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  <id>1431630</id>
  <title><![CDATA[Sons and Lovers (Modern Library)]]></title>
  <isbn><![CDATA[0679602682]]></isbn>
  <isbn13><![CDATA[9780679602682]]></isbn13>
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  <description><![CDATA[<em>Sons and Lovers</em> was the first modern portrayal of a  phenomenon that later, thanks to Freud, became easily recognizable as  the Oedipus complex. Never was a son more indentured to his mother's  love and full of hatred for his father than Paul Morel, D.H. Lawrence's  young protagonist. Never, that is, except perhaps Lawrence himself. In his 1913 novel he grappled with the discordant loves that haunted him  all his life--for his spiritual childhood sweetheart, here called Miriam,  and for his mother, whom he transformed into Mrs. Morel. It is, by  Lawrence's own account, a book aimed at depicting this woman's grasp: &quot;as her sons grow up she selects them as lovers--first the eldest, then the second. These sons are <em>urged</em> into life by their reciprocal love of their mother--urged on and on. But when they come to manhood, they can't  love, because their mother is the strongest power in their lives.&quot; <p>  Of course, Mrs. Morel takes neither of her two elder sons (the first of  whom dies early, which further intensifies her grip on  Paul) as a literal lover, but nonetheless her psychological snare is  immense. She loathes Paul's Miriam from the start, understanding that  the  girl's deep love of her son will oust her: &quot;She's not like an ordinary  woman, who can leave me my share in him. She wants to absorb  him.&quot; Meanwhile, Paul plays his part with equal fervor,  incapable of committing himself in either direction: &quot;Why did his  mother  sit at home and suffer?... And why did he hate Miriam, and feel so  cruel  towards her, at the thought of his mother. If Miriam caused his mother  suffering, then he hated her--and he easily hated her.&quot;  Soon  thereafter he even confesses to his mother: &quot;I really <em>don't</em> love her. I  talk to her, but I want to come home to you.&quot;<p>  The result of all this is that Paul throws Miriam over for a married  suffragette, Clara Dawes, who fulfills the sexual component of his  ascent to manhood but leaves him, as ever, without a complete  relationship to challenge his love for his mother. As Paul voyages from  the working-class mining world to the  spheres of commerce and art (he has fair success as a painter), he  accepts that his own achievements must be equally his  mother's. &quot;There was so much to come out of him. Life for her was rich  with promise. She was to see herself fulfilled... All his work was  hers.&quot;  <p>  The cycles of Paul's relationships with these three women are  terrifying at times, and Lawrence does nothing to dim their intensity.  Nor does he shirk in his vivid, sensuous descriptions of the landscape  that offers up its blossoms and beasts and &quot;shimmeriness&quot; to Paul's  sensitive spirit. <em>Sons and Lovers</em> lays fully bare the souls of  men and  earth. Few books tell such whole, complicated truths about the  permutations of love as resolutely without resolution. It's nothing  short  of searing to be brushed by humanity in this manner. <em>--Melanie  Rehak</em></p></p></p>]]></description>
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        <name><![CDATA[D.H. Lawrence]]></name>
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    <![CDATA[Sons and Lovers (Barnes &amp; Noble Classics Series) (B&amp;N Classics Trade Paper)]]>
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    <![CDATA[&lt;div&gt;Called the most widely-read English novel of the twentieth century, <strong>D. H. Lawrence</strong>&#8217;s largely autobiographical <em>Sons and Lovers</em> tells the story of Paul Morel, a young artist growing into manhood in a British working-class community near the Nottingham coalfields. His mother Gertrude, unhappily married to Paul&#8217;s hard-drinking father, devotes all her energies to her son. They develop a powerful and passionate relationship, but eventually tensions arise when Paul falls in love with a girl and seeks to escape his family ties. Torn between his desire for independence and his abiding attachment to his loving but overbearing mother, Paul struggles to define himself sexually and emotionally through his relationships with two women&#8212;the innocent, old-fashioned Miriam Leivers, and the experienced, provocatively modern Clara Dawes. <br/><br/>Heralding Lawrence&#8217;s mature period, Sons and Lovers vividly evokes the all-consuming nature of possessive love and sexual attraction. Lushly descriptive and deeply emotional, it is rich in universal truths about human relationships. <br/><br/>&lt;/div&gt;]]>
  </description>
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    <rating>5</rating>
  <votes>4</votes>
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  <date_added>Sun Jun 29 18:10:25 -0700 2008</date_added>
  <date_updated>Sun Jun 29 18:10:32 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I attempted to read this book twice years ago. I failed to finish each time, finding the novel laborious. Now, married and with children, I have read through this book eagerly. It is perhaps a half-lifetime of experience that has allowed me to see this story in a different light. The examination of ...<a href="http://www.goodreads.com/review/show/25862890">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/25862890]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/25862890]]></link>
</review>
      <review>
  <id>1868818</id>
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    <id>125861</id>
    <name><![CDATA[Carolyn]]></name>
    <location><![CDATA[Chantilly, VA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/125861-carolyn-barnes]]></link>
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  <title>
    <![CDATA[Sons and Lovers]]>
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  <average_rating>3.53</average_rating>
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    <![CDATA[<em>With a new Introduction by Geoff Dyer<br/>Commentary by Anthony Burgess, Jessie Chambers, Frieda Lawrence, V.S. Pritchett, Kate Millett, and Alfred Kazin</em><br/><br/>Of all Lawrence's work, <strong>Sons and Lovers</strong> tells us most about the emotional source of his ideas,&quot; observed Diana Trilling. &quot;The famous Lawrence theme of the struggle for sexual power--and he is sure that all the struggles of civilized life have their root in this primary contest--is the constantly elaborated statement of the fierce battle which tore Lawrence's family.&quot;<br/><br/><strong>Sons and Lovers </strong>is one of the landmark novels of the twentieth century. When it appeared in 1913, it was immediately recognized as the first great modern restatement of the oedipal drama, and it is now widely considered the major work of D. H. Lawrence's early period. This intensely autobiographical novel recounts the story of Paul Morel, a young artist growing to manhood in a British working-class family rife with conflict. The author's vivid evocation of the all-consuming nature of possessive love and sexual attraction makes this one of his most powerful novels.<br/><br/>For the critic Kate Millett, &quot;<strong>Sons and Lovers</strong> is a great novel because it has the ring of something written from deeply felt experience. The past remembered, it conveys more of Lawrence's own knowledge of life than anything else he wrote. His other novels appear somehow artificial beside it.&quot;]]>
  </description>
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    <rating>3</rating>
  <votes>2</votes>
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  <read_at>Fri Jun 01 00:00:00 -0700 2007</read_at>
  <date_added>Mon Jun 11 20:23:03 -0700 2007</date_added>
  <date_updated>Wed Dec 16 21:17:01 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[&quot;To him now, life seemed a shadow, a day a white shadow; night, and death, and stillness, and inaction, this seemed like being.  To be alive, to be urgent and insistent--That was not-to-be.  The highest of all was to melt out into the darkness and sway there, identified with the great Being.&quot;...<a href="http://www.goodreads.com/review/show/1868818">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/1868818]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/1868818]]></link>
</review>
      <review>
  <id>3967157</id>
    <user>
    <id>75566</id>
    <name><![CDATA[Jane-Rebecca]]></name>
    <location><![CDATA[Glenside, PA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/75566-jane-rebecca]]></link>
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  <title>
    <![CDATA[Sons and Lovers]]>
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  <average_rating>3.53</average_rating>
  <ratings_count>4766</ratings_count>
  <description>
    <![CDATA[<em>With a new Introduction by Geoff Dyer<br/>Commentary by Anthony Burgess, Jessie Chambers, Frieda Lawrence, V.S. Pritchett, Kate Millett, and Alfred Kazin</em><br/><br/>Of all Lawrence's work, <strong>Sons and Lovers</strong> tells us most about the emotional source of his ideas,&quot; observed Diana Trilling. &quot;The famous Lawrence theme of the struggle for sexual power--and he is sure that all the struggles of civilized life have their root in this primary contest--is the constantly elaborated statement of the fierce battle which tore Lawrence's family.&quot;<br/><br/><strong>Sons and Lovers </strong>is one of the landmark novels of the twentieth century. When it appeared in 1913, it was immediately recognized as the first great modern restatement of the oedipal drama, and it is now widely considered the major work of D. H. Lawrence's early period. This intensely autobiographical novel recounts the story of Paul Morel, a young artist growing to manhood in a British working-class family rife with conflict. The author's vivid evocation of the all-consuming nature of possessive love and sexual attraction makes this one of his most powerful novels.<br/><br/>For the critic Kate Millett, &quot;<strong>Sons and Lovers</strong> is a great novel because it has the ring of something written from deeply felt experience. The past remembered, it conveys more of Lawrence's own knowledge of life than anything else he wrote. His other novels appear somehow artificial beside it.&quot;]]>
  </description>
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    <rating>5</rating>
  <votes>2</votes>
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  <recommended_for><![CDATA[You ]]></recommended_for>
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  <read_at>Fri Jun 01 00:00:00 -0700 2007</read_at>
  <date_added>Thu Aug 02 08:47:58 -0700 2007</date_added>
  <date_updated>Thu Aug 02 08:53:10 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[It had taken me awhile to get invested in this novel and if I hadn't already had a relationship with other Lawrence literature, I probably would have put it down. <br/>Thankfully I didn't and was significantly moved by all the characters that played a part in shaping the novel. <br/><br/>I was pa...<a href="http://www.goodreads.com/review/show/3967157">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/3967157]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/3967157]]></link>
</review>
      <review>
  <id>19799723</id>
    <user>
    <id>214729</id>
    <name><![CDATA[Rick]]></name>
    <location><![CDATA[Pittsburgh, PA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/214729-rick]]></link>
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  <isbn>1593080131</isbn>
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  <text_reviews_count type="integer">19</text_reviews_count>
  <title>
    <![CDATA[Sons and Lovers (Barnes &amp; Noble Classics Series) (B&amp;N Classics Trade Paper)]]>
  </title>
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  <average_rating>3.53</average_rating>
  <ratings_count>4766</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;Called the most widely-read English novel of the twentieth century, <strong>D. H. Lawrence</strong>&#8217;s largely autobiographical <em>Sons and Lovers</em> tells the story of Paul Morel, a young artist growing into manhood in a British working-class community near the Nottingham coalfields. His mother Gertrude, unhappily married to Paul&#8217;s hard-drinking father, devotes all her energies to her son. They develop a powerful and passionate relationship, but eventually tensions arise when Paul falls in love with a girl and seeks to escape his family ties. Torn between his desire for independence and his abiding attachment to his loving but overbearing mother, Paul struggles to define himself sexually and emotionally through his relationships with two women&#8212;the innocent, old-fashioned Miriam Leivers, and the experienced, provocatively modern Clara Dawes. <br/><br/>Heralding Lawrence&#8217;s mature period, Sons and Lovers vividly evokes the all-consuming nature of possessive love and sexual attraction. Lushly descriptive and deeply emotional, it is rich in universal truths about human relationships. <br/><br/>&lt;/div&gt;]]>
  </description>
  <published>1913</published>
</book>

    <rating>2</rating>
  <votes>2</votes>
  <spoiler_flag>false</spoiler_flag>
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  <recommended_for><![CDATA[arty people who might better identify with sensitive, moody Paul]]></recommended_for>
  <recommended_by><![CDATA[found it on amazon as a suggestion for people interested in soci]]></recommended_by>
  <read_at>Sun Jun 15 00:00:00 -0700 2008</read_at>
  <date_added>Wed Apr 09 10:31:58 -0700 2008</date_added>
  <date_updated>Sun Jun 15 15:22:48 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[It was mostly a bore.  Some of the events had me interested, but overall i just kept waiting to be really moved and wasn't.  I liked the descriptions of Paul in his discussions with Miriam about their relationship when they were getting close to &quot;breaking off.&quot;  <br/><br/>I kept wishing ...<a href="http://www.goodreads.com/review/show/19799723">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/19799723]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/19799723]]></link>
</review>
      <review>
  <id>3259096</id>
    <user>
    <id>144981</id>
    <name><![CDATA[Leonard Houx]]></name>
    <location><![CDATA[Portland, OR]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/144981-leonard-houx]]></link>
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    <![CDATA[Sons and Lovers]]>
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    <![CDATA[<em>With a new Introduction by Geoff Dyer<br/>Commentary by Anthony Burgess, Jessie Chambers, Frieda Lawrence, V.S. Pritchett, Kate Millett, and Alfred Kazin</em><br/><br/>Of all Lawrence's work, <strong>Sons and Lovers</strong> tells us most about the emotional source of his ideas,&quot; observed Diana Trilling. &quot;The famous Lawrence theme of the struggle for sexual power--and he is sure that all the struggles of civilized life have their root in this primary contest--is the constantly elaborated statement of the fierce battle which tore Lawrence's family.&quot;<br/><br/><strong>Sons and Lovers </strong>is one of the landmark novels of the twentieth century. When it appeared in 1913, it was immediately recognized as the first great modern restatement of the oedipal drama, and it is now widely considered the major work of D. H. Lawrence's early period. This intensely autobiographical novel recounts the story of Paul Morel, a young artist growing to manhood in a British working-class family rife with conflict. The author's vivid evocation of the all-consuming nature of possessive love and sexual attraction makes this one of his most powerful novels.<br/><br/>For the critic Kate Millett, &quot;<strong>Sons and Lovers</strong> is a great novel because it has the ring of something written from deeply felt experience. The past remembered, it conveys more of Lawrence's own knowledge of life than anything else he wrote. His other novels appear somehow artificial beside it.&quot;]]>
  </description>
  <published>1913</published>
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    <rating>0</rating>
  <votes>2</votes>
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  <read_at>Mon May 12 08:09:52 -0700 2008</read_at>
  <date_added>Thu Jul 19 05:35:16 -0700 2007</date_added>
  <date_updated>Mon May 12 08:09:52 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[William: How do you like Lawrence? I wasn't impressed. I came away thinking his rep rests on sensationalism.<br/>Me: meh. the book seems to be about emotions, relationships: stuff i don't give a shit about.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/3259096]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/3259096]]></link>
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      <review>
  <id>66258739</id>
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    <id>142079</id>
    <name><![CDATA[Cristin]]></name>
    <location><![CDATA[Providence, RI]]></location>
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  <average_rating>3.53</average_rating>
  <ratings_count>4766</ratings_count>
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    <![CDATA[<em>With a new Introduction by Geoff Dyer<br/>Commentary by Anthony Burgess, Jessie Chambers, Frieda Lawrence, V.S. Pritchett, Kate Millett, and Alfred Kazin</em><br/><br/>Of all Lawrence's work, <strong>Sons and Lovers</strong> tells us most about the emotional source of his ideas,&quot; observed Diana Trilling. &quot;The famous Lawrence theme of the struggle for sexual power--and he is sure that all the struggles of civilized life have their root in this primary contest--is the constantly elaborated statement of the fierce battle which tore Lawrence's family.&quot;<br/><br/><strong>Sons and Lovers </strong>is one of the landmark novels of the twentieth century. When it appeared in 1913, it was immediately recognized as the first great modern restatement of the oedipal drama, and it is now widely considered the major work of D. H. Lawrence's early period. This intensely autobiographical novel recounts the story of Paul Morel, a young artist growing to manhood in a British working-class family rife with conflict. The author's vivid evocation of the all-consuming nature of possessive love and sexual attraction makes this one of his most powerful novels.<br/><br/>For the critic Kate Millett, &quot;<strong>Sons and Lovers</strong> is a great novel because it has the ring of something written from deeply felt experience. The past remembered, it conveys more of Lawrence's own knowledge of life than anything else he wrote. His other novels appear somehow artificial beside it.&quot;]]>
  </description>
  <published>1913</published>
</book>

    <rating>3</rating>
  <votes>1</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Mon Jul 13 00:00:00 -0700 2009</read_at>
  <date_added>Tue Aug 04 23:22:17 -0700 2009</date_added>
  <date_updated>Sun Dec 06 12:34:46 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[This marks my first experience of D.H. Lawrence, apart from practically memorizing a famous, passionate excerpt from “The Rainbow,” read during a great episode of Northern Exposure (one of the greatest television shows of all time, in my humble opinion)…that excerpt may have generated some pre...<a href="http://www.goodreads.com/review/show/66258739">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/66258739]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/66258739]]></link>
</review>
      <review>
  <id>18840800</id>
    <user>
    <id>710618</id>
    <name><![CDATA[Ian]]></name>
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  <isbn>1593080131</isbn>
  <isbn13>9781593080136</isbn13>
  <text_reviews_count type="integer">19</text_reviews_count>
  <title>
    <![CDATA[Sons and Lovers (Barnes &amp; Noble Classics Series) (B&amp;N Classics Trade Paper)]]>
  </title>
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  <average_rating>3.53</average_rating>
  <ratings_count>4766</ratings_count>
  <description>
    <![CDATA[&lt;div&gt;Called the most widely-read English novel of the twentieth century, <strong>D. H. Lawrence</strong>&#8217;s largely autobiographical <em>Sons and Lovers</em> tells the story of Paul Morel, a young artist growing into manhood in a British working-class community near the Nottingham coalfields. His mother Gertrude, unhappily married to Paul&#8217;s hard-drinking father, devotes all her energies to her son. They develop a powerful and passionate relationship, but eventually tensions arise when Paul falls in love with a girl and seeks to escape his family ties. Torn between his desire for independence and his abiding attachment to his loving but overbearing mother, Paul struggles to define himself sexually and emotionally through his relationships with two women&#8212;the innocent, old-fashioned Miriam Leivers, and the experienced, provocatively modern Clara Dawes. <br/><br/>Heralding Lawrence&#8217;s mature period, Sons and Lovers vividly evokes the all-consuming nature of possessive love and sexual attraction. Lushly descriptive and deeply emotional, it is rich in universal truths about human relationships. <br/><br/>&lt;/div&gt;]]>
  </description>
  <published>1913</published>
</book>

    <rating>4</rating>
  <votes>1</votes>
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  <date_added>Fri Mar 28 08:31:13 -0700 2008</date_added>
  <date_updated>Sat Apr 12 08:47:47 -0700 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[The thing about this book is I thought it was a story about incest. So, as I was reading it, I was waiting for the fateful scene where the son and his mother eventually have sex, which they don't, although they go on dates, caress each other, etc. I think the most provocative moment was where the so...<a href="http://www.goodreads.com/review/show/18840800">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/18840800]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/18840800]]></link>
</review>
      <review>
  <id>8016433</id>
    <user>
    <id>205347</id>
    <name><![CDATA[Michalyn]]></name>
    <location><![CDATA[The United States]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/205347-michalyn]]></link>
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  <id type="integer">526267</id>
  <isbn>0140188320</isbn>
  <isbn13>9780140188325</isbn13>
  <text_reviews_count type="integer">9</text_reviews_count>
  <title>
    <![CDATA[Sons and Lovers: Cambridge Lawrence Edition]]>
  </title>
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  <average_rating>3.72</average_rating>
  <ratings_count>58</ratings_count>
  <description>
    <![CDATA[<em>Sons and Lovers</em> was the first modern portrayal of a  phenomenon that later, thanks to Freud, became easily recognizable as  the Oedipus complex. Never was a son more indentured to his mother's  love and full of hatred for his father than Paul Morel, D.H. Lawrence's  young protagonist. Never, that is, except perhaps Lawrence himself. In his 1913 novel he grappled with the discordant loves that haunted him  all his life--for his spiritual childhood sweetheart, here called Miriam,  and for his mother, whom he transformed into Mrs. Morel. It is, by  Lawrence's own account, a book aimed at depicting this woman's grasp: &quot;as her sons grow up she selects them as lovers--first the eldest, then the second. These sons are <em>urged</em> into life by their reciprocal love of their mother--urged on and on. But when they come to manhood, they can't  love, because their mother is the strongest power in their lives.&quot; <p>  Of course, Mrs. Morel takes neither of her two elder sons (the first of  whom dies early, which further intensifies her grip on  Paul) as a literal lover, but nonetheless her psychological snare is  immense. She loathes Paul's Miriam from the start, understanding that  the  girl's deep love of her son will oust her: &quot;She's not like an ordinary  woman, who can leave me my share in him. She wants to absorb  him.&quot; Meanwhile, Paul plays his part with equal fervor,  incapable of committing himself in either direction: &quot;Why did his  mother  sit at home and suffer?... And why did he hate Miriam, and feel so  cruel  towards her, at the thought of his mother. If Miriam caused his mother  suffering, then he hated her--and he easily hated her.&quot;  Soon  thereafter he even confesses to his mother: &quot;I really <em>don't</em> love her. I  talk to her, but I want to come home to you.&quot;<p>  The result of all this is that Paul throws Miriam over for a married  suffragette, Clara Dawes, who fulfills the sexual component of his  ascent to manhood but leaves him, as ever, without a complete  relationship to challenge his love for his mother. As Paul voyages from  the working-class mining world to the  spheres of commerce and art (he has fair success as a painter), he  accepts that his own achievements must be equally his  mother's. &quot;There was so much to come out of him. Life for her was rich  with promise. She was to see herself fulfilled... All his work was  hers.&quot;  <p>  The cycles of Paul's relationships with these three women are  terrifying at times, and Lawrence does nothing to dim their intensity.  Nor does he shirk in his vivid, sensuous descriptions of the landscape  that offers up its blossoms and beasts and &quot;shimmeriness&quot; to Paul's  sensitive spirit. <em>Sons and Lovers</em> lays fully bare the souls of  men and  earth. Few books tell such whole, complicated truths about the  permutations of love as resolutely without resolution. It's nothing  short  of searing to be brushed by humanity in this manner. <em>--Melanie  Rehak</em></p></p></p>]]>
  </description>
  <published>1913</published>
</book>

    <rating>3</rating>
  <votes>1</votes>
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  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sat Jan 01 00:00:00 -0800 2005</read_at>
  <date_added>Sun Oct 21 07:27:52 -0700 2007</date_added>
  <date_updated>Sun Oct 21 07:35:29 -0700 2007</date_updated>
  <read_count></read_count>
    <body><![CDATA[I still am not sure what I think of DH Lawrence. This reads more like a Victorian novel in many senses because of the length and the omniscient perspective which tends to lead to moralizing. Lawrence needs an editor in the sense that all of his books could be &quot;tightened&quot; but I think that's...<a href="http://www.goodreads.com/review/show/8016433">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/8016433]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/8016433]]></link>
</review>
      <review>
  <id>17068298</id>
    <user>
    <id>884657</id>
    <name><![CDATA[Roland]]></name>
    <location><![CDATA[The United States]]></location>
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  <isbn13>9780375753732</isbn13>
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  <title>
    <![CDATA[Sons and Lovers]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1168321309m/32071.jpg</image_url>
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  <average_rating>3.53</average_rating>
  <ratings_count>4766</ratings_count>
  <description>
    <![CDATA[<em>With a new Introduction by Geoff Dyer<br/>Commentary by Anthony Burgess, Jessie Chambers, Frieda Lawrence, V.S. Pritchett, Kate Millett, and Alfred Kazin</em><br/><br/>Of all Lawrence's work, <strong>Sons and Lovers</strong> tells us most about the emotional source of his ideas,&quot; observed Diana Trilling. &quot;The famous Lawrence theme of the struggle for sexual power--and he is sure that all the struggles of civilized life have their root in this primary contest--is the constantly elaborated statement of the fierce battle which tore Lawrence's family.&quot;<br/><br/><strong>Sons and Lovers </strong>is one of the landmark novels of the twentieth century. When it appeared in 1913, it was immediately recognized as the first great modern restatement of the oedipal drama, and it is now widely considered the major work of D. H. Lawrence's early period. This intensely autobiographical novel recounts the story of Paul Morel, a young artist growing to manhood in a British working-class family rife with conflict. The author's vivid evocation of the all-consuming nature of possessive love and sexual attraction makes this one of his most powerful novels.<br/><br/>For the critic Kate Millett, &quot;<strong>Sons and Lovers</strong> is a great novel because it has the ring of something written from deeply felt experience. The past remembered, it conveys more of Lawrence's own knowledge of life than anything else he wrote. His other novels appear somehow artificial beside it.&quot;]]>
  </description>
  <published>1913</published>
</book>

    <rating>2</rating>
  <votes>1</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Tue Mar 25 00:00:00 -0700 2008</read_at>
  <date_added>Wed Mar 05 07:14:32 -0800 2008</date_added>
  <date_updated>Wed Mar 05 07:14:42 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[I wanted to read this book for months, and now that I've finished it I can say that it was a terrible disappointment.  The main character Paul treats the women in his life like absolute crap, and it's hard to care about a Mama's boy who can barely make decisions for himself.  The mother in the book ...<a href="http://www.goodreads.com/review/show/17068298">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/17068298]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/17068298]]></link>
</review>
      <review>
  <id>43264185</id>
    <user>
    <id>1200518</id>
    <name><![CDATA[Chad]]></name>
    <location><![CDATA[Bethlehem, PA]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/1200518-chad]]></link>
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  <isbn13>9780375753732</isbn13>
  <text_reviews_count type="integer">211</text_reviews_count>
  <title>
    <![CDATA[Sons and Lovers]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1168321309m/32071.jpg</image_url>
  <small_image_url>http://photo.goodreads.com/books/1168321309s/32071.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/32071.Sons_and_Lovers</link>
  <average_rating>3.53</average_rating>
  <ratings_count>4766</ratings_count>
  <description>
    <![CDATA[<em>With a new Introduction by Geoff Dyer<br/>Commentary by Anthony Burgess, Jessie Chambers, Frieda Lawrence, V.S. Pritchett, Kate Millett, and Alfred Kazin</em><br/><br/>Of all Lawrence's work, <strong>Sons and Lovers</strong> tells us most about the emotional source of his ideas,&quot; observed Diana Trilling. &quot;The famous Lawrence theme of the struggle for sexual power--and he is sure that all the struggles of civilized life have their root in this primary contest--is the constantly elaborated statement of the fierce battle which tore Lawrence's family.&quot;<br/><br/><strong>Sons and Lovers </strong>is one of the landmark novels of the twentieth century. When it appeared in 1913, it was immediately recognized as the first great modern restatement of the oedipal drama, and it is now widely considered the major work of D. H. Lawrence's early period. This intensely autobiographical novel recounts the story of Paul Morel, a young artist growing to manhood in a British working-class family rife with conflict. The author's vivid evocation of the all-consuming nature of possessive love and sexual attraction makes this one of his most powerful novels.<br/><br/>For the critic Kate Millett, &quot;<strong>Sons and Lovers</strong> is a great novel because it has the ring of something written from deeply felt experience. The past remembered, it conveys more of Lawrence's own knowledge of life than anything else he wrote. His other novels appear somehow artificial beside it.&quot;]]>
  </description>
  <published>1913</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
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  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at>Mon Dec 29 00:00:00 -0800 2008</read_at>
  <date_added>Fri Jan 16 12:30:27 -0800 2009</date_added>
  <date_updated>Fri Jan 16 12:31:48 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Lawrence writes beautifully; that I think no one can dispute. His style and character portrayals maintained my interest in the absence of any significant plot, which is no small task. There is something about these characters, their experiences and personalities, that does not ring true to anything ...<a href="http://www.goodreads.com/review/show/43264185">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/43264185]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/43264185]]></link>
</review>
      <review>
  <id>56779184</id>
    <user>
    <id>2064227</id>
    <name><![CDATA[Kacie]]></name>
    <location><![CDATA[Addison, TX]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/2064227-kacie]]></link>
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  <text_reviews_count type="integer">211</text_reviews_count>
  <title>
    <![CDATA[Sons and Lovers]]>
  </title>
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  <small_image_url>http://photo.goodreads.com/books/1168321309s/32071.jpg</small_image_url>
  <link>http://www.goodreads.com/book/show/32071.Sons_and_Lovers</link>
  <average_rating>3.53</average_rating>
  <ratings_count>4766</ratings_count>
  <description>
    <![CDATA[<em>With a new Introduction by Geoff Dyer<br/>Commentary by Anthony Burgess, Jessie Chambers, Frieda Lawrence, V.S. Pritchett, Kate Millett, and Alfred Kazin</em><br/><br/>Of all Lawrence's work, <strong>Sons and Lovers</strong> tells us most about the emotional source of his ideas,&quot; observed Diana Trilling. &quot;The famous Lawrence theme of the struggle for sexual power--and he is sure that all the struggles of civilized life have their root in this primary contest--is the constantly elaborated statement of the fierce battle which tore Lawrence's family.&quot;<br/><br/><strong>Sons and Lovers </strong>is one of the landmark novels of the twentieth century. When it appeared in 1913, it was immediately recognized as the first great modern restatement of the oedipal drama, and it is now widely considered the major work of D. H. Lawrence's early period. This intensely autobiographical novel recounts the story of Paul Morel, a young artist growing to manhood in a British working-class family rife with conflict. The author's vivid evocation of the all-consuming nature of possessive love and sexual attraction makes this one of his most powerful novels.<br/><br/>For the critic Kate Millett, &quot;<strong>Sons and Lovers</strong> is a great novel because it has the ring of something written from deeply felt experience. The past remembered, it conveys more of Lawrence's own knowledge of life than anything else he wrote. His other novels appear somehow artificial beside it.&quot;]]>
  </description>
  <published>1913</published>
</book>

    <rating>4</rating>
  <votes>0</votes>
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  <read_at></read_at>
  <date_added>Wed May 20 14:54:10 -0700 2009</date_added>
  <date_updated>Wed May 20 15:08:27 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Warning: the book deals with sex. If you're sensitive to that, don't read the book or my review. <br/><br/>I loved this book. It reminded me again of my love for classic English literature. I love the realism in it. &quot;Sons and Lovers&quot; is essentially about relationships. I thought it was g...<a href="http://www.goodreads.com/review/show/56779184">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/56779184]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/56779184]]></link>
</review>
      <review>
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    <user>
    <id>2189142</id>
    <name><![CDATA[Rebecca]]></name>
    <location><![CDATA[The United Kingdom]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/2189142-rebecca]]></link>
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  <title>
    <![CDATA[Sons and Lovers]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1168321309m/32071.jpg</image_url>
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  <link>http://www.goodreads.com/book/show/32071.Sons_and_Lovers</link>
  <average_rating>3.53</average_rating>
  <ratings_count>4766</ratings_count>
  <description>
    <![CDATA[<em>With a new Introduction by Geoff Dyer<br/>Commentary by Anthony Burgess, Jessie Chambers, Frieda Lawrence, V.S. Pritchett, Kate Millett, and Alfred Kazin</em><br/><br/>Of all Lawrence's work, <strong>Sons and Lovers</strong> tells us most about the emotional source of his ideas,&quot; observed Diana Trilling. &quot;The famous Lawrence theme of the struggle for sexual power--and he is sure that all the struggles of civilized life have their root in this primary contest--is the constantly elaborated statement of the fierce battle which tore Lawrence's family.&quot;<br/><br/><strong>Sons and Lovers </strong>is one of the landmark novels of the twentieth century. When it appeared in 1913, it was immediately recognized as the first great modern restatement of the oedipal drama, and it is now widely considered the major work of D. H. Lawrence's early period. This intensely autobiographical novel recounts the story of Paul Morel, a young artist growing to manhood in a British working-class family rife with conflict. The author's vivid evocation of the all-consuming nature of possessive love and sexual attraction makes this one of his most powerful novels.<br/><br/>For the critic Kate Millett, &quot;<strong>Sons and Lovers</strong> is a great novel because it has the ring of something written from deeply felt experience. The past remembered, it conveys more of Lawrence's own knowledge of life than anything else he wrote. His other novels appear somehow artificial beside it.&quot;]]>
  </description>
  <published>1913</published>
</book>

    <rating>1</rating>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sat Apr 04 00:00:00 -0700 2009</read_at>
  <date_added>Sat Apr 04 03:32:12 -0700 2009</date_added>
  <date_updated>Thu Apr 09 11:44:43 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[When I was mid-read I gave this book a charitable 'worth a read' comment.  I regret this.  Easy to read though it undoubtedly is, it is repetitious in the extreme.  Dull, dull, dull.  Bits and bobs of interest if you're an historian but you'd be better off picking up a history book. <br/><br/>Basi...<a href="http://www.goodreads.com/review/show/51462112">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/51462112]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/51462112]]></link>
</review>
      <review>
  <id>1479017</id>
    <user>
    <id>82310</id>
    <name><![CDATA[susan]]></name>
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  <isbn>0375753737</isbn>
  <isbn13>9780375753732</isbn13>
  <text_reviews_count type="integer">211</text_reviews_count>
  <title>
    <![CDATA[Sons and Lovers]]>
  </title>
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  <average_rating>3.53</average_rating>
  <ratings_count>4766</ratings_count>
  <description>
    <![CDATA[<em>With a new Introduction by Geoff Dyer<br/>Commentary by Anthony Burgess, Jessie Chambers, Frieda Lawrence, V.S. Pritchett, Kate Millett, and Alfred Kazin</em><br/><br/>Of all Lawrence's work, <strong>Sons and Lovers</strong> tells us most about the emotional source of his ideas,&quot; observed Diana Trilling. &quot;The famous Lawrence theme of the struggle for sexual power--and he is sure that all the struggles of civilized life have their root in this primary contest--is the constantly elaborated statement of the fierce battle which tore Lawrence's family.&quot;<br/><br/><strong>Sons and Lovers </strong>is one of the landmark novels of the twentieth century. When it appeared in 1913, it was immediately recognized as the first great modern restatement of the oedipal drama, and it is now widely considered the major work of D. H. Lawrence's early period. This intensely autobiographical novel recounts the story of Paul Morel, a young artist growing to manhood in a British working-class family rife with conflict. The author's vivid evocation of the all-consuming nature of possessive love and sexual attraction makes this one of his most powerful novels.<br/><br/>For the critic Kate Millett, &quot;<strong>Sons and Lovers</strong> is a great novel because it has the ring of something written from deeply felt experience. The past remembered, it conveys more of Lawrence's own knowledge of life than anything else he wrote. His other novels appear somehow artificial beside it.&quot;]]>
  </description>
  <published>1913</published>
</book>

    <rating>5</rating>
  <votes>1</votes>
  <spoiler_flag>false</spoiler_flag>
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        <shelf name="susanreccomends" />
      </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Fri Jun 01 00:00:00 -0700 2007</read_at>
  <date_added>Sun May 27 16:06:14 -0700 2007</date_added>
  <date_updated>Wed Dec 16 20:12:04 -0800 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[this novel turns out to be autobiographical so it was neat to read into DH Lawerence's life growing up. It was a wonderful story and I loved the writing style- very easy to read and intelligent. the book addresses the complex relationship between son and mother when the mother resents the husband/fa...<a href="http://www.goodreads.com/review/show/1479017">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/1479017]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/1479017]]></link>
</review>
      <review>
  <id>56419780</id>
    <user>
    <id>2329138</id>
    <name><![CDATA[Chris]]></name>
    <location><![CDATA[Newport, OR]]></location>
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  <title>
    <![CDATA[Sons and Lovers]]>
  </title>
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  <average_rating>3.53</average_rating>
  <ratings_count>4766</ratings_count>
  <description>
    <![CDATA[<em>With a new Introduction by Geoff Dyer<br/>Commentary by Anthony Burgess, Jessie Chambers, Frieda Lawrence, V.S. Pritchett, Kate Millett, and Alfred Kazin</em><br/><br/>Of all Lawrence's work, <strong>Sons and Lovers</strong> tells us most about the emotional source of his ideas,&quot; observed Diana Trilling. &quot;The famous Lawrence theme of the struggle for sexual power--and he is sure that all the struggles of civilized life have their root in this primary contest--is the constantly elaborated statement of the fierce battle which tore Lawrence's family.&quot;<br/><br/><strong>Sons and Lovers </strong>is one of the landmark novels of the twentieth century. When it appeared in 1913, it was immediately recognized as the first great modern restatement of the oedipal drama, and it is now widely considered the major work of D. H. Lawrence's early period. This intensely autobiographical novel recounts the story of Paul Morel, a young artist growing to manhood in a British working-class family rife with conflict. The author's vivid evocation of the all-consuming nature of possessive love and sexual attraction makes this one of his most powerful novels.<br/><br/>For the critic Kate Millett, &quot;<strong>Sons and Lovers</strong> is a great novel because it has the ring of something written from deeply felt experience. The past remembered, it conveys more of Lawrence's own knowledge of life than anything else he wrote. His other novels appear somehow artificial beside it.&quot;]]>
  </description>
  <published>1913</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
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  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Mar 01 00:00:00 -0800 2009</read_at>
  <date_added>Sun May 17 18:04:22 -0700 2009</date_added>
  <date_updated>Sun May 24 10:42:37 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[The book's strong suits are its depiction of working class English life in the early 20th century and of a young man cautiously diving into a sexual life and all the confusion that comes with doing so. The son's intense passion for his mother is clearly a pre-Fruedian analysis of the Oedipus complex...<a href="http://www.goodreads.com/review/show/56419780">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/56419780]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/56419780]]></link>
</review>
      <review>
  <id>67181306</id>
    <user>
    <id>1012180</id>
    <name><![CDATA[Joe]]></name>
    <location><![CDATA[Cambridge, MA]]></location>
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    <book>
  <id type="integer">2497494</id>
  <isbn>0140006680</isbn>
  <isbn13>9780140006681</isbn13>
  <text_reviews_count type="integer">3</text_reviews_count>
  <title>
    <![CDATA[Sons and Lovers]]>
  </title>
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  <link>http://www.goodreads.com/book/show/2497494.Sons_and_Lovers</link>
  <average_rating>3.77</average_rating>
  <ratings_count>13</ratings_count>
  <description>
    <![CDATA[<em>Sons and Lovers</em> was the first modern portrayal of a  phenomenon that later, thanks to Freud, became easily recognizable as  the Oedipus complex. Never was a son more indentured to his mother's  love and full of hatred for his father than Paul Morel, D.H. Lawrence's  young protagonist. Never, that is, except perhaps Lawrence himself. In his 1913 novel he grappled with the discordant loves that haunted him  all his life--for his spiritual childhood sweetheart, here called Miriam,  and for his mother, whom he transformed into Mrs. Morel. It is, by  Lawrence's own account, a book aimed at depicting this woman's grasp: &quot;as her sons grow up she selects them as lovers--first the eldest, then the second. These sons are <em>urged</em> into life by their reciprocal love of their mother--urged on and on. But when they come to manhood, they can't  love, because their mother is the strongest power in their lives.&quot; <p>  Of course, Mrs. Morel takes neither of her two elder sons (the first of  whom dies early, which further intensifies her grip on  Paul) as a literal lover, but nonetheless her psychological snare is  immense. She loathes Paul's Miriam from the start, understanding that  the  girl's deep love of her son will oust her: &quot;She's not like an ordinary  woman, who can leave me my share in him. She wants to absorb  him.&quot; Meanwhile, Paul plays his part with equal fervor,  incapable of committing himself in either direction: &quot;Why did his  mother  sit at home and suffer?... And why did he hate Miriam, and feel so  cruel  towards her, at the thought of his mother. If Miriam caused his mother  suffering, then he hated her--and he easily hated her.&quot;  Soon  thereafter he even confesses to his mother: &quot;I really <em>don't</em> love her. I  talk to her, but I want to come home to you.&quot;<p>  The result of all this is that Paul throws Miriam over for a married  suffragette, Clara Dawes, who fulfills the sexual component of his  ascent to manhood but leaves him, as ever, without a complete  relationship to challenge his love for his mother. As Paul voyages from  the working-class mining world to the  spheres of commerce and art (he has fair success as a painter), he  accepts that his own achievements must be equally his  mother's. &quot;There was so much to come out of him. Life for her was rich  with promise. She was to see herself fulfilled... All his work was  hers.&quot;  <p>  The cycles of Paul's relationships with these three women are  terrifying at times, and Lawrence does nothing to dim their intensity.  Nor does he shirk in his vivid, sensuous descriptions of the landscape  that offers up its blossoms and beasts and &quot;shimmeriness&quot; to Paul's  sensitive spirit. <em>Sons and Lovers</em> lays fully bare the souls of  men and  earth. Few books tell such whole, complicated truths about the  permutations of love as resolutely without resolution. It's nothing  short  of searing to be brushed by humanity in this manner. <em>--Melanie  Rehak</em></p></p></p>]]>
  </description>
  <published>1913</published>
</book>

    <rating>3</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at></read_at>
  <date_added>Wed Aug 12 21:03:44 -0700 2009</date_added>
  <date_updated>Fri Aug 21 17:12:29 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[The first third of this book is terrific. The middle half(ish) of this book is painful. And the end is very good. On the whole the book is average and clearly very imbalanced. <br/>This was not the book I was expecting. I had this image of D.H. Lawrence as an idealized romantic like the poets. This...<a href="http://www.goodreads.com/review/show/67181306">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/67181306]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/67181306]]></link>
</review>
      <review>
  <id>60681985</id>
    <user>
    <id>528719</id>
    <name><![CDATA[Sara]]></name>
    <location><![CDATA[The United States]]></location>
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  <title>
    <![CDATA[Sons and Lovers]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1168321309m/32071.jpg</image_url>
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  <average_rating>3.53</average_rating>
  <ratings_count>4766</ratings_count>
  <description>
    <![CDATA[<em>With a new Introduction by Geoff Dyer<br/>Commentary by Anthony Burgess, Jessie Chambers, Frieda Lawrence, V.S. Pritchett, Kate Millett, and Alfred Kazin</em><br/><br/>Of all Lawrence's work, <strong>Sons and Lovers</strong> tells us most about the emotional source of his ideas,&quot; observed Diana Trilling. &quot;The famous Lawrence theme of the struggle for sexual power--and he is sure that all the struggles of civilized life have their root in this primary contest--is the constantly elaborated statement of the fierce battle which tore Lawrence's family.&quot;<br/><br/><strong>Sons and Lovers </strong>is one of the landmark novels of the twentieth century. When it appeared in 1913, it was immediately recognized as the first great modern restatement of the oedipal drama, and it is now widely considered the major work of D. H. Lawrence's early period. This intensely autobiographical novel recounts the story of Paul Morel, a young artist growing to manhood in a British working-class family rife with conflict. The author's vivid evocation of the all-consuming nature of possessive love and sexual attraction makes this one of his most powerful novels.<br/><br/>For the critic Kate Millett, &quot;<strong>Sons and Lovers</strong> is a great novel because it has the ring of something written from deeply felt experience. The past remembered, it conveys more of Lawrence's own knowledge of life than anything else he wrote. His other novels appear somehow artificial beside it.&quot;]]>
  </description>
  <published>1913</published>
</book>

    <rating>1</rating>
  <votes>0</votes>
  <spoiler_flag>false</spoiler_flag>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Jun 21 00:00:00 -0700 2009</read_at>
  <date_added>Mon Jun 22 14:42:36 -0700 2009</date_added>
  <date_updated>Mon Jun 22 14:50:29 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Sorry, I hated it.  The writing is about as subtle as a sledgehammer (seriously, how many times can a character’s ‘eyes be filled with cruelty’?), and none of the characters is likeable or even compelling.  When it was published, it was one of the first books to examine the lives of lower clas...<a href="http://www.goodreads.com/review/show/60681985">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/60681985]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/60681985]]></link>
</review>
      <review>
  <id>69429422</id>
    <user>
    <id>2621413</id>
    <name><![CDATA[Manal]]></name>
    <location><![CDATA[Cairo, 11, Egypt]]></location>
    <link><![CDATA[http://www.goodreads.com/user/show/2621413-manal]]></link>
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  <isbn>0375753737</isbn>
  <isbn13>9780375753732</isbn13>
  <text_reviews_count type="integer">211</text_reviews_count>
  <title>
    <![CDATA[Sons and Lovers]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1168321309m/32071.jpg</image_url>
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  <average_rating>3.53</average_rating>
  <ratings_count>4766</ratings_count>
  <description>
    <![CDATA[<em>With a new Introduction by Geoff Dyer<br/>Commentary by Anthony Burgess, Jessie Chambers, Frieda Lawrence, V.S. Pritchett, Kate Millett, and Alfred Kazin</em><br/><br/>Of all Lawrence's work, <strong>Sons and Lovers</strong> tells us most about the emotional source of his ideas,&quot; observed Diana Trilling. &quot;The famous Lawrence theme of the struggle for sexual power--and he is sure that all the struggles of civilized life have their root in this primary contest--is the constantly elaborated statement of the fierce battle which tore Lawrence's family.&quot;<br/><br/><strong>Sons and Lovers </strong>is one of the landmark novels of the twentieth century. When it appeared in 1913, it was immediately recognized as the first great modern restatement of the oedipal drama, and it is now widely considered the major work of D. H. Lawrence's early period. This intensely autobiographical novel recounts the story of Paul Morel, a young artist growing to manhood in a British working-class family rife with conflict. The author's vivid evocation of the all-consuming nature of possessive love and sexual attraction makes this one of his most powerful novels.<br/><br/>For the critic Kate Millett, &quot;<strong>Sons and Lovers</strong> is a great novel because it has the ring of something written from deeply felt experience. The past remembered, it conveys more of Lawrence's own knowledge of life than anything else he wrote. His other novels appear somehow artificial beside it.&quot;]]>
  </description>
  <published>1913</published>
</book>

    <rating>2</rating>
  <votes>0</votes>
  <spoiler_flag>true</spoiler_flag>
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        <shelf name="read" />
          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[]]></recommended_by>
  <read_at>Sun Sep 13 00:00:00 -0700 2009</read_at>
  <date_added>Sun Aug 30 07:44:07 -0700 2009</date_added>
  <date_updated>Sun Sep 13 12:42:50 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Although it is perfectly clear that D H Lawrence, while writing Sons and Lovers, was heavily influnced by the mainstream movement of Psychological Realism that started to take shape in the early 20th century, he could not fully embody the soul of the movement into his novel. <br/><br/>Psychologica...<a href="http://www.goodreads.com/review/show/69429422">more...</a>]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/69429422]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/69429422]]></link>
</review>
      <review>
  <id>11022408</id>
    <user>
    <id>545392</id>
    <name><![CDATA[W.]]></name>
    <location><![CDATA[Harrisburg, PA]]></location>
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  <title>
    <![CDATA[Sons and Lovers]]>
  </title>
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  <average_rating>3.53</average_rating>
  <ratings_count>4766</ratings_count>
  <description>
    <![CDATA[<em>With a new Introduction by Geoff Dyer<br/>Commentary by Anthony Burgess, Jessie Chambers, Frieda Lawrence, V.S. Pritchett, Kate Millett, and Alfred Kazin</em><br/><br/>Of all Lawrence's work, <strong>Sons and Lovers</strong> tells us most about the emotional source of his ideas,&quot; observed Diana Trilling. &quot;The famous Lawrence theme of the struggle for sexual power--and he is sure that all the struggles of civilized life have their root in this primary contest--is the constantly elaborated statement of the fierce battle which tore Lawrence's family.&quot;<br/><br/><strong>Sons and Lovers </strong>is one of the landmark novels of the twentieth century. When it appeared in 1913, it was immediately recognized as the first great modern restatement of the oedipal drama, and it is now widely considered the major work of D. H. Lawrence's early period. This intensely autobiographical novel recounts the story of Paul Morel, a young artist growing to manhood in a British working-class family rife with conflict. The author's vivid evocation of the all-consuming nature of possessive love and sexual attraction makes this one of his most powerful novels.<br/><br/>For the critic Kate Millett, &quot;<strong>Sons and Lovers</strong> is a great novel because it has the ring of something written from deeply felt experience. The past remembered, it conveys more of Lawrence's own knowledge of life than anything else he wrote. His other novels appear somehow artificial beside it.&quot;]]>
  </description>
  <published>1913</published>
</book>

    <rating>5</rating>
  <votes>1</votes>
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          </shelves>
  <recommended_for><![CDATA[]]></recommended_for>
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  <read_at></read_at>
  <date_added>Wed Dec 26 06:58:55 -0800 2007</date_added>
  <date_updated>Fri Jan 04 18:30:16 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[This would be in my top ten of all time novels...many slots I'd have to think about...but this one would be there with absolute certainty...he was a force of nature...I think this is the kind of naturalistic novel Zola was itching to write...and I don't think he ever did...]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/11022408]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/11022408]]></link>
</review>
      <review>
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    <user>
    <id>1726926</id>
    <name><![CDATA[Leslie]]></name>
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    <![CDATA[Sons and Lovers]]>
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  <average_rating>3.53</average_rating>
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    <![CDATA[<em>With a new Introduction by Geoff Dyer<br/>Commentary by Anthony Burgess, Jessie Chambers, Frieda Lawrence, V.S. Pritchett, Kate Millett, and Alfred Kazin</em><br/><br/>Of all Lawrence's work, <strong>Sons and Lovers</strong> tells us most about the emotional source of his ideas,&quot; observed Diana Trilling. &quot;The famous Lawrence theme of the struggle for sexual power--and he is sure that all the struggles of civilized life have their root in this primary contest--is the constantly elaborated statement of the fierce battle which tore Lawrence's family.&quot;<br/><br/><strong>Sons and Lovers </strong>is one of the landmark novels of the twentieth century. When it appeared in 1913, it was immediately recognized as the first great modern restatement of the oedipal drama, and it is now widely considered the major work of D. H. Lawrence's early period. This intensely autobiographical novel recounts the story of Paul Morel, a young artist growing to manhood in a British working-class family rife with conflict. The author's vivid evocation of the all-consuming nature of possessive love and sexual attraction makes this one of his most powerful novels.<br/><br/>For the critic Kate Millett, &quot;<strong>Sons and Lovers</strong> is a great novel because it has the ring of something written from deeply felt experience. The past remembered, it conveys more of Lawrence's own knowledge of life than anything else he wrote. His other novels appear somehow artificial beside it.&quot;]]>
  </description>
  <published>1913</published>
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  <date_added>Thu Nov 20 15:04:12 -0800 2008</date_added>
  <date_updated>Thu Nov 20 15:05:22 -0800 2008</date_updated>
  <read_count></read_count>
    <body><![CDATA[If you are on the academic calendar and have a true Christmas break, grab your old copy and re-read in the weeks between semesters. Read it already? No, try again. The older you get, the more you see where Lawrence was calling from...]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/38252923]]></url>
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      <review>
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    <name><![CDATA[Misha]]></name>
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  <id type="integer">603243</id>
  <isbn>0451518829</isbn>
  <isbn13>9780451518828</isbn13>
  <text_reviews_count type="integer">6</text_reviews_count>
  <title>
    <![CDATA[Sons and Lovers]]>
  </title>
  <image_url>http://photo.goodreads.com/books/1176209115m/603243.jpg</image_url>
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  <average_rating>3.57</average_rating>
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    <![CDATA[For the first time, Sons and Lovers appears in paperback in its complete form, including the restoration of 80 passages missing from previous editions. Drawing on both the physical setting and emotional atmosphere of his own childhood, Lawrence's evocation of a working-class life and of family conflicts is a literary masterpiece rich in insights into its author.]]>
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  <date_added>Mon Oct 12 23:43:48 -0700 2009</date_added>
  <date_updated>Mon Oct 12 23:47:29 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[Read my senior year of high school when I worked on a semester-long project researching Lawrence's life and writing a paper about this autobiographical novel. Lawrence blew my mind in those days and forever earned a spot among my most beloved authors. <em>Lady Chatterley's Lover</em> will always be my favori...<a href="http://www.goodreads.com/review/show/74360659">more...</a>]]></body>
    
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