <date_updated>Sun Jul 19 19:32:42 -0700 2009</date_updated>
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    <body><![CDATA[Sometimes a cigar is a cigar. <br/><br/>This book was an attempt at Tintin scholarship (I think), but devolved into pseudo-academic navel-gazing very quickly. Don't get me wrong, I love academic navel-gazing, but I dislike the leaps of logic Mr. McCarthy wanted the reader to make with him. It wasn...<a href="http://www.goodreads.com/review/show/61346994">more...</a>]]></body>
    
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      <review>
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    <name><![CDATA[Claire]]></name>
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    <![CDATA[Tintin and the Secret of Literature]]>
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    <![CDATA[&lt;div&gt;Hergé's Tintin cartoon adventures have been translated into more than 50 languages and read by tens of millions of children ages&#8212;as their publishers like to say&#8212;&quot;from 7 to 77.&quot; Arguing that their characters are as strong and their plots as complex as any dreamt up by the great novelists, Tom McCarthy asks a simple question: <em>Is Tintin literature?</em> Taking a cue from Tintin himself, who spends much of his time tracking down illicit radio signals, entering crypts, and decoding puzzles, this work suggests that readers also need to tune in and decode in order to capture what's going on in the work. What emerges is a remarkable story of hushed-up royal descent, in both Hergé's work and his own family history. McCarthy shows how the themes this story generates&#8212;expulsion from home, violation of the sacred, the host&#8211;guest relationship turned sour, and anxieties around questions of forgery and fakeness&#8212;are the same that have fueled and troubled writers from the classical era to the present day. His startling conclusion is that Tintin's ultimate secret is that of literature itself.<br/><br/>&lt;/div&gt;]]>
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    <rating>2</rating>
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  <read_at>Wed Aug 13 00:00:00 -0700 2008</read_at>
  <date_added>Sun Aug 10 07:02:59 -0700 2008</date_added>
  <date_updated>Wed Aug 13 19:08:32 -0700 2008</date_updated>
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    <body><![CDATA[Although I enjoyed reading about my favorite childhood heroes (Bianca Castafiore, Captain Haddock, Professor Calculus and all the rest), I don't think this book achieved more than an application of post-structuralist theory to a comic book. Which is cool and all, if that's what you set out to do, bu...<a href="http://www.goodreads.com/review/show/29752758">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/29752758]]></url>
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      <review>
  <id>46637971</id>
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    <name><![CDATA[Kelly]]></name>
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    <![CDATA[Tintin and the Secret of Literature]]>
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  <average_rating>3.35</average_rating>
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    <![CDATA[&lt;div&gt;Arguing that the Tintin books' characters are as strong and their plots as complex as any dreamed up by the great novelists, Tom McCarthy asks a simple question: Is Tintin literature? Taking a cue from Tintin himself &#8212; who spends much of his time tracking down illicit radio signals, entering crypts, and decoding puzzles &#8212; McCarthy suggests that we too need to &#8220;tune in&#8221; and decode if we want to capture what's going on in Hergé's extraordinarily popular work. What emerges from McCarthy's examination of Tintin is a remarkable story of illegitimacy and deceit, in both Hergé's work and his own family history. McCarthy's irresistibly clever, tightly constructed book shows how the themes Tintin generates &#8212; expulsion from home, violation of the sacred, the host-guest relationship turned sour, and anxieties around questions of forgery and fakes &#8212; are the same that have fueled and troubled writers from the classical era to the present day.&lt;/div&gt;]]>
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    <rating>4</rating>
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  <read_at>Tue Feb 17 00:00:00 -0800 2009</read_at>
  <date_added>Tue Feb 17 09:37:49 -0800 2009</date_added>
  <date_updated>Tue Feb 17 09:39:08 -0800 2009</date_updated>
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    <body><![CDATA[For anyone who grew up reading TinTin (in French, English or both) this is an intelligent romp through the narrative threads with a critical eye.  ]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/46637971]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/46637971]]></link>
</review>
      <review>
  <id>74324030</id>
    <user>
    <id>270152</id>
    <name><![CDATA[Megan]]></name>
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    <![CDATA[Tintin and the Secret of Literature]]>
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  <average_rating>3.35</average_rating>
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  <description>
    <![CDATA[&lt;div&gt;Hergé's Tintin cartoon adventures have been translated into more than 50 languages and read by tens of millions of children ages&#8212;as their publishers like to say&#8212;&quot;from 7 to 77.&quot; Arguing that their characters are as strong and their plots as complex as any dreamt up by the great novelists, Tom McCarthy asks a simple question: <em>Is Tintin literature?</em> Taking a cue from Tintin himself, who spends much of his time tracking down illicit radio signals, entering crypts, and decoding puzzles, this work suggests that readers also need to tune in and decode in order to capture what's going on in the work. What emerges is a remarkable story of hushed-up royal descent, in both Hergé's work and his own family history. McCarthy shows how the themes this story generates&#8212;expulsion from home, violation of the sacred, the host&#8211;guest relationship turned sour, and anxieties around questions of forgery and fakeness&#8212;are the same that have fueled and troubled writers from the classical era to the present day. His startling conclusion is that Tintin's ultimate secret is that of literature itself.<br/><br/>&lt;/div&gt;]]>
  </description>
  <published>2006</published>
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    <rating>2</rating>
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  <read_at>Sat Oct 17 00:00:00 -0700 2009</read_at>
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  <date_updated>Sat Oct 17 18:44:39 -0700 2009</date_updated>
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    <body><![CDATA[I guess it's better to overthink things than underthink them. <br/>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/74324030]]></url>
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      <review>
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    <name><![CDATA[Alice]]></name>
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    <![CDATA[Tintin and the Secret of Literature]]>
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  <average_rating>3.35</average_rating>
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  <description>
    <![CDATA[&lt;div&gt;Hergé's Tintin cartoon adventures have been translated into more than 50 languages and read by tens of millions of children ages&#8212;as their publishers like to say&#8212;&quot;from 7 to 77.&quot; Arguing that their characters are as strong and their plots as complex as any dreamt up by the great novelists, Tom McCarthy asks a simple question: <em>Is Tintin literature?</em> Taking a cue from Tintin himself, who spends much of his time tracking down illicit radio signals, entering crypts, and decoding puzzles, this work suggests that readers also need to tune in and decode in order to capture what's going on in the work. What emerges is a remarkable story of hushed-up royal descent, in both Hergé's work and his own family history. McCarthy shows how the themes this story generates&#8212;expulsion from home, violation of the sacred, the host&#8211;guest relationship turned sour, and anxieties around questions of forgery and fakeness&#8212;are the same that have fueled and troubled writers from the classical era to the present day. His startling conclusion is that Tintin's ultimate secret is that of literature itself.<br/><br/>&lt;/div&gt;]]>
  </description>
  <published>2006</published>
</book>

    <rating>4</rating>
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  <read_at>Thu Nov 01 00:00:00 -0700 2007</read_at>
  <date_added>Tue Aug 14 06:34:46 -0700 2007</date_added>
  <date_updated>Wed Feb 18 07:55:51 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Be warned: if you read this, you will never look at a Tintin book in the same way again. If you're willing to take that risk, you'll discover symbolism, allegory and hidden treasure beyond anything uncovered by the boy reporter. With chapters titled 'Gling, Bling, Cling' and 'Castafiore's Clit' it's...<a href="http://www.goodreads.com/review/show/4523244">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/4523244]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/4523244]]></link>
</review>
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  <link>http://www.goodreads.com/book/show/146163.Tintin_and_the_Secret_of_Literature</link>
  <average_rating>3.35</average_rating>
  <ratings_count>49</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;Hergé's Tintin cartoon adventures have been translated into more than 50 languages and read by tens of millions of children ages&#8212;as their publishers like to say&#8212;&quot;from 7 to 77.&quot; Arguing that their characters are as strong and their plots as complex as any dreamt up by the great novelists, Tom McCarthy asks a simple question: <em>Is Tintin literature?</em> Taking a cue from Tintin himself, who spends much of his time tracking down illicit radio signals, entering crypts, and decoding puzzles, this work suggests that readers also need to tune in and decode in order to capture what's going on in the work. What emerges is a remarkable story of hushed-up royal descent, in both Hergé's work and his own family history. McCarthy shows how the themes this story generates&#8212;expulsion from home, violation of the sacred, the host&#8211;guest relationship turned sour, and anxieties around questions of forgery and fakeness&#8212;are the same that have fueled and troubled writers from the classical era to the present day. His startling conclusion is that Tintin's ultimate secret is that of literature itself.<br/><br/>&lt;/div&gt;]]>
  </description>
  <published>2006</published>
</book>

    <rating>3</rating>
  <votes>1</votes>
  <spoiler_flag>false</spoiler_flag>
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  <read_at></read_at>
  <date_added>Thu Sep 18 23:04:05 -0700 2008</date_added>
  <date_updated>Thu Sep 18 23:04:36 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[My, this was...interesting. At times it was insightful or at least presented interesting patterns and tropes within the Tintin books - beyond a certain point I thought it crossed over into dubious over-analysis, though. Too much of the Derrida technique of playing around with ambiguous phrases until...<a href="http://www.goodreads.com/review/show/33232500">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/33232500]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/33232500]]></link>
</review>
      <review>
  <id>27335936</id>
    <user>
    <id>395634</id>
    <name><![CDATA[Brent]]></name>
    <location><![CDATA[Providence, RI]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/395634-brent-legault]]></link>
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  <title>
    <![CDATA[Tintin and the Secret of Literature]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1172178213m/146163.jpg</image_url>
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  <average_rating>3.35</average_rating>
  <ratings_count>49</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;Hergé's Tintin cartoon adventures have been translated into more than 50 languages and read by tens of millions of children ages&#8212;as their publishers like to say&#8212;&quot;from 7 to 77.&quot; Arguing that their characters are as strong and their plots as complex as any dreamt up by the great novelists, Tom McCarthy asks a simple question: <em>Is Tintin literature?</em> Taking a cue from Tintin himself, who spends much of his time tracking down illicit radio signals, entering crypts, and decoding puzzles, this work suggests that readers also need to tune in and decode in order to capture what's going on in the work. What emerges is a remarkable story of hushed-up royal descent, in both Hergé's work and his own family history. McCarthy shows how the themes this story generates&#8212;expulsion from home, violation of the sacred, the host&#8211;guest relationship turned sour, and anxieties around questions of forgery and fakeness&#8212;are the same that have fueled and troubled writers from the classical era to the present day. His startling conclusion is that Tintin's ultimate secret is that of literature itself.<br/><br/>&lt;/div&gt;]]>
  </description>
  <published>2006</published>
</book>

    <rating>4</rating>
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  <recommended_for><![CDATA[sapristis, mille milliards]]></recommended_for>
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  <read_at>Mon Jul 28 14:43:33 -0700 2008</read_at>
  <date_added>Tue Jul 15 12:52:10 -0700 2008</date_added>
  <date_updated>Mon Jul 28 14:43:33 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[McCarthy manhandles poor little TinTin with the help of Derrida, Debord, Freud, Serres, Barthes, Shakespeare, Bataille, and Baudelaire. He does so without ever boring the reader or rather <em>this</em> reader. His style is LitCrit Lite and I appreciated it especially when I didn't agree with his insights. <a href="http://www.goodreads.com/review/show/27335936">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/27335936]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/27335936]]></link>
</review>
      <review>
  <id>228694</id>
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    <id>22752</id>
    <name><![CDATA[Nat]]></name>
    <location><![CDATA[Chicago, IL]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/22752-nat]]></link>
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  <title>
    <![CDATA[Tintin and the Secret of Literature]]>
  </title>
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  <average_rating>3.35</average_rating>
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  <description>
    <![CDATA[&lt;div&gt;Hergé's Tintin cartoon adventures have been translated into more than 50 languages and read by tens of millions of children ages&#8212;as their publishers like to say&#8212;&quot;from 7 to 77.&quot; Arguing that their characters are as strong and their plots as complex as any dreamt up by the great novelists, Tom McCarthy asks a simple question: <em>Is Tintin literature?</em> Taking a cue from Tintin himself, who spends much of his time tracking down illicit radio signals, entering crypts, and decoding puzzles, this work suggests that readers also need to tune in and decode in order to capture what's going on in the work. What emerges is a remarkable story of hushed-up royal descent, in both Hergé's work and his own family history. McCarthy shows how the themes this story generates&#8212;expulsion from home, violation of the sacred, the host&#8211;guest relationship turned sour, and anxieties around questions of forgery and fakeness&#8212;are the same that have fueled and troubled writers from the classical era to the present day. His startling conclusion is that Tintin's ultimate secret is that of literature itself.<br/><br/>&lt;/div&gt;]]>
  </description>
  <published>2006</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
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  <read_at>Fri Sep 01 00:00:00 -0700 2006</read_at>
  <date_added>Sat Mar 10 22:50:47 -0800 2007</date_added>
  <date_updated>Wed Dec 16 16:31:11 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Pretentious lit crit account of the tintin stories. Implausibly treats the absurdly boring Castiafore Emerald as an essential installment in the tintin corpus. <br/><br/>Tintin still awaits the critical treatment it deserves.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/228694]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/228694]]></link>
</review>
      <review>
  <id>22955377</id>
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    <name><![CDATA[Sean]]></name>
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  <title>
    <![CDATA[Tintin and the Secret of Literature]]>
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  <average_rating>3.35</average_rating>
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    <![CDATA[&lt;div&gt;Hergé's Tintin cartoon adventures have been translated into more than 50 languages and read by tens of millions of children ages&#8212;as their publishers like to say&#8212;&quot;from 7 to 77.&quot; Arguing that their characters are as strong and their plots as complex as any dreamt up by the great novelists, Tom McCarthy asks a simple question: <em>Is Tintin literature?</em> Taking a cue from Tintin himself, who spends much of his time tracking down illicit radio signals, entering crypts, and decoding puzzles, this work suggests that readers also need to tune in and decode in order to capture what's going on in the work. What emerges is a remarkable story of hushed-up royal descent, in both Hergé's work and his own family history. McCarthy shows how the themes this story generates&#8212;expulsion from home, violation of the sacred, the host&#8211;guest relationship turned sour, and anxieties around questions of forgery and fakeness&#8212;are the same that have fueled and troubled writers from the classical era to the present day. His startling conclusion is that Tintin's ultimate secret is that of literature itself.<br/><br/>&lt;/div&gt;]]>
  </description>
  <published>2006</published>
</book>

    <rating>3</rating>
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  <read_at>Wed May 21 00:00:00 -0700 2008</read_at>
  <date_added>Sun May 25 21:08:31 -0700 2008</date_added>
  <date_updated>Sun May 25 21:11:36 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[A bit of a stretch on most references... sure, and interesting take, but I am unconvinced on the validity of his arguments. Was an interesting, quick, read nonetheless.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/22955377]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/22955377]]></link>
</review>
      <review>
  <id>31905271</id>
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    <name><![CDATA[Shannon]]></name>
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    <![CDATA[Tintin and the Secret of Literature]]>
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  <average_rating>3.35</average_rating>
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  <description>
    <![CDATA[&lt;div&gt;Arguing that the Tintin books' characters are as strong and their plots as complex as any dreamed up by the great novelists, Tom McCarthy asks a simple question: Is Tintin literature? Taking a cue from Tintin himself &#8212; who spends much of his time tracking down illicit radio signals, entering crypts, and decoding puzzles &#8212; McCarthy suggests that we too need to &#8220;tune in&#8221; and decode if we want to capture what's going on in Hergé's extraordinarily popular work. What emerges from McCarthy's examination of Tintin is a remarkable story of illegitimacy and deceit, in both Hergé's work and his own family history. McCarthy's irresistibly clever, tightly constructed book shows how the themes Tintin generates &#8212; expulsion from home, violation of the sacred, the host-guest relationship turned sour, and anxieties around questions of forgery and fakes &#8212; are the same that have fueled and troubled writers from the classical era to the present day.&lt;/div&gt;]]>
  </description>
  <published>2006</published>
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    <rating>4</rating>
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  <date_added>Wed Sep 03 09:16:30 -0700 2008</date_added>
  <date_updated>Fri Sep 12 09:35:48 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[This guy is scary smart. Would have give it five stars, but I haven't read that much Tintin. So why did I even pick this up in the first place? I'm a nerd.....]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/31905271]]></url>
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      <review>
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    <![CDATA[Tintin and the Secret of Literature]]>
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  <average_rating>3.35</average_rating>
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  <description>
    <![CDATA[&lt;div&gt;Hergé's Tintin cartoon adventures have been translated into more than 50 languages and read by tens of millions of children ages&#8212;as their publishers like to say&#8212;&quot;from 7 to 77.&quot; Arguing that their characters are as strong and their plots as complex as any dreamt up by the great novelists, Tom McCarthy asks a simple question: <em>Is Tintin literature?</em> Taking a cue from Tintin himself, who spends much of his time tracking down illicit radio signals, entering crypts, and decoding puzzles, this work suggests that readers also need to tune in and decode in order to capture what's going on in the work. What emerges is a remarkable story of hushed-up royal descent, in both Hergé's work and his own family history. McCarthy shows how the themes this story generates&#8212;expulsion from home, violation of the sacred, the host&#8211;guest relationship turned sour, and anxieties around questions of forgery and fakeness&#8212;are the same that have fueled and troubled writers from the classical era to the present day. His startling conclusion is that Tintin's ultimate secret is that of literature itself.<br/><br/>&lt;/div&gt;]]>
  </description>
  <published>2006</published>
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  <read_at>Sun Jun 10 00:00:00 -0700 2007</read_at>
  <date_added>Sat Dec 12 21:09:12 -0800 2009</date_added>
  <date_updated>Sat Dec 12 21:09:48 -0800 2009</date_updated>
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      <review>
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    <name><![CDATA[Tim]]></name>
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    <![CDATA[Tintin and the Secret of Literature]]>
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  <average_rating>3.35</average_rating>
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    <![CDATA[&lt;div&gt;Arguing that the Tintin books' characters are as strong and their plots as complex as any dreamed up by the great novelists, Tom McCarthy asks a simple question: Is Tintin literature? Taking a cue from Tintin himself &#8212; who spends much of his time tracking down illicit radio signals, entering crypts, and decoding puzzles &#8212; McCarthy suggests that we too need to &#8220;tune in&#8221; and decode if we want to capture what's going on in Hergé's extraordinarily popular work. What emerges from McCarthy's examination of Tintin is a remarkable story of illegitimacy and deceit, in both Hergé's work and his own family history. McCarthy's irresistibly clever, tightly constructed book shows how the themes Tintin generates &#8212; expulsion from home, violation of the sacred, the host-guest relationship turned sour, and anxieties around questions of forgery and fakes &#8212; are the same that have fueled and troubled writers from the classical era to the present day.&lt;/div&gt;]]>
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  <date_added>Sun Nov 29 11:39:51 -0800 2009</date_added>
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    <![CDATA[Tintin and the Secret of Literature]]>
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  <average_rating>3.35</average_rating>
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  <description>
    <![CDATA[&lt;div&gt;Arguing that the Tintin books' characters are as strong and their plots as complex as any dreamed up by the great novelists, Tom McCarthy asks a simple question: Is Tintin literature? Taking a cue from Tintin himself &#8212; who spends much of his time tracking down illicit radio signals, entering crypts, and decoding puzzles &#8212; McCarthy suggests that we too need to &#8220;tune in&#8221; and decode if we want to capture what's going on in Hergé's extraordinarily popular work. What emerges from McCarthy's examination of Tintin is a remarkable story of illegitimacy and deceit, in both Hergé's work and his own family history. McCarthy's irresistibly clever, tightly constructed book shows how the themes Tintin generates &#8212; expulsion from home, violation of the sacred, the host-guest relationship turned sour, and anxieties around questions of forgery and fakes &#8212; are the same that have fueled and troubled writers from the classical era to the present day.&lt;/div&gt;]]>
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  <date_added>Sat Nov 28 23:02:41 -0800 2009</date_added>
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