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  <id>1415226</id>
  <title><![CDATA[Kilter 55]]></title>
  <isbn><![CDATA[0888012802]]></isbn>
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  <description><![CDATA[At five pages, &quot;Raising the Sparks&quot; is the longest piece in <em>Kilter</em>, John Gould's second collection of extremely short stories (which was a surprise Giller Prize nominee). But with his command of language and eye for the minutiae of relationships, the Victoria-based writer doesn't need more than a few lines to capture a character or relationship or moment. &quot;In Translation,&quot; which takes the form of a dialogue between a man and a woman reading in bed, follows each spoken line with its actual meaning. &quot;'What's it about, though, Marie-Claire?' I say, meaning, <em>After all these years, you know, the sound of your name still makes little purple blossoms start popping through my scalp.</em>&quot; In &quot;Sunday Morning&quot; the narrator describes her boyfriend as saying &quot;God&quot; &quot;the way my grandma says 'email.'&quot; Some of the stories in <em>Kilter</em> are exceedingly clever in format. &quot;Dear Ann,&quot; for instance, is written as a letter to an advice columnist about a troubled relationship between a Kabbalist and an alchemist, followed by the columnist's hilariously off-the-mark response. In &quot;Password,&quot; a woman searches for the forgotten password that will unlock a computer document--innocuously titled &quot;Mom.doc&quot;--detailing an erotic dream. In &quot;Dust,&quot; an argumentative conversation over classical literary allusions gradually reveals itself to be a telephone call from a potential suicide to a prevention line. <p>  But the stories in this rewarding and revelatory collection are never simply exercises or literary devices. Gould's raw material is the dynamic between men and women--how we go from being strangers to friends to lovers and back again--as well as the transformative powers of mortality. More than a few terminally ill people populate these stories. Underlying many of these precise, illuminating tales is a questing, playful spirituality. In &quot;Takeout&quot; a woman asks her boyfriend if he would still love her if she changed, and then reveals that she already has. &quot;'Naw,' says Dick, shaking his head. 'Naw, you're still my little Wendykins' 'Actually, no,' says Wendy. 'No, I'm not your Wendykins. I'm Chiyono, a medieval Buddhist nun.' Dick looks up abruptly from the wreckage of his dinner. 'I've just achieved enlightenment,' says his wife. 'Just now, just today.'&quot; <em>--Shawn Conner</em></p>]]></description>
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  <title>
    <![CDATA[Kilter: 55 Fictions]]>
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  <average_rating>4.00</average_rating>
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    <![CDATA[<strong>&quot;The enormous inventiveness of these 55 fictions offers the reader an emotional and intellectual gourmet feast.&quot;&#151;2003 Giller Prize Jury.</strong><br/><br/>A finalist for the 2003 Giller Prize, Canada's most prestigious literary award, <em>Kilter</em> is a subtle, funny, ironic, and startling chronicle of contemporary life, full of individuals catching odd glimpses of themselves&#151;a young woman puzzles over the identity of her lost brother; a husband describes a sixteenth-century painting to explain his lover to his wife&#151;and of big ideas working themselves out in strange but revealing ways&#151;a dead man laments the suicide note he failed to write; a wife and husband disagree about the shape of the semen stain on their son's pajamas, he seeing it as an image of Jesus, she as the image of her dog as a puppy.<br/><br/>John Gould has updated and westernized the form of the palm-of-the-hand story, invented eighty years ago by Yasunari Kawabata, who wanted a way to write a fiction writer's poetry. In spare, elegant prose, Gould crafts quirky gems, compact fusions of humor and pathos. At the center of this multifaceted collection is a vision of human beings as paradoxical creatures, finite and haunted by infinite longings. In story after story, Gould locates the fulcrum on which a life tilts from kilter to off-kilter and back again.]]>
  </description>
  <published>2005</published>
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    <rating>3</rating>
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  <date_added>Wed May 20 14:10:55 -0700 2009</date_added>
  <date_updated>Mon May 25 16:29:50 -0700 2009</date_updated>
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    <body><![CDATA[This book is a collection of short stories written all in one page or less; ‘palm-of-the-hand’.  Brief and subtle yet emotionally rich, Gould gives accounts of human beings in their most simplified form; paradoxical animals all searching for something and obsessing with the past.  I read this in...<a href="http://www.goodreads.com/review/show/56774786">more...</a>]]></body>
    
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      <review>
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    <name><![CDATA[Laura]]></name>
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  <title>
    <![CDATA[Kilter: 55 Fictions]]>
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  <average_rating>3.95</average_rating>
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    <![CDATA[<strong>&quot;The enormous inventiveness of these 55 fictions offers the reader an emotional and intellectual gourmet feast.&quot;&#151;2003 Giller Prize Jury.</strong><br/><br/>A finalist for the 2003 Giller Prize, Canada's most prestigious literary award, <em>Kilter</em> is a subtle, funny, ironic, and startling chronicle of contemporary life, full of individuals catching odd glimpses of themselves&#151;a young woman puzzles over the identity of her lost brother; a husband describes a sixteenth-century painting to explain his lover to his wife&#151;and of big ideas working themselves out in strange but revealing ways&#151;a dead man laments the suicide note he failed to write; a wife and husband disagree about the shape of the semen stain on their son's pajamas, he seeing it as an image of Jesus, she as the image of her dog as a puppy.<br/><br/>John Gould has updated and westernized the form of the palm-of-the-hand story, invented eighty years ago by Yasunari Kawabata, who wanted a way to write a fiction writer's poetry. In spare, elegant prose, Gould crafts quirky gems, compact fusions of humor and pathos. At the center of this multifaceted collection is a vision of human beings as paradoxical creatures, finite and haunted by infinite longings. In story after story, Gould locates the fulcrum on which a life tilts from kilter to off-kilter and back again.]]>
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    <rating>5</rating>
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    <body><![CDATA[Very, very short stories (they're a spin on &quot;Palm of the Hand Stories&quot;), none longer than four pages, some of which are extraordinary. I read this book very slowly because I didn't want it to end.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/4718745]]></url>
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      <review>
  <id>59665491</id>
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    <name><![CDATA[Mo]]></name>
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  <title>
    <![CDATA[Kilter 55]]>
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  <average_rating>3.80</average_rating>
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    <![CDATA[At five pages, &quot;Raising the Sparks&quot; is the longest piece in <em>Kilter</em>, John Gould's second collection of extremely short stories (which was a surprise Giller Prize nominee). But with his command of language and eye for the minutiae of relationships, the Victoria-based writer doesn't need more than a few lines to capture a character or relationship or moment. &quot;In Translation,&quot; which takes the form of a dialogue between a man and a woman reading in bed, follows each spoken line with its actual meaning. &quot;'What's it about, though, Marie-Claire?' I say, meaning, <em>After all these years, you know, the sound of your name still makes little purple blossoms start popping through my scalp.</em>&quot; In &quot;Sunday Morning&quot; the narrator describes her boyfriend as saying &quot;God&quot; &quot;the way my grandma says 'email.'&quot; Some of the stories in <em>Kilter</em> are exceedingly clever in format. &quot;Dear Ann,&quot; for instance, is written as a letter to an advice columnist about a troubled relationship between a Kabbalist and an alchemist, followed by the columnist's hilariously off-the-mark response. In &quot;Password,&quot; a woman searches for the forgotten password that will unlock a computer document--innocuously titled &quot;Mom.doc&quot;--detailing an erotic dream. In &quot;Dust,&quot; an argumentative conversation over classical literary allusions gradually reveals itself to be a telephone call from a potential suicide to a prevention line. <p>  But the stories in this rewarding and revelatory collection are never simply exercises or literary devices. Gould's raw material is the dynamic between men and women--how we go from being strangers to friends to lovers and back again--as well as the transformative powers of mortality. More than a few terminally ill people populate these stories. Underlying many of these precise, illuminating tales is a questing, playful spirituality. In &quot;Takeout&quot; a woman asks her boyfriend if he would still love her if she changed, and then reveals that she already has. &quot;'Naw,' says Dick, shaking his head. 'Naw, you're still my little Wendykins' 'Actually, no,' says Wendy. 'No, I'm not your Wendykins. I'm Chiyono, a medieval Buddhist nun.' Dick looks up abruptly from the wreckage of his dinner. 'I've just achieved enlightenment,' says his wife. 'Just now, just today.'&quot; <em>--Shawn Conner</em></p>]]>
  </description>
  <published>2005</published>
</book>

    <rating>3</rating>
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  <recommended_for><![CDATA[]]></recommended_for>
  <recommended_by><![CDATA[Suzie Gardner]]></recommended_by>
  <read_at>Sun Sep 06 00:00:00 -0700 2009</read_at>
  <date_added>Sun Jun 14 18:09:43 -0700 2009</date_added>
  <date_updated>Sun Sep 06 22:17:34 -0700 2009</date_updated>
  <read_count></read_count>
    <body><![CDATA[I liked the stories, but my attention/patience span isn't tolerant enough to get through all of them.]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/59665491]]></url>
  <link><![CDATA[http://www.goodreads.com/review/show/59665491]]></link>
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      <review>
  <id>30946328</id>
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    <id>1411942</id>
    <name><![CDATA[Sheila]]></name>
    <location><![CDATA[Dartmouth, Canada]]></location>
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  <title>
    <![CDATA[Kilter: 55 Fictions]]>
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  <average_rating>3.95</average_rating>
  <ratings_count>21</ratings_count>
  <description>
    <![CDATA[<strong>&quot;The enormous inventiveness of these 55 fictions offers the reader an emotional and intellectual gourmet feast.&quot;&#151;2003 Giller Prize Jury.</strong><br/><br/>A finalist for the 2003 Giller Prize, Canada's most prestigious literary award, <em>Kilter</em> is a subtle, funny, ironic, and startling chronicle of contemporary life, full of individuals catching odd glimpses of themselves&#151;a young woman puzzles over the identity of her lost brother; a husband describes a sixteenth-century painting to explain his lover to his wife&#151;and of big ideas working themselves out in strange but revealing ways&#151;a dead man laments the suicide note he failed to write; a wife and husband disagree about the shape of the semen stain on their son's pajamas, he seeing it as an image of Jesus, she as the image of her dog as a puppy.<br/><br/>John Gould has updated and westernized the form of the palm-of-the-hand story, invented eighty years ago by Yasunari Kawabata, who wanted a way to write a fiction writer's poetry. In spare, elegant prose, Gould crafts quirky gems, compact fusions of humor and pathos. At the center of this multifaceted collection is a vision of human beings as paradoxical creatures, finite and haunted by infinite longings. In story after story, Gould locates the fulcrum on which a life tilts from kilter to off-kilter and back again.]]>
  </description>
  <published>2005</published>
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    <rating>5</rating>
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  <date_added>Fri Aug 22 18:34:28 -0700 2008</date_added>
  <date_updated>Fri Aug 22 18:35:02 -0700 2008</date_updated>
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    <body><![CDATA[Master of the small moment! Fantastic collection! Highly recommend!]]></body>
    
  <url><![CDATA[http://www.goodreads.com/review/show/30946328]]></url>
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      <review>
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    <![CDATA[Kilter: 55 Fictions]]>
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  <average_rating>3.95</average_rating>
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    <![CDATA[<strong>&quot;The enormous inventiveness of these 55 fictions offers the reader an emotional and intellectual gourmet feast.&quot;&#151;2003 Giller Prize Jury.</strong><br/><br/>A finalist for the 2003 Giller Prize, Canada's most prestigious literary award, <em>Kilter</em> is a subtle, funny, ironic, and startling chronicle of contemporary life, full of individuals catching odd glimpses of themselves&#151;a young woman puzzles over the identity of her lost brother; a husband describes a sixteenth-century painting to explain his lover to his wife&#151;and of big ideas working themselves out in strange but revealing ways&#151;a dead man laments the suicide note he failed to write; a wife and husband disagree about the shape of the semen stain on their son's pajamas, he seeing it as an image of Jesus, she as the image of her dog as a puppy.<br/><br/>John Gould has updated and westernized the form of the palm-of-the-hand story, invented eighty years ago by Yasunari Kawabata, who wanted a way to write a fiction writer's poetry. In spare, elegant prose, Gould crafts quirky gems, compact fusions of humor and pathos. At the center of this multifaceted collection is a vision of human beings as paradoxical creatures, finite and haunted by infinite longings. In story after story, Gould locates the fulcrum on which a life tilts from kilter to off-kilter and back again.]]>
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  <date_added>Mon Dec 28 21:27:57 -0800 2009</date_added>
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  <read_count></read_count>
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      <review>
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    <name><![CDATA[Robert]]></name>
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    <![CDATA[Kilter: 55 Fictions]]>
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  <average_rating>3.95</average_rating>
  <ratings_count>21</ratings_count>
  <description>
    <![CDATA[<strong>&quot;The enormous inventiveness of these 55 fictions offers the reader an emotional and intellectual gourmet feast.&quot;&#151;2003 Giller Prize Jury.</strong><br/><br/>A finalist for the 2003 Giller Prize, Canada's most prestigious literary award, <em>Kilter</em> is a subtle, funny, ironic, and startling chronicle of contemporary life, full of individuals catching odd glimpses of themselves&#151;a young woman puzzles over the identity of her lost brother; a husband describes a sixteenth-century painting to explain his lover to his wife&#151;and of big ideas working themselves out in strange but revealing ways&#151;a dead man laments the suicide note he failed to write; a wife and husband disagree about the shape of the semen stain on their son's pajamas, he seeing it as an image of Jesus, she as the image of her dog as a puppy.<br/><br/>John Gould has updated and westernized the form of the palm-of-the-hand story, invented eighty years ago by Yasunari Kawabata, who wanted a way to write a fiction writer's poetry. In spare, elegant prose, Gould crafts quirky gems, compact fusions of humor and pathos. At the center of this multifaceted collection is a vision of human beings as paradoxical creatures, finite and haunted by infinite longings. In story after story, Gould locates the fulcrum on which a life tilts from kilter to off-kilter and back again.]]>
  </description>
  <published>2005</published>
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    <rating>4</rating>
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    <book_link>
  <id>8</id>
  <name><![CDATA[WorldCat]]></name>
  <link>http://www.goodreads.com/book_link/follow/8?book_id=1415226</link>
</book_link>
  </book_links>
</book>
</GoodreadsResponse>